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Color name
HEX #6CAB11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CAB11 it is the complementary color #9354EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CAB11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CAB11 shade: #71AB0C, #82BD1F, #93CF32, #A4E145 and #B5F358

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CAB11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CAB11 shade: #6CAB11, #5B9900, #4A8700, #397500 and #286300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CAB11 shade: #6CAC11, #96AC11, #AC9811, #AC6E11 and #AC4411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CAB11 shade: #6CAC11, #43AC11, #19AC11, #11AC33 and #11AC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CAB11 shade matches the following richer shades: #6CAC11 and #6FBB02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CAB11 shade: #6CAC11, #6A9C20, #678D30, #647E3F and #616F4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CAB11 shade: #AC9711, #97AC11, #6EAC11, #45AC11 and #1BAC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CAB11 shade: #3D610A, #55860D, #6CAC11, #84D115 and #99EA26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CAB11 shade: #6CAB11, #11AC6E and #AC11AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CAB11 shade: #6CAB11, #116EAC and #AC116E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CAB11 shade: #6CAB11, #11AC6E, #4F11AC and #AC114F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CAB11 shade: #6CAB11, #11AC9C, #4F11AC and #AC1120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

Complementary color

CMYK 38 / 65 / 0 / 7

HEX #9354EE

RGB 147 84 238

HSL 264.55, 0.82%, 0.63%

LAB 50.35, 56.81, -68.21

 

CMYK 34 / 0 / 93 / 33

HEX #71AB0C

RGB 113 171 12

HSL 81.89, 0.87%, 0.36%

LAB 63.89, -39.98, 63.7

 

CMYK 31 / 0 / 84 / 26

HEX #82BD1F

RGB 130 189 31

HSL 82.41, 0.72%, 0.43%

LAB 70.34, -40.87, 65.81

 

CMYK 29 / 0 / 76 / 19

HEX #93CF32

RGB 147 207 50

HSL 82.93, 0.62%, 0.5%

LAB 76.71, -41.52, 66.61

 

CMYK 27 / 0 / 69 / 12

HEX #A4E145

RGB 164 225 69

HSL 83.46, 0.72%, 0.58%

LAB 83.01, -41.99, 66.61

 

CMYK 26 / 0 / 64 / 5

HEX #B5F358

RGB 181 243 88

HSL 84, 0.87%, 0.65%

LAB 89.22, -42.33, 66.13

 

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

CMYK 41 / 0 / 100 / 40

HEX #5B9900

RGB 91 153 0

HSL 84.31, 1%, 0.3%

LAB 57.08, -40.63, 59.52

 

CMYK 45 / 0 / 100 / 47

HEX #4A8700

RGB 74 135 0

HSL 87.11, 1%, 0.26%

LAB 50.43, -39.14, 54

 

CMYK 51 / 0 / 100 / 54

HEX #397500

RGB 57 117 0

HSL 90.77, 1%, 0.23%

LAB 43.64, -37.51, 48.36

 

CMYK 60 / 0 / 100 / 61

HEX #286300

RGB 40 99 0

HSL 95.76, 1%, 0.19%

LAB 36.7, -35.67, 42.61

 

CMYK 37 / 0 / 90 / 33

HEX #6CAC11

RGB 108 172 17

HSL 84.77, 0.82%, 0.37%

LAB 63.94, -42.14, 62.85

 

CMYK 13 / 0 / 90 / 33

HEX #96AC11

RGB 150 172 17

HSL 68.52, 0.82%, 0.37%

LAB 66.54, -25.36, 66.04

 

CMYK 0 / 12 / 90 / 33

HEX #AC9811

RGB 172 152 17

HSL 52.26, 0.82%, 0.37%

LAB 62.73, -5.32, 63.79

 

CMYK 0 / 36 / 90 / 33

HEX #AC6E11

RGB 172 110 17

HSL 36, 0.82%, 0.37%

LAB 51.8, 17.95, 55.25

 

CMYK 0 / 60 / 90 / 33

HEX #AC4411

RGB 172 68 17

HSL 19.74, 0.82%, 0.37%

LAB 42.68, 40.35, 48.25

 

CMYK 37 / 0 / 90 / 33

HEX #6CAC11

RGB 108 172 17

HSL 84.77, 0.82%, 0.37%

LAB 63.94, -42.14, 62.85

 

CMYK 61 / 0 / 90 / 33

HEX #43AC11

RGB 67 172 17

HSL 100.65, 0.82%, 0.37%

LAB 62.29, -54.8, 60.78

 

CMYK 85 / 0 / 90 / 33

HEX #19AC11

RGB 25 172 17

HSL 116.9, 0.82%, 0.37%

LAB 61.44, -62.07, 59.72

 

CMYK 90 / 0 / 70 / 33

HEX #11AC33

RGB 17 172 51

HSL 133.16, 0.82%, 0.37%

LAB 61.54, -60.56, 49.66

 

CMYK 90 / 0 / 47 / 33

HEX #11AC5C

RGB 17 172 92

HSL 149.03, 0.82%, 0.37%

LAB 62, -54.94, 30.95

 

CMYK 37 / 0 / 90 / 33

HEX #6CAC11

RGB 108 172 17

HSL 84.77, 0.82%, 0.37%

LAB 63.94, -42.14, 62.85

 

