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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CDCAA it is the complementary color #932355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CDCAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CDCAA shade: #71DCA5, #82EEB8, #93FFCB, #A4FFDE and #B5FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CDCAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CDCAA shade: #6CDCAA, #5BCA97, #4AB884, #39A671 and #28945E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CDCAA shade: #6ADCA9, #6ADC8B, #6ADC6C, #87DC6A and #A6DC6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CDCAA shade: #6ADCA9, #6ADCC8, #6AD2DC, #6AB3DC and #6A94DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CDCAA shade matches the following richer shades: #6ADCA9, #5BEBAB and #4DFAAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CDCAA shade: #6ADCA9, #79CDA8, #88BEA6, #97B0A5 and #A6A1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CDCAA shade: #6ADC6C, #6ADC8B, #6ADCA9, #6ADCC7 and #6AD3DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CDCAA shade: #2EC682, #49D496, #6ADCA9, #8CE4BD and #ADECD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CDCAA shade: #6CDCAA, #6A87DC and #DC7B6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CDCAA shade: #6CDCAA, #A96ADC and #DCA96A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CDCAA shade: #6CDCAA, #6A87DC, #DC6A9E and #DCC06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CDCAA shade: #6CDCAA, #706ADC, #DC6A9E and #D6DC6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

Complementary color

CMYK 0 / 76 / 42 / 42

HEX #932355

RGB 147 35 85

HSL 333.21, 0.62%, 0.36%

LAB 34.11, 49.78, -1.99

 

CMYK 49 / 0 / 25 / 14

HEX #71DCA5

RGB 113 220 165

HSL 149.16, 0.6%, 0.65%

LAB 80.41, -43.4, 17.68

 

CMYK 45 / 0 / 23 / 7

HEX #82EEB8

RGB 130 238 184

HSL 150, 0.76%, 0.72%

LAB 86.68, -43.22, 16.62

 

CMYK 42 / 0 / 20 / 0

HEX #93FFCB

RGB 147 255 203

HSL 151.11, 1%, 0.79%

LAB 92.59, -42.57, 15.23

 

CMYK 36 / 0 / 13 / 0

HEX #A4FFDE

RGB 164 255 222

HSL 158.24, 1%, 0.82%

LAB 93.75, -34.23, 7.21

 

CMYK 29 / 0 / 5 / 0

HEX #B5FFF1

RGB 181 255 241

HSL 168.65, 1%, 0.85%

LAB 95.03, -25.57, -0.62

 

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

CMYK 55 / 0 / 25 / 21

HEX #5BCA97

RGB 91 202 151

HSL 152.43, 0.51%, 0.57%

LAB 74, -43.67, 16.03

 

CMYK 60 / 0 / 28 / 28

HEX #4AB884

RGB 74 184 132

HSL 151.64, 0.44%, 0.51%

LAB 67.58, -43.65, 17.25

 

CMYK 66 / 0 / 32 / 35

HEX #39A671

RGB 57 166 113

HSL 150.83, 0.49%, 0.44%

LAB 61.08, -43.48, 18.6

 

CMYK 73 / 0 / 36 / 42

HEX #28945E

RGB 40 148 94

HSL 150, 0.57%, 0.37%

LAB 54.49, -43.05, 20.09

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 52 / 0 / 37 / 14

HEX #6ADC8B

RGB 106 220 139

HSL 137.37, 0.62%, 0.64%

LAB 79.68, -49.99, 30.15

 

CMYK 52 / 0 / 51 / 14

HEX #6ADC6C

RGB 106 220 108

HSL 121.05, 0.62%, 0.64%

LAB 79.23, -54.7, 44.97

 

CMYK 39 / 0 / 52 / 14

HEX #87DC6A

RGB 135 220 106

HSL 104.74, 0.62%, 0.64%

LAB 80.39, -46.54, 47.6

 

CMYK 25 / 0 / 52 / 14

HEX #A6DC6A

RGB 166 220 106

HSL 88.42, 0.62%, 0.64%

LAB 82.02, -35.94, 49.95

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 52 / 0 / 9 / 14

HEX #6ADCC8

RGB 106 220 200

HSL 169.47, 0.62%, 0.64%

LAB 80.97, -37.26, -0.09

 

CMYK 52 / 5 / 0 / 14

HEX #6AD2DC

RGB 106 210 220

HSL 185.26, 0.62%, 0.64%

LAB 78.65, -27.42, -14.21

 

CMYK 52 / 19 / 0 / 14

HEX #6AB3DC

RGB 106 179 220

HSL 201.58, 0.62%, 0.64%

LAB 69.8, -11.52, -27.65

 

CMYK 52 / 33 / 0 / 14

HEX #6A94DC

RGB 106 148 220

HSL 217.89, 0.62%, 0.64%

LAB 61.14, 5.83, -41.1

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 61 / 0 / 27 / 8

HEX #5BEBAB

RGB 91 235 171

HSL 153.33, 0.78%, 0.64%

LAB 84.27, -53.25, 19.81

 

