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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEA65 it is the complementary color #93159A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEA65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEA65 shade: #71EA60, #82FC73, #93FF86, #A4FF99 and #B5FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEA65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEA65 shade: #6CEA65, #5BD852, #4AC63F, #39B42C and #28A219

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEA65 shade: #6DEA66, #91EA66, #B4EA66, #D8EA66 and #EAD966

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEA65 shade: #6DEA66, #66EA83, #66EAA7, #66EACA and #66E7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEA65 shade matches the following richer shades: #6DEA66 and #61F858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEA65 shade: #6DEA66, #7ADC74, #86CE82, #93C090 and #A0B29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEA65 shade: #B5EA66, #92EA66, #6FEA66, #66EA81 and #66EAA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEA65 shade: #29E01E, #4BE542, #6DEA66, #90EF8B and #B3F4AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEA65 shade: #6CEA65, #66D9EA and #EA66A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEA65 shade: #6CEA65, #666FEA and #EA666F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEA65 shade: #6CEA65, #66D9EA, #E166EA and #EA7866

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEA65 shade: #6CEA65, #66B1EA, #E166EA and #EAA066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

Complementary color

CMYK 5 / 86 / 0 / 40

HEX #93159A

RGB 147 21 154

HSL 296.84, 0.76%, 0.34%

LAB 36.12, 63.17, -42.22

 

CMYK 52 / 0 / 59 / 8

HEX #71EA60

RGB 113 234 96

HSL 112.61, 0.77%, 0.65%

LAB 83.55, -59.63, 55.63

 

CMYK 48 / 0 / 54 / 1

HEX #82FC73

RGB 130 252 115

HSL 113.43, 0.96%, 0.72%

LAB 89.68, -59.8, 54.52

 

CMYK 42 / 0 / 47 / 0

HEX #93FF86

RGB 147 255 134

HSL 113.55, 1%, 0.76%

LAB 91.43, -53.89, 48.04

 

CMYK 36 / 0 / 40 / 0

HEX #A4FF99

RGB 164 255 153

HSL 113.53, 1%, 0.8%

LAB 92.45, -46.25, 40.34

 

CMYK 29 / 0 / 33 / 0

HEX #B5FFAC

RGB 181 255 172

HSL 113.49, 1%, 0.84%

LAB 93.59, -38.13, 32.59

 

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

CMYK 58 / 0 / 62 / 15

HEX #5BD852

RGB 91 216 82

HSL 115.97, 0.63%, 0.58%

LAB 77.25, -60.02, 54.34

 

CMYK 63 / 0 / 68 / 22

HEX #4AC63F

RGB 74 198 63

HSL 115.11, 0.54%, 0.51%

LAB 71.01, -59.39, 55.24

 

CMYK 68 / 0 / 76 / 29

HEX #39B42C

RGB 57 180 44

HSL 114.26, 0.61%, 0.44%

LAB 64.72, -58.35, 55.71

 

CMYK 75 / 0 / 85 / 36

HEX #28A219

RGB 40 162 25

HSL 113.43, 0.73%, 0.37%

LAB 58.38, -56.72, 55.35

 

CMYK 53 / 0 / 56 / 8

HEX #6DEA66

RGB 109 234 102

HSL 116.82, 0.76%, 0.66%

LAB 83.47, -60, 52.86

 

CMYK 38 / 0 / 56 / 8

HEX #91EA66

RGB 145 234 102

HSL 100.45, 0.76%, 0.66%

LAB 84.91, -49.63, 54.9

 

CMYK 23 / 0 / 56 / 8

HEX #B4EA66

RGB 180 234 102

HSL 84.55, 0.76%, 0.66%

LAB 86.76, -37.56, 57.51

 

CMYK 8 / 0 / 56 / 8

HEX #D8EA66

RGB 216 234 102

HSL 68.18, 0.76%, 0.66%

LAB 89.11, -23.82, 60.82

 

CMYK 0 / 7 / 56 / 8

HEX #EAD966

RGB 234 217 102

HSL 52.27, 0.76%, 0.66%

LAB 86.05, -8.23, 57.72

 

CMYK 53 / 0 / 56 / 8

HEX #6DEA66

RGB 109 234 102

HSL 116.82, 0.76%, 0.66%

LAB 83.47, -60, 52.86

 

CMYK 56 / 0 / 44 / 8

HEX #66EA83

RGB 102 234 131

HSL 133.18, 0.76%, 0.66%

LAB 83.6, -57.79, 39.26

 

CMYK 56 / 0 / 29 / 8

HEX #66EAA7

RGB 102 234 167

HSL 149.55, 0.76%, 0.66%

LAB 84.2, -51.45, 21.84

 

CMYK 56 / 0 / 14 / 8

HEX #66EACA

RGB 102 234 202

HSL 165.45, 0.76%, 0.66%

LAB 84.96, -43.87, 4.64

 

CMYK 56 / 1 / 0 / 8

HEX #66E7EA

RGB 102 231 234

HSL 181.36, 0.76%, 0.66%

LAB 84.95, -34.48, -12.23

 

CMYK 53 / 0 / 56 / 8

HEX #6DEA66

RGB 109 234 102

HSL 116.82, 0.76%, 0.66%

LAB 83.47, -60, 52.86

 

