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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CCC66 it is the complementary color #933399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CCC66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CCC66 shade: #71CC61, #82DE74, #93F087, #A4FF9A and #B5FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CCC66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CCC66 shade: #6CCC66, #5BBA53, #4AA840, #39962D and #28841A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CCC66 shade: #6CCC66, #88CC66, #A3CC66, #BFCC66 and #CCBE66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CCC66 shade: #6CCC66, #66CC7C, #66CC97, #66CCB3 and #66CACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CCC66 shade matches the following richer shades: #6CCC66, #5DDD55, #4FED45 and #40FE34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CCC66 shade: #6CCC66, #7BBB77, #89AB87, #989A98 and #A68AA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CCC66 shade: #A3CC66, #88CC66, #6DCC66, #66CC7A and #66CC96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CCC66 shade: #3EA838, #4EC247, #6CCC66, #8AD685 and #A7E1A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CCC66 shade: #6CCC66, #66BECC and #CC6696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CCC66 shade: #6CCC66, #666DCC and #CC666D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CCC66 shade: #6CCC66, #66BECC, #C566CC and #CC7466

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CCC66 shade: #6CCC66, #66A0CC, #C566CC and #CC9266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

Complementary color

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 45 / 0 / 52 / 20

HEX #71CC61

RGB 113 204 97

HSL 111.03, 0.51%, 0.59%

LAB 74.55, -47.75, 44.59

 

CMYK 41 / 0 / 48 / 13

HEX #82DE74

RGB 130 222 116

HSL 112.08, 0.62%, 0.66%

LAB 80.88, -47.69, 43.37

 

CMYK 39 / 0 / 44 / 6

HEX #93F087

RGB 147 240 135

HSL 113.14, 0.78%, 0.74%

LAB 87.13, -47.56, 42.15

 

CMYK 36 / 0 / 40 / 0

HEX #A4FF9A

RGB 164 255 154

HSL 114.06, 1%, 0.8%

LAB 92.46, -46.1, 39.87

 

CMYK 29 / 0 / 32 / 0

HEX #B5FFAD

RGB 181 255 173

HSL 114.15, 1%, 0.84%

LAB 93.61, -37.98, 32.12

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 51 / 0 / 55 / 27

HEX #5BBA53

RGB 91 186 83

HSL 115.34, 0.43%, 0.53%

LAB 68, -48.52, 43.21

 

CMYK 56 / 0 / 62 / 34

HEX #4AA840

RGB 74 168 64

HSL 114.23, 0.45%, 0.45%

LAB 61.51, -48.28, 44.39

 

CMYK 62 / 0 / 70 / 41

HEX #39962D

RGB 57 150 45

HSL 113.14, 0.54%, 0.38%

LAB 54.94, -47.72, 45.33

 

CMYK 70 / 0 / 80 / 48

HEX #28841A

RGB 40 132 26

HSL 112.08, 0.67%, 0.31%

LAB 48.3, -46.63, 45.65

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 33 / 0 / 50 / 20

HEX #88CC66

RGB 136 204 102

HSL 100, 0.5%, 0.6%

LAB 75.69, -39.76, 43.82

 

CMYK 20 / 0 / 50 / 20

HEX #A3CC66

RGB 163 204 102

HSL 84.12, 0.5%, 0.6%

LAB 77.24, -30.05, 46.07

 

CMYK 6 / 0 / 50 / 20

HEX #BFCC66

RGB 191 204 102

HSL 67.65, 0.5%, 0.6%

LAB 79.17, -19.14, 48.84

 

CMYK 0 / 7 / 50 / 20

HEX #CCBE66

RGB 204 190 102

HSL 51.76, 0.5%, 0.6%

LAB 76.45, -6.75, 45.84

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 50 / 0 / 39 / 20

HEX #66CC7C

RGB 102 204 124

HSL 132.94, 0.5%, 0.6%

LAB 74.49, -46.93, 30.97

 

CMYK 50 / 0 / 26 / 20

HEX #66CC97

RGB 102 204 151

HSL 148.82, 0.5%, 0.6%

LAB 74.98, -41.95, 17.46

 

CMYK 50 / 0 / 12 / 20

HEX #66CCB3

RGB 102 204 179

HSL 165.29, 0.5%, 0.6%

LAB 75.62, -35.8, 3.35

 

CMYK 50 / 1 / 0 / 20

HEX #66CACC

RGB 102 202 204

HSL 181.18, 0.5%, 0.6%

LAB 75.72, -28.61, -10

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 58 / 0 / 62 / 13

HEX #5DDD55

RGB 93 221 85

HSL 116.47, 0.67%, 0.6%

LAB 78.87, -61.03, 54.9

 

CMYK 67 / 0 / 71 / 7

HEX #4FED45

RGB 79 237 69

HSL 116.43, 0.82%, 0.6%

LAB 83.26, -70.91, 65.82

 

