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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CA4C0 it is the complementary color #935B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CA4C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CA4C0 shade: #71A4BB, #82B6CE, #93C8E1, #A4DAF4 and #B5ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CA4C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CA4C0 shade: #6CA4C0, #5B92AD, #4A809A, #396E87 and #285C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CA4C0 shade: #6CA4C0, #6C8DC0, #6C77C0, #786CC0 and #8F6CC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CA4C0 shade: #6CA4C0, #6C8DC0, #6C77C0 and #6C6CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CA4C0 shade matches the following richer shades: #6CA4C0, #5BAAD1, #4AAFE2 and #39B5F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CA4C0 shade: #6CA4C0, #7D9EAF, #8E999E, #9F938D and #B08D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CA4C0 shade: #6CC0AF, #6CBAC0, #6CA4C0, #6C8EC0 and #6C77C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CA4C0 shade: #417B98, #4F92B3, #6CA4C0, #89B6CC and #A6C8D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CA4C0 shade: #6CA4C0, #996CC0 and #C0BA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CA4C0 shade: #6CA4C0, #C06CA4 and #A4C06C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CA4C0 shade: #6CA4C0, #996CC0, #C0886C and #93C06C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CA4C0 shade: #6CA4C0, #B26CC0, #C0886C and #7AC06C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

Complementary color

CMYK 0 / 38 / 57 / 42

HEX #935B3F

RGB 147 91 63

HSL 20, 0.4%, 0.41%

LAB 44.3, 19.99, 25.65

 

CMYK 40 / 12 / 0 / 27

HEX #71A4BB

RGB 113 164 187

HSL 198.65, 0.35%, 0.59%

LAB 64.68, -10.95, -17.2

 

CMYK 37 / 12 / 0 / 19

HEX #82B6CE

RGB 130 182 206

HSL 198.95, 0.44%, 0.66%

LAB 71.32, -11.06, -17.56

 

CMYK 35 / 11 / 0 / 12

HEX #93C8E1

RGB 147 200 225

HSL 199.23, 0.57%, 0.73%

LAB 77.84, -11.15, -17.93

 

CMYK 33 / 11 / 0 / 4

HEX #A4DAF4

RGB 164 218 244

HSL 199.5, 0.78%, 0.8%

LAB 84.26, -11.22, -18.29

 

CMYK 29 / 7 / 0 / 0

HEX #B5ECFF

RGB 181 236 255

HSL 195.41, 1%, 0.85%

LAB 90.34, -13.14, -14.84

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 47 / 16 / 0 / 32

HEX #5B92AD

RGB 91 146 173

HSL 199.76, 0.33%, 0.52%

LAB 57.85, -10.67, -19.81

 

CMYK 52 / 17 / 0 / 40

HEX #4A809A

RGB 74 128 154

HSL 199.5, 0.35%, 0.45%

LAB 50.95, -10.36, -19.48

 

CMYK 58 / 19 / 0 / 47

HEX #396E87

RGB 57 110 135

HSL 199.23, 0.41%, 0.38%

LAB 43.9, -9.93, -19.13

 

CMYK 66 / 21 / 0 / 55

HEX #285C74

RGB 40 92 116

HSL 198.95, 0.49%, 0.31%

LAB 36.68, -9.28, -18.77

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 44 / 27 / 0 / 25

HEX #6C8DC0

RGB 108 141 192

HSL 216.43, 0.4%, 0.59%

LAB 58.08, 2.01, -30.16

 

CMYK 44 / 38 / 0 / 25

HEX #6C77C0

RGB 108 119 192

HSL 232.14, 0.4%, 0.59%

LAB 52.05, 15.05, -39.6

 

CMYK 38 / 44 / 0 / 25

HEX #786CC0

RGB 120 108 192

HSL 248.57, 0.4%, 0.59%

LAB 50.13, 24.84, -42.57

 

CMYK 26 / 44 / 0 / 25

HEX #8F6CC0

RGB 143 108 192

HSL 265, 0.4%, 0.59%

LAB 52.25, 31.23, -39.07

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 44 / 27 / 0 / 25

HEX #6C8DC0

RGB 108 141 192

HSL 216.43, 0.4%, 0.59%

LAB 58.08, 2.01, -30.16

 

