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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD7B7 it is the complementary color #932848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD7B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6CD7B7: #71D7B2, #82E9C5, #93FBD8, #A4FFEB and #B5FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD7B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6CD7B7: #6CD7B7, #5BC5A4, #4AB391, #39A17E and #288F6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

Complementary color

CMYK 0 / 73 / 51 / 42

HEX #932848

RGB 147 40 72

HSL 342.06, 0.57%, 0.37%

LAB 34.37, 46.69, 6.82

 

CMYK 47 / 0 / 17 / 16

HEX #71D7B2

RGB 113 215 178

HSL 158.24, 0.56%, 0.64%

LAB 79.23, -38.46, 9.13

 

CMYK 44 / 0 / 15 / 9

HEX #82E9C5

RGB 130 233 197

HSL 159.03, 0.7%, 0.71%

LAB 85.53, -38.3, 8.21

 

CMYK 41 / 0 / 14 / 2

HEX #93FBD8

RGB 147 251 216

HSL 159.81, 0.93%, 0.78%

LAB 91.75, -38.12, 7.34

 

CMYK 36 / 0 / 8 / 0

HEX #A4FFEB

RGB 164 255 235

HSL 166.81, 1%, 0.82%

LAB 94.06, -31.49, 0.95

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFE

RGB 181 255 254

HSL 179.19, 1%, 0.85%

LAB 95.37, -22.77, -6.83

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 54 / 0 / 17 / 23

HEX #5BC5A4

RGB 91 197 164

HSL 161.32, 0.48%, 0.56%

LAB 72.78, -38.59, 7.32

 

CMYK 59 / 0 / 19 / 30

HEX #4AB391

RGB 74 179 145

HSL 160.57, 0.42%, 0.5%

LAB 66.32, -38.56, 8.38

 

CMYK 65 / 0 / 22 / 37

HEX #39A17E

RGB 57 161 126

HSL 159.81, 0.48%, 0.43%

LAB 59.77, -38.4, 9.56

 

CMYK 72 / 0 / 25 / 44

HEX #288F6B

RGB 40 143 107

HSL 159.03, 0.56%, 0.36%

LAB 53.12, -38.02, 10.87

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 50 / 0 / 7 / 16

HEX #6AD6C8

RGB 106 214 200

HSL 172.22, 0.57%, 0.63%

LAB 79.23, -34.48, -2.64

 

CMYK 50 / 2 / 0 / 16

HEX #6AD2D6

RGB 106 210 214

HSL 182.22, 0.57%, 0.63%

LAB 78.47, -29.01, -11.26

 

CMYK 50 / 10 / 0 / 16

HEX #6AC0D6

RGB 106 192 214

HSL 192.22, 0.57%, 0.63%

LAB 73.3, -20.05, -19.04

 

CMYK 50 / 19 / 0 / 16

HEX #6AAED6

RGB 106 174 214

HSL 202.22, 0.57%, 0.63%

LAB 68.16, -10.57, -26.88

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 45 / 0 / 18 / 96

HEX #060B09

RGB 6 11 9

HSL 156, 0.29%, 0.03%

LAB 2.69, -1.6, 0.3

 

CMYK 50 / 0 / 15 / 76

HEX #1F3E35

RGB 31 62 53

HSL 162.58, 0.33%, 0.18%

LAB 23.65, -14.12, 1.96

 

CMYK 50 / 0 / 15 / 56

HEX #397160

RGB 57 113 96

HSL 161.79, 0.33%, 0.33%

LAB 43.54, -22.96, 3.76

 

CMYK 50 / 0 / 15 / 36

HEX #52A48C

RGB 82 164 140

HSL 162.44, 0.33%, 0.48%

LAB 61.86, -31, 4.8

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 50 / 45 / 0 / 16

HEX #6A75D6

RGB 106 117 214

HSL 233.89, 0.57%, 0.63%

LAB 52.56, 22.46, -51.33

 

CMYK 0 / 35 / 50 / 16

HEX #D68B6A

RGB 214 139 106

HSL 18.33, 0.57%, 0.63%

LAB 64.81, 25.04, 29.4

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 15 / 50 / 0 / 16

HEX #B66AD6

RGB 182 106 214

HSL 282.22, 0.57%, 0.63%

LAB 57.18, 48.27, -43.55

 

CMYK 0 / 15 / 50 / 16

HEX #D6B66A

RGB 214 182 106

HSL 42.22, 0.57%, 0.63%

LAB 75.32, 1.93, 42.69

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 50 / 45 / 0 / 16

HEX #6A75D6

RGB 106 117 214

HSL 233.89, 0.57%, 0.63%

LAB 52.56, 22.46, -51.33

 

CMYK 0 / 50 / 35 / 16

HEX #D66A8B

RGB 214 106 139

HSL 341.67, 0.57%, 0.63%

LAB 58.48, 45.84, 1.9

 

CMYK 0 / 5 / 50 / 16

HEX #D6CB6A

RGB 214 203 106

HSL 53.89, 0.57%, 0.63%

LAB 80.77, -8.97, 49.27

 

CMYK 50 / 0 / 15 / 16

HEX #6CD7B7

RGB 108 215 183

HSL 162.06, 0.57%, 0.63%

LAB 79.16, -38.53, 6.35

 

CMYK 40 / 50 / 0 / 16

HEX #806AD6

RGB 128 106 214

HSL 252.22, 0.57%, 0.63%

LAB 51.56, 34.19, -52.83

 

CMYK 0 / 50 / 35 / 16

HEX #D66A8B

RGB 214 106 139

HSL 341.67, 0.57%, 0.63%

LAB 58.48, 45.84, 1.9

 

CMYK 10 / 0 / 50 / 16

HEX #C0D66A

RGB 192 214 106

HSL 72.22, 0.57%, 0.63%

LAB 82.02, -23.27, 50.36

 

Description

Color code: HEX #6CD7B7 | qconv.com Color code: HEX #6CD7B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 215 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 215 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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