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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC33E it is the complementary color #933CC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC33E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC33E shade: #71C339, #82D54C, #93E75F, #A4F972 and #B5FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC33E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC33E shade: #6CC33E, #5BB12B, #4A9F18, #398D05 and #287B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC33E shade: #6BC33C, #8FC33C, #B4C33C, #C3AE3C and #C38A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC33E shade: #6BC33C, #46C33C, #3CC356, #3CC37B and #3CC39F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC33E shade matches the following richer shades: #6BC33C, #64D827 and #5EEC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC33E shade: #6BC33C, #71AE51, #779A65, #7E857A and #84718E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC33E shade: #B3C33C, #8FC33C, #6BC33C, #47C33C and #3CC355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC33E shade: #488429, #59A432, #6BC33C, #83CD5B and #9BD67B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC33E shade: #6CC33E, #3CC3AF and #C33CA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC33E shade: #6CC33E, #3C6BC3 and #C33C6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC33E shade: #6CC33E, #3CC3AF, #943CC3 and #C33C50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC33E shade: #6CC33E, #3CAFC3, #943CC3 and #C3503C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

Complementary color

CMYK 24 / 69 / 0 / 24

HEX #933CC1

RGB 147 60 193

HSL 279.25, 0.53%, 0.5%

LAB 43.19, 57.68, -54.07

 

CMYK 42 / 0 / 71 / 24

HEX #71C339

RGB 113 195 57

HSL 95.65, 0.55%, 0.49%

LAB 71.44, -47.97, 58.43

 

CMYK 39 / 0 / 64 / 16

HEX #82D54C

RGB 130 213 76

HSL 96.35, 0.62%, 0.57%

LAB 77.79, -48.27, 57.88

 

CMYK 36 / 0 / 59 / 9

HEX #93E75F

RGB 147 231 95

HSL 97.06, 0.74%, 0.64%

LAB 84.06, -48.43, 57.03

 

CMYK 34 / 0 / 54 / 2

HEX #A4F972

RGB 164 249 114

HSL 97.78, 0.92%, 0.71%

LAB 90.26, -48.48, 56.01

 

CMYK 29 / 0 / 48 / 0

HEX #B5FF85

RGB 181 255 133

HSL 96.39, 1%, 0.76%

LAB 93.03, -43.32, 50.84

 

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

CMYK 49 / 0 / 76 / 31

HEX #5BB12B

RGB 91 177 43

HSL 98.51, 0.61%, 0.43%

LAB 64.84, -48.72, 56.53

 

CMYK 53 / 0 / 85 / 38

HEX #4A9F18

RGB 74 159 24

HSL 97.78, 0.74%, 0.36%

LAB 58.34, -47.92, 55.92

 

CMYK 60 / 0 / 96 / 45

HEX #398D05

RGB 57 141 5

HSL 97.06, 0.93%, 0.29%

LAB 51.76, -46.64, 53.86

 

CMYK 67 / 0 / 100 / 52

HEX #287B00

RGB 40 123 0

HSL 100.49, 1%, 0.24%

LAB 45.11, -44.65, 49.26

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 27 / 0 / 69 / 24

HEX #8FC33C

RGB 143 195 60

HSL 83.11, 0.53%, 0.5%

LAB 73.02, -37.12, 59.41

 

CMYK 8 / 0 / 69 / 24

HEX #B4C33C

RGB 180 195 60

HSL 66.67, 0.53%, 0.5%

LAB 75.49, -22.32, 62.71

 

CMYK 0 / 11 / 69 / 24

HEX #C3AE3C

RGB 195 174 60

HSL 50.67, 0.53%, 0.5%

LAB 71.01, -5.22, 58.61

 

CMYK 0 / 29 / 69 / 24

HEX #C38A3C

RGB 195 138 60

HSL 34.67, 0.53%, 0.5%

LAB 61.74, 14.21, 48.98

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 64 / 0 / 69 / 24

HEX #46C33C

RGB 70 195 60

HSL 115.56, 0.53%, 0.5%

LAB 69.94, -59.49, 55.25

 

CMYK 69 / 0 / 56 / 24

HEX #3CC356

RGB 60 195 86

HSL 131.56, 0.53%, 0.5%

LAB 69.94, -58.59, 43.88

 

CMYK 69 / 0 / 37 / 24

HEX #3CC37B

RGB 60 195 123

HSL 148, 0.53%, 0.5%

LAB 70.47, -52.55, 25.94

 

CMYK 69 / 0 / 18 / 24

HEX #3CC39F

RGB 60 195 159

HSL 164, 0.53%, 0.5%

LAB 71.21, -44.66, 7.67

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 54 / 0 / 82 / 15

HEX #64D827

RGB 100 216 39

HSL 99.32, 0.69%, 0.5%

LAB 77.26, -60.89, 69.49

 

