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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CF34E it is the complementary color #930CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CF34E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CF34E shade: #71F349, #82FF5C, #93FF6F, #A4FF82 and #B5FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CF34E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CF34E shade: #6CF34E, #5BE13B, #4ACF28, #39BD15 and #28AB02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CF34E shade: #6CF34F, #99F34F, #C5F34F, #F1F34F and #F3C84F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CF34E shade: #6CF34F, #4FF35D, #4FF389, #4FF3B6 and #4FF3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CF34E shade matches the following richer shades: #6CF34F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CF34E shade: #6CF34F, #76E35E, #80D46D, #8AC57C and #93B68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CF34E shade: #C4F34F, #98F34F, #6DF34F, #4FF35C and #4FF388

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CF34E shade: #35DF10, #4CF028, #6CF34F, #8CF575 and #ADF89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CF34E shade: #6CF34E, #4FF0F3 and #F34FAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CF34E shade: #6CF34E, #4F6DF3 and #F34F6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CF34E shade: #6CF34E, #4FF0F3, #D54FF3 and #F3514F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CF34E shade: #6CF34E, #4FBFF3, #D54FF3 and #F3834F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

Complementary color

CMYK 17 / 93 / 0 / 31

HEX #930CB1

RGB 147 12 177

HSL 289.09, 0.87%, 0.37%

LAB 37.19, 68.63, -54.34

 

CMYK 53 / 0 / 70 / 5

HEX #71F349

RGB 113 243 73

HSL 105.88, 0.88%, 0.62%

LAB 86.05, -64.99, 67.56

 

CMYK 49 / 0 / 64 / 0

HEX #82FF5C

RGB 130 255 92

HSL 106.01, 1%, 0.68%

LAB 90.34, -63.26, 65.06

 

CMYK 42 / 0 / 56 / 0

HEX #93FF6F

RGB 147 255 111

HSL 105, 1%, 0.72%

LAB 91.18, -56.56, 58.22

 

CMYK 36 / 0 / 49 / 0

HEX #A4FF82

RGB 164 255 130

HSL 103.68, 1%, 0.75%

LAB 92.14, -49.22, 50.96

 

CMYK 29 / 0 / 42 / 0

HEX #B5FF95

RGB 181 255 149

HSL 101.89, 1%, 0.79%

LAB 93.24, -41.37, 43.48

 

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

CMYK 60 / 0 / 74 / 12

HEX #5BE13B

RGB 91 225 59

HSL 108.43, 0.73%, 0.56%

LAB 79.84, -65.14, 65.92

 

CMYK 64 / 0 / 81 / 19

HEX #4ACF28

RGB 74 207 40

HSL 107.78, 0.68%, 0.48%

LAB 73.7, -64.06, 65.68

 

CMYK 70 / 0 / 89 / 26

HEX #39BD15

RGB 57 189 21

HSL 107.14, 0.8%, 0.41%

LAB 67.52, -62.49, 64.42

 

CMYK 77 / 0 / 99 / 33

HEX #28AB02

RGB 40 171 2

HSL 106.51, 0.98%, 0.34%

LAB 61.29, -60.28, 61.87

 

CMYK 56 / 0 / 67 / 5

HEX #6CF34F

RGB 108 243 79

HSL 109.39, 0.87%, 0.63%

LAB 85.93, -65.78, 65.16

 

CMYK 37 / 0 / 67 / 5

HEX #99F34F

RGB 153 243 79

HSL 92.93, 0.87%, 0.63%

LAB 87.7, -52.71, 67.56

 

CMYK 19 / 0 / 67 / 5

HEX #C5F34F

RGB 197 243 79

HSL 76.83, 0.87%, 0.63%

LAB 90.11, -36.98, 70.81

 

CMYK 1 / 0 / 67 / 5

HEX #F1F34F

RGB 241 243 79

HSL 60.73, 0.87%, 0.63%

LAB 93.17, -19.61, 74.9

 

CMYK 0 / 18 / 67 / 5

HEX #F3C84F

RGB 243 200 79

HSL 44.27, 0.87%, 0.63%

LAB 82.34, 2.71, 63.91

 

CMYK 56 / 0 / 67 / 5

HEX #6CF34F

RGB 108 243 79

HSL 109.39, 0.87%, 0.63%

LAB 85.93, -65.78, 65.16

 

CMYK 67 / 0 / 62 / 5

HEX #4FF35D

RGB 79 243 93

HSL 125.12, 0.87%, 0.63%

LAB 85.28, -70.64, 58.63

 

CMYK 67 / 0 / 44 / 5

HEX #4FF389

RGB 79 243 137

HSL 141.22, 0.87%, 0.63%

LAB 85.79, -64.71, 39.01

 

CMYK 67 / 0 / 25 / 5

HEX #4FF3B6

RGB 79 243 182

HSL 157.68, 0.87%, 0.63%

LAB 86.57, -56.17, 17.28

 

CMYK 67 / 0 / 7 / 5

HEX #4FF3E2

RGB 79 243 226

HSL 173.78, 0.87%, 0.63%

LAB 87.61, -45.66, -4.15

 

CMYK 56 / 0 / 67 / 5

HEX #6CF34F

RGB 108 243 79

HSL 109.39, 0.87%, 0.63%

LAB 85.93, -65.78, 65.16

 

