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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD3ED it is the complementary color #932C12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD3ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD3ED shade: #71D3E8, #82E5FB, #93F7FF, #A4FFFF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD3ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD3ED shade: #6CD3ED, #5BC1DA, #4AAFC7, #399DB4 and #288BA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD3ED shade: #6ED3ED, #6EB1ED, #6E8FED, #6F6EED and #916EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD3ED shade: #6ED3ED, #6EB1ED, #6E8FED and #6E6EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD3ED shade matches the following richer shades: #6ED3ED and #61DBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD3ED shade: #6ED3ED, #7BCCE0, #88C4D3, #95BCC5 and #A3B4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD3ED shade: #6EEDC3, #6EEDE5, #6ED4ED, #6EB2ED and #6E90ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD3ED shade: #24BDE4, #49C8E9, #6ED3ED, #92DEF2 and #B7E9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD3ED shade: #6CD3ED, #A16EED and #EDD46E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD3ED shade: #6CD3ED, #ED6ED4 and #D4ED6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD3ED shade: #6CD3ED, #A16EED, #ED876E and #BAED6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD3ED shade: #6CD3ED, #C76EED, #ED876E and #94ED6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

Complementary color

CMYK 0 / 70 / 88 / 42

HEX #932C12

RGB 147 44 18

HSL 12.09, 0.78%, 0.32%

LAB 34.08, 42.02, 39.07

 

CMYK 51 / 9 / 0 / 9

HEX #71D3E8

RGB 113 211 232

HSL 190.59, 0.72%, 0.68%

LAB 79.57, -23.2, -19.22

 

CMYK 48 / 9 / 0 / 2

HEX #82E5FB

RGB 130 229 251

HSL 190.91, 0.94%, 0.75%

LAB 85.88, -23.4, -19.69

 

CMYK 42 / 3 / 0 / 0

HEX #93F7FF

RGB 147 247 255

HSL 184.44, 1%, 0.79%

LAB 91.66, -27.31, -13.03

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

CMYK 58 / 11 / 0 / 15

HEX #5BC1DA

RGB 91 193 218

HSL 191.81, 0.63%, 0.61%

LAB 73.17, -22.47, -21.46

 

CMYK 63 / 12 / 0 / 22

HEX #4AAFC7

RGB 74 175 199

HSL 191.52, 0.53%, 0.54%

LAB 66.7, -21.96, -20.95

 

CMYK 68 / 13 / 0 / 29

HEX #399DB4

RGB 57 157 180

HSL 191.22, 0.52%, 0.46%

LAB 60.14, -21.28, -20.39

 

CMYK 75 / 14 / 0 / 37

HEX #288BA1

RGB 40 139 161

HSL 190.91, 0.6%, 0.39%

LAB 53.48, -20.34, -19.76

 

CMYK 54 / 11 / 0 / 7

HEX #6ED3ED

RGB 110 211 237

HSL 192.28, 0.78%, 0.68%

LAB 79.62, -22.44, -21.82

 

CMYK 54 / 25 / 0 / 7

HEX #6EB1ED

RGB 110 177 237

HSL 208.35, 0.78%, 0.68%

LAB 70.09, -4.55, -36.47

 

CMYK 54 / 40 / 0 / 7

HEX #6E8FED

RGB 110 143 237

HSL 224.41, 0.78%, 0.68%

LAB 60.85, 14.92, -50.99

 

CMYK 53 / 54 / 0 / 7

HEX #6F6EED

RGB 111 110 237

HSL 240.47, 0.78%, 0.68%

LAB 52.56, 34.85, -64.24

 

CMYK 39 / 54 / 0 / 7

HEX #916EED

RGB 145 110 237

HSL 256.54, 0.78%, 0.68%

LAB 55.37, 42.17, -59.58

 

CMYK 54 / 11 / 0 / 7

HEX #6ED3ED

RGB 110 211 237

HSL 192.28, 0.78%, 0.68%

LAB 79.62, -22.44, -21.82

 

CMYK 54 / 25 / 0 / 7

HEX #6EB1ED

RGB 110 177 237

HSL 208.35, 0.78%, 0.68%

LAB 70.09, -4.55, -36.47

 

CMYK 54 / 40 / 0 / 7

HEX #6E8FED

RGB 110 143 237

HSL 224.41, 0.78%, 0.68%

LAB 60.85, 14.92, -50.99

 

CMYK 54 / 54 / 0 / 7

HEX #6E6EED

RGB 110 110 237

HSL 240, 0.78%, 0.68%

LAB 52.49, 34.66, -64.36

 

CMYK 54 / 11 / 0 / 7

HEX #6ED3ED

RGB 110 211 237

HSL 192.28, 0.78%, 0.68%

LAB 79.62, -22.44, -21.82

 

CMYK 61 / 12 / 0 / 2

HEX #61DBFA

RGB 97 219 250

HSL 192.16, 0.94%, 0.68%

LAB 81.9, -25.13, -25.32

 

CMYK 54 / 11 / 0 / 7

HEX #6ED3ED

RGB 110 211 237

HSL 192.28, 0.78%, 0.68%

LAB 79.62, -22.44, -21.82

 

