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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD8ED it is the complementary color #932712. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD8ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD8ED shade: #71D8E8, #82EAFB, #93FCFF, #A4FFFF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD8ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD8ED shade: #6CD8ED, #5BC6DA, #4AB4C7, #39A2B4 and #2890A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD8ED shade: #6DD8ED, #6DB5ED, #6D93ED, #6D71ED and #8C6DED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD8ED shade: #6DD8ED, #6DB5ED, #6D93ED, #6D71ED and #6D6DED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD8ED shade matches the following richer shades: #6DD8ED and #60E1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD8ED shade: #6DD8ED, #7ACFDF, #88C6D2, #95BDC5 and #A2B4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD8ED shade: #6DEDBC, #6DEDDE, #6DD9ED, #6DB8ED and #6D96ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD8ED shade: #24C4E3, #49CEE8, #6DD8ED, #92E2F1 and #B7EBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD8ED shade: #6CD8ED, #9A6DED and #EDCD6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD8ED shade: #6CD8ED, #ED6DD9 and #D9ED6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD8ED shade: #6CD8ED, #9A6DED, #ED806D and #C0ED6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD8ED shade: #6CD8ED, #C06DED, #ED806D and #9AED6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

Complementary color

CMYK 0 / 73 / 88 / 42

HEX #932712

RGB 147 39 18

HSL 9.77, 0.78%, 0.32%

LAB 33.35, 44.04, 38.45

 

CMYK 51 / 7 / 0 / 9

HEX #71D8E8

RGB 113 216 232

HSL 188.07, 0.72%, 0.68%

LAB 80.99, -25.68, -17.08

 

CMYK 48 / 7 / 0 / 2

HEX #82EAFB

RGB 130 234 251

HSL 188.43, 0.94%, 0.75%

LAB 87.27, -25.86, -17.6

 

CMYK 42 / 1 / 0 / 0

HEX #93FCFF

RGB 147 252 255

HSL 181.67, 1%, 0.79%

LAB 93.03, -29.7, -10.99

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

CMYK 58 / 9 / 0 / 15

HEX #5BC6DA

RGB 91 198 218

HSL 189.45, 0.63%, 0.61%

LAB 74.62, -24.98, -19.26

 

CMYK 63 / 10 / 0 / 22

HEX #4AB4C7

RGB 74 180 199

HSL 189.12, 0.53%, 0.54%

LAB 68.18, -24.51, -18.69

 

CMYK 68 / 10 / 0 / 29

HEX #39A2B4

RGB 57 162 180

HSL 188.78, 0.52%, 0.46%

LAB 61.66, -23.86, -18.07

 

CMYK 75 / 11 / 0 / 37

HEX #2890A1

RGB 40 144 161

HSL 188.43, 0.6%, 0.39%

LAB 55.04, -22.96, -17.38

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8ED

RGB 109 216 237

HSL 189.84, 0.78%, 0.68%

LAB 81, -25.13, -19.73

 

CMYK 54 / 24 / 0 / 7

HEX #6DB5ED

RGB 109 181 237

HSL 206.25, 0.78%, 0.68%

LAB 71.15, -6.95, -34.82

 

CMYK 54 / 38 / 0 / 7

HEX #6D93ED

RGB 109 147 237

HSL 222.19, 0.78%, 0.68%

LAB 61.85, 12.35, -49.39

 

CMYK 54 / 52 / 0 / 7

HEX #6D71ED

RGB 109 113 237

HSL 238.13, 0.78%, 0.68%

LAB 53.14, 32.67, -63.31

 

CMYK 41 / 54 / 0 / 7

HEX #8C6DED

RGB 140 109 237

HSL 254.53, 0.78%, 0.68%

LAB 54.69, 41.59, -60.7

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8ED

RGB 109 216 237

HSL 189.84, 0.78%, 0.68%

LAB 81, -25.13, -19.73

 

CMYK 54 / 24 / 0 / 7

HEX #6DB5ED

RGB 109 181 237

HSL 206.25, 0.78%, 0.68%

LAB 71.15, -6.95, -34.82

 

CMYK 54 / 38 / 0 / 7

HEX #6D93ED

RGB 109 147 237

HSL 222.19, 0.78%, 0.68%

LAB 61.85, 12.35, -49.39

 

CMYK 54 / 52 / 0 / 7

HEX #6D71ED

RGB 109 113 237

HSL 238.13, 0.78%, 0.68%

LAB 53.14, 32.67, -63.31

 

CMYK 54 / 54 / 0 / 7

HEX #6D6DED

RGB 109 109 237

HSL 240, 0.78%, 0.68%

LAB 52.18, 35.06, -64.87

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8ED

RGB 109 216 237

HSL 189.84, 0.78%, 0.68%

LAB 81, -25.13, -19.73

 

CMYK 62 / 10 / 0 / 2

HEX #60E1FA

RGB 96 225 250

HSL 189.74, 0.94%, 0.68%

LAB 83.57, -28.24, -22.78

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8ED

RGB 109 216 237

HSL 189.84, 0.78%, 0.68%

LAB 81, -25.13, -19.73

 

