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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEA58 it is the complementary color #9315A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEA58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEA58 shade: #71EA53, #82FC66, #93FF79, #A4FF8C and #B5FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEA58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEA58 shade: #6CEA58, #5BD845, #4AC632, #39B41F and #28A20C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEA58 shade: #6BEA57, #93EA57, #BBEA57, #E2EA57 and #EACA57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEA58 shade: #6BEA57, #57EA6B, #57EA92, #57EABA and #57EAE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEA58 shade matches the following richer shades: #6BEA57 and #60FA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEA58 shade: #6BEA57, #76DB66, #81CC76, #8CBC85 and #98AD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEA58 shade: #BCEA57, #94EA57, #6DEA57, #57EA68 and #57EA8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEA58 shade: #34D51A, #4BE632, #6BEA57, #8CEF7C and #ACF3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEA58 shade: #6CEA58, #57E3EA and #EA57A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEA58 shade: #6CEA58, #576DEA and #EA576D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEA58 shade: #6CEA58, #57E3EA, #D457EA and #EA5E57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEA58 shade: #6CEA58, #57B7EA, #D457EA and #EA8B57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

Complementary color

CMYK 12 / 87 / 0 / 35

HEX #9315A7

RGB 147 21 167

HSL 291.78, 0.78%, 0.37%

LAB 36.98, 65.38, -48.69

 

CMYK 52 / 0 / 65 / 8

HEX #71EA53

RGB 113 234 83

HSL 108.08, 0.78%, 0.62%

LAB 83.43, -60.91, 60.97

 

CMYK 48 / 0 / 60 / 1

HEX #82FC66

RGB 130 252 102

HSL 108.8, 0.96%, 0.69%

LAB 89.55, -61.2, 60.06

 

CMYK 42 / 0 / 53 / 0

HEX #93FF79

RGB 147 255 121

HSL 108.36, 1%, 0.74%

LAB 91.28, -55.47, 53.88

 

CMYK 36 / 0 / 45 / 0

HEX #A4FF8C

RGB 164 255 140

HSL 107.48, 1%, 0.77%

LAB 92.27, -48, 46.4

 

CMYK 29 / 0 / 38 / 0

HEX #B5FF9F

RGB 181 255 159

HSL 106.25, 1%, 0.81%

LAB 93.38, -40.02, 38.78

 

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

CMYK 58 / 0 / 68 / 15

HEX #5BD845

RGB 91 216 69

HSL 111.02, 0.65%, 0.56%

LAB 77.14, -61.25, 59.54

 

CMYK 63 / 0 / 75 / 22

HEX #4AC632

RGB 74 198 50

HSL 110.27, 0.6%, 0.49%

LAB 70.92, -60.43, 59.95

 

CMYK 68 / 0 / 83 / 29

HEX #39B41F

RGB 57 180 31

HSL 109.53, 0.71%, 0.41%

LAB 64.65, -59.16, 59.62

 

CMYK 75 / 0 / 93 / 36

HEX #28A20C

RGB 40 162 12

HSL 108.8, 0.86%, 0.34%

LAB 58.34, -57.24, 58.03

 

CMYK 54 / 0 / 63 / 8

HEX #6BEA57

RGB 107 234 87

HSL 111.84, 0.78%, 0.63%

LAB 83.26, -62.1, 59.09

 

CMYK 37 / 0 / 63 / 8

HEX #93EA57

RGB 147 234 87

HSL 95.51, 0.78%, 0.63%

LAB 84.86, -50.39, 61.3

 

CMYK 20 / 0 / 63 / 8

HEX #BBEA57

RGB 187 234 87

HSL 79.18, 0.78%, 0.63%

LAB 87.05, -36.18, 64.31

 

CMYK 3 / 0 / 63 / 8

HEX #E2EA57

RGB 226 234 87

HSL 63.27, 0.78%, 0.63%

LAB 89.72, -20.88, 67.96

 

CMYK 0 / 14 / 63 / 8

HEX #EACA57

RGB 234 202 87

HSL 46.94, 0.78%, 0.63%

LAB 82.07, -1.62, 59.95

 

CMYK 54 / 0 / 63 / 8

HEX #6BEA57

RGB 107 234 87

HSL 111.84, 0.78%, 0.63%

LAB 83.26, -62.1, 59.09

 

CMYK 63 / 0 / 54 / 8

HEX #57EA6B

RGB 87 234 107

HSL 128.16, 0.78%, 0.63%

LAB 82.88, -64.41, 49.72

 

CMYK 63 / 0 / 38 / 8

HEX #57EA92

RGB 87 234 146

HSL 144.08, 0.78%, 0.63%

LAB 83.41, -58.43, 31.45

 

CMYK 63 / 0 / 21 / 8

HEX #57EABA

RGB 87 234 186

HSL 160.41, 0.78%, 0.63%

LAB 84.18, -50.33, 11.86

 

CMYK 63 / 0 / 3 / 8

HEX #57EAE2

RGB 87 234 226

HSL 176.73, 0.78%, 0.63%

LAB 85.18, -40.51, -7.72

 

CMYK 54 / 0 / 63 / 8

HEX #6BEA57

RGB 107 234 87

HSL 111.84, 0.78%, 0.63%

LAB 83.26, -62.1, 59.09

 

