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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD54A it is the complementary color #932AB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD54A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD54A shade: #71D545, #82E758, #93F96B, #A4FF7E and #B5FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD54A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD54A shade: #6CD54A, #5BC337, #4AB124, #399F11 and #288D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD54A shade: #6BD449, #91D449, #B6D449, #D4CD49 and #D4A749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD54A shade: #6BD449, #49D44D, #49D472, #49D498 and #49D4BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD54A shade matches the following richer shades: #6BD449, #62E737 and #59F925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD54A shade: #6BD449, #75C25B, #7EB06E, #879E80 and #908C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD54A shade: #B6D449, #91D449, #6CD449, #49D44C and #49D471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD54A shade: #45A427, #53C62E, #6BD449, #86DC6B and #A2E48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD54A shade: #6CD54A, #49D4CD and #D449A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD54A shade: #6CD54A, #496CD4 and #D4496C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD54A shade: #6CD54A, #49D4CD, #B249D4 and #D44950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD54A shade: #6CD54A, #49B2D4, #B249D4 and #D46C49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

Complementary color

CMYK 19 / 77 / 0 / 29

HEX #932AB5

RGB 147 42 181

HSL 285.32, 0.62%, 0.44%

LAB 39.91, 62.25, -52.32

 

CMYK 47 / 0 / 68 / 16

HEX #71D545

RGB 113 213 69

HSL 101.67, 0.63%, 0.55%

LAB 77, -54.19, 59.62

 

CMYK 44 / 0 / 62 / 9

HEX #82E758

RGB 130 231 88

HSL 102.38, 0.75%, 0.63%

LAB 83.23, -54.46, 58.88

 

CMYK 41 / 0 / 57 / 2

HEX #93F96B

RGB 147 249 107

HSL 103.1, 0.92%, 0.7%

LAB 89.4, -54.59, 57.92

 

CMYK 36 / 0 / 51 / 0

HEX #A4FF7E

RGB 164 255 126

HSL 102.33, 1%, 0.75%

LAB 92.1, -49.69, 52.76

 

CMYK 29 / 0 / 43 / 0

HEX #B5FF91

RGB 181 255 145

HSL 100.36, 1%, 0.78%

LAB 93.18, -41.88, 45.34

 

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

CMYK 53 / 0 / 72 / 24

HEX #5BC337

RGB 91 195 55

HSL 104.57, 0.56%, 0.49%

LAB 70.55, -54.75, 57.98

 

CMYK 58 / 0 / 80 / 31

HEX #4AB124

RGB 74 177 36

HSL 103.83, 0.66%, 0.42%

LAB 64.18, -53.96, 57.94

 

CMYK 64 / 0 / 89 / 38

HEX #399F11

RGB 57 159 17

HSL 103.1, 0.81%, 0.35%

LAB 57.76, -52.69, 56.79

 

CMYK 72 / 0 / 100 / 45

HEX #288D00

RGB 40 141 0

HSL 102.98, 1%, 0.28%

LAB 51.27, -50.8, 54.16

 

CMYK 50 / 0 / 66 / 17

HEX #6BD449

RGB 107 212 73

HSL 105.32, 0.62%, 0.56%

LAB 76.49, -55.21, 57.42

 

CMYK 32 / 0 / 66 / 17

HEX #91D449

RGB 145 212 73

HSL 88.92, 0.62%, 0.56%

LAB 78.22, -42.95, 59.79

 

CMYK 14 / 0 / 66 / 17

HEX #B6D449

RGB 182 212 73

HSL 72.95, 0.62%, 0.56%

LAB 80.47, -28.91, 62.84

 

CMYK 0 / 3 / 66 / 17

HEX #D4CD49

RGB 212 205 73

HSL 56.98, 0.62%, 0.56%

LAB 80.82, -13.19, 63.91

 

CMYK 0 / 21 / 66 / 17

HEX #D4A749

RGB 212 167 73

HSL 40.58, 0.62%, 0.56%

LAB 70.95, 6.57, 53.47

 

CMYK 50 / 0 / 66 / 17

HEX #6BD449

RGB 107 212 73

HSL 105.32, 0.62%, 0.56%

LAB 76.49, -55.21, 57.42

 

CMYK 66 / 0 / 64 / 17

HEX #49D44D

RGB 73 212 77

HSL 121.73, 0.62%, 0.56%

LAB 75.48, -63.07, 54.35

 

CMYK 66 / 0 / 46 / 17

HEX #49D472

RGB 73 212 114

HSL 137.7, 0.62%, 0.56%

LAB 75.9, -58.23, 37.68

 

CMYK 66 / 0 / 28 / 17

HEX #49D498

RGB 73 212 152

HSL 154.1, 0.62%, 0.56%

LAB 76.54, -51.19, 18.96

 

CMYK 66 / 0 / 11 / 17

HEX #49D4BD

RGB 73 212 189

HSL 170.07, 0.62%, 0.56%

LAB 77.39, -42.53, 0.44

 

CMYK 50 / 0 / 66 / 17

HEX #6BD449

RGB 107 212 73

HSL 105.32, 0.62%, 0.56%

LAB 76.49, -55.21, 57.42

 

CMYK 58 / 0 / 76 / 9

HEX #62E737

RGB 98 231 55

HSL 105.34, 0.79%, 0.56%

LAB 81.85, -65.79, 69.25

 