CMYK 41 / 0 / 99 / 27

HEX #6FBB02

RGB 111 187 2

HSL 84.65, 0.98%, 0.37%

LAB 68.7, -47.57, 68.72

 

CMYK 37 / 0 / 90 / 33

HEX #6CAC11

RGB 108 172 17

HSL 84.77, 0.82%, 0.37%

LAB 63.94, -42.14, 62.85

 

CMYK 32 / 0 / 79 / 39

HEX #6A9C20

RGB 106 156 32

HSL 84.19, 0.66%, 0.37%

LAB 58.92, -35.32, 54.74

 

CMYK 27 / 0 / 66 / 45

HEX #678D30

RGB 103 141 48

HSL 84.52, 0.49%, 0.37%

LAB 54.18, -28.45, 43.87

 

CMYK 21 / 0 / 50 / 51

HEX #647E3F

RGB 100 126 63

HSL 84.76, 0.33%, 0.37%

LAB 49.48, -20.65, 31.07

 

CMYK 13 / 0 / 30 / 56

HEX #616F4E

RGB 97 111 78

HSL 85.45, 0.17%, 0.37%

LAB 44.89, -11.68, 16.69

 

CMYK 0 / 12 / 90 / 33

HEX #AC9711

RGB 172 151 17

HSL 51.87, 0.82%, 0.37%

LAB 62.46, -4.78, 63.57

 

CMYK 12 / 0 / 90 / 33

HEX #97AC11

RGB 151 172 17

HSL 68.13, 0.82%, 0.37%

LAB 66.62, -24.93, 66.13

 

CMYK 36 / 0 / 90 / 33

HEX #6EAC11

RGB 110 172 17

HSL 84, 0.82%, 0.37%

LAB 64.05, -41.41, 62.97

 

CMYK 60 / 0 / 90 / 33

HEX #45AC11

RGB 69 172 17

HSL 99.87, 0.82%, 0.37%

LAB 62.35, -54.3, 60.86

 

CMYK 84 / 0 / 90 / 33

HEX #1BAC11

RGB 27 172 17

HSL 116.13, 0.82%, 0.37%

LAB 61.46, -61.87, 59.75

 

CMYK 37 / 0 / 90 / 62

HEX #3D610A

RGB 61 97 10

HSL 84.83, 0.81%, 0.21%

LAB 37.05, -26.8, 40.48

 

CMYK 37 / 0 / 90 / 47

HEX #55860D

RGB 85 134 13

HSL 84.3, 0.82%, 0.29%

LAB 50.7, -34.29, 52.02

 

CMYK 37 / 0 / 90 / 33

HEX #6CAC11

RGB 108 172 17

HSL 84.77, 0.82%, 0.37%

LAB 63.94, -42.14, 62.85

 

CMYK 37 / 0 / 90 / 18

HEX #84D115

RGB 132 209 21

HSL 84.57, 0.82%, 0.45%

LAB 76.41, -48.86, 73

 

CMYK 35 / 0 / 84 / 8

HEX #99EA26

RGB 153 234 38

HSL 84.8, 0.82%, 0.53%

LAB 84.87, -51.23, 77.33

 

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

CMYK 90 / 0 / 36 / 33

HEX #11AC6E

RGB 17 172 110

HSL 156, 0.82%, 0.37%

LAB 62.3, -51.43, 21.78

 

CMYK 0 / 90 / 0 / 33

HEX #AC11AC

RGB 172 17 172

HSL 300, 0.82%, 0.37%

LAB 41.45, 71.26, -44.27

 

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

CMYK 90 / 36 / 0 / 33

HEX #116EAC

RGB 17 110 172

HSL 204, 0.82%, 0.37%

LAB 44.59, -1.88, -40.06

 

CMYK 0 / 90 / 36 / 33

HEX #AC116E

RGB 172 17 110

HSL 324, 0.82%, 0.37%

LAB 38.37, 63.18, -11.1

 

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

CMYK 90 / 0 / 36 / 33

HEX #11AC6E

RGB 17 172 110

HSL 156, 0.82%, 0.37%

LAB 62.3, -51.43, 21.78

 

CMYK 54 / 90 / 0 / 33

HEX #4F11AC

RGB 79 17 172

HSL 264, 0.82%, 0.37%

LAB 26.85, 58, -68.67

 

CMYK 0 / 90 / 54 / 33

HEX #AC114F

RGB 172 17 79

HSL 336, 0.82%, 0.37%

LAB 37.36, 60.4, 7.22

 

CMYK 37 / 0 / 90 / 33

HEX #6CAB11

RGB 108 171 17

HSL 84.55, 0.82%, 0.37%

LAB 63.63, -41.71, 62.59

 

CMYK 90 / 0 / 9 / 33

HEX #11AC9C

RGB 17 172 156

HSL 173.81, 0.82%, 0.37%

LAB 63.36, -39.89, -2.14

 

CMYK 54 / 90 / 0 / 33

HEX #4F11AC

RGB 79 17 172

HSL 264, 0.82%, 0.37%

LAB 26.85, 58, -68.67

 

CMYK 0 / 90 / 81 / 33

HEX #AC1120

RGB 172 17 32

HSL 354.19, 0.82%, 0.37%

LAB 36.51, 57.97, 35.77

 

Description

Color code: HEX #6CAB11 | qconv.com Color code: HEX #6CAB11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 171 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 171 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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