CMYK 62 / 0 / 71 / 2

HEX #60FA48

RGB 96 250 72

HSL 111.91, 0.95%, 0.63%

LAB 87.64, -71.48, 69.38

 

CMYK 54 / 0 / 63 / 8

HEX #6BEA57

RGB 107 234 87

HSL 111.84, 0.78%, 0.63%

LAB 83.26, -62.1, 59.09

 

CMYK 46 / 0 / 53 / 14

HEX #76DB66

RGB 118 219 102

HSL 111.79, 0.62%, 0.63%

LAB 79.31, -51.77, 48.01

 

CMYK 37 / 0 / 42 / 20

HEX #81CC76

RGB 129 204 118

HSL 112.33, 0.46%, 0.63%

LAB 75.55, -39.97, 35.64

 

CMYK 26 / 0 / 29 / 26

HEX #8CBC85

RGB 140 188 133

HSL 112.36, 0.29%, 0.63%

LAB 71.71, -26.54, 22.86

 

CMYK 12 / 0 / 14 / 32

HEX #98AD94

RGB 152 173 148

HSL 110.4, 0.13%, 0.63%

LAB 68.53, -12.11, 10.41

 

CMYK 20 / 0 / 63 / 8

HEX #BCEA57

RGB 188 234 87

HSL 78.78, 0.78%, 0.63%

LAB 87.11, -35.8, 64.39

 

CMYK 37 / 0 / 63 / 8

HEX #94EA57

RGB 148 234 87

HSL 95.1, 0.78%, 0.63%

LAB 84.91, -50.06, 61.37

 

CMYK 53 / 0 / 63 / 8

HEX #6DEA57

RGB 109 234 87

HSL 111.02, 0.78%, 0.63%

LAB 83.33, -61.59, 59.18

 

CMYK 63 / 0 / 56 / 8

HEX #57EA68

RGB 87 234 104

HSL 126.94, 0.78%, 0.63%

LAB 82.84, -64.79, 51.05

 

CMYK 63 / 0 / 39 / 8

HEX #57EA8F

RGB 87 234 143

HSL 142.86, 0.78%, 0.63%

LAB 83.37, -58.96, 32.9

 

CMYK 76 / 0 / 88 / 16

HEX #34D51A

RGB 52 213 26

HSL 111.66, 0.78%, 0.47%

LAB 75.07, -70.51, 69.97

 

CMYK 67 / 0 / 78 / 10

HEX #4BE632

RGB 75 230 50

HSL 111.67, 0.78%, 0.55%

LAB 80.92, -70.73, 69.64

 

CMYK 54 / 0 / 63 / 8

HEX #6BEA57

RGB 107 234 87

HSL 111.84, 0.78%, 0.63%

LAB 83.26, -62.1, 59.09

 

CMYK 41 / 0 / 48 / 6

HEX #8CEF7C

RGB 140 239 124

HSL 111.65, 0.78%, 0.71%

LAB 86.39, -50.7, 46.46

 

CMYK 29 / 0 / 34 / 5

HEX #ACF3A0

RGB 172 243 160

HSL 111.33, 0.78%, 0.79%

LAB 89.58, -37.42, 33.19

 

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

CMYK 63 / 3 / 0 / 8

HEX #57E3EA

RGB 87 227 234

HSL 182.86, 0.78%, 0.63%

LAB 83.39, -35.14, -14.61

 

CMYK 0 / 63 / 28 / 8

HEX #EA57A8

RGB 234 87 168

HSL 326.94, 0.78%, 0.63%

LAB 59.1, 64.27, -13.69

 

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

CMYK 63 / 53 / 0 / 8

HEX #576DEA

RGB 87 109 234

HSL 231.02, 0.78%, 0.63%

LAB 50.57, 30.16, -65.85

 

CMYK 0 / 63 / 53 / 8

HEX #EA576D

RGB 234 87 109

HSL 351.02, 0.78%, 0.63%

LAB 57.48, 58.3, 18.44

 

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

CMYK 63 / 3 / 0 / 8

HEX #57E3EA

RGB 87 227 234

HSL 182.86, 0.78%, 0.63%

LAB 83.39, -35.14, -14.61

 

CMYK 9 / 63 / 0 / 8

HEX #D457EA

RGB 212 87 234

HSL 291.02, 0.78%, 0.63%

LAB 58.75, 68.7, -52.06

 

CMYK 0 / 60 / 63 / 8

HEX #EA5E57

RGB 234 94 87

HSL 2.86, 0.78%, 0.63%

LAB 58.21, 53.73, 32.11

 

CMYK 54 / 0 / 62 / 8

HEX #6CEA58

RGB 108 234 88

HSL 111.78, 0.78%, 0.63%

LAB 83.3, -61.75, 58.73

 

CMYK 63 / 22 / 0 / 8

HEX #57B7EA

RGB 87 183 234

HSL 200.82, 0.78%, 0.63%

LAB 70.76, -13.14, -33.88

 

CMYK 9 / 63 / 0 / 8

HEX #D457EA

RGB 212 87 234

HSL 291.02, 0.78%, 0.63%

LAB 58.75, 68.7, -52.06

 

CMYK 0 / 41 / 63 / 8

HEX #EA8B57

RGB 234 139 87

HSL 21.22, 0.78%, 0.63%

LAB 67.01, 31.56, 42.84

 

Description

Color code: HEX #6CEA58 | qconv.com Color code: HEX #6CEA58 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 234 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 234 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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