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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC124 it is the complementary color #933EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC124 shade: #71C11F, #82D332, #93E545, #A4F758 and #B5FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC124 shade: #6CC124, #5BAF11, #4A9D00, #398B00 and #287900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC124 shade: #6CC224, #97C224, #C2C224, #C29824 and #C26D24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC124 shade: #6CC224, #42C224, #24C230, #24C25B and #24C286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC124 shade matches the following richer shades: #6CC224 and #6BD411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC124 shade: #6CC224, #6EAF36, #6F9D49, #718A5B and #72786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC124 shade: #C2C224, #98C224, #6DC224, #43C224 and #24C22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC124 shade: #457C17, #599F1D, #6CC224, #81DA35 and #96E058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC124 shade: #6CC124, #24C298 and #C224AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC124 shade: #6CC124, #246DC2 and #C2246D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC124 shade: #6CC124, #24C298, #7824C2 and #C2244E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC124 shade: #6CC124, #24BDC2, #7824C2 and #C22924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

Complementary color

CMYK 33 / 72 / 0 / 14

HEX #933EDB

RGB 147 62 219

HSL 272.48, 0.69%, 0.55%

LAB 45.31, 62.56, -65.64

 

CMYK 41 / 0 / 84 / 24

HEX #71C11F

RGB 113 193 31

HSL 89.63, 0.72%, 0.44%

LAB 70.7, -48.59, 65.79

 

CMYK 38 / 0 / 76 / 17

HEX #82D332

RGB 130 211 50

HSL 90.19, 0.65%, 0.51%

LAB 77.02, -49.26, 66.59

 

CMYK 36 / 0 / 70 / 10

HEX #93E545

RGB 147 229 69

HSL 90.75, 0.75%, 0.58%

LAB 83.27, -49.71, 66.59

 

CMYK 34 / 0 / 64 / 3

HEX #A4F758

RGB 164 247 88

HSL 91.32, 0.91%, 0.66%

LAB 89.45, -50, 66.11

 

CMYK 29 / 0 / 58 / 0

HEX #B5FF6B

RGB 181 255 107

HSL 90, 1%, 0.71%

LAB 92.75, -45.96, 62.19

 

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

CMYK 48 / 0 / 90 / 31

HEX #5BAF11

RGB 91 175 17

HSL 91.9, 0.82%, 0.38%

LAB 64.1, -49.13, 62.66

 

CMYK 53 / 0 / 100 / 38

HEX #4A9D00

RGB 74 157 0

HSL 91.72, 1%, 0.31%

LAB 57.63, -47.87, 59.63

 

CMYK 59 / 0 / 100 / 45

HEX #398B00

RGB 57 139 0

HSL 95.4, 1%, 0.27%

LAB 51.08, -46.06, 54.21

 

CMYK 67 / 0 / 100 / 53

HEX #287900

RGB 40 121 0

HSL 100.17, 1%, 0.24%

LAB 44.41, -43.94, 48.71

 

CMYK 44 / 0 / 81 / 24

HEX #6CC224

RGB 108 194 36

HSL 92.66, 0.69%, 0.45%

LAB 70.8, -50.43, 64.53

 

CMYK 22 / 0 / 81 / 24

HEX #97C224

RGB 151 194 36

HSL 76.33, 0.69%, 0.45%

LAB 73.08, -34.8, 67.43

 

CMYK 0 / 0 / 81 / 24

HEX #C2C224

RGB 194 194 36

HSL 60, 0.69%, 0.45%

LAB 76.18, -16.92, 71.33

 

CMYK 0 / 22 / 81 / 24

HEX #C29824

RGB 194 152 36

HSL 44.05, 0.69%, 0.45%

LAB 65, 5.06, 61.66

 

CMYK 0 / 44 / 81 / 24

HEX #C26D24

RGB 194 109 36

HSL 27.72, 0.69%, 0.45%

LAB 54.59, 28.57, 52.35

 

CMYK 44 / 0 / 81 / 24

HEX #6CC224

RGB 108 194 36

HSL 92.66, 0.69%, 0.45%

LAB 70.8, -50.43, 64.53

 

CMYK 66 / 0 / 81 / 24

HEX #42C224

RGB 66 194 36

HSL 108.61, 0.69%, 0.45%

LAB 69.38, -61.67, 62.7

 

CMYK 81 / 0 / 75 / 24

HEX #24C230

RGB 36 194 48

HSL 124.56, 0.69%, 0.45%

LAB 68.88, -65.73, 58.34

 

CMYK 81 / 0 / 53 / 24

HEX #24C25B

RGB 36 194 91

HSL 140.89, 0.69%, 0.45%

LAB 69.27, -60.96, 40.58

 

CMYK 81 / 0 / 31 / 24

HEX #24C286

RGB 36 194 134

HSL 157.22, 0.69%, 0.45%

LAB 69.95, -53.04, 19.33

 

CMYK 44 / 0 / 81 / 24

HEX #6CC224

RGB 108 194 36

HSL 92.66, 0.69%, 0.45%

LAB 70.8, -50.43, 64.53

 

CMYK 50 / 0 / 92 / 17

HEX #6BD411

RGB 107 212 17

HSL 92.31, 0.85%, 0.45%

LAB 76.22, -58.19, 72.98

 

