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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CAAFA it is the complementary color #935505. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CAAFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CAAFA shade: #71AAF5, #82BCFF, #93CEFF, #A4E0FF and #B5F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CAAFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CAAFA shade: #6CAAFA, #5B98E7, #4A86D4, #3974C1 and #2862AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CAAFA shade: #6BA9FA, #6B83FA, #7A6BFA, #A06BFA and #C76BFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CAAFA shade: #6BA9FA, #6B83FA and #6B6BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CAAFA shade matches the following richer shades: #6BA9FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CAAFA shade: #6BA9FA, #78ABED, #84ADE1, #90AED5 and #9DB0C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CAAFA shade: #6BF7FA, #6BD1FA, #6BABFA, #6B85FA and #776BFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CAAFA shade: #1C7BF7, #4492F8, #6BA9FA, #93C1FB and #BBD8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CAAFA shade: #6CAAFA, #D66BFA and #E4FA6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CAAFA shade: #6CAAFA, #FA6BAB and #ABFA6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CAAFA shade: #6CAAFA, #D66BFA, #FABA6B and #8FFA6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CAAFA shade: #6CAAFA, #FA6BF3, #FABA6B and #6BFA72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

Complementary color

CMYK 0 / 42 / 97 / 42

HEX #935505

RGB 147 85 5

HSL 33.8, 0.93%, 0.3%

LAB 42.32, 20.64, 49.7

 

CMYK 54 / 31 / 0 / 4

HEX #71AAF5

RGB 113 170 245

HSL 214.09, 0.87%, 0.7%

LAB 68.64, 2.41, -43.07

 

CMYK 49 / 26 / 0 / 0

HEX #82BCFF

RGB 130 188 255

HSL 212.16, 1%, 0.75%

LAB 74.78, -0.92, -38.84

 

CMYK 42 / 19 / 0 / 0

HEX #93CEFF

RGB 147 206 255

HSL 207.22, 1%, 0.79%

LAB 80.5, -6.59, -29.94

 

CMYK 36 / 12 / 0 / 0

HEX #A4E0FF

RGB 164 224 255

HSL 200.44, 1%, 0.82%

LAB 86.22, -11.64, -21.14

 

CMYK 29 / 5 / 0 / 0

HEX #B5F2FF

RGB 181 242 255

HSL 190.54, 1%, 0.85%

LAB 91.93, -16.15, -12.46

 

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

CMYK 61 / 34 / 0 / 9

HEX #5B98E7

RGB 91 152 231

HSL 213.86, 0.74%, 0.63%

LAB 62.04, 3.92, -45.84

 

CMYK 65 / 37 / 0 / 17

HEX #4A86D4

RGB 74 134 212

HSL 213.91, 0.62%, 0.56%

LAB 55.34, 5.13, -45.88

 

CMYK 70 / 40 / 0 / 24

HEX #3974C1

RGB 57 116 193

HSL 213.97, 0.54%, 0.49%

LAB 48.52, 6.64, -45.93

 

CMYK 77 / 44 / 0 / 32

HEX #2862AE

RGB 40 98 174

HSL 214.03, 0.63%, 0.42%

LAB 41.6, 8.57, -45.97

 

CMYK 57 / 32 / 0 / 2

HEX #6BA9FA

RGB 107 169 250

HSL 213.99, 0.93%, 0.7%

LAB 68.32, 3.31, -46.32

 

CMYK 57 / 48 / 0 / 2

HEX #6B83FA

RGB 107 131 250

HSL 229.93, 0.93%, 0.7%

LAB 58.28, 25.59, -62.26

 

CMYK 51 / 57 / 0 / 2

HEX #7A6BFA

RGB 122 107 250

HSL 246.29, 0.93%, 0.7%

LAB 53.55, 42.67, -69.84

 

CMYK 36 / 57 / 0 / 2

HEX #A06BFA

RGB 160 107 250

HSL 262.24, 0.93%, 0.7%

LAB 56.97, 50.59, -64.15

 

CMYK 20 / 57 / 0 / 2

HEX #C76BFA

RGB 199 107 250

HSL 278.6, 0.93%, 0.7%

LAB 61.27, 59.68, -57.02

 

CMYK 57 / 32 / 0 / 2

HEX #6BA9FA

RGB 107 169 250

HSL 213.99, 0.93%, 0.7%

LAB 68.32, 3.31, -46.32

 

CMYK 57 / 48 / 0 / 2

HEX #6B83FA

RGB 107 131 250

HSL 229.93, 0.93%, 0.7%

LAB 58.28, 25.59, -62.26

 

CMYK 57 / 57 / 0 / 2

HEX #6B6BFA

RGB 107 107 250

HSL 240, 0.93%, 0.7%

LAB 52.45, 39.93, -71.68

 

CMYK 57 / 32 / 0 / 2

HEX #6BA9FA

RGB 107 169 250

HSL 213.99, 0.93%, 0.7%

LAB 68.32, 3.31, -46.32

 

CMYK 57 / 32 / 0 / 2

HEX #6BA9FA

RGB 107 169 250

HSL 213.99, 0.93%, 0.7%

LAB 68.32, 3.31, -46.32

 