CMYK 45 / 7 / 0 / 13

HEX #7ACFDF

RGB 122 207 223

HSL 189.5, 0.61%, 0.68%

LAB 78.51, -21.61, -15.96

 

CMYK 35 / 6 / 0 / 18

HEX #88C6D2

RGB 136 198 210

HSL 189.73, 0.45%, 0.68%

LAB 76.24, -16.8, -12.31

 

CMYK 24 / 4 / 0 / 23

HEX #95BDC5

RGB 149 189 197

HSL 190, 0.29%, 0.68%

LAB 74.07, -11.47, -8.41

 

CMYK 12 / 2 / 0 / 28

HEX #A2B4B8

RGB 162 180 184

HSL 190.91, 0.13%, 0.68%

LAB 72.08, -5.38, -4.16

 

CMYK 54 / 0 / 21 / 7

HEX #6DEDBC

RGB 109 237 188

HSL 157.03, 0.78%, 0.68%

LAB 85.73, -46.88, 13.1

 

CMYK 54 / 0 / 6 / 7

HEX #6DEDDE

RGB 109 237 222

HSL 172.97, 0.78%, 0.68%

LAB 86.55, -39, -3.52

 

CMYK 54 / 8 / 0 / 7

HEX #6DD9ED

RGB 109 217 237

HSL 189.38, 0.78%, 0.68%

LAB 81.29, -25.63, -19.31

 

CMYK 54 / 22 / 0 / 7

HEX #6DB8ED

RGB 109 184 237

HSL 204.84, 0.78%, 0.68%

LAB 71.99, -8.58, -33.52

 

CMYK 54 / 37 / 0 / 7

HEX #6D96ED

RGB 109 150 237

HSL 220.78, 0.78%, 0.68%

LAB 62.66, 10.59, -48.12

 

CMYK 84 / 14 / 0 / 11

HEX #24C4E3

RGB 36 196 227

HSL 189.74, 0.77%, 0.52%

LAB 73.16, -28.2, -26.47

 

CMYK 69 / 11 / 0 / 9

HEX #49CEE8

RGB 73 206 232

HSL 189.81, 0.78%, 0.6%

LAB 76.91, -27.72, -23.37

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8ED

RGB 109 216 237

HSL 189.84, 0.78%, 0.68%

LAB 81, -25.13, -19.73

 

CMYK 39 / 6 / 0 / 5

HEX #92E2F1

RGB 146 226 241

HSL 189.47, 0.77%, 0.76%

LAB 85.43, -20.73, -15.03

 

CMYK 26 / 4 / 0 / 4

HEX #B7EBF6

RGB 183 235 246

HSL 190.48, 0.78%, 0.84%

LAB 89.92, -14.09, -10.75

 

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

CMYK 35 / 54 / 0 / 7

HEX #9A6DED

RGB 154 109 237

HSL 261.09, 0.78%, 0.68%

LAB 56.01, 44.83, -58.5

 

CMYK 0 / 14 / 54 / 7

HEX #EDCD6D

RGB 237 205 109

HSL 45, 0.78%, 0.68%

LAB 83.32, -0.35, 51.37

 

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

CMYK 0 / 54 / 8 / 7

HEX #ED6DD9

RGB 237 109 217

HSL 309.38, 0.78%, 0.68%

LAB 64.92, 62.52, -32.6

 

CMYK 8 / 0 / 54 / 7

HEX #D9ED6D

RGB 217 237 109

HSL 69.38, 0.78%, 0.68%

LAB 90.06, -24.3, 58.82

 

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

CMYK 35 / 54 / 0 / 7

HEX #9A6DED

RGB 154 109 237

HSL 261.09, 0.78%, 0.68%

LAB 56.01, 44.83, -58.5

 

CMYK 0 / 46 / 54 / 7

HEX #ED806D

RGB 237 128 109

HSL 8.91, 0.78%, 0.68%

LAB 65.39, 40.02, 29.08

 

CMYK 19 / 0 / 54 / 7

HEX #C0ED6D

RGB 192 237 109

HSL 81.09, 0.78%, 0.68%

LAB 88.39, -33.85, 56.47

 

CMYK 54 / 9 / 0 / 7

HEX #6CD8ED

RGB 108 216 237

HSL 189.77, 0.78%, 0.68%

LAB 80.97, -25.33, -19.79

 

CMYK 19 / 54 / 0 / 7

HEX #C06DED

RGB 192 109 237

HSL 278.91, 0.78%, 0.68%

LAB 60.12, 54.21, -51.7

 

CMYK 0 / 46 / 54 / 7

HEX #ED806D

RGB 237 128 109

HSL 8.91, 0.78%, 0.68%

LAB 65.39, 40.02, 29.08

 

CMYK 35 / 0 / 54 / 7

HEX #9AED6D

RGB 154 237 109

HSL 98.91, 0.78%, 0.68%

LAB 86.28, -47.23, 53.46

 

Description

Color code: HEX #6CD8ED | qconv.com Color code: HEX #6CD8ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 216 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 216 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 9 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 9% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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