CMYK 44 / 0 / 81 / 24

HEX #6CC224

RGB 108 194 36

HSL 92.66, 0.69%, 0.45%

LAB 70.8, -50.43, 64.53

 

CMYK 37 / 0 / 69 / 31

HEX #6EAF36

RGB 110 175 54

HSL 92.23, 0.53%, 0.45%

LAB 65.15, -40.84, 53.07

 

CMYK 29 / 0 / 54 / 38

HEX #6F9D49

RGB 111 157 73

HSL 92.86, 0.37%, 0.45%

LAB 59.87, -30.53, 38.63

 

CMYK 18 / 0 / 34 / 46

HEX #718A5B

RGB 113 138 91

HSL 91.91, 0.21%, 0.45%

LAB 54.49, -17.86, 22.33

 

CMYK 5 / 0 / 8 / 53

HEX #72786E

RGB 114 120 110

HSL 96, 0.04%, 0.45%

LAB 49.66, -4.26, 4.71

 

CMYK 0 / 0 / 81 / 24

HEX #C2C224

RGB 194 194 36

HSL 60, 0.69%, 0.45%

LAB 76.18, -16.92, 71.33

 

CMYK 22 / 0 / 81 / 24

HEX #98C224

RGB 152 194 36

HSL 75.95, 0.69%, 0.45%

LAB 73.15, -34.4, 67.51

 

CMYK 44 / 0 / 81 / 24

HEX #6DC224

RGB 109 194 36

HSL 92.28, 0.69%, 0.45%

LAB 70.84, -50.1, 64.58

 

CMYK 65 / 0 / 81 / 24

HEX #43C224

RGB 67 194 36

HSL 108.23, 0.69%, 0.45%

LAB 69.4, -61.46, 62.73

 

CMYK 81 / 0 / 76 / 24

HEX #24C22E

RGB 36 194 46

HSL 123.8, 0.69%, 0.45%

LAB 68.86, -65.88, 59

 

CMYK 44 / 0 / 81 / 51

HEX #457C17

RGB 69 124 23

HSL 92.67, 0.69%, 0.29%

LAB 46.63, -35.39, 45.43

 

CMYK 44 / 0 / 82 / 38

HEX #599F1D

RGB 89 159 29

HSL 92.31, 0.69%, 0.37%

LAB 58.98, -42.93, 55.38

 

CMYK 44 / 0 / 81 / 24

HEX #6CC224

RGB 108 194 36

HSL 92.66, 0.69%, 0.45%

LAB 70.8, -50.43, 64.53

 

CMYK 41 / 0 / 76 / 15

HEX #81DA35

RGB 129 218 53

HSL 92.36, 0.69%, 0.53%

LAB 79.08, -52.24, 67.6

 

CMYK 33 / 0 / 61 / 12

HEX #96E058

RGB 150 224 88

HSL 92.65, 0.69%, 0.61%

LAB 82.11, -45.11, 57.88

 

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

CMYK 81 / 0 / 22 / 24

HEX #24C298

RGB 36 194 152

HSL 164.05, 0.69%, 0.45%

LAB 70.33, -48.86, 10.16

 

CMYK 0 / 81 / 11 / 24

HEX #C224AD

RGB 194 36 173

HSL 307.97, 0.69%, 0.45%

LAB 46.64, 72.01, -36.39

 

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

CMYK 81 / 44 / 0 / 24

HEX #246DC2

RGB 36 109 194

HSL 212.28, 0.69%, 0.45%

LAB 45.92, 8.81, -50.71

 

CMYK 0 / 81 / 44 / 24

HEX #C2246D

RGB 194 36 109

HSL 332.28, 0.69%, 0.45%

LAB 44, 64.47, -1.63

 

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

CMYK 81 / 0 / 22 / 24

HEX #24C298

RGB 36 194 152

HSL 164.05, 0.69%, 0.45%

LAB 70.33, -48.86, 10.16

 

CMYK 38 / 81 / 0 / 24

HEX #7824C2

RGB 120 36 194

HSL 271.9, 0.69%, 0.45%

LAB 36.27, 62.43, -66.06

 

CMYK 0 / 81 / 60 / 24

HEX #C2244E

RGB 194 36 78

HSL 344.05, 0.69%, 0.45%

LAB 43.18, 62.04, 16.59

 

CMYK 44 / 0 / 81 / 24

HEX #6CC124

RGB 108 193 36

HSL 92.48, 0.69%, 0.45%

LAB 70.49, -50.03, 64.25

 

CMYK 81 / 3 / 0 / 24

HEX #24BDC2

RGB 36 189 194

HSL 181.9, 0.69%, 0.45%

LAB 69.94, -35.14, -13.37

 

CMYK 38 / 81 / 0 / 24

HEX #7824C2

RGB 120 36 194

HSL 271.9, 0.69%, 0.45%

LAB 36.27, 62.43, -66.06

 

CMYK 0 / 79 / 81 / 24

HEX #C22924

RGB 194 41 36

HSL 1.9, 0.69%, 0.45%

LAB 43.04, 58.72, 41.5

 

Description

Color code: HEX #6CC124 | qconv.com Color code: HEX #6CC124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 193 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 193 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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