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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE938 it is the complementary color #9316C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE938. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE938 shade: #71E933, #82FB46, #93FF59, #A4FF6C and #B5FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE938. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE938 shade: #6CE938, #5BD725, #4AC512, #39B300 and #28A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE938 shade: #6DE93A, #9CE93A, #CCE93A, #E9D73A and #E9A83A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE938 shade: #6DE93A, #3EE93A, #3AE965, #3AE994 and #3AE9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE938 shade matches the following richer shades: #6DE93A and #66FB28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE938 shade: #6DE93A, #74D74B, #7CC65D, #83B46F and #8AA281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE938 shade: #CCE93A, #9DE93A, #6EE93A, #3FE93A and #3AE963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE938 shade: #46BB15, #54E019, #6DE93A, #89ED5F and #A4F184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE938 shade: #6CE938, #3AE9D8 and #E93AB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE938 shade: #6CE938, #3A6EE9 and #E93A6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE938 shade: #6CE938, #3AE9D8, #B43AE9 and #E93A4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE938 shade: #6CE938, #3AC6E9, #B43AE9 and #E95D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

Complementary color

CMYK 26 / 89 / 0 / 22

HEX #9316C7

RGB 147 22 199

HSL 282.37, 0.8%, 0.43%

LAB 39.41, 71.04, -63.69

 

CMYK 52 / 0 / 78 / 9

HEX #71E933

RGB 113 233 51

HSL 99.56, 0.81%, 0.56%

LAB 82.93, -62.83, 71.64

 

CMYK 48 / 0 / 72 / 2

HEX #82FB46

RGB 130 251 70

HSL 100.11, 0.96%, 0.63%

LAB 89.01, -63.48, 71.79

 

CMYK 42 / 0 / 65 / 0

HEX #93FF59

RGB 147 255 89

HSL 99.04, 1%, 0.67%

LAB 90.98, -58.59, 67.13

 

CMYK 36 / 0 / 58 / 0

HEX #A4FF6C

RGB 164 255 108

HSL 97.14, 1%, 0.71%

LAB 91.91, -51.57, 60.57

 

CMYK 29 / 0 / 50 / 0

HEX #B5FF7F

RGB 181 255 127

HSL 94.69, 1%, 0.75%

LAB 92.96, -43.99, 53.54

 

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

CMYK 58 / 0 / 83 / 16

HEX #5BD725

RGB 91 215 37

HSL 101.8, 0.71%, 0.49%

LAB 76.65, -62.96, 69.33

 

CMYK 62 / 0 / 91 / 23

HEX #4AC512

RGB 74 197 18

HSL 101.23, 0.83%, 0.42%

LAB 70.48, -61.62, 67.62

 

CMYK 68 / 0 / 100 / 30

HEX #39B300

RGB 57 179 0

HSL 100.89, 1%, 0.35%

LAB 64.25, -59.8, 64.64

 

CMYK 75 / 0 / 100 / 37

HEX #28A100

RGB 40 161 0

HSL 105.09, 1%, 0.32%

LAB 57.98, -57.24, 59.5

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 33 / 0 / 75 / 9

HEX #9CE93A

RGB 156 233 58

HSL 86.4, 0.8%, 0.57%

LAB 84.82, -48.91, 71.98

 

CMYK 12 / 0 / 75 / 9

HEX #CCE93A

RGB 204 233 58

HSL 69.94, 0.8%, 0.57%

LAB 87.69, -30.77, 75.71

 

CMYK 0 / 8 / 75 / 9

HEX #E9D73A

RGB 233 215 58

HSL 53.83, 0.8%, 0.57%

LAB 85.11, -10.11, 74.13

 

CMYK 0 / 28 / 75 / 9

HEX #E9A83A

RGB 233 168 58

HSL 37.71, 0.8%, 0.57%

LAB 73.31, 14.25, 62.96

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 73 / 0 / 75 / 9

HEX #3EE93A

RGB 62 233 58

HSL 118.63, 0.8%, 0.57%

LAB 81.62, -73.36, 67.79

 

CMYK 75 / 0 / 57 / 9

HEX #3AE965

RGB 58 233 101

HSL 134.74, 0.8%, 0.57%

LAB 81.9, -69.74, 51.15

 

CMYK 75 / 0 / 36 / 9

HEX #3AE994

RGB 58 233 148

HSL 150.86, 0.8%, 0.57%

LAB 82.55, -62.25, 29.17

 

CMYK 75 / 0 / 16 / 9

HEX #3AE9C3

RGB 58 233 195

HSL 166.97, 0.8%, 0.57%

LAB 83.5, -51.92, 6.09

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 59 / 0 / 84 / 2

HEX #66FB28

RGB 102 251 40

HSL 102.37, 0.96%, 0.57%

LAB 87.96, -72.27, 78.84

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 46 / 0 / 65 / 16

HEX #74D74B

RGB 116 215 75

HSL 102.43, 0.64%, 0.57%

LAB 77.77, -53.57, 58.09

 

