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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD554 it is the complementary color #932AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD554 shade: #71D54F, #82E762, #93F975, #A4FF88 and #B5FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD554 shade: #6CD554, #5BC341, #4AB12E, #399F1B and #288D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD554 shade: #6BD553, #8ED553, #B1D553, #D5D553 and #D5B353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD554 shade: #6BD553, #53D55E, #53D581, #53D5A4 and #53D5C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD554 shade matches the following richer shades: #6BD553, #60E741 and #55F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD554 shade: #6BD553, #76C464, #81B375, #8CA187 and #969098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD554 shade: #B2D553, #90D553, #6DD553, #53D55B and #53D57E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD554 shade: #42AC2A, #4FCD32, #6BD553, #87DD74 and #A4E595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD554 shade: #6CD554, #53D5D5 and #D553A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD554 shade: #6CD554, #536DD5 and #D5536D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD554 shade: #6CD554, #53D5D5, #BB53D5 and #D55353

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD554 shade: #6CD554, #53AED5, #BB53D5 and #D57A53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

Complementary color

CMYK 14 / 75 / 0 / 33

HEX #932AAB

RGB 147 42 171

HSL 288.84, 0.61%, 0.42%

LAB 39.24, 60.33, -47.46

 

CMYK 47 / 0 / 63 / 16

HEX #71D54F

RGB 113 213 79

HSL 104.78, 0.61%, 0.57%

LAB 77.08, -53.31, 55.65

 

CMYK 44 / 0 / 58 / 9

HEX #82E762

RGB 130 231 98

HSL 105.56, 0.73%, 0.65%

LAB 83.33, -53.48, 54.67

 

CMYK 41 / 0 / 53 / 2

HEX #93F975

RGB 147 249 117

HSL 106.36, 0.92%, 0.72%

LAB 89.5, -53.52, 53.58

 

CMYK 36 / 0 / 47 / 0

HEX #A4FF88

RGB 164 255 136

HSL 105.88, 1%, 0.77%

LAB 92.22, -48.5, 48.23

 

CMYK 29 / 0 / 39 / 0

HEX #B5FF9B

RGB 181 255 155

HSL 104.4, 1%, 0.8%

LAB 93.32, -40.57, 40.66

 

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

CMYK 53 / 0 / 67 / 24

HEX #5BC341

RGB 91 195 65

HSL 108, 0.52%, 0.51%

LAB 70.62, -53.93, 54.18

 

CMYK 58 / 0 / 74 / 31

HEX #4AB12E

RGB 74 177 46

HSL 107.18, 0.59%, 0.44%

LAB 64.24, -53.31, 54.68

 

CMYK 64 / 0 / 83 / 38

HEX #399F1B

RGB 57 159 27

HSL 106.36, 0.71%, 0.36%

LAB 57.79, -52.25, 54.42

 

CMYK 72 / 0 / 94 / 45

HEX #288D08

RGB 40 141 8

HSL 105.56, 0.89%, 0.29%

LAB 51.29, -50.55, 52.75

 

CMYK 50 / 0 / 61 / 16

HEX #6BD553

RGB 107 213 83

HSL 108.92, 0.61%, 0.58%

LAB 76.88, -54.64, 53.65

 

CMYK 33 / 0 / 61 / 16

HEX #8ED553

RGB 142 213 83

HSL 92.77, 0.61%, 0.58%

LAB 78.44, -43.6, 55.82

 

CMYK 17 / 0 / 61 / 16

HEX #B1D553

RGB 177 213 83

HSL 76.62, 0.61%, 0.58%

LAB 80.49, -30.64, 58.67

 

CMYK 0 / 0 / 61 / 16

HEX #D5D553

RGB 213 213 83

HSL 60, 0.61%, 0.58%

LAB 83.1, -16.16, 62.26

 

CMYK 0 / 16 / 61 / 16

HEX #D5B353

RGB 213 179 83

HSL 44.31, 0.61%, 0.58%

LAB 74.2, 1.27, 52.5

 

CMYK 50 / 0 / 61 / 16

HEX #6BD553

RGB 107 213 83

HSL 108.92, 0.61%, 0.58%

LAB 76.88, -54.64, 53.65

 

CMYK 61 / 0 / 56 / 16

HEX #53D55E

RGB 83 213 94

HSL 125.08, 0.61%, 0.58%

LAB 76.21, -59.39, 47.74

 

CMYK 61 / 0 / 39 / 16

HEX #53D581

RGB 83 213 129

HSL 141.23, 0.61%, 0.58%

LAB 76.69, -54.14, 31.18

 

CMYK 61 / 0 / 23 / 16

HEX #53D5A4

RGB 83 213 164

HSL 157.38, 0.61%, 0.58%

LAB 77.35, -47.2, 13.77

 

CMYK 61 / 0 / 7 / 16

HEX #53D5C7

RGB 83 213 199

HSL 173.54, 0.61%, 0.58%

LAB 78.2, -38.76, -3.7

 

CMYK 50 / 0 / 61 / 16

HEX #6BD553

RGB 107 213 83

HSL 108.92, 0.61%, 0.58%

LAB 76.88, -54.64, 53.65

 

CMYK 58 / 0 / 72 / 9

HEX #60E741

RGB 96 231 65

HSL 108.8, 0.78%, 0.58%

LAB 81.85, -65.6, 65.93

 