CMYK 69 / 0 / 31 / 2

HEX #4DFAAC

RGB 77 250 172

HSL 152.95, 0.95%, 0.64%

LAB 88.41, -61.25, 24.95

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 41 / 0 / 18 / 20

HEX #79CDA8

RGB 121 205 168

HSL 153.57, 0.46%, 0.64%

LAB 76.41, -33.94, 10.5

 

CMYK 28 / 0 / 13 / 25

HEX #88BEA6

RGB 136 190 166

HSL 153.33, 0.29%, 0.64%

LAB 72.77, -22.72, 6.48

 

CMYK 14 / 0 / 6 / 31

HEX #97B0A5

RGB 151 176 165

HSL 153.6, 0.14%, 0.64%

LAB 69.72, -10.81, 2.74

 

CMYK 0 / 3 / 2 / 35

HEX #A6A1A3

RGB 166 161 163

HSL 336, 0.03%, 0.64%

LAB 66.7, 2.18, -0.4

 

CMYK 52 / 0 / 51 / 14

HEX #6ADC6C

RGB 106 220 108

HSL 121.05, 0.62%, 0.64%

LAB 79.23, -54.7, 44.97

 

CMYK 52 / 0 / 37 / 14

HEX #6ADC8B

RGB 106 220 139

HSL 137.37, 0.62%, 0.64%

LAB 79.68, -49.99, 30.15

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 52 / 0 / 10 / 14

HEX #6ADCC7

RGB 106 220 199

HSL 168.95, 0.62%, 0.64%

LAB 80.95, -37.5, 0.41

 

CMYK 52 / 4 / 0 / 14

HEX #6AD3DC

RGB 106 211 220

HSL 184.74, 0.62%, 0.64%

LAB 78.94, -27.9, -13.78

 

CMYK 77 / 0 / 34 / 22

HEX #2EC682

RGB 46 198 130

HSL 153.16, 0.62%, 0.48%

LAB 71.27, -54.31, 23.28

 

CMYK 66 / 0 / 29 / 17

HEX #49D496

RGB 73 212 150

HSL 153.24, 0.62%, 0.56%

LAB 76.5, -51.61, 19.96

 

CMYK 52 / 0 / 23 / 14

HEX #6ADCA9

RGB 106 220 169

HSL 153.16, 0.62%, 0.64%

LAB 80.24, -44.26, 15.3

 

CMYK 39 / 0 / 17 / 11

HEX #8CE4BD

RGB 140 228 189

HSL 153.41, 0.62%, 0.72%

LAB 84.35, -35.07, 10.77

 

CMYK 27 / 0 / 12 / 7

HEX #ADECD0

RGB 173 236 208

HSL 153.33, 0.62%, 0.8%

LAB 88.65, -25.5, 7.2

 

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

CMYK 52 / 39 / 0 / 14

HEX #6A87DC

RGB 106 135 220

HSL 224.74, 0.62%, 0.64%

LAB 57.62, 13.49, -46.66

 

CMYK 0 / 44 / 52 / 14

HEX #DC7B6A

RGB 220 123 106

HSL 8.95, 0.62%, 0.64%

LAB 62.02, 35.9, 25.89

 

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

CMYK 23 / 52 / 0 / 14

HEX #A96ADC

RGB 169 106 220

HSL 273.16, 0.62%, 0.64%

LAB 56, 46.11, -48.9

 

CMYK 0 / 23 / 52 / 14

HEX #DCA96A

RGB 220 169 106

HSL 33.16, 0.62%, 0.64%

LAB 72.65, 11.32, 39.51

 

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

CMYK 52 / 39 / 0 / 14

HEX #6A87DC

RGB 106 135 220

HSL 224.74, 0.62%, 0.64%

LAB 57.62, 13.49, -46.66

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9E

RGB 220 106 158

HSL 332.63, 0.62%, 0.64%

LAB 59.88, 50.22, -6.95

 

CMYK 0 / 13 / 52 / 14

HEX #DCC06A

RGB 220 192 106

HSL 45.26, 0.62%, 0.64%

LAB 78.44, -0.84, 46.6

 

CMYK 51 / 0 / 23 / 14

HEX #6CDCAA

RGB 108 220 170

HSL 153.21, 0.62%, 0.64%

LAB 80.34, -43.59, 14.91

 

CMYK 49 / 52 / 0 / 14

HEX #706ADC

RGB 112 106 220

HSL 243.16, 0.62%, 0.64%

LAB 50.59, 32.27, -57.84

 

CMYK 0 / 52 / 28 / 14

HEX #DC6A9E

RGB 220 106 158

HSL 332.63, 0.62%, 0.64%

LAB 59.88, 50.22, -6.95

 

CMYK 3 / 0 / 52 / 14

HEX #D6DC6A

RGB 214 220 106

HSL 63.16, 0.62%, 0.64%

LAB 85.26, -17.49, 54.57

 

Description

Color code: HEX #6CDCAA | qconv.com Color code: HEX #6CDCAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 220 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 220 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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