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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC627 it is the complementary color #9339D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC627 shade: #71C622, #82D835, #93EA48, #A4FC5B and #B5FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC627 shade: #6CC627, #5BB414, #4AA201, #399000 and #287E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC627 shade: #6BC427, #95C427, #C0C427, #C49E27 and #C47327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC627 shade: #6BC427, #41C427, #27C437, #27C462 and #27C48C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC627 shade matches the following richer shades: #6BC427, #68D714 and #66EA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC627 shade: #6BC427, #6DB13A, #709E4D, #728B60 and #757873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC627 shade: #C1C427, #97C427, #6DC427, #44C427 and #27C434

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC627 shade: #457F19, #58A120, #6BC427, #80D83B and #96DF5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC627 shade: #6CC627, #27C49D and #C427AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC627 shade: #6CC627, #276DC4 and #C4276D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC627 shade: #6CC627, #27C49D, #7D27C4 and #C4274E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC627 shade: #6CC627, #27BCC4, #7D27C4 and #C42F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

Complementary color

CMYK 32 / 74 / 0 / 15

HEX #9339D8

RGB 147 57 216

HSL 273.96, 0.67%, 0.54%

LAB 44.36, 63.96, -65.47

 

CMYK 43 / 0 / 83 / 22

HEX #71C622

RGB 113 198 34

HSL 91.1, 0.71%, 0.45%

LAB 72.24, -50.47, 66.42

 

CMYK 40 / 0 / 75 / 15

HEX #82D835

RGB 130 216 53

HSL 91.66, 0.68%, 0.53%

LAB 78.53, -51.11, 67.09

 

CMYK 37 / 0 / 69 / 8

HEX #93EA48

RGB 147 234 72

HSL 92.22, 0.79%, 0.6%

LAB 84.75, -51.55, 67.01

 

CMYK 35 / 0 / 64 / 1

HEX #A4FC5B

RGB 164 252 91

HSL 92.8, 0.96%, 0.67%

LAB 90.9, -51.82, 66.49

 

CMYK 29 / 0 / 57 / 0

HEX #B5FF6E

RGB 181 255 110

HSL 90.62, 1%, 0.72%

LAB 92.78, -45.69, 60.93

 

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

CMYK 49 / 0 / 89 / 29

HEX #5BB414

RGB 91 180 20

HSL 93.38, 0.8%, 0.39%

LAB 65.68, -50.96, 63.45

 

CMYK 54 / 0 / 99 / 36

HEX #4AA201

RGB 74 162 1

HSL 92.8, 0.99%, 0.32%

LAB 59.25, -49.72, 60.76

 

CMYK 60 / 0 / 100 / 44

HEX #399000

RGB 57 144 0

HSL 96.25, 1%, 0.28%

LAB 52.75, -47.88, 55.53

 

CMYK 68 / 0 / 100 / 51

HEX #287E00

RGB 40 126 0

HSL 100.95, 1%, 0.25%

LAB 46.14, -45.7, 50.08

 

CMYK 45 / 0 / 80 / 23

HEX #6BC427

RGB 107 196 39

HSL 94.01, 0.67%, 0.46%

LAB 71.39, -51.39, 64.22

 

CMYK 24 / 0 / 80 / 23

HEX #95C427

RGB 149 196 39

HSL 77.96, 0.67%, 0.46%

LAB 73.56, -36.38, 67

 

CMYK 2 / 0 / 80 / 23

HEX #C0C427

RGB 192 196 39

HSL 61.53, 0.67%, 0.46%

LAB 76.58, -18.67, 70.83

 

CMYK 0 / 19 / 80 / 23

HEX #C49E27

RGB 196 158 39

HSL 45.48, 0.67%, 0.46%

LAB 66.78, 2.81, 62.33

 

CMYK 0 / 41 / 80 / 23

HEX #C47327

RGB 196 115 39

HSL 29.04, 0.67%, 0.46%

LAB 56.23, 26.28, 52.74

 

CMYK 45 / 0 / 80 / 23

HEX #6BC427

RGB 107 196 39

HSL 94.01, 0.67%, 0.46%

LAB 71.39, -51.39, 64.22

 

CMYK 67 / 0 / 80 / 23

HEX #41C427

RGB 65 196 39

HSL 110.06, 0.67%, 0.46%

LAB 70, -62.37, 62.43

 

CMYK 80 / 0 / 72 / 23

HEX #27C437

RGB 39 196 55

HSL 126.11, 0.67%, 0.46%

LAB 69.6, -65.43, 56.61

 

CMYK 80 / 0 / 50 / 23

HEX #27C462

RGB 39 196 98

HSL 142.55, 0.67%, 0.46%

LAB 70.03, -60.24, 38.1

 

CMYK 80 / 0 / 29 / 23

HEX #27C48C

RGB 39 196 140

HSL 158.6, 0.67%, 0.46%

LAB 70.74, -52.18, 17.2

 

CMYK 45 / 0 / 80 / 23

HEX #6BC427

RGB 107 196 39

HSL 94.01, 0.67%, 0.46%

LAB 71.39, -51.39, 64.22

 

CMYK 52 / 0 / 91 / 16

HEX #68D714

RGB 104 215 20

HSL 94.15, 0.83%, 0.46%

LAB 77.04, -60.08, 73.18

 

