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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CF131 it is the complementary color #930ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CF131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CF131 shade: #71F12C, #82FF3F, #93FF52, #A4FF65 and #B5FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CF131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CF131 shade: #6CF131, #5BDF1E, #4ACD0B, #39BB00 and #28A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CF131 shade: #6DF132, #A0F132, #D3F132, #F1DB32 and #F1A732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CF131 shade: #6DF132, #39F132, #32F15E, #32F192 and #32F1C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CF131 shade matches the following richer shades: #6DF132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CF131 shade: #6DF132, #73DF44, #7ACD55, #81BC67 and #88AA79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CF131 shade: #D4F132, #A1F132, #6EF132, #3BF132 and #32F15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CF131 shade: #45C30E, #53E910, #6DF132, #88F359 and #A4F67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CF131 shade: #6CF131, #32F1DA and #F132BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CF131 shade: #6CF131, #326EF1 and #F1326E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CF131 shade: #6CF131, #32F1DA, #B432F1 and #F13248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CF131 shade: #6CF131, #32CEF1, #B432F1 and #F15532

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

Complementary color

CMYK 29 / 93 / 0 / 19

HEX #930ECE

RGB 147 14 206

HSL 281.56, 0.87%, 0.43%

LAB 39.54, 73.68, -67.56

 

CMYK 53 / 0 / 82 / 5

HEX #71F12C

RGB 113 241 44

HSL 98.98, 0.88%, 0.56%

LAB 85.3, -66, 75.68

 

CMYK 49 / 0 / 75 / 0

HEX #82FF3F

RGB 130 255 63

HSL 99.06, 1%, 0.62%

LAB 90.15, -65.36, 75.16

 

CMYK 42 / 0 / 68 / 0

HEX #93FF52

RGB 147 255 82

HSL 97.46, 1%, 0.66%

LAB 90.93, -59.13, 69.73

 

CMYK 36 / 0 / 60 / 0

HEX #A4FF65

RGB 164 255 101

HSL 95.45, 1%, 0.7%

LAB 91.84, -52.21, 63.46

 

CMYK 29 / 0 / 53 / 0

HEX #B5FF78

RGB 181 255 120

HSL 92.89, 1%, 0.74%

LAB 92.88, -44.72, 56.63

 

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

CMYK 59 / 0 / 87 / 13

HEX #5BDF1E

RGB 91 223 30

HSL 101.04, 0.76%, 0.5%

LAB 79.09, -65.95, 73.03

 

CMYK 64 / 0 / 95 / 20

HEX #4ACD0B

RGB 74 205 11

HSL 100.52, 0.9%, 0.42%

LAB 72.99, -64.42, 70.62

 

CMYK 70 / 0 / 100 / 27

HEX #39BB00

RGB 57 187 0

HSL 101.71, 1%, 0.37%

LAB 66.83, -62.35, 66.7

 

CMYK 76 / 0 / 100 / 34

HEX #28A900

RGB 40 169 0

HSL 105.8, 1%, 0.33%

LAB 60.63, -59.72, 61.61

 

CMYK 55 / 0 / 79 / 5

HEX #6DF132

RGB 109 241 50

HSL 101.47, 0.87%, 0.57%

LAB 85.2, -66.76, 73.98

 

CMYK 34 / 0 / 79 / 5

HEX #A0F132

RGB 160 241 50

HSL 85.45, 0.87%, 0.57%

LAB 87.3, -51.19, 76.69

 

CMYK 12 / 0 / 79 / 5

HEX #D3F132

RGB 211 241 50

HSL 69.42, 0.87%, 0.57%

LAB 90.32, -31.99, 80.53

 

CMYK 0 / 9 / 79 / 5

HEX #F1DB32

RGB 241 219 50

HSL 53.09, 0.87%, 0.57%

LAB 86.8, -9.03, 78.32

 

CMYK 0 / 31 / 79 / 5

HEX #F1A732

RGB 241 167 50

HSL 36.75, 0.87%, 0.57%

LAB 73.91, 17.87, 66.83

 

CMYK 55 / 0 / 79 / 5

HEX #6DF132

RGB 109 241 50

HSL 101.47, 0.87%, 0.57%

LAB 85.2, -66.76, 73.98

 

CMYK 76 / 0 / 79 / 5

HEX #39F132

RGB 57 241 50

HSL 117.8, 0.87%, 0.57%

LAB 83.97, -76.96, 72.4

 

CMYK 79 / 0 / 61 / 5

HEX #32F15E

RGB 50 241 94

HSL 133.82, 0.87%, 0.57%

LAB 84.17, -74.11, 56.82

 

CMYK 79 / 0 / 39 / 5

HEX #32F192

RGB 50 241 146

HSL 150.16, 0.87%, 0.57%

LAB 84.82, -66.38, 33.19

 

CMYK 79 / 0 / 18 / 5

HEX #32F1C5

RGB 50 241 197

HSL 166.18, 0.87%, 0.57%

LAB 85.82, -55.48, 8.35

 

CMYK 55 / 0 / 79 / 5

HEX #6DF132

RGB 109 241 50

HSL 101.47, 0.87%, 0.57%

LAB 85.2, -66.76, 73.98

 