CMYK 44 / 38 / 0 / 25

HEX #6C77C0

RGB 108 119 192

HSL 232.14, 0.4%, 0.59%

LAB 52.05, 15.05, -39.6

 

CMYK 44 / 44 / 0 / 25

HEX #6C6CC0

RGB 108 108 192

HSL 240, 0.4%, 0.59%

LAB 49.15, 21.73, -44.18

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 56 / 19 / 0 / 18

HEX #5BAAD1

RGB 91 170 209

HSL 199.83, 0.56%, 0.59%

LAB 66.2, -13.11, -27.2

 

CMYK 67 / 23 / 0 / 11

HEX #4AAFE2

RGB 74 175 226

HSL 200.13, 0.72%, 0.59%

LAB 67.73, -13.5, -34.23

 

CMYK 77 / 26 / 0 / 5

HEX #39B5F3

RGB 57 181 243

HSL 200, 0.89%, 0.59%

LAB 69.75, -13.31, -40.4

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 29 / 10 / 0 / 31

HEX #7D9EAF

RGB 125 158 175

HSL 200.4, 0.24%, 0.59%

LAB 63.27, -7.31, -12.55

 

CMYK 10 / 3 / 0 / 38

HEX #8E999E

RGB 142 153 158

HSL 198.75, 0.08%, 0.59%

LAB 62.51, -2.89, -3.98

 

CMYK 0 / 8 / 11 / 38

HEX #9F938D

RGB 159 147 141

HSL 20, 0.09%, 0.59%

LAB 61.79, 3.37, 4.76

 

CMYK 0 / 20 / 30 / 31

HEX #B08D7C

RGB 176 141 124

HSL 19.62, 0.25%, 0.59%

LAB 61.42, 10.69, 14.09

 

CMYK 44 / 0 / 9 / 25

HEX #6CC0AF

RGB 108 192 175

HSL 167.86, 0.4%, 0.59%

LAB 72.22, -29.64, 0.61

 

CMYK 44 / 3 / 0 / 25

HEX #6CBAC0

RGB 108 186 192

HSL 184.29, 0.4%, 0.59%

LAB 70.95, -22.44, -10.56

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 44 / 26 / 0 / 25

HEX #6C8EC0

RGB 108 142 192

HSL 215.71, 0.4%, 0.59%

LAB 58.36, 1.43, -29.73

 

CMYK 44 / 38 / 0 / 25

HEX #6C77C0

RGB 108 119 192

HSL 232.14, 0.4%, 0.59%

LAB 52.05, 15.05, -39.6

 

CMYK 57 / 19 / 0 / 40

HEX #417B98

RGB 65 123 152

HSL 200, 0.4%, 0.43%

LAB 48.95, -10.19, -21.41

 

CMYK 56 / 18 / 0 / 30

HEX #4F92B3

RGB 79 146 179

HSL 199.8, 0.4%, 0.51%

LAB 57.54, -11.65, -23.75

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 33 / 11 / 0 / 20

HEX #89B6CC

RGB 137 182 204

HSL 199.7, 0.4%, 0.67%

LAB 71.65, -9.62, -15.94

 

CMYK 24 / 8 / 0 / 15

HEX #A6C8D9

RGB 166 200 217

HSL 200, 0.4%, 0.75%

LAB 78.71, -7.57, -12.21

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 20 / 44 / 0 / 25

HEX #996CC0

RGB 153 108 192

HSL 272.14, 0.4%, 0.59%

LAB 53.28, 34.13, -37.39

 

CMYK 0 / 3 / 44 / 25

HEX #C0BA6C

RGB 192 186 108

HSL 55.71, 0.4%, 0.59%

LAB 74.45, -9.02, 40.17

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 0 / 44 / 15 / 25

HEX #C06CA4

RGB 192 108 164

HSL 320, 0.4%, 0.59%

LAB 56.7, 40.9, -15.59

 

CMYK 15 / 0 / 44 / 25

HEX #A4C06C

RGB 164 192 108

HSL 80, 