CMYK 45 / 9 / 0 / 12

HEX #7BCCE0

RGB 123 204 224

HSL 191.88, 0.62%, 0.68%

LAB 77.74, -19.59, -17.66

 

CMYK 36 / 7 / 0 / 17

HEX #88C4D3

RGB 136 196 211

HSL 192, 0.46%, 0.68%

LAB 75.71, -15.52, -13.64

 

CMYK 24 / 5 / 0 / 23

HEX #95BCC5

RGB 149 188 197

HSL 191.25, 0.29%, 0.68%

LAB 73.8, -10.94, -8.82

 

CMYK 11 / 2 / 0 / 28

HEX #A3B4B8

RGB 163 180 184

HSL 191.43, 0.13%, 0.68%

LAB 72.15, -5.04, -4.05

 

CMYK 54 / 0 / 18 / 7

HEX #6EEDC3

RGB 110 237 195

HSL 160.16, 0.78%, 0.68%

LAB 85.92, -45.14, 9.71

 

CMYK 54 / 0 / 3 / 7

HEX #6EEDE5

RGB 110 237 229

HSL 176.22, 0.78%, 0.68%

LAB 86.77, -37.06, -6.87

 

CMYK 54 / 11 / 0 / 7

HEX #6ED4ED

RGB 110 212 237

HSL 191.81, 0.78%, 0.68%

LAB 79.91, -22.94, -21.39

 

CMYK 54 / 25 / 0 / 7

HEX #6EB2ED

RGB 110 178 237

HSL 207.87, 0.78%, 0.68%

LAB 70.36, -5.1, -36.04

 

CMYK 54 / 39 / 0 / 7

HEX #6E90ED

RGB 110 144 237

HSL 223.94, 0.78%, 0.68%

LAB 61.11, 14.33, -50.57

 

CMYK 84 / 17 / 0 / 11

HEX #24BDE4

RGB 36 189 228

HSL 192.19, 0.78%, 0.52%

LAB 71.13, -24.38, -30.13

 

CMYK 69 / 14 / 0 / 9

HEX #49C8E9

RGB 73 200 233

HSL 192.38, 0.78%, 0.6%

LAB 75.21, -24.44, -26.51

 

CMYK 54 / 11 / 0 / 7

HEX #6ED3ED

RGB 110 211 237

HSL 192.28, 0.78%, 0.68%

LAB 79.62, -22.44, -21.82

 

CMYK 40 / 8 / 0 / 5

HEX #92DEF2

RGB 146 222 242

HSL 192.5, 0.79%, 0.76%

LAB 84.36, -18.47, -17.17

 

CMYK 26 / 5 / 0 / 4

HEX #B7E9F6

RGB 183 233 246

HSL 192.38, 0.78%, 0.84%

LAB 89.39, -13.08, -11.54

 

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

CMYK 32 / 54 / 0 / 7

HEX #A16EED

RGB 161 110 237

HSL 264.09, 0.78%, 0.68%

LAB 56.92, 45.96, -57

 

CMYK 0 / 11 / 54 / 7

HEX #EDD46E

RGB 237 212 110

HSL 48.19, 0.78%, 0.68%

LAB 85.11, -3.85, 53

 

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

CMYK 0 / 54 / 11 / 7

HEX #ED6ED4

RGB 237 110 212

HSL 311.81, 0.78%, 0.68%

LAB 64.89, 61.28, -29.86

 

CMYK 11 / 0 / 54 / 7

HEX #D4ED6E

RGB 212 237 110

HSL 71.81, 0.78%, 0.68%

LAB 89.72, -26.16, 57.89

 

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

CMYK 32 / 54 / 0 / 7

HEX #A16EED

RGB 161 110 237

HSL 264.09, 0.78%, 0.68%

LAB 56.92, 45.96, -57

 

CMYK 0 / 43 / 54 / 7

HEX #ED876E

RGB 237 135 110

HSL 11.81, 0.78%, 0.68%

LAB 66.87, 36.52, 30.45

 

CMYK 22 / 0 / 54 / 7

HEX #BAED6E

RGB 186 237 110

HSL 84.09, 0.78%, 0.68%

LAB 88.03, -35.97, 55.5

 

CMYK 54 / 11 / 0 / 7

HEX #6CD3ED

RGB 108 211 237

HSL 192.09, 0.78%, 0.68%

LAB 79.55, -22.84, -21.94

 

CMYK 16 / 54 / 0 / 7

HEX #C76EED

RGB 199 110 237

HSL 282.05, 0.78%, 0.68%

LAB 61.14, 55.5, -50.03

 

CMYK 0 / 43 / 54 / 7

HEX #ED876E

RGB 237 135 110

HSL 11.81, 0.78%, 0.68%

LAB 66.87, 36.52, 30.45

 

CMYK 38 / 0 / 54 / 7

HEX #94ED6E

RGB 148 237 110

HSL 102.05, 0.78%, 0.68%

LAB 86, -49.07, 52.61

 

Description

Color code: HEX #6CD3ED | qconv.com Color code: HEX #6CD3ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 211 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 211 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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