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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE94C it is the complementary color #9316B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE94C shade: #71E947, #82FB5A, #93FF6D, #A4FF80 and #B5FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE94C shade: #6CE94C, #5BD739, #4AC526, #39B313 and #28A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE94C shade: #6EE94E, #97E94E, #C1E94E, #E9E74E and #E9BD4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE94C shade: #6EE94E, #4EE958, #4EE982, #4EE9AC and #4EE9D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE94C shade matches the following richer shades: #6EE94E and #64F93E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE94C shade: #6EE94E, #77D95E, #81C96E, #8AB97E and #94A98E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE94C shade: #C2E94E, #99E94E, #70E94E, #4EE956 and #4EE97F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE94C shade: #3DCB19, #4FE529, #6EE94E, #8CEE73 and #AAF297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE94C shade: #6CE94C, #4EE9E7 and #E94EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE94C shade: #6CE94C, #4E70E9 and #E94E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE94C shade: #6CE94C, #4EE9E7, #C84EE9 and #E94E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE94C shade: #6CE94C, #4EBDE9, #C84EE9 and #E97A4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

Complementary color

CMYK 18 / 88 / 0 / 30

HEX #9316B3

RGB 147 22 179

HSL 287.77, 0.78%, 0.39%

LAB 37.9, 67.32, -54.38

 

CMYK 52 / 0 / 70 / 9

HEX #71E947

RGB 113 233 71

HSL 104.44, 0.79%, 0.6%

LAB 83.04, -61.54, 65.18

 

CMYK 48 / 0 / 64 / 2

HEX #82FB5A

RGB 130 251 90

HSL 105.09, 0.95%, 0.67%

LAB 89.15, -61.95, 64.56

 

CMYK 42 / 0 / 57 / 0

HEX #93FF6D

RGB 147 255 109

HSL 104.38, 1%, 0.71%

LAB 91.16, -56.77, 59.07

 

CMYK 36 / 0 / 50 / 0

HEX #A4FF80

RGB 164 255 128

HSL 102.99, 1%, 0.75%

LAB 92.12, -49.46, 51.86

 

CMYK 29 / 0 / 42 / 0

HEX #B5FF93

RGB 181 255 147

HSL 101.11, 1%, 0.79%

LAB 93.21, -41.62, 44.41

 

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

CMYK 58 / 0 / 73 / 16

HEX #5BD739

RGB 91 215 57

HSL 107.09, 0.66%, 0.53%

LAB 76.75, -61.82, 63.52

 

CMYK 62 / 0 / 81 / 23

HEX #4AC526

RGB 74 197 38

HSL 106.42, 0.68%, 0.46%

LAB 70.54, -60.83, 63.3

 

CMYK 68 / 0 / 89 / 30

HEX #39B313

RGB 57 179 19

HSL 105.75, 0.81%, 0.39%

LAB 64.29, -59.34, 62.02

 

CMYK 75 / 0 / 100 / 37

HEX #28A100

RGB 40 161 0

HSL 105.09, 1%, 0.32%

LAB 57.98, -57.24, 59.5

 

CMYK 53 / 0 / 67 / 9

HEX #6EE94E

RGB 110 233 78

HSL 107.61, 0.78%, 0.61%

LAB 82.99, -61.78, 62.44

 

CMYK 35 / 0 / 67 / 9

HEX #97E94E

RGB 151 233 78

HSL 91.74, 0.78%, 0.61%

LAB 84.69, -49.36, 64.76

 

CMYK 17 / 0 / 67 / 9

HEX #C1E94E

RGB 193 233 78

HSL 75.48, 0.78%, 0.61%

LAB 87.08, -34.04, 67.99

 

CMYK 0 / 1 / 67 / 9

HEX #E9E74E

RGB 233 231 78

HSL 59.23, 0.78%, 0.61%

LAB 89.4, -17.1, 71.28

 

CMYK 0 / 19 / 67 / 9

HEX #E9BD4E

RGB 233 189 78

HSL 42.97, 0.78%, 0.61%

LAB 78.62, 4.16, 60.12

 

CMYK 53 / 0 / 67 / 9

HEX #6EE94E

RGB 110 233 78

HSL 107.61, 0.78%, 0.61%

LAB 82.99, -61.78, 62.44

 

CMYK 67 / 0 / 62 / 9

HEX #4EE958

RGB 78 233 88

HSL 123.87, 0.78%, 0.61%

LAB 82.16, -68.04, 57.22

 

CMYK 67 / 0 / 44 / 9

HEX #4EE982

RGB 78 233 130

HSL 140.13, 0.78%, 0.61%

LAB 82.65, -62.42, 38.41

 

CMYK 67 / 0 / 26 / 9

HEX #4EE9AC

RGB 78 233 172

HSL 156.39, 0.78%, 0.61%

LAB 83.38, -54.51, 18

 

CMYK 67 / 0 / 8 / 9

HEX #4EE9D6

RGB 78 233 214

HSL 172.65, 0.78%, 0.61%

LAB 84.36, -44.56, -2.64

 

CMYK 53 / 0 / 67 / 9

HEX #6EE94E

RGB 110 233 78

HSL 107.61, 0.78%, 0.61%

LAB 82.99, -61.78, 62.44

 

CMYK 60 / 0 / 75 / 2

HEX #64F93E

RGB 100 249 62

HSL 107.81, 0.94%, 0.61%

LAB 87.39, -70.96, 72.47

 

