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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEF53 it is the complementary color #9310AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEF53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEF53 shade: #71EF4E, #82FF61, #93FF74, #A4FF87 and #B5FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEF53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEF53 shade: #6CEF53, #5BDD40, #4ACB2D, #39B91A and #28A707

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEF53 shade: #6BEF52, #96EF52, #C0EF52, #EAEF52 and #EFCA52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEF53 shade: #6BEF52, #52EF63, #52EF8E, #52EFB8 and #52EFE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEF53 shade matches the following richer shades: #6BEF52 and #61FE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEF53 shade: #6BEF52, #76E062, #80D071, #8BC180 and #95B28F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEF53 shade: #C0EF52, #96EF52, #6CEF52, #52EF62 and #52EF8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEF53 shade: #34DA14, #4BEB2D, #6BEF52, #8CF278 and #ACF69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEF53 shade: #6CEF53, #52EAEF and #EF52AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEF53 shade: #6CEF53, #526CEF and #EF526C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEF53 shade: #6CEF53, #52EAEF, #D552EF and #EF5852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEF53 shade: #6CEF53, #52BBEF, #D552EF and #EF8752

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

Complementary color

CMYK 15 / 91 / 0 / 33

HEX #9310AC

RGB 147 16 172

HSL 290.38, 0.83%, 0.37%

LAB 37.03, 67.16, -51.62

 

CMYK 53 / 0 / 67 / 6

HEX #71EF4E

RGB 113 239 78

HSL 106.96, 0.83%, 0.62%

LAB 84.89, -63.17, 64.49

 

CMYK 49 / 0 / 62 / 0

HEX #82FF61

RGB 130 255 97

HSL 107.47, 1%, 0.69%

LAB 90.38, -62.8, 63.09

 

CMYK 42 / 0 / 55 / 0

HEX #93FF74

RGB 147 255 116

HSL 106.62, 1%, 0.73%

LAB 91.23, -56.03, 56.07

 

CMYK 36 / 0 / 47 / 0

HEX #A4FF87

RGB 164 255 135

HSL 105.5, 1%, 0.76%

LAB 92.2, -48.62, 48.69

 

CMYK 29 / 0 / 40 / 0

HEX #B5FF9A

RGB 181 255 154

HSL 103.96, 1%, 0.8%

LAB 93.31, -40.71, 41.13

 

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

CMYK 59 / 0 / 71 / 13

HEX #5BDD40

RGB 91 221 64

HSL 109.68, 0.7%, 0.56%

LAB 78.64, -63.4, 62.97

 

CMYK 64 / 0 / 78 / 20

HEX #4ACB2D

RGB 74 203 45

HSL 108.99, 0.64%, 0.49%

LAB 72.47, -62.45, 63.07

 

CMYK 69 / 0 / 86 / 27

HEX #39B91A

RGB 57 185 26

HSL 108.3, 0.75%, 0.41%

LAB 66.25, -61.02, 62.28

 

CMYK 76 / 0 / 96 / 35

HEX #28A707

RGB 40 167 7

HSL 107.63, 0.92%, 0.34%

LAB 59.98, -58.93, 60.11

 

CMYK 55 / 0 / 66 / 6

HEX #6BEF52

RGB 107 239 82

HSL 110.45, 0.83%, 0.63%

LAB 84.72, -64.36, 62.71

 

CMYK 37 / 0 / 66 / 6

HEX #96EF52

RGB 150 239 82

HSL 94.01, 0.83%, 0.63%

LAB 86.42, -51.85, 65.02

 

CMYK 20 / 0 / 66 / 6

HEX #C0EF52

RGB 192 239 82

HSL 77.96, 0.83%, 0.63%

LAB 88.71, -36.89, 68.13

 

CMYK 2 / 0 / 66 / 6

HEX #EAEF52

RGB 234 239 82

HSL 61.91, 0.83%, 0.63%

LAB 91.61, -20.36, 72.04

 

CMYK 0 / 15 / 66 / 6

HEX #EFCA52

RGB 239 202 82

HSL 45.86, 0.83%, 0.63%

LAB 82.49, 0.17, 62.69

 

CMYK 55 / 0 / 66 / 6

HEX #6BEF52

RGB 107 239 82

HSL 110.45, 0.83%, 0.63%

LAB 84.72, -64.36, 62.71

 

CMYK 66 / 0 / 59 / 6

HEX #52EF63

RGB 82 239 99

HSL 126.5, 0.83%, 0.63%

LAB 84.19, -68.09, 54.83

 

CMYK 66 / 0 / 41 / 6

HEX #52EF8E

RGB 82 239 142

HSL 142.93, 0.83%, 0.63%

LAB 84.73, -61.91, 35.17

 

CMYK 66 / 0 / 23 / 6

HEX #52EFB8

RGB 82 239 184

HSL 158.98, 0.83%, 0.63%

LAB 85.5, -53.66, 14.74

 

CMYK 66 / 0 / 5 / 6

HEX #52EFE2

RGB 82 239 226

HSL 175.03, 0.83%, 0.63%

LAB 86.51, -43.49, -5.76

 

CMYK 55 / 0 / 66 / 6

HEX #6BEF52

RGB 107 239 82

HSL 110.45, 0.83%, 0.63%

LAB 84.72, -64.36, 62.71

 