CMYK 37 / 0 / 53 / 22

HEX #7CC65D

RGB 124 198 93

HSL 102.29, 0.48%, 0.57%

LAB 73.2, -42.22, 45

 

CMYK 27 / 0 / 38 / 29

HEX #83B46F

RGB 131 180 111

HSL 102.61, 0.32%, 0.57%

LAB 68.47, -29.24, 30.11

 

CMYK 15 / 0 / 20 / 36

HEX #8AA281

RGB 138 162 129

HSL 103.64, 0.15%, 0.57%

LAB 64.02, -14.77, 14.43

 

CMYK 12 / 0 / 75 / 9

HEX #CCE93A

RGB 204 233 58

HSL 69.94, 0.8%, 0.57%

LAB 87.69, -30.77, 75.71

 

CMYK 33 / 0 / 75 / 9

HEX #9DE93A

RGB 157 233 58

HSL 86.06, 0.8%, 0.57%

LAB 84.87, -48.56, 72.05

 

CMYK 53 / 0 / 75 / 9

HEX #6EE93A

RGB 110 233 58

HSL 102.17, 0.8%, 0.57%

LAB 82.86, -63.24, 69.42

 

CMYK 73 / 0 / 75 / 9

HEX #3FE93A

RGB 63 233 58

HSL 118.29, 0.8%, 0.57%

LAB 81.64, -73.21, 67.81

 

CMYK 75 / 0 / 58 / 9

HEX #3AE963

RGB 58 233 99

HSL 134.06, 0.8%, 0.57%

LAB 81.88, -70, 52.02

 

CMYK 63 / 0 / 89 / 27

HEX #46BB15

RGB 70 187 21

HSL 102.29, 0.8%, 0.41%

LAB 67.2, -59.1, 64.28

 

CMYK 63 / 0 / 89 / 12

HEX #54E019

RGB 84 224 25

HSL 102.21, 0.8%, 0.49%

LAB 79.19, -68.06, 73.95

 

CMYK 53 / 0 / 75 / 9

HEX #6DE93A

RGB 109 233 58

HSL 102.51, 0.8%, 0.57%

LAB 82.83, -63.51, 69.37

 

CMYK 42 / 0 / 60 / 7

HEX #89ED5F

RGB 137 237 95

HSL 102.25, 0.8%, 0.65%

LAB 85.36, -54.05, 58.38

 

CMYK 32 / 0 / 45 / 5

HEX #A4F184

RGB 164 241 132

HSL 102.39, 0.8%, 0.73%

LAB 88.19, -43, 45.12

 

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

CMYK 75 / 0 / 7 / 9

HEX #3AE9D8

RGB 58 233 216

HSL 174.17, 0.8%, 0.57%

LAB 84.04, -46.53, -4.2

 

CMYK 0 / 75 / 23 / 9

HEX #E93AB4

RGB 233 58 180

HSL 318.17, 0.8%, 0.57%

LAB 55.73, 75.71, -25.81

 

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

CMYK 75 / 53 / 0 / 9

HEX #3A6EE9

RGB 58 110 233

HSL 222.17, 0.8%, 0.57%

LAB 49.42, 25.16, -67.22

 

CMYK 0 / 75 / 53 / 9

HEX #E93A6E

RGB 233 58 110

HSL 342.17, 0.8%, 0.57%

LAB 53.47, 68.7, 12.29

 

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

CMYK 75 / 0 / 7 / 9

HEX #3AE9D8

RGB 58 233 216

HSL 174.17, 0.8%, 0.57%

LAB 84.04, -46.53, -4.2

 

CMYK 23 / 75 / 0 / 9

HEX #B43AE9

RGB 180 58 233

HSL 281.83, 0.8%, 0.57%

LAB 50.23, 73.05, -65.4

 

CMYK 0 / 75 / 68 / 9

HEX #E93A4B

RGB 233 58 75

HSL 354.17, 0.8%, 0.57%

LAB 52.79, 66.53, 32.25

 

CMYK 54 / 0 / 76 / 9

HEX #6CE938

RGB 108 233 56

HSL 102.37, 0.8%, 0.57%

LAB 82.78, -63.89, 69.94

 

CMYK 75 / 15 / 0 / 9

HEX #3AC6E9

RGB 58 198 233

HSL 192, 0.8%, 0.57%

LAB 74.3, -25.3, -27.93

 

CMYK 23 / 75 / 0 / 9

HEX #B43AE9

RGB 180 58 233

HSL 281.83, 0.8%, 0.57%

LAB 50.23, 73.05, -65.4

 

CMYK 0 / 60 / 75 / 9

HEX #E95D3A

RGB 233 93 58

HSL 12, 0.8%, 0.57%

LAB 57.52, 52.36, 47.02

 

Description

Color code: HEX #6CE938 | qconv.com Color code: HEX #6CE938 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 233 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 233 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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