CMYK 49 / 28 / 0 / 7

HEX #78ABED

RGB 120 171 237

HSL 213.85, 0.76%, 0.7%

LAB 68.92, 0.99, -38.25

 

CMYK 41 / 23 / 0 / 12

HEX #84ADE1

RGB 132 173 225

HSL 213.55, 0.61%, 0.7%

LAB 69.63, -0.6, -30.54

 

CMYK 32 / 18 / 0 / 16

HEX #90AED5

RGB 144 174 213

HSL 213.91, 0.45%, 0.7%

LAB 70.18, -1.04, -23.06

 

CMYK 22 / 12 / 0 / 22

HEX #9DB0C8

RGB 157 176 200

HSL 213.49, 0.28%, 0.7%

LAB 71.14, -1.35, -14.39

 

CMYK 57 / 1 / 0 / 2

HEX #6BF7FA

RGB 107 247 250

HSL 181.26, 0.93%, 0.7%

LAB 90.11, -36.78, -12.89

 

CMYK 57 / 16 / 0 / 2

HEX #6BD1FA

RGB 107 209 250

HSL 197.2, 0.93%, 0.7%

LAB 79.4, -18.31, -29.11

 

CMYK 57 / 32 / 0 / 2

HEX #6BABFA

RGB 107 171 250

HSL 213.15, 0.93%, 0.7%

LAB 68.86, 2.17, -45.47

 

CMYK 57 / 47 / 0 / 2

HEX #6B85FA

RGB 107 133 250

HSL 229.09, 0.93%, 0.7%

LAB 58.79, 24.39, -61.45

 

CMYK 52 / 57 / 0 / 2

HEX #776BFA

RGB 119 107 250

HSL 245.03, 0.93%, 0.7%

LAB 53.32, 42.1, -70.23

 

CMYK 89 / 50 / 0 / 3

HEX #1C7BF7

RGB 28 123 247

HSL 213.97, 0.93%, 0.54%

LAB 53.09, 19.76, -69.13

 

CMYK 73 / 41 / 0 / 3

HEX #4492F8

RGB 68 146 248

HSL 214, 0.93%, 0.62%

LAB 60.39, 9.65, -57.88

 

CMYK 57 / 32 / 0 / 2

HEX #6BA9FA

RGB 107 169 250

HSL 213.99, 0.93%, 0.7%

LAB 68.32, 3.31, -46.32

 

CMYK 41 / 23 / 0 / 2

HEX #93C1FB

RGB 147 193 251

HSL 213.46, 0.93%, 0.78%

LAB 76.87, -0.69, -33.39

 

CMYK 26 / 15 / 0 / 1

HEX #BBD8FD

RGB 187 216 253

HSL 213.64, 0.94%, 0.86%

LAB 85.39, -1.57, -21.21

 

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

CMYK 14 / 57 / 0 / 2

HEX #D66BFA

RGB 214 107 250

HSL 284.9, 0.93%, 0.7%

LAB 63.11, 63.31, -53.99

 

CMYK 9 / 0 / 57 / 2

HEX #E4FA6B

RGB 228 250 107

HSL 69.23, 0.93%, 0.7%

LAB 94.28, -26.34, 64.69

 

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

CMYK 0 / 57 / 32 / 2

HEX #FA6BAB

RGB 250 107 171

HSL 333.15, 0.93%, 0.7%

LAB 64.79, 60.8, -6.65

 

CMYK 32 / 0 / 57 / 2

HEX #ABFA6B

RGB 171 250 107

HSL 93.15, 0.93%, 0.7%

LAB 90.82, -47.26, 59.85

 

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

CMYK 14 / 57 / 0 / 2

HEX #D66BFA

RGB 214 107 250

HSL 284.9, 0.93%, 0.7%

LAB 63.11, 63.31, -53.99

 

CMYK 0 / 26 / 57 / 2

HEX #FABA6B

RGB 250 186 107

HSL 33.15, 0.93%, 0.7%

LAB 79.9, 14.69, 48.57

 

CMYK 43 / 0 / 57 / 2

HEX #8FFA6B

RGB 143 250 107

HSL 104.9, 0.93%, 0.7%

LAB 89.52, -56.2, 58.01

 

CMYK 57 / 32 / 0 / 2

HEX #6CAAFA

RGB 108 170 250

HSL 213.8, 0.93%, 0.7%

LAB 68.64, 2.94, -45.82

 

CMYK 0 / 57 / 3 / 2

HEX #FA6BF3

RGB 250 107 243

HSL 302.94, 0.93%, 0.7%

LAB 67.51, 71, -42.87

 

CMYK 0 / 26 / 57 / 2

HEX #FABA6B

RGB 250 186 107

HSL 33.15, 0.93%, 0.7%

LAB 79.9, 14.69, 48.57

 

CMYK 57 / 0 / 54 / 2

HEX #6BFA72

RGB 107 250 114

HSL 122.94, 0.93%, 0.7%

LAB 88.31, -64.93, 53.16

 

Description

Color code: HEX #6CAAFA | qconv.com Color code: HEX #6CAAFA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 170 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 170 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 32 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 32% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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