CMYK 66 / 0 / 81 / 3

HEX #55F830

RGB 85 248 48

HSL 108.9, 0.93%, 0.58%

LAB 86.64, -74.58, 75.61

 

CMYK 50 / 0 / 61 / 16

HEX #6BD553

RGB 107 213 83

HSL 108.92, 0.61%, 0.58%

LAB 76.88, -54.64, 53.65

 

CMYK 40 / 0 / 49 / 23

HEX #76C464

RGB 118 196 100

HSL 108.75, 0.45%, 0.58%

LAB 72.4, -42.44, 40.56

 

CMYK 28 / 0 / 35 / 30

HEX #81B375

RGB 129 179 117

HSL 108.39, 0.29%, 0.58%

LAB 68.16, -28.56, 26.51

 

CMYK 13 / 0 / 16 / 37

HEX #8CA187

RGB 140 161 135

HSL 108.46, 0.12%, 0.58%

LAB 64.01, -12.44, 11.09

 

CMYK 1 / 5 / 0 / 40

HEX #969098

RGB 150 144 152

HSL 285, 0.04%, 0.58%

LAB 60.51, 3.75, -3.44

 

CMYK 16 / 0 / 61 / 16

HEX #B2D553

RGB 178 213 83

HSL 76.15, 0.61%, 0.58%

LAB 80.56, -30.25, 58.76

 

CMYK 32 / 0 / 61 / 16

HEX #90D553

RGB 144 213 83

HSL 91.85, 0.61%, 0.58%

LAB 78.54, -42.91, 55.97

 

CMYK 49 / 0 / 61 / 16

HEX #6DD553

RGB 109 213 83

HSL 108, 0.61%, 0.58%

LAB 76.96, -54.08, 53.76

 

CMYK 61 / 0 / 57 / 16

HEX #53D55B

RGB 83 213 91

HSL 123.69, 0.61%, 0.58%

LAB 76.18, -59.76, 49.08

 

CMYK 61 / 0 / 41 / 16

HEX #53D57E

RGB 83 213 126

HSL 139.85, 0.61%, 0.58%

LAB 76.64, -54.66, 32.65

 

CMYK 62 / 0 / 76 / 33

HEX #42AC2A

RGB 66 172 42

HSL 108.92, 0.61%, 0.42%

LAB 62.36, -53.78, 54.15

 

CMYK 61 / 0 / 76 / 20

HEX #4FCD32

RGB 79 205 50

HSL 108.77, 0.61%, 0.5%

LAB 73.26, -61.69, 62.29

 

CMYK 50 / 0 / 61 / 16

HEX #6BD553

RGB 107 213 83

HSL 108.92, 0.61%, 0.58%

LAB 76.88, -54.64, 53.65

 

CMYK 39 / 0 / 48 / 13

HEX #87DD74

RGB 135 221 116

HSL 109.14, 0.61%, 0.66%

LAB 80.81, -45.73, 43.33

 

CMYK 28 / 0 / 35 / 10

HEX #A4E595

RGB 164 229 149

HSL 108.75, 0.61%, 0.74%

LAB 85.05, -35.31, 32.64

 

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

CMYK 61 / 0 / 0 / 16

HEX #53D5D5

RGB 83 213 213

HSL 180, 0.61%, 0.58%

LAB 78.6, -35.02, -10.61

 

CMYK 0 / 61 / 24 / 16

HEX #D553A1

RGB 213 83 161

HSL 324, 0.61%, 0.58%

LAB 54.98, 59.05, -16.17

 

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

CMYK 61 / 49 / 0 / 16

HEX #536DD5

RGB 83 109 213

HSL 228, 0.61%, 0.58%

LAB 48.98, 22.39, -56.56

 

CMYK 0 / 61 / 49 / 16

HEX #D5536D

RGB 213 83 109

HSL 348, 0.61%, 0.58%

LAB 53.42, 53.22, 12.32

 

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

CMYK 61 / 0 / 0 / 16

HEX #53D5D5

RGB 83 213 213

HSL 180, 0.61%, 0.58%

LAB 78.6, -35.02, -10.61

 

CMYK 12 / 61 / 0 / 16

HEX #BB53D5

RGB 187 83 213

HSL 288, 0.61%, 0.58%

LAB 53.55, 60.62, -48.69

 

CMYK 0 / 61 / 61 / 16

HEX #D55353

RGB 213 83 83

HSL 0, 0.61%, 0.58%

LAB 52.9, 51.19, 26.97

 

CMYK 49 / 0 / 61 / 16

HEX #6CD554

RGB 108 213 84

HSL 108.84, 0.61%, 0.58%

LAB 76.93, -54.26, 53.28

 

CMYK 61 / 18 / 0 / 16

HEX #53AED5

RGB 83 174 213

HSL 198, 0.61%, 0.58%

LAB 67.21, -15.57, -27.87

 

CMYK 12 / 61 / 0 / 16

HEX #BB53D5

RGB 187 83 213

HSL 288, 0.61%, 0.58%

LAB 53.55, 60.62, -48.69

 

CMYK 0 / 43 / 61 / 16

HEX #D57A53

RGB 213 122 83

HSL 18, 0.61%, 0.58%

LAB 60.51, 31.86, 36.48

 

Description

Color code: HEX #6CD554 | qconv.com Color code: HEX #6CD554 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 213 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 213 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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