CMYK 62 / 0 / 74 / 0

HEX #61FE43

RGB 97 254 67

HSL 110.37, 0.99%, 0.63%

LAB 88.84, -72.94, 72.27

 

CMYK 55 / 0 / 66 / 6

HEX #6BEF52

RGB 107 239 82

HSL 110.45, 0.83%, 0.63%

LAB 84.72, -64.36, 62.71

 

CMYK 47 / 0 / 56 / 12

HEX #76E062

RGB 118 224 98

HSL 110.48, 0.67%, 0.63%

LAB 80.76, -54.21, 51.57

 

CMYK 38 / 0 / 46 / 18

HEX #80D071

RGB 128 208 113

HSL 110.53, 0.5%, 0.63%

LAB 76.61, -42.74, 39.49

 

CMYK 28 / 0 / 34 / 24

HEX #8BC180

RGB 139 193 128

HSL 109.85, 0.34%, 0.63%

LAB 73.02, -30.1, 27.25

 

CMYK 16 / 0 / 20 / 30

HEX #95B28F

RGB 149 178 143

HSL 109.71, 0.19%, 0.63%

LAB 69.62, -16.67, 14.66

 

CMYK 20 / 0 / 66 / 6

HEX #C0EF52

RGB 192 239 82

HSL 77.96, 0.83%, 0.63%

LAB 88.71, -36.89, 68.13

 

CMYK 37 / 0 / 66 / 6

HEX #96EF52

RGB 150 239 82

HSL 94.01, 0.83%, 0.63%

LAB 86.42, -51.85, 65.02

 

CMYK 55 / 0 / 66 / 6

HEX #6CEF52

RGB 108 239 82

HSL 110.06, 0.83%, 0.63%

LAB 84.76, -64.11, 62.75

 

CMYK 66 / 0 / 59 / 6

HEX #52EF62

RGB 82 239 98

HSL 126.11, 0.83%, 0.63%

LAB 84.18, -68.2, 55.25

 

CMYK 66 / 0 / 41 / 6

HEX #52EF8C

RGB 82 239 140

HSL 142.17, 0.83%, 0.63%

LAB 84.7, -62.25, 36.12

 

CMYK 76 / 0 / 91 / 15

HEX #34DA14

RGB 52 218 20

HSL 110.3, 0.83%, 0.47%

LAB 76.63, -72.17, 72.31

 

CMYK 68 / 0 / 81 / 8

HEX #4BEB2D

RGB 75 235 45

HSL 110.53, 0.83%, 0.55%

LAB 82.43, -72.56, 72.42

 

CMYK 55 / 0 / 66 / 6

HEX #6BEF52

RGB 107 239 82

HSL 110.45, 0.83%, 0.63%

LAB 84.72, -64.36, 62.71

 

CMYK 42 / 0 / 50 / 5

HEX #8CF278

RGB 140 242 120

HSL 110.16, 0.82%, 0.71%

LAB 87.21, -52.43, 49.35

 

CMYK 30 / 0 / 36 / 4

HEX #ACF69E

RGB 172 246 158

HSL 110.45, 0.83%, 0.79%

LAB 90.39, -39.06, 35.26

 

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

CMYK 66 / 2 / 0 / 6

HEX #52EAEF

RGB 82 234 239

HSL 181.91, 0.83%, 0.63%

LAB 85.44, -37.74, -14.19

 

CMYK 0 / 66 / 28 / 6

HEX #EF52AB

RGB 239 82 171

HSL 325.99, 0.83%, 0.63%

LAB 59.27, 68, -15.08

 

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

CMYK 66 / 55 / 0 / 6

HEX #526CEF

RGB 82 108 239

HSL 230.06, 0.83%, 0.63%

LAB 50.39, 31.69, -68.95

 

CMYK 0 / 66 / 55 / 6

HEX #EF526C

RGB 239 82 108

HSL 350.06, 0.83%, 0.63%

LAB 57.53, 61.84, 19.24

 

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

CMYK 66 / 2 / 0 / 6

HEX #52EAEF

RGB 82 234 239

HSL 181.91, 0.83%, 0.63%

LAB 85.44, -37.74, -14.19

 

CMYK 11 / 66 / 0 / 6

HEX #D552EF

RGB 213 82 239

HSL 290.06, 0.83%, 0.63%

LAB 58.43, 71.87, -55.35

 

CMYK 0 / 63 / 66 / 6

HEX #EF5852

RGB 239 88 82

HSL 2.29, 0.83%, 0.63%

LAB 57.98, 57.71, 34.83

 

CMYK 55 / 0 / 65 / 6

HEX #6CEF53

RGB 108 239 83

HSL 110.38, 0.83%, 0.63%

LAB 84.76, -64.02, 62.36

 

CMYK 66 / 22 / 0 / 6

HEX #52BBEF

RGB 82 187 239

HSL 199.87, 0.83%, 0.63%

LAB 71.94, -14.52, -34.77

 

CMYK 11 / 66 / 0 / 6

HEX #D552EF

RGB 213 82 239

HSL 290.06, 0.83%, 0.63%

LAB 58.43, 71.87, -55.35

 

CMYK 0 / 44 / 66 / 6

HEX #EF8752

RGB 239 135 82

HSL 20.25, 0.83%, 0.63%

LAB 66.74, 35.31, 45.26

 

Description

Color code: HEX #6CEF53 | qconv.com Color code: HEX #6CEF53 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 239 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 239 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 65 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 65% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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