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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEB49 it is the complementary color #9314B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEB49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEB49 shade: #71EB44, #82FD57, #93FF6A, #A4FF7D and #B5FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEB49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEB49 shade: #6CEB49, #5BD936, #4AC723, #39B510 and #28A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEB49 shade: #6BEB47, #97EB47, #C3EB47, #EBE747 and #EBBB47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEB49 shade: #6BEB47, #47EB50, #47EB7C, #47EBA8 and #47EBD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEB49 shade matches the following richer shades: #6BEB47 and #61FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEB49 shade: #6BEB47, #74DA58, #7DCA68, #87B979 and #90A989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEB49 shade: #C2EB47, #96EB47, #6BEB47, #47EB50 and #47EB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEB49 shade: #3DC916, #4DE622, #6BEB47, #89EF6D and #A7F392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEB49 shade: #6CEB49, #47EBE8 and #EB47AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEB49 shade: #6CEB49, #476BEB and #EB476B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEB49 shade: #6CEB49, #47EBE8, #C747EB and #EB474A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEB49 shade: #6CEB49, #47BCEB, #C747EB and #EB7647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

Complementary color

CMYK 19 / 89 / 0 / 29

HEX #9314B6

RGB 147 20 182

HSL 287.04, 0.8%, 0.4%

LAB 37.99, 68.25, -56.01

 

CMYK 52 / 0 / 71 / 8

HEX #71EB44

RGB 113 235 68

HSL 103.83, 0.81%, 0.59%

LAB 83.62, -62.49, 66.85

 

CMYK 49 / 0 / 66 / 1

HEX #82FD57

RGB 130 253 87

HSL 104.46, 0.98%, 0.67%

LAB 89.71, -62.95, 66.35

 

CMYK 42 / 0 / 58 / 0

HEX #93FF6A

RGB 147 255 106

HSL 103.49, 1%, 0.71%

LAB 91.13, -57.07, 60.33

 

CMYK 36 / 0 / 51 / 0

HEX #A4FF7D

RGB 164 255 125

HSL 102, 1%, 0.75%

LAB 92.08, -49.8, 53.2

 

CMYK 29 / 0 / 44 / 0

HEX #B5FF90

RGB 181 255 144

HSL 100, 1%, 0.78%

LAB 93.17, -42, 45.8

 

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

CMYK 58 / 0 / 75 / 15

HEX #5BD936

RGB 91 217 54

HSL 106.38, 0.68%, 0.53%

LAB 77.35, -62.72, 65.11

 

CMYK 63 / 0 / 82 / 22

HEX #4AC723

RGB 74 199 35

HSL 105.73, 0.7%, 0.46%

LAB 71.16, -61.65, 64.68

 

CMYK 69 / 0 / 91 / 29

HEX #39B510

RGB 57 181 16

HSL 105.09, 0.84%, 0.39%

LAB 64.93, -60.08, 63.09

 

CMYK 75 / 0 / 100 / 36

HEX #28A300

RGB 40 163 0

HSL 105.28, 1%, 0.32%

LAB 58.64, -57.86, 60.03

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 36 / 0 / 70 / 8

HEX #97EB47

RGB 151 235 71

HSL 90.73, 0.8%, 0.6%

LAB 85.23, -50.68, 67.92

 

CMYK 17 / 0 / 70 / 8

HEX #C3EB47

RGB 195 235 71

HSL 74.63, 0.8%, 0.6%

LAB 87.71, -34.59, 71.24

 

CMYK 0 / 2 / 70 / 8

HEX #EBE747

RGB 235 231 71

HSL 58.54, 0.8%, 0.6%

LAB 89.52, -16.64, 73.99

 

CMYK 0 / 20 / 70 / 8

HEX #EBBB47

RGB 235 187 71

HSL 42.44, 0.8%, 0.6%

LAB 78.26, 5.68, 62.75

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 70 / 0 / 66 / 8

HEX #47EB50

RGB 71 235 80

HSL 123.29, 0.8%, 0.6%

LAB 82.56, -70.74, 60.88

 

CMYK 70 / 0 / 47 / 8

HEX #47EB7C

RGB 71 235 124

HSL 139.39, 0.8%, 0.6%

LAB 83.03, -65.26, 41.79

 

CMYK 70 / 0 / 29 / 8

HEX #47EBA8

RGB 71 235 168

HSL 155.49, 0.8%, 0.6%

LAB 83.75, -57.22, 20.57

 

CMYK 70 / 0 / 10 / 8

HEX #47EBD4

RGB 71 235 212

HSL 171.59, 0.8%, 0.6%

LAB 84.75, -46.9, -1.03

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 61 / 0 / 78 / 2

HEX #61FB37

RGB 97 251 55

HSL 107.14, 0.96%, 0.6%

LAB 87.88, -72.69, 74.98

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 47 / 0 / 60 / 15

HEX #74DA58

RGB 116 218 88

HSL 107.08, 0.64%, 0.6%

LAB 78.79, -53.51, 53.72

 