CMYK 53 / 0 / 67 / 9

HEX #6EE94E

RGB 110 233 78

HSL 107.61, 0.78%, 0.61%

LAB 82.99, -61.78, 62.44

 

CMYK 45 / 0 / 57 / 15

HEX #77D95E

RGB 119 217 94

HSL 107.8, 0.62%, 0.61%

LAB 78.67, -51.59, 50.94

 

CMYK 36 / 0 / 45 / 21

HEX #81C96E

RGB 129 201 110

HSL 107.47, 0.46%, 0.61%

LAB 74.55, -39.76, 38.4

 

CMYK 25 / 0 / 32 / 27

HEX #8AB97E

RGB 138 185 126

HSL 107.8, 0.3%, 0.61%

LAB 70.6, -26.91, 25.06

 

CMYK 12 / 0 / 16 / 34

HEX #94A98E

RGB 148 169 142

HSL 106.67, 0.14%, 0.61%

LAB 66.99, -12.52, 11.51

 

CMYK 17 / 0 / 67 / 9

HEX #C2E94E

RGB 194 233 78

HSL 75.1, 0.78%, 0.61%

LAB 87.14, -33.65, 68.07

 

CMYK 34 / 0 / 67 / 9

HEX #99E94E

RGB 153 233 78

HSL 90.97, 0.78%, 0.61%

LAB 84.79, -48.68, 64.9

 

CMYK 52 / 0 / 67 / 9

HEX #70E94E

RGB 112 233 78

HSL 106.84, 0.78%, 0.61%

LAB 83.06, -61.25, 62.53

 

CMYK 67 / 0 / 63 / 9

HEX #4EE956

RGB 78 233 86

HSL 123.1, 0.78%, 0.61%

LAB 82.15, -68.25, 58.04

 

CMYK 67 / 0 / 45 / 9

HEX #4EE97F

RGB 78 233 127

HSL 138.97, 0.78%, 0.61%

LAB 82.61, -62.9, 39.83

 

CMYK 70 / 0 / 88 / 20

HEX #3DCB19

RGB 61 203 25

HSL 107.87, 0.78%, 0.45%

LAB 72.08, -66.02, 67.63

 

CMYK 66 / 0 / 82 / 10

HEX #4FE529

RGB 79 229 41

HSL 107.87, 0.78%, 0.53%

LAB 80.66, -70.1, 71.85

 

CMYK 53 / 0 / 67 / 9

HEX #6EE94E

RGB 110 233 78

HSL 107.61, 0.78%, 0.61%

LAB 82.99, -61.78, 62.44

 

CMYK 41 / 0 / 52 / 7

HEX #8CEE73

RGB 140 238 115

HSL 107.8, 0.78%, 0.69%

LAB 85.99, -51.4, 50.2

 

CMYK 30 / 0 / 38 / 5

HEX #AAF297

RGB 170 242 151

HSL 107.47, 0.78%, 0.77%

LAB 89.06, -38.93, 36.97

 

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

CMYK 67 / 0 / 1 / 9

HEX #4EE9E7

RGB 78 233 231

HSL 179.23, 0.78%, 0.61%

LAB 84.83, -40.04, -10.9

 

CMYK 0 / 67 / 25 / 9

HEX #E94EAE

RGB 233 78 174

HSL 322.84, 0.78%, 0.61%

LAB 57.87, 68.28, -19.04

 

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

CMYK 67 / 52 / 0 / 9

HEX #4E70E9

RGB 78 112 233

HSL 226.84, 0.78%, 0.61%

LAB 50.79, 26.56, -64.95

 

CMYK 0 / 67 / 52 / 9

HEX #E94E70

RGB 233 78 112

HSL 346.84, 0.78%, 0.61%

LAB 56.03, 61.87, 14.66

 

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

CMYK 67 / 0 / 1 / 9

HEX #4EE9E7

RGB 78 233 231

HSL 179.23, 0.78%, 0.61%

LAB 84.83, -40.04, -10.9

 

CMYK 14 / 67 / 0 / 9

HEX #C84EE9

RGB 200 78 233

HSL 287.23, 0.78%, 0.61%

LAB 55.7, 69.53, -56.46

 

CMYK 0 / 67 / 65 / 9

HEX #E94E51

RGB 233 78 81

HSL 358.84, 0.78%, 0.61%

LAB 55.45, 59.78, 32.05

 

CMYK 54 / 0 / 67 / 9

HEX #6CE94C

RGB 108 233 76

HSL 107.77, 0.78%, 0.61%

LAB 82.91, -62.47, 63.11

 

CMYK 67 / 19 / 0 / 9

HEX #4EBDE9

RGB 78 189 233

HSL 197.03, 0.78%, 0.61%

LAB 72.16, -18.08, -31.18

 

CMYK 14 / 67 / 0 / 9

HEX #C84EE9

RGB 200 78 233

HSL 287.23, 0.78%, 0.61%

LAB 55.7, 69.53, -56.46

 

CMYK 0 / 48 / 67 / 9

HEX #E97A4E

RGB 233 122 78

HSL 17.03, 0.78%, 0.61%

LAB 63.17, 39.4, 42.98

 

Description

Color code: HEX #6CE94C | qconv.com Color code: HEX #6CE94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 233 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 233 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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