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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD8A9 it is the complementary color #932756. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD8A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD8A9 shade: #71D8A4, #82EAB7, #93FCCA, #A4FFDD and #B5FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD8A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD8A9 shade: #6CD8A9, #5BC696, #4AB483, #39A270 and #28905D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD8A9 shade: #6ED8AA, #6ED88D, #6ED871, #88D86E and #A5D86E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD8A9 shade: #6ED8AA, #6ED8C7, #6ECDD8, #6EB1D8 and #6E94D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD8A9 shade matches the following richer shades: #6ED8AA, #5FE7AC and #50F6AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD8A9 shade: #6ED8AA, #7DCAA8, #8CBBA6, #9BACA4 and #A99DA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD8A9 shade: #6ED870, #6ED88C, #6ED8A9, #6ED8C5 and #6ED0D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD8A9 shade: #33C183, #4DD097, #6ED8AA, #8FE1BD and #AFEAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD8A9 shade: #6CD8A9, #6E89D8 and #D87E6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD8A9 shade: #6CD8A9, #A96ED8 and #D8A96E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD8A9 shade: #6CD8A9, #6E89D8, #D86E9E and #D8BE6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD8A9 shade: #6CD8A9, #736ED8, #D86E9E and #D3D86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

Complementary color

CMYK 0 / 73 / 41 / 42

HEX #932756

RGB 147 39 86

HSL 333.89, 0.58%, 0.36%

LAB 34.65, 48.45, -1.84

 

CMYK 48 / 0 / 24 / 15

HEX #71D8A4

RGB 113 216 164

HSL 149.71, 0.57%, 0.65%

LAB 79.22, -41.85, 16.54

 

CMYK 44 / 0 / 22 / 8

HEX #82EAB7

RGB 130 234 183

HSL 150.58, 0.71%, 0.71%

LAB 85.51, -41.66, 15.5

 

CMYK 42 / 0 / 20 / 1

HEX #93FCCA

RGB 147 252 202

HSL 151.43, 0.95%, 0.78%

LAB 91.72, -41.44, 14.52

 

CMYK 36 / 0 / 13 / 0

HEX #A4FFDD

RGB 164 255 221

HSL 157.58, 1%, 0.82%

LAB 93.72, -34.43, 7.69

 

CMYK 29 / 0 / 6 / 0

HEX #B5FFF0

RGB 181 255 240

HSL 167.84, 1%, 0.85%

LAB 95.01, -25.78, -0.14

 

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

CMYK 54 / 0 / 24 / 22

HEX #5BC696

RGB 91 198 150

HSL 153.08, 0.48%, 0.57%

LAB 72.77, -42.14, 14.85

 

CMYK 59 / 0 / 27 / 29

HEX #4AB483

RGB 74 180 131

HSL 152.26, 0.42%, 0.5%

LAB 66.32, -42.15, 16.05

 

CMYK 65 / 0 / 31 / 36

HEX #39A270

RGB 57 162 112

HSL 151.43, 0.48%, 0.43%

LAB 59.78, -42.02, 17.37

 

CMYK 72 / 0 / 35 / 44

HEX #28905D

RGB 40 144 93

HSL 150.58, 0.57%, 0.36%

LAB 53.15, -41.63, 18.84

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AA

RGB 110 216 170

HSL 153.96, 0.58%, 0.64%

LAB 79.23, -41.35, 13.37

 

CMYK 49 / 0 / 35 / 15

HEX #6ED88D

RGB 110 216 141

HSL 137.55, 0.58%, 0.64%

LAB 78.67, -46.97, 27.79

 

CMYK 49 / 0 / 48 / 15

HEX #6ED871

RGB 110 216 113

HSL 121.7, 0.58%, 0.64%

LAB 78.24, -51.38, 41.36

 

CMYK 37 / 0 / 49 / 15

HEX #88D86E

RGB 136 216 110

HSL 105.28, 0.58%, 0.64%

LAB 79.31, -44.03, 44.4

 

CMYK 24 / 0 / 49 / 15

HEX #A5D86E

RGB 165 216 110

HSL 88.87, 0.58%, 0.64%

LAB 80.87, -34.04, 46.66

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AA

RGB 110 216 170

HSL 153.96, 0.58%, 0.64%

LAB 79.23, -41.35, 13.37

 

CMYK 49 / 0 / 8 / 15

HEX #6ED8C7

RGB 110 216 199

HSL 170.38, 0.58%, 0.64%

LAB 79.93, -34.78, -1.07

 

CMYK 49 / 5 / 0 / 15

HEX #6ECDD8

RGB 110 205 216

HSL 186.23, 0.58%, 0.64%

LAB 77.24, -25.17, -14.16

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 49 / 31 / 0 / 15

HEX #6E94D8

RGB 110 148 216

HSL 218.49, 0.58%, 0.64%

LAB 61.18, 5.54, -38.8

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AA

RGB 110 216 170

HSL 153.96, 0.58%, 0.64%

LAB 79.23, -41.35, 13.37

 

CMYK 59 / 0 / 26 / 9

HEX #5FE7AC

RGB 95 231 172

HSL 153.97, 0.74%, 0.64%

LAB 83.21, -50.64, 17.83

 

