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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD5A8 it is the complementary color #932A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD5A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD5A8 shade: #71D5A3, #82E7B6, #93F9C9, #A4FFDC and #B5FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD5A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD5A8 shade: #6CD5A8, #5BC395, #4AB182, #399F6F and #288D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD5A8 shade: #6CD5A8, #6CD58C, #6CD56F, #85D56C and #A1D56C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD5A8 shade: #6CD5A8, #6CD5C5, #6CCAD5, #6CADD5 and #6C91D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD5A8 shade matches the following richer shades: #6CD5A8, #5DE5AA and #4DF4AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD5A8 shade: #6CD5A8, #7BC6A6, #8AB7A4, #9AA8A2 and #A9989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD5A8 shade: #6CD56F, #6CD58C, #6CD5A8, #6CD5C4 and #6CCBD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD5A8 shade: #35BA81, #4CCC95, #6CD5A8, #8CDFBB and #ACE8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD5A8 shade: #6CD5A8, #6C84D5 and #D57D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD5A8 shade: #6CD5A8, #A86CD5 and #D5A86C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD5A8 shade: #6CD5A8, #6C84D5, #D56C9A and #D5BD6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD5A8 shade: #6CD5A8, #736CD5, #D56C9A and #CED56C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

Complementary color

CMYK 0 / 71 / 41 / 42

HEX #932A57

RGB 147 42 87

HSL 334.29, 0.56%, 0.37%

LAB 35.1, 47.41, -1.83

 

CMYK 47 / 0 / 23 / 16

HEX #71D5A3

RGB 113 213 163

HSL 150, 0.54%, 0.64%

LAB 78.31, -40.73, 15.8

 

CMYK 44 / 0 / 21 / 9

HEX #82E7B6

RGB 130 231 182

HSL 150.89, 0.68%, 0.71%

LAB 84.63, -40.53, 14.77

 

CMYK 41 / 0 / 19 / 2

HEX #93F9C9

RGB 147 249 201

HSL 151.76, 0.89%, 0.78%

LAB 90.86, -40.31, 13.81

 

CMYK 36 / 0 / 14 / 0

HEX #A4FFDC

RGB 164 255 220

HSL 156.92, 1%, 0.82%

LAB 93.7, -34.63, 8.17

 

CMYK 29 / 0 / 6 / 0

HEX #B5FFEF

RGB 181 255 239

HSL 167.03, 1%, 0.85%

LAB 94.98, -25.99, 0.34

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 53 / 0 / 24 / 24

HEX #5BC395

RGB 91 195 149

HSL 153.46, 0.46%, 0.56%

LAB 71.84, -41.04, 14.09

 

CMYK 58 / 0 / 27 / 31

HEX #4AB182

RGB 74 177 130

HSL 152.62, 0.41%, 0.49%

LAB 65.37, -41.07, 15.28

 

CMYK 64 / 0 / 30 / 38

HEX #399F6F

RGB 57 159 111

HSL 151.76, 0.47%, 0.42%

LAB 58.8, -40.96, 16.58

 

CMYK 72 / 0 / 35 / 45

HEX #288D5C

RGB 40 141 92

HSL 150.89, 0.56%, 0.35%

LAB 52.15, -40.61, 18.04

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 49 / 0 / 34 / 16

HEX #6CD58C

RGB 108 213 140

HSL 138.29, 0.56%, 0.63%

LAB 77.68, -46.39, 26.97

 

CMYK 49 / 0 / 48 / 16

HEX #6CD56F

RGB 108 213 111

HSL 121.71, 0.56%, 0.63%

LAB 77.24, -51, 41.07

 

CMYK 38 / 0 / 49 / 16

HEX #85D56C

RGB 133 213 108

HSL 105.71, 0.56%, 0.63%

LAB 78.26, -43.96, 44.04

 

CMYK 24 / 0 / 49 / 16

HEX #A1D56C

RGB 161 213 108

HSL 89.71, 0.56%, 0.63%

LAB 79.75, -34.34, 46.2

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 49 / 0 / 8 / 16

HEX #6CD5C5

RGB 108 213 197

HSL 170.86, 0.56%, 0.63%

LAB 78.93, -34.31, -1.46

 

CMYK 49 / 5 / 0 / 16

HEX #6CCAD5

RGB 108 202 213

HSL 186.29, 0.56%, 0.63%

LAB 76.21, -24.92, -14.1

 

CMYK 49 / 19 / 0 / 16

HEX #6CADD5

RGB 108 173 213

HSL 202.86, 0.56%, 0.63%

LAB 67.93, -9.86, -26.68

 

CMYK 49 / 32 / 0 / 16

HEX #6C91D5

RGB 108 145 213

HSL 218.86, 0.56%, 0.63%

LAB 60.11, 5.9, -38.82

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 59 / 0 / 26 / 10

HEX #5DE5AA

RGB 93 229 170

HSL 153.97, 0.72%, 0.63%

LAB 82.52, -50.63, 17.91

 