CMYK 56 / 0 / 67 / 5

HEX #6CF34F

RGB 108 243 79

HSL 109.39, 0.87%, 0.63%

LAB 85.93, -65.78, 65.16

 

CMYK 48 / 0 / 59 / 11

HEX #76E35E

RGB 118 227 94

HSL 109.17, 0.7%, 0.63%

LAB 81.62, -55.82, 54.34

 

CMYK 40 / 0 / 49 / 17

HEX #80D46D

RGB 128 212 109

HSL 108.93, 0.54%, 0.63%

LAB 77.75, -44.99, 42.86

 

CMYK 30 / 0 / 37 / 23

HEX #8AC57C

RGB 138 197 124

HSL 108.49, 0.39%, 0.63%

LAB 74.06, -32.94, 30.71

 

CMYK 19 / 0 / 23 / 29

HEX #93B68C

RGB 147 182 140

HSL 110, 0.22%, 0.63%

LAB 70.56, -19.94, 17.58

 

CMYK 19 / 0 / 67 / 5

HEX #C4F34F

RGB 196 243 79

HSL 77.2, 0.87%, 0.63%

LAB 90.05, -37.36, 70.72

 

CMYK 37 / 0 / 67 / 5

HEX #98F34F

RGB 152 243 79

HSL 93.29, 0.87%, 0.63%

LAB 87.65, -53.04, 67.49

 

CMYK 55 / 0 / 67 / 5

HEX #6DF34F

RGB 109 243 79

HSL 109.02, 0.87%, 0.63%

LAB 85.96, -65.53, 65.21

 

CMYK 67 / 0 / 62 / 5

HEX #4FF35C

RGB 79 243 92

HSL 124.76, 0.87%, 0.63%

LAB 85.27, -70.74, 59.04

 

CMYK 67 / 0 / 44 / 5

HEX #4FF388

RGB 79 243 136

HSL 140.85, 0.87%, 0.63%

LAB 85.78, -64.88, 39.48

 

CMYK 76 / 0 / 93 / 13

HEX #35DF10

RGB 53 223 16

HSL 109.28, 0.87%, 0.47%

LAB 78.21, -73.59, 74.17

 

CMYK 68 / 0 / 83 / 6

HEX #4CF028

RGB 76 240 40

HSL 109.2, 0.87%, 0.55%

LAB 83.97, -74.16, 75.05

 

CMYK 56 / 0 / 67 / 5

HEX #6CF34F

RGB 108 243 79

HSL 109.39, 0.87%, 0.63%

LAB 85.93, -65.78, 65.16

 

CMYK 43 / 0 / 52 / 4

HEX #8CF575

RGB 140 245 117

HSL 109.22, 0.86%, 0.71%

LAB 88.05, -54, 51.76

 

CMYK 30 / 0 / 37 / 3

HEX #ADF89C

RGB 173 248 156

HSL 108.91, 0.87%, 0.79%

LAB 90.97, -39.92, 37.02

 

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

CMYK 67 / 1 / 0 / 5

HEX #4FF0F3

RGB 79 240 243

HSL 181.1, 0.87%, 0.63%

LAB 87.22, -39.77, -13.63

 

CMYK 0 / 67 / 28 / 5

HEX #F34FAE

RGB 243 79 174

HSL 325.24, 0.87%, 0.63%

LAB 59.62, 70.56, -16.24

 

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

CMYK 67 / 55 / 0 / 5

HEX #4F6DF3

RGB 79 109 243

HSL 229.02, 0.87%, 0.63%

LAB 50.77, 32.01, -70.58

 

CMYK 0 / 67 / 55 / 5

HEX #F34F6D

RGB 243 79 109

HSL 349.02, 0.87%, 0.63%

LAB 57.8, 64.3, 19.13

 

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

CMYK 67 / 1 / 0 / 5

HEX #4FF0F3

RGB 79 240 243

HSL 181.1, 0.87%, 0.63%

LAB 87.22, -39.77, -13.63

 

CMYK 12 / 67 / 0 / 5

HEX #D54FF3

RGB 213 79 243

HSL 289.02, 0.87%, 0.63%

LAB 58.24, 73.76, -57.89

 

CMYK 0 / 67 / 67 / 5

HEX #F3514F

RGB 243 81 79

HSL 0.73, 0.87%, 0.63%

LAB 57.56, 61.68, 36.17

 

CMYK 56 / 0 / 68 / 5

HEX #6CF34E

RGB 108 243 78

HSL 109.09, 0.87%, 0.63%

LAB 85.93, -65.86, 65.53

 

CMYK 67 / 21 / 0 / 5

HEX #4FBFF3

RGB 79 191 243

HSL 199.02, 0.87%, 0.63%

LAB 73.15, -15.82, -35.06

 

CMYK 12 / 67 / 0 / 5

HEX #D54FF3

RGB 213 79 243

HSL 289.02, 0.87%, 0.63%

LAB 58.24, 73.76, -57.89

 

CMYK 0 / 46 / 67 / 5

HEX #F3834F

RGB 243 131 79

HSL 19.02, 0.87%, 0.63%

LAB 66.41, 38.75, 46.55

 

Description

Color code: HEX #6CF34E | qconv.com Color code: HEX #6CF34E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 243 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 243 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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