CMYK 67 / 0 / 29 / 4

HEX #50F6AE

RGB 80 246 174

HSL 153.98, 0.9%, 0.64%

LAB 87.33, -58.86, 22.45

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AA

RGB 110 216 170

HSL 153.96, 0.58%, 0.64%

LAB 79.23, -41.35, 13.37

 

CMYK 38 / 0 / 17 / 21

HEX #7DCAA8

RGB 125 202 168

HSL 153.51, 0.42%, 0.64%

LAB 75.72, -31.42, 9.54

 

CMYK 25 / 0 / 11 / 27

HEX #8CBBA6

RGB 140 187 166

HSL 153.19, 0.26%, 0.64%

LAB 72.14, -19.94, 5.6

 

CMYK 10 / 0 / 5 / 33

HEX #9BACA4

RGB 155 172 164

HSL 151.76, 0.09%, 0.64%

LAB 68.86, -7.5, 2.08

 

CMYK 0 / 7 / 4 / 34

HEX #A99DA2

RGB 169 157 162

HSL 335, 0.07%, 0.64%

LAB 65.87, 5.29, -1.03

 

CMYK 49 / 0 / 48 / 15

HEX #6ED870

RGB 110 216 112

HSL 121.13, 0.58%, 0.64%

LAB 78.23, -51.52, 41.84

 

CMYK 49 / 0 / 35 / 15

HEX #6ED88C

RGB 110 216 140

HSL 136.98, 0.58%, 0.64%

LAB 78.65, -47.14, 28.29

 

CMYK 49 / 0 / 22 / 15

HEX #6ED8A9

RGB 110 216 169

HSL 153.4, 0.58%, 0.64%

LAB 79.21, -41.56, 13.87

 

CMYK 49 / 0 / 9 / 15

HEX #6ED8C5

RGB 110 216 197

HSL 169.25, 0.58%, 0.64%

LAB 79.87, -35.26, -0.07

 

CMYK 49 / 4 / 0 / 15

HEX #6ED0D8

RGB 110 208 216

HSL 184.53, 0.58%, 0.64%

LAB 78.1, -26.65, -12.87

 

CMYK 74 / 0 / 32 / 24

HEX #33C183

RGB 51 193 131

HSL 153.8, 0.58%, 0.48%

LAB 69.81, -51.53, 20.78

 

CMYK 63 / 0 / 27 / 18

HEX #4DD097

RGB 77 208 151

HSL 153.89, 0.58%, 0.56%

LAB 75.4, -49.06, 17.93

 

CMYK 49 / 0 / 21 / 15

HEX #6ED8AA

RGB 110 216 170

HSL 153.96, 0.58%, 0.64%

LAB 79.23, -41.35, 13.37

 

CMYK 36 / 0 / 16 / 12

HEX #8FE1BD

RGB 143 225 189

HSL 153.66, 0.58%, 0.72%

LAB 83.63, -32.84, 9.77

 

CMYK 25 / 0 / 11 / 8

HEX #AFEAD0

RGB 175 234 208

HSL 153.56, 0.58%, 0.8%

LAB 88.22, -23.92, 6.59

 

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

CMYK 49 / 37 / 0 / 15

HEX #6E89D8

RGB 110 137 216

HSL 224.72, 0.58%, 0.64%

LAB 58.19, 11.99, -43.5

 

CMYK 0 / 42 / 49 / 15

HEX #D87E6E

RGB 216 126 110

HSL 9.06, 0.58%, 0.64%

LAB 62.21, 33.15, 23.8

 

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

CMYK 22 / 49 / 0 / 15

HEX #A96ED8

RGB 169 110 216

HSL 273.4, 0.58%, 0.64%

LAB 56.63, 43.03, -45.64

 

CMYK 0 / 22 / 49 / 15

HEX #D8A96E

RGB 216 169 110

HSL 33.4, 0.58%, 0.64%

LAB 72.3, 10.04, 36.91

 

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

CMYK 49 / 37 / 0 / 15

HEX #6E89D8

RGB 110 137 216

HSL 224.72, 0.58%, 0.64%

LAB 58.19, 11.99, -43.5

 

CMYK 0 / 49 / 27 / 15

HEX #D86E9E

RGB 216 110 158

HSL 332.83, 0.58%, 0.64%

LAB 60.09, 46.94, -6.71

 

CMYK 0 / 12 / 49 / 15

HEX #D8BE6E

RGB 216 190 110

HSL 45.28, 0.58%, 0.64%

LAB 77.61, -1.09, 43.53

 

CMYK 50 / 0 / 22 / 15

HEX #6CD8A9

RGB 108 216 169

HSL 153.89, 0.58%, 0.64%

LAB 79.14, -42.04, 13.75

 

CMYK 47 / 49 / 0 / 15

HEX #736ED8

RGB 115 110 216

HSL 242.83, 0.58%, 0.64%

LAB 51.56, 29.33, -54.02

 

CMYK 0 / 49 / 27 / 15

HEX #D86E9E

RGB 216 110 158

HSL 332.83, 0.58%, 0.64%

LAB 60.09, 46.94, -6.71

 

CMYK 2 / 0 / 49 / 15

HEX #D3D86E

RGB 211 216 110

HSL 62.83, 0.58%, 0.64%

LAB 84.01, -16.37, 51.18

 

Description

Color code: HEX #6CD8A9 | qconv.com Color code: HEX #6CD8A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 216 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 216 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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