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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD7FB it is the complementary color #932804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD7FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD7FB shade: #71D7F6, #82E9FF, #93FBFF, #A4FFFF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD7FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD7FB shade: #6CD7FB, #5BC5E8, #4AB3D5, #39A1C2 and #288FAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD7FB shade: #6AD7FB, #6AAFFB, #6A88FB, #736AFB and #9A6AFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD7FB shade: #6AD7FB, #6AAFFB, #6A88FB and #6A6AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD7FB shade matches the following richer shades: #6AD7FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD7FB shade: #6AD7FB, #76D0EF, #83CAE2, #8FC4D6 and #9BBECA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD7FB shade: #6AFBD2, #6AFBF9, #6AD7FB, #6AB0FB and #6A89FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD7FB shade: #19C1F9, #42CCFA, #6AD7FB, #92E1FC and #BAECFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD7FB shade: #6CD7FB, #AB6AFB and #FBE56A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD7FB shade: #6CD7FB, #FB6AD7 and #D7FB6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD7FB shade: #6CD7FB, #AB6AFB, #FB8E6A and #BAFB6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD7FB shade: #6CD7FB, #D76AFB, #FB8E6A and #8EFB6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

Complementary color

CMYK 0 / 73 / 97 / 42

HEX #932804

RGB 147 40 4

HSL 15.1, 0.95%, 0.3%

LAB 33.41, 43.39, 44.29

 

CMYK 54 / 13 / 0 / 4

HEX #71D7F6

RGB 113 215 246

HSL 193.98, 0.88%, 0.7%

LAB 81.16, -21.34, -24.27

 

CMYK 49 / 9 / 0 / 0

HEX #82E9FF

RGB 130 233 255

HSL 190.56, 1%, 0.75%

LAB 87.12, -24.32, -19.93

 

CMYK 42 / 2 / 0 / 0

HEX #93FBFF

RGB 147 251 255

HSL 182.22, 1%, 0.79%

LAB 92.76, -29.22, -11.39

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

CMYK 61 / 15 / 0 / 9

HEX #5BC5E8

RGB 91 197 232

HSL 194.89, 0.75%, 0.63%

LAB 74.81, -20.38, -26.53

 

CMYK 65 / 16 / 0 / 16

HEX #4AB3D5

RGB 74 179 213

HSL 194.68, 0.62%, 0.56%

LAB 68.39, -19.73, -26.08

 

CMYK 71 / 17 / 0 / 24

HEX #39A1C2

RGB 57 161 194

HSL 194.45, 0.55%, 0.49%

LAB 61.87, -18.89, -25.6

 

CMYK 77 / 18 / 0 / 31

HEX #288FAF

RGB 40 143 175

HSL 194.22, 0.63%, 0.42%

LAB 55.27, -17.76, -25.06

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 58 / 30 / 0 / 2

HEX #6AAFFB

RGB 106 175 251

HSL 211.45, 0.95%, 0.7%

LAB 69.96, 0.04, -44.29

 

CMYK 58 / 46 / 0 / 2

HEX #6A88FB

RGB 106 136 251

HSL 227.59, 0.95%, 0.7%

LAB 59.56, 22.73, -60.77

 

CMYK 54 / 58 / 0 / 2

HEX #736AFB

RGB 115 106 251

HSL 243.72, 0.95%, 0.7%

LAB 52.86, 42.24, -71.54

 

CMYK 39 / 58 / 0 / 2

HEX #9A6AFB

RGB 154 106 251

HSL 259.86, 0.95%, 0.7%

LAB 56.23, 50.07, -65.93

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 58 / 30 / 0 / 2

HEX #6AAFFB

RGB 106 175 251

HSL 211.45, 0.95%, 0.7%

LAB 69.96, 0.04, -44.29

 

CMYK 58 / 46 / 0 / 2

HEX #6A88FB

RGB 106 136 251

HSL 227.59, 0.95%, 0.7%

LAB 59.56, 22.73, -60.77

 

CMYK 58 / 58 / 0 / 2

HEX #6A6AFB

RGB 106 106 251

HSL 240, 0.95%, 0.7%

LAB 52.22, 40.67, -72.61

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 51 / 13 / 0 / 6

HEX #76D0EF

RGB 118 208 239

HSL 195.37, 0.79%, 0.7%

LAB 79.15, -18.7, -23.58

 

CMYK 42 / 11 / 0 / 11

HEX #83CAE2

RGB 131 202 226

HSL 195.16, 0.62%, 0.7%

LAB 77.61, -16.11, -18.89

 