CMYK 38 / 0 / 49 / 21

HEX #7DCA68

RGB 125 202 104

HSL 107.14, 0.48%, 0.6%

LAB 74.57, -42.28, 41.36

 

CMYK 27 / 0 / 35 / 27

HEX #87B979

RGB 135 185 121

HSL 106.88, 0.31%, 0.6%

LAB 70.34, -28.74, 27.33

 

CMYK 15 / 0 / 19 / 34

HEX #90A989

RGB 144 169 137

HSL 106.88, 0.16%, 0.6%

LAB 66.6, -14.85, 13.68

 

CMYK 17 / 0 / 70 / 8

HEX #C2EB47

RGB 194 235 71

HSL 75, 0.8%, 0.6%

LAB 87.65, -34.98, 71.15

 

CMYK 36 / 0 / 70 / 8

HEX #96EB47

RGB 150 235 71

HSL 91.1, 0.8%, 0.6%

LAB 85.18, -51.02, 67.86

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 70 / 0 / 66 / 8

HEX #47EB50

RGB 71 235 80

HSL 123.29, 0.8%, 0.6%

LAB 82.56, -70.74, 60.88

 

CMYK 70 / 0 / 48 / 8

HEX #47EB7B

RGB 71 235 123

HSL 139.02, 0.8%, 0.6%

LAB 83.01, -65.41, 42.25

 

CMYK 70 / 0 / 89 / 21

HEX #3DC916

RGB 61 201 22

HSL 106.93, 0.8%, 0.44%

LAB 71.43, -65.5, 67.63

 

CMYK 67 / 0 / 85 / 10

HEX #4DE622

RGB 77 230 34

HSL 106.84, 0.8%, 0.52%

LAB 80.9, -71.12, 73.65

 

CMYK 54 / 0 / 70 / 8

HEX #6BEB47

RGB 107 235 71

HSL 106.83, 0.8%, 0.6%

LAB 83.44, -63.84, 65.53

 

CMYK 43 / 0 / 54 / 6

HEX #89EF6D

RGB 137 239 109

HSL 107.08, 0.8%, 0.68%

LAB 86.08, -53.39, 53.04

 

CMYK 31 / 0 / 40 / 5

HEX #A7F392

RGB 167 243 146

HSL 107.01, 0.8%, 0.76%

LAB 89.11, -41.05, 39.49

 

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

CMYK 70 / 0 / 1 / 8

HEX #47EBE8

RGB 71 235 232

HSL 178.9, 0.8%, 0.6%

LAB 85.29, -41.58, -10.75

 

CMYK 0 / 70 / 27 / 8

HEX #EB47AC

RGB 235 71 172

HSL 323.05, 0.8%, 0.6%

LAB 57.22, 71.08, -18.85

 

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

CMYK 70 / 54 / 0 / 8

HEX #476BEB

RGB 71 107 235

HSL 226.83, 0.8%, 0.6%

LAB 49.32, 29.37, -68.48

 

CMYK 0 / 70 / 54 / 8

HEX #EB476B

RGB 235 71 107

HSL 346.83, 0.8%, 0.6%

LAB 55.31, 64.71, 16.69

 

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

CMYK 70 / 0 / 1 / 8

HEX #47EBE8

RGB 71 235 232

HSL 178.9, 0.8%, 0.6%

LAB 85.29, -41.58, -10.75

 

CMYK 15 / 70 / 0 / 8

HEX #C747EB

RGB 199 71 235

HSL 286.83, 0.8%, 0.6%

LAB 54.71, 72.41, -59.18

 

CMYK 0 / 70 / 69 / 8

HEX #EB474A

RGB 235 71 74

HSL 358.9, 0.8%, 0.6%

LAB 54.72, 62.69, 35.26

 

CMYK 54 / 0 / 69 / 8

HEX #6CEB49

RGB 108 235 73

HSL 107.04, 0.8%, 0.6%

LAB 83.49, -63.43, 64.85

 

CMYK 70 / 20 / 0 / 8

HEX #47BCEB

RGB 71 188 235

HSL 197.2, 0.8%, 0.6%

LAB 71.76, -17.94, -32.9

 

CMYK 15 / 70 / 0 / 8

HEX #C747EB

RGB 199 71 235

HSL 286.83, 0.8%, 0.6%

LAB 54.71, 72.41, -59.18

 

CMYK 0 / 50 / 70 / 8

HEX #EB7647

RGB 235 118 71

HSL 17.2, 0.8%, 0.6%

LAB 62.57, 41.8, 45.98

 

Description

Color code: HEX #6CEB49 | qconv.com Color code: HEX #6CEB49 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 235 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 235 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 69 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 69% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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