CMYK 56 / 0 / 100 / 8

HEX #66EA01

RGB 102 234 1

HSL 93.99, 0.99%, 0.46%

LAB 82.74, -67.53, 79.73

 

CMYK 45 / 0 / 80 / 23

HEX #6BC427

RGB 107 196 39

HSL 94.01, 0.67%, 0.46%

LAB 71.39, -51.39, 64.22

 

CMYK 38 / 0 / 67 / 31

HEX #6DB13A

RGB 109 177 58

HSL 94.29, 0.51%, 0.46%

LAB 65.75, -41.73, 52.06

 

CMYK 29 / 0 / 51 / 38

HEX #709E4D

RGB 112 158 77

HSL 94.07, 0.34%, 0.46%

LAB 60.28, -30.17, 37.14

 

CMYK 18 / 0 / 31 / 45

HEX #728B60

RGB 114 139 96

HSL 94.88, 0.18%, 0.46%

LAB 54.96, -17.21, 20.16

 

CMYK 3 / 0 / 4 / 53

HEX #757873

RGB 117 120 115

HSL 96, 0.02%, 0.46%

LAB 50.04, -2.13, 2.34

 

CMYK 2 / 0 / 80 / 23

HEX #C1C427

RGB 193 196 39

HSL 61.15, 0.67%, 0.46%

LAB 76.66, -18.25, 70.93

 

CMYK 23 / 0 / 80 / 23

HEX #97C427

RGB 151 196 39

HSL 77.2, 0.67%, 0.46%

LAB 73.68, -35.59, 67.16

 

CMYK 44 / 0 / 80 / 23

HEX #6DC427

RGB 109 196 39

HSL 93.25, 0.67%, 0.46%

LAB 71.47, -50.75, 64.33

 

CMYK 65 / 0 / 80 / 23

HEX #44C427

RGB 68 196 39

HSL 108.92, 0.67%, 0.46%

LAB 70.07, -61.75, 62.53

 

CMYK 80 / 0 / 73 / 23

HEX #27C434

RGB 39 196 52

HSL 124.97, 0.67%, 0.46%

LAB 69.58, -65.68, 57.67

 

CMYK 46 / 0 / 80 / 50

HEX #457F19

RGB 69 127 25

HSL 94.12, 0.67%, 0.3%

LAB 47.64, -36.56, 45.72

 

CMYK 45 / 0 / 80 / 37

HEX #58A120

RGB 88 161 32

HSL 93.95, 0.67%, 0.38%

LAB 59.59, -43.93, 55.03

 

CMYK 45 / 0 / 80 / 23

HEX #6BC427

RGB 107 196 39

HSL 94.01, 0.67%, 0.46%

LAB 71.39, -51.39, 64.22

 

CMYK 41 / 0 / 73 / 15

HEX #80D83B

RGB 128 216 59

HSL 93.63, 0.67%, 0.54%

LAB 78.47, -51.41, 65.01

 

CMYK 33 / 0 / 58 / 13

HEX #96DF5E

RGB 150 223 94

HSL 93.95, 0.67%, 0.62%

LAB 81.87, -44.13, 55.02

 

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

CMYK 80 / 0 / 20 / 23

HEX #27C49D

RGB 39 196 157

HSL 165.1, 0.67%, 0.46%

LAB 71.11, -48.16, 8.56

 

CMYK 0 / 80 / 12 / 23

HEX #C427AC

RGB 196 39 172

HSL 309.17, 0.67%, 0.46%

LAB 47.19, 71.57, -34.91

 

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

CMYK 80 / 44 / 0 / 23

HEX #276DC4

RGB 39 109 196

HSL 213.25, 0.67%, 0.46%

LAB 46.12, 9.88, -51.54

 

CMYK 0 / 80 / 44 / 23

HEX #C4276D

RGB 196 39 109

HSL 333.25, 0.67%, 0.46%

LAB 44.65, 64.2, -0.63

 

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

CMYK 80 / 0 / 20 / 23

HEX #27C49D

RGB 39 196 157

HSL 165.1, 0.67%, 0.46%

LAB 71.11, -48.16, 8.56

 

CMYK 36 / 80 / 0 / 23

HEX #7D27C4

RGB 125 39 196

HSL 272.87, 0.67%, 0.46%

LAB 37.47, 62.61, -65.23

 

CMYK 0 / 80 / 60 / 23

HEX #C4274E

RGB 196 39 78

HSL 345.1, 0.67%, 0.46%

LAB 43.85, 61.8, 17.56

 

CMYK 45 / 0 / 80 / 22

HEX #6CC627

RGB 108 198 39

HSL 93.96, 0.67%, 0.46%

LAB 72.04, -51.85, 64.84

 

CMYK 80 / 4 / 0 / 23

HEX #27BCC4

RGB 39 188 196

HSL 183.06, 0.67%, 0.46%

LAB 69.74, -33.81, -14.76

 

CMYK 36 / 80 / 0 / 23

HEX #7D27C4

RGB 125 39 196

HSL 272.87, 0.67%, 0.46%

LAB 37.47, 62.61, -65.23

 

CMYK 0 / 76 / 80 / 23

HEX #C42F27

RGB 196 47 39

HSL 3.06, 0.67%, 0.46%

LAB 44.11, 57.58, 41.08

 

Description

Color code: HEX #6CC627 | qconv.com Color code: HEX #6CC627 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 198 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 198 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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