CMYK 55 / 0 / 79 / 5

HEX #6DF132

RGB 109 241 50

HSL 101.47, 0.87%, 0.57%

LAB 85.2, -66.76, 73.98

 

CMYK 48 / 0 / 70 / 13

HEX #73DF44

RGB 115 223 68

HSL 101.81, 0.71%, 0.57%

LAB 80.09, -57.5, 63.25

 

CMYK 40 / 0 / 59 / 20

HEX #7ACD55

RGB 122 205 85

HSL 101.5, 0.55%, 0.57%

LAB 75.11, -46.72, 50.92

 

CMYK 31 / 0 / 45 / 26

HEX #81BC67

RGB 129 188 103

HSL 101.65, 0.39%, 0.57%

LAB 70.6, -34.82, 36.95

 

CMYK 20 / 0 / 29 / 33

HEX #88AA79

RGB 136 170 121

HSL 101.63, 0.22%, 0.57%

LAB 66.03, -20.97, 21.57

 

CMYK 12 / 0 / 79 / 5

HEX #D4F132

RGB 212 241 50

HSL 69.11, 0.87%, 0.57%

LAB 90.39, -31.6, 80.62

 

CMYK 33 / 0 / 79 / 5

HEX #A1F132

RGB 161 241 50

HSL 85.13, 0.87%, 0.57%

LAB 87.35, -50.84, 76.75

 

CMYK 54 / 0 / 79 / 5

HEX #6EF132

RGB 110 241 50

HSL 101.15, 0.87%, 0.57%

LAB 85.23, -66.5, 74.03

 

CMYK 76 / 0 / 79 / 5

HEX #3BF132

RGB 59 241 50

HSL 117.17, 0.87%, 0.57%

LAB 84, -76.69, 72.44

 

CMYK 79 / 0 / 62 / 5

HEX #32F15B

RGB 50 241 91

HSL 132.88, 0.87%, 0.57%

LAB 84.14, -74.44, 58.05

 

CMYK 65 / 0 / 93 / 24

HEX #45C30E

RGB 69 195 14

HSL 101.77, 0.87%, 0.41%

LAB 69.7, -62.18, 67.5

 

CMYK 64 / 0 / 93 / 9

HEX #53E910

RGB 83 233 16

HSL 101.47, 0.87%, 0.49%

LAB 81.92, -71.37, 77.49

 

CMYK 55 / 0 / 79 / 5

HEX #6DF132

RGB 109 241 50

HSL 101.47, 0.87%, 0.57%

LAB 85.2, -66.76, 73.98

 

CMYK 44 / 0 / 63 / 5

HEX #88F359

RGB 136 243 89

HSL 101.69, 0.87%, 0.65%

LAB 87.02, -57.26, 62.71

 

CMYK 33 / 0 / 48 / 4

HEX #A4F67F

RGB 164 246 127

HSL 101.34, 0.87%, 0.73%

LAB 89.55, -45.77, 49.19

 

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

CMYK 79 / 0 / 10 / 5

HEX #32F1DA

RGB 50 241 218

HSL 172.77, 0.87%, 0.57%

LAB 86.33, -50.16, -1.9

 

CMYK 0 / 79 / 22 / 5

HEX #F132BB

RGB 241 50 187

HSL 316.96, 0.87%, 0.57%

LAB 56.65, 80.49, -28.32

 

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

CMYK 79 / 54 / 0 / 5

HEX #326EF1

RGB 50 110 241

HSL 221.15, 0.87%, 0.57%

LAB 49.71, 27.28, -71.23

 

CMYK 0 / 79 / 54 / 5

HEX #F1326E

RGB 241 50 110

HSL 341.15, 0.87%, 0.57%

LAB 54.14, 73.08, 13.45

 

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

CMYK 79 / 0 / 10 / 5

HEX #32F1DA

RGB 50 241 218

HSL 172.77, 0.87%, 0.57%

LAB 86.33, -50.16, -1.9

 

CMYK 25 / 79 / 0 / 5

HEX #B432F1

RGB 180 50 241

HSL 280.84, 0.87%, 0.57%

LAB 49.9, 77.17, -70.44

 

CMYK 0 / 79 / 70 / 5

HEX #F13248

RGB 241 50 72

HSL 353.09, 0.87%, 0.57%

LAB 53.44, 70.92, 35.13

 

CMYK 55 / 0 / 80 / 5

HEX #6CF131

RGB 108 241 49

HSL 101.56, 0.87%, 0.57%

LAB 85.16, -67.06, 74.21

 

CMYK 79 / 15 / 0 / 5

HEX #32CEF1

RGB 50 206 241

HSL 190.99, 0.87%, 0.57%

LAB 76.78, -27.54, -28.44

 

CMYK 25 / 79 / 0 / 5

HEX #B432F1

RGB 180 50 241

HSL 280.84, 0.87%, 0.57%

LAB 49.9, 77.17, -70.44

 

CMYK 0 / 65 / 79 / 5

HEX #F15532

RGB 241 85 50

HSL 10.99, 0.87%, 0.57%

LAB 57.49, 58.24, 51.4

 

Description

Color code: HEX #6CF131 | qconv.com Color code: HEX #6CF131 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 241 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 241 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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