CMYK 64 / 0 / 85 / 2

HEX #59F925

RGB 89 249 37

HSL 105.28, 0.95%, 0.56%

LAB 87, -74.57, 78.5

 

CMYK 50 / 0 / 66 / 17

HEX #6BD449

RGB 107 212 73

HSL 105.32, 0.62%, 0.56%

LAB 76.49, -55.21, 57.42

 

CMYK 40 / 0 / 53 / 24

HEX #75C25B

RGB 117 194 91

HSL 104.85, 0.46%, 0.56%

LAB 71.64, -43.02, 44

 

CMYK 28 / 0 / 38 / 31

HEX #7EB06E

RGB 126 176 110

HSL 105.45, 0.29%, 0.56%

LAB 66.98, -29.24, 28.64

 

CMYK 15 / 0 / 19 / 38

HEX #879E80

RGB 135 158 128

HSL 106, 0.13%, 0.56%

LAB 62.65, -13.94, 13.03

 

CMYK 1 / 4 / 0 / 43

HEX #908C92

RGB 144 140 146

HSL 280, 0.03%, 0.56%

LAB 58.75, 2.65, -2.67

 

CMYK 14 / 0 / 66 / 17

HEX #B6D449

RGB 182 212 73

HSL 72.95, 0.62%, 0.56%

LAB 80.47, -28.91, 62.84

 

CMYK 32 / 0 / 66 / 17

HEX #91D449

RGB 145 212 73

HSL 88.92, 0.62%, 0.56%

LAB 78.22, -42.95, 59.79

 

CMYK 49 / 0 / 66 / 17

HEX #6CD449

RGB 108 212 73

HSL 104.89, 0.62%, 0.56%

LAB 76.53, -54.92, 57.47

 

CMYK 66 / 0 / 64 / 17

HEX #49D44C

RGB 73 212 76

HSL 121.29, 0.62%, 0.56%

LAB 75.47, -63.17, 54.76

 

CMYK 66 / 0 / 47 / 17

HEX #49D471

RGB 73 212 113

HSL 137.27, 0.62%, 0.56%

LAB 75.88, -58.39, 38.16

 

CMYK 58 / 0 / 76 / 36

HEX #45A427

RGB 69 164 39

HSL 105.6, 0.62%, 0.4%

LAB 59.85, -50.33, 52.75

 

CMYK 58 / 0 / 77 / 22

HEX #53C62E

RGB 83 198 46

HSL 105.39, 0.62%, 0.48%

LAB 71.16, -58.56, 61.59

 

CMYK 50 / 0 / 66 / 17

HEX #6BD449

RGB 107 212 73

HSL 105.32, 0.62%, 0.56%

LAB 76.49, -55.21, 57.42

 

CMYK 39 / 0 / 51 / 14

HEX #86DC6B

RGB 134 220 107

HSL 105.66, 0.62%, 0.64%

LAB 80.36, -46.74, 47.08

 

CMYK 29 / 0 / 39 / 11

HEX #A2E48C

RGB 162 228 140

HSL 105, 0.62%, 0.72%

LAB 84.52, -36.81, 36.47

 

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

CMYK 66 / 0 / 3 / 17

HEX #49D4CD

RGB 73 212 205

HSL 176.98, 0.62%, 0.56%

LAB 77.82, -38.31, -7.5

 

CMYK 0 / 66 / 23 / 17

HEX #D449A4

RGB 212 73 164

HSL 320.72, 0.62%, 0.56%

LAB 53.43, 63.28, -20.3

 

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

CMYK 66 / 49 / 0 / 17

HEX #496CD4

RGB 73 108 212

HSL 224.89, 0.62%, 0.56%

LAB 48.13, 20.95, -57.4

 

CMYK 0 / 66 / 49 / 17

HEX #D4496C

RGB 212 73 108

HSL 344.89, 0.62%, 0.56%

LAB 51.66, 57.06, 10.42

 

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

CMYK 66 / 0 / 3 / 17

HEX #49D4CD

RGB 73 212 205

HSL 176.98, 0.62%, 0.56%

LAB 77.82, -38.31, -7.5

 

CMYK 16 / 66 / 0 / 17

HEX #B249D4

RGB 178 73 212

HSL 285.32, 0.62%, 0.56%

LAB 50.67, 62.73, -52.79

 

CMYK 0 / 66 / 62 / 17

HEX #D44950

RGB 212 73 80

HSL 356.98, 0.62%, 0.56%

LAB 51.08, 54.95, 26.37

 

CMYK 49 / 0 / 65 / 16

HEX #6CD54A

RGB 108 213 74

HSL 105.32, 0.62%, 0.56%

LAB 76.84, -55.22, 57.4

 

CMYK 66 / 16 / 0 / 17

HEX #49B2D4

RGB 73 178 212

HSL 194.68, 0.62%, 0.56%

LAB 68.03, -19.69, -26.09

 

CMYK 16 / 66 / 0 / 17

HEX #B249D4

RGB 178 73 212

HSL 285.32, 0.62%, 0.56%

LAB 50.67, 62.73, -52.79

 

CMYK 0 / 49 / 66 / 17

HEX #D46C49

RGB 212 108 73

HSL 15.11, 0.62%, 0.56%

LAB 57.27, 38.12, 37.97

 

Description

Color code: HEX #6CD54A | qconv.com Color code: HEX #6CD54A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 213 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 213 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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