CMYK 75 / 0 / 80 / 0

HEX #40FE34

RGB 64 254 52

HSL 116.44, 0.99%, 0.6%

LAB 88.08, -79.69, 75.74

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 34 / 0 / 36 / 27

HEX #7BBB77

RGB 123 187 119

HSL 116.47, 0.33%, 0.6%

LAB 70.23, -34.06, 28.14

 

CMYK 20 / 0 / 21 / 33

HEX #89AB87

RGB 137 171 135

HSL 116.67, 0.18%, 0.6%

LAB 66.67, -18.74, 14.8

 

CMYK 1 / 0 / 1 / 40

HEX #989A98

RGB 152 154 152

HSL 120, 0.01%, 0.6%

LAB 63.39, -1.1, 0.79

 

CMYK 1 / 18 / 0 / 34

HEX #A68AA8

RGB 166 138 168

HSL 296, 0.15%, 0.6%

LAB 60.88, 16.03, -11.85

 

CMYK 20 / 0 / 50 / 20

HEX #A3CC66

RGB 163 204 102

HSL 84.12, 0.5%, 0.6%

LAB 77.24, -30.05, 46.07

 

CMYK 33 / 0 / 50 / 20

HEX #88CC66

RGB 136 204 102

HSL 100, 0.5%, 0.6%

LAB 75.69, -39.76, 43.82

 

CMYK 47 / 0 / 50 / 20

HEX #6DCC66

RGB 109 204 102

HSL 115.88, 0.5%, 0.6%

LAB 74.44, -48.28, 42.02

 

CMYK 50 / 0 / 40 / 20

HEX #66CC7A

RGB 102 204 122

HSL 131.76, 0.5%, 0.6%

LAB 74.45, -47.26, 31.95

 

CMYK 50 / 0 / 26 / 20

HEX #66CC96

RGB 102 204 150

HSL 148.24, 0.5%, 0.6%

LAB 74.96, -42.15, 17.96

 

CMYK 63 / 0 / 67 / 34

HEX #3EA838

RGB 62 168 56

HSL 116.79, 0.5%, 0.44%

LAB 61.06, -52.09, 47.32

 

CMYK 60 / 0 / 63 / 24

HEX #4EC247

RGB 78 194 71

HSL 116.59, 0.5%, 0.52%

LAB 69.94, -56.28, 50.79

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 36 / 0 / 38 / 16

HEX #8AD685

RGB 138 214 133

HSL 116.3, 0.5%, 0.68%

LAB 79.15, -39.35, 32.76

 

CMYK 26 / 0 / 27 / 12

HEX #A7E1A4

RGB 167 225 164

HSL 117.05, 0.5%, 0.76%

LAB 84.35, -30.11, 24.04

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 50 / 7 / 0 / 20

HEX #66BECC

RGB 102 190 204

HSL 188.24, 0.5%, 0.6%

LAB 72.24, -22.66, -15.22

 

CMYK 0 / 50 / 26 / 20

HEX #CC6696

RGB 204 102 150

HSL 331.76, 0.5%, 0.6%

LAB 56.63, 45.88, -7.39

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 50 / 47 / 0 / 20

HEX #666DCC

RGB 102 109 204

HSL 235.88, 0.5%, 0.6%

LAB 49.64, 23.34, -50.31

 

CMYK 0 / 50 / 47 / 20

HEX #CC666D

RGB 204 102 109

HSL 355.88, 0.5%, 0.6%

LAB 55.53, 41.02, 15.03

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 50 / 7 / 0 / 20

HEX #66BECC

RGB 102 190 204

HSL 188.24, 0.5%, 0.6%

LAB 72.24, -22.66, -15.22

 

CMYK 3 / 50 / 0 / 20

HEX #C566CC

RGB 197 102 204

HSL 295.88, 0.5%, 0.6%

LAB 57.78, 52.49, -36.81

 

CMYK 0 / 43 / 50 / 20

HEX #CC7466

RGB 204 116 102

HSL 8.24, 0.5%, 0.6%

LAB 58.31, 33.05, 22.85

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC66

RGB 108 204 102

HSL 116.47, 0.5%, 0.6%

LAB 74.4, -48.57, 41.96

 

CMYK 50 / 22 / 0 / 20

HEX #66A0CC

RGB 102 160 204

HSL 205.88, 0.5%, 0.6%

LAB 63.61, -6.74, -28.37

 

CMYK 3 / 50 / 0 / 20

HEX #C566CC

RGB 197 102 204

HSL 295.88, 0.5%, 0.6%

LAB 57.78, 52.49, -36.81

 

CMYK 0 / 28 / 50 / 20

HEX #CC9266

RGB 204 146 102

HSL 25.88, 0.5%, 0.6%

LAB 65.24, 16.79, 31.92

 

Description

Color code: HEX #6CCC66 | qconv.com Color code: HEX #6CCC66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 204 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 204 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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