CMYK 33 / 8 / 0 / 16

HEX #8FC4D6

RGB 143 196 214

HSL 195.21, 0.46%, 0.7%

LAB 76.18, -12.86, -14.53

 

CMYK 23 / 6 / 0 / 21

HEX #9BBECA

RGB 155 190 202

HSL 195.32, 0.31%, 0.7%

LAB 74.86, -9.03, -9.92

 

CMYK 58 / 0 / 16 / 2

HEX #6AFBD2

RGB 106 251 210

HSL 163.03, 0.95%, 0.7%

LAB 90.19, -48.58, 8.01

 

CMYK 58 / 0 / 1 / 2

HEX #6AFBF9

RGB 106 251 249

HSL 179.17, 0.95%, 0.7%

LAB 91.19, -39.04, -10.77

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 58 / 30 / 0 / 2

HEX #6AB0FB

RGB 106 176 251

HSL 211.03, 0.95%, 0.7%

LAB 70.23, -0.52, -43.86

 

CMYK 58 / 45 / 0 / 2

HEX #6A89FB

RGB 106 137 251

HSL 227.17, 0.95%, 0.7%

LAB 59.82, 22.13, -60.36

 

CMYK 90 / 22 / 0 / 2

HEX #19C1F9

RGB 25 193 249

HSL 195, 0.95%, 0.54%

LAB 73.01, -20.02, -38.58

 

CMYK 74 / 18 / 0 / 2

HEX #42CCFA

RGB 66 204 250

HSL 195, 0.95%, 0.62%

LAB 76.83, -22.04, -33.16

 

CMYK 58 / 14 / 0 / 2

HEX #6AD7FB

RGB 106 215 251

HSL 194.9, 0.95%, 0.7%

LAB 81.09, -21.26, -27.06

 

CMYK 42 / 11 / 0 / 1

HEX #92E1FC

RGB 146 225 252

HSL 195.28, 0.95%, 0.78%

LAB 85.5, -17.46, -20.73

 

CMYK 26 / 7 / 0 / 1

HEX #BAECFD

RGB 186 236 253

HSL 195.22, 0.94%, 0.86%

LAB 90.56, -12.18, -13.43

 

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

CMYK 32 / 58 / 0 / 2

HEX #AB6AFB

RGB 171 106 251

HSL 266.9, 0.95%, 0.7%

LAB 57.97, 53.85, -63.03

 

CMYK 0 / 9 / 58 / 2

HEX #FBE56A

RGB 251 229 106

HSL 50.9, 0.95%, 0.7%

LAB 90.59, -7.05, 61.47

 

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

CMYK 0 / 58 / 14 / 2

HEX #FB6AD7

RGB 251 106 215

HSL 314.9, 0.95%, 0.7%

LAB 66.31, 67.37, -29.19

 

CMYK 14 / 0 / 58 / 2

HEX #D7FB6A

RGB 215 251 106

HSL 74.9, 0.95%, 0.7%

LAB 93.66, -31.88, 64.18

 

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

CMYK 32 / 58 / 0 / 2

HEX #AB6AFB

RGB 171 106 251

HSL 266.9, 0.95%, 0.7%

LAB 57.97, 53.85, -63.03

 

CMYK 0 / 43 / 58 / 2

HEX #FB8E6A

RGB 251 142 106

HSL 14.9, 0.95%, 0.7%

LAB 70.1, 37.96, 37.11

 

CMYK 26 / 0 / 58 / 2

HEX #BAFB6A

RGB 186 251 106

HSL 86.9, 0.95%, 0.7%

LAB 91.9, -42.57, 61.72

 

CMYK 57 / 14 / 0 / 2

HEX #6CD7FB

RGB 108 215 251

HSL 195.1, 0.95%, 0.7%

LAB 81.16, -20.89, -26.95

 

CMYK 14 / 58 / 0 / 2

HEX #D76AFB

RGB 215 106 251

HSL 285.1, 0.95%, 0.7%

LAB 63.11, 64.22, -54.53

 

CMYK 0 / 43 / 58 / 2

HEX #FB8E6A

RGB 251 142 106

HSL 14.9, 0.95%, 0.7%

LAB 70.1, 37.96, 37.11

 

CMYK 43 / 0 / 58 / 2

HEX #8EFB6A

RGB 142 251 106

HSL 105.1, 0.95%, 0.7%

LAB 89.76, -56.99, 58.71

 

Description

Color code: HEX #6CD7FB | qconv.com Color code: HEX #6CD7FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 215 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 215 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 14 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 14% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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