CMYK 60 / 0 / 92 / 7

HEX #5EEC13

RGB 94 236 19

HSL 99.26, 0.85%, 0.5%

LAB 83.14, -69.85, 78.25

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 35 / 0 / 53 / 32

HEX #71AE51

RGB 113 174 81

HSL 99.35, 0.36%, 0.5%

LAB 65.26, -36.75, 41.16

 

CMYK 23 / 0 / 34 / 40

HEX #779A65

RGB 119 154 101

HSL 99.62, 0.21%, 0.5%

LAB 59.86, -22.29, 24.01

 

CMYK 5 / 0 / 8 / 48

HEX #7E857A

RGB 126 133 122

HSL 98.18, 0.04%, 0.5%

LAB 54.67, -4.76, 5.03

 

CMYK 7 / 20 / 0 / 44

HEX #84718E

RGB 132 113 142

HSL 279.31, 0.11%, 0.5%

LAB 50.3, 13.13, -13.07

 

CMYK 8 / 0 / 69 / 24

HEX #B3C33C

RGB 179 195 60

HSL 67.11, 0.53%, 0.5%

LAB 75.41, -22.73, 62.61

 

CMYK 27 / 0 / 69 / 24

HEX #8FC33C

RGB 143 195 60

HSL 83.11, 0.53%, 0.5%

LAB 73.02, -37.12, 59.41

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 64 / 0 / 69 / 24

HEX #47C33C

RGB 71 195 60

HSL 115.11, 0.53%, 0.5%

LAB 69.96, -59.27, 55.28

 

CMYK 69 / 0 / 56 / 24

HEX #3CC355

RGB 60 195 85

HSL 131.11, 0.53%, 0.5%

LAB 69.93, -58.72, 44.34

 

CMYK 45 / 0 / 69 / 48

HEX #488429

RGB 72 132 41

HSL 99.56, 0.53%, 0.34%

LAB 49.55, -36.49, 41.47

 

CMYK 46 / 0 / 70 / 36

HEX #59A432

RGB 89 164 50

HSL 99.47, 0.53%, 0.42%

LAB 60.7, -43.62, 49.71

 

CMYK 45 / 0 / 69 / 24

HEX #6BC33C

RGB 107 195 60

HSL 99.11, 0.53%, 0.5%

LAB 71.2, -49.66, 56.96

 

CMYK 36 / 0 / 56 / 20

HEX #83CD5B

RGB 131 205 91

HSL 98.95, 0.53%, 0.58%

LAB 75.6, -43.13, 48.87

 

CMYK 28 / 0 / 43 / 16

HEX #9BD67B

RGB 155 214 123

HSL 98.9, 0.53%, 0.66%

LAB 79.89, -35.11, 38.95

 

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

CMYK 69 / 0 / 10 / 24

HEX #3CC3AF

RGB 60 195 175

HSL 171.11, 0.53%, 0.5%

LAB 71.61, -40.59, -0.46

 

CMYK 0 / 69 / 17 / 24

HEX #C33CA1

RGB 195 60 161

HSL 315.11, 0.53%, 0.5%

LAB 48.77, 63.34, -25.94

 

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

CMYK 69 / 45 / 0 / 24

HEX #3C6BC3

RGB 60 107 195

HSL 219.11, 0.53%, 0.5%

LAB 46.2, 13.46, -50.79

 

CMYK 0 / 69 / 45 / 24

HEX #C33C6B

RGB 195 60 107

HSL 339.11, 0.53%, 0.5%

LAB 46.84, 56.92, 3.76

 

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

CMYK 69 / 0 / 10 / 24

HEX #3CC3AF

RGB 60 195 175

HSL 171.11, 0.53%, 0.5%

LAB 71.61, -40.59, -0.46

 

CMYK 24 / 69 / 0 / 24

HEX #943CC3

RGB 148 60 195

HSL 279.11, 0.53%, 0.5%

LAB 43.46, 58.32, -54.79

 

CMYK 0 / 69 / 59 / 24

HEX #C33C50

RGB 195 60 80

HSL 351.11, 0.53%, 0.5%

LAB 46.19, 54.69, 19.42

 

CMYK 45 / 0 / 68 / 24

HEX #6CC33E

RGB 108 195 62

HSL 99.25, 0.53%, 0.5%

LAB 71.26, -49.19, 56.26

 

CMYK 69 / 10 / 0 / 24

HEX #3CAFC3

RGB 60 175 195

HSL 188.89, 0.53%, 0.5%

LAB 66.18, -25.38, -19.56

 

CMYK 24 / 69 / 0 / 24

HEX #943CC3

RGB 148 60 195

HSL 279.11, 0.53%, 0.5%

LAB 43.46, 58.32, -54.79

 

CMYK 0 / 59 / 69 / 24

HEX #C3503C

RGB 195 80 60

HSL 8.89, 0.53%, 0.5%

LAB 49.09, 44.81, 34.85

 

Description

Color code: HEX #6CC33E | qconv.com Color code: HEX #6CC33E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 195 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 195 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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