CMYK 61 / 0 / 65 / 3

HEX #61F858

RGB 97 248 88

HSL 116.63, 0.92%, 0.66%

LAB 87.18, -69.26, 62.91

 

CMYK 53 / 0 / 56 / 8

HEX #6DEA66

RGB 109 234 102

HSL 116.82, 0.76%, 0.66%

LAB 83.47, -60, 52.86

 

CMYK 45 / 0 / 47 / 14

HEX #7ADC74

RGB 122 220 116

HSL 116.54, 0.6%, 0.66%

LAB 79.95, -49.23, 42.13

 

CMYK 35 / 0 / 37 / 19

HEX #86CE82

RGB 134 206 130

HSL 116.84, 0.44%, 0.66%

LAB 76.57, -37.48, 30.87

 

CMYK 23 / 0 / 25 / 25

HEX #93C090

RGB 147 192 144

HSL 116.25, 0.28%, 0.66%

LAB 73.49, -24.25, 19.47

 

CMYK 10 / 0 / 11 / 30

HEX #A0B29F

RGB 160 178 159

HSL 116.84, 0.11%, 0.66%

LAB 70.74, -9.89, 7.6

 

CMYK 23 / 0 / 56 / 8

HEX #B5EA66

RGB 181 234 102

HSL 84.09, 0.76%, 0.66%

LAB 86.81, -37.19, 57.59

 

CMYK 38 / 0 / 56 / 8

HEX #92EA66

RGB 146 234 102

HSL 100, 0.76%, 0.66%

LAB 84.95, -49.31, 54.96

 

CMYK 53 / 0 / 56 / 8

HEX #6FEA66

RGB 111 234 102

HSL 115.91, 0.76%, 0.66%

LAB 83.54, -59.49, 52.95

 

CMYK 56 / 0 / 45 / 8

HEX #66EA81

RGB 102 234 129

HSL 132.27, 0.76%, 0.66%

LAB 83.58, -58.09, 40.21

 

CMYK 56 / 0 / 30 / 8

HEX #66EAA4

RGB 102 234 164

HSL 148.18, 0.76%, 0.66%

LAB 84.15, -52.04, 23.31

 

CMYK 82 / 0 / 87 / 12

HEX #29E01E

RGB 41 224 30

HSL 116.6, 0.76%, 0.5%

LAB 78.39, -74.94, 72.02

 

CMYK 67 / 0 / 71 / 10

HEX #4BE542

RGB 75 229 66

HSL 116.69, 0.76%, 0.58%

LAB 80.7, -69.32, 64.23

 

CMYK 53 / 0 / 56 / 8

HEX #6DEA66

RGB 109 234 102

HSL 116.82, 0.76%, 0.66%

LAB 83.47, -60, 52.86

 

CMYK 40 / 0 / 42 / 6

HEX #90EF8B

RGB 144 239 139

HSL 117, 0.76%, 0.74%

LAB 86.76, -47.48, 39.7

 

CMYK 27 / 0 / 28 / 4

HEX #B3F4AF

RGB 179 244 175

HSL 116.52, 0.76%, 0.82%

LAB 90.5, -33.29, 26.88

 

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

CMYK 56 / 7 / 0 / 8

HEX #66D9EA

RGB 102 217 234

HSL 187.73, 0.76%, 0.66%

LAB 80.96, -27.8, -18.23

 

CMYK 0 / 56 / 30 / 8

HEX #EA66A4

RGB 234 102 164

HSL 331.82, 0.76%, 0.66%

LAB 61.37, 57.3, -7.97

 

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

CMYK 56 / 53 / 0 / 8

HEX #666FEA

RGB 102 111 234

HSL 235.91, 0.76%, 0.66%

LAB 51.99, 31.58, -63.52

 

CMYK 0 / 56 / 53 / 8

HEX #EA666F

RGB 234 102 111

HSL 355.91, 0.76%, 0.66%

LAB 60.02, 51.82, 20.73

 

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

CMYK 56 / 7 / 0 / 8

HEX #66D9EA

RGB 102 217 234

HSL 187.73, 0.76%, 0.66%

LAB 80.96, -27.8, -18.23

 

CMYK 4 / 56 / 0 / 8

HEX #E166EA

RGB 225 102 234

HSL 295.91, 0.76%, 0.66%

LAB 62.89, 65.35, -45.39

 

CMYK 0 / 49 / 56 / 8

HEX #EA7866

RGB 234 120 102

HSL 8.18, 0.76%, 0.66%

LAB 63.25, 42.39, 30.1

 

CMYK 54 / 0 / 57 / 8

HEX #6CEA65

RGB 108 234 101

HSL 116.84, 0.76%, 0.66%

LAB 83.43, -60.37, 53.25

 

CMYK 56 / 24 / 0 / 8

HEX #66B1EA

RGB 102 177 234

HSL 205.91, 0.76%, 0.66%

LAB 69.62, -7.1, -35.6

 

CMYK 4 / 56 / 0 / 8

HEX #E166EA

RGB 225 102 234

HSL 295.91, 0.76%, 0.66%

LAB 62.89, 65.35, -45.39

 

CMYK 0 / 32 / 56 / 8

HEX #EAA066

RGB 234 160 102

HSL 26.36, 0.76%, 0.66%

LAB 71.96, 21.53, 41.06

 

Description

Color code: HEX #6CEA65 | qconv.com Color code: HEX #6CEA65 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 234 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 234 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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