CMYK 68 / 0 / 29 / 4

HEX #4DF4AD

RGB 77 244 173

HSL 154.49, 0.88%, 0.63%

LAB 86.65, -58.76, 22.02

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 38 / 0 / 16 / 22

HEX #7BC6A6

RGB 123 198 166

HSL 154.4, 0.4%, 0.63%

LAB 74.41, -30.5, 8.75

 

CMYK 25 / 0 / 10 / 28

HEX #8AB7A4

RGB 138 183 164

HSL 154.67, 0.24%, 0.63%

LAB 70.84, -18.96, 4.8

 

CMYK 8 / 0 / 4 / 34

HEX #9AA8A2

RGB 154 168 162

HSL 154.29, 0.07%, 0.63%

LAB 67.64, -6.1, 1.4

 

CMYK 0 / 10 / 6 / 34

HEX #A9989F

RGB 169 152 159

HSL 335.29, 0.09%, 0.63%

LAB 64.48, 7.51, -1.39

 

CMYK 49 / 0 / 48 / 16

HEX #6CD56F

RGB 108 213 111

HSL 121.71, 0.56%, 0.63%

LAB 77.24, -51, 41.07

 

CMYK 49 / 0 / 34 / 16

HEX #6CD58C

RGB 108 213 140

HSL 138.29, 0.56%, 0.63%

LAB 77.68, -46.39, 26.97

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 49 / 0 / 8 / 16

HEX #6CD5C4

RGB 108 213 196

HSL 170.29, 0.56%, 0.63%

LAB 78.9, -34.55, -0.97

 

CMYK 49 / 5 / 0 / 16

HEX #6CCBD5

RGB 108 203 213

HSL 185.71, 0.56%, 0.63%

LAB 76.5, -25.42, -13.67

 

CMYK 72 / 0 / 31 / 27

HEX #35BA81

RGB 53 186 129

HSL 154.29, 0.56%, 0.47%

LAB 67.62, -48.9, 18.85

 

CMYK 63 / 0 / 27 / 20

HEX #4CCC95

RGB 76 204 149

HSL 154.22, 0.56%, 0.55%

LAB 74.12, -48.03, 17.21

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 37 / 0 / 16 / 13

HEX #8CDFBB

RGB 140 223 187

HSL 153.98, 0.56%, 0.71%

LAB 82.88, -33.16, 9.73

 

CMYK 26 / 0 / 11 / 9

HEX #ACE8CE

RGB 172 232 206

HSL 154, 0.57%, 0.79%

LAB 87.46, -24.26, 6.52

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 49 / 38 / 0 / 16

HEX #6C84D5

RGB 108 132 213

HSL 226.29, 0.56%, 0.63%

LAB 56.58, 13.58, -44.37

 

CMYK 0 / 41 / 49 / 16

HEX #D57D6C

RGB 213 125 108

HSL 9.71, 0.56%, 0.63%

LAB 61.56, 32.33, 24

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 21 / 49 / 0 / 16

HEX #A86CD5

RGB 168 108 213

HSL 274.29, 0.56%, 0.63%

LAB 55.94, 43.17, -45.04

 

CMYK 0 / 21 / 49 / 16

HEX #D5A86C

RGB 213 168 108

HSL 34.29, 0.56%, 0.63%

LAB 71.71, 9.15, 37.15

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 49 / 38 / 0 / 16

HEX #6C84D5

RGB 108 132 213

HSL 226.29, 0.56%, 0.63%

LAB 56.58, 13.58, -44.37

 

CMYK 0 / 49 / 28 / 16

HEX #D56C9A

RGB 213 108 154

HSL 333.71, 0.56%, 0.63%

LAB 59.16, 46.41, -5.81

 

CMYK 0 / 11 / 49 / 16

HEX #D5BD6C

RGB 213 189 108

HSL 46.29, 0.56%, 0.63%

LAB 77.06, -1.98, 43.79

 

CMYK 49 / 0 / 21 / 16

HEX #6CD5A8

RGB 108 213 168

HSL 154.29, 0.56%, 0.63%

LAB 78.23, -40.93, 13.01

 

CMYK 46 / 49 / 0 / 16

HEX #736CD5

RGB 115 108 213

HSL 244, 0.56%, 0.63%

LAB 50.89, 29.64, -53.39

 

CMYK 0 / 49 / 28 / 16

HEX #D56C9A

RGB 213 108 154

HSL 333.71, 0.56%, 0.63%

LAB 59.16, 46.41, -5.81

 

CMYK 3 / 0 / 49 / 16

HEX #CED56C

RGB 206 213 108

HSL 64, 0.56%, 0.63%

LAB 82.8, -17.06, 50.59

 

Description

Color code: HEX #6CD5A8 | qconv.com Color code: HEX #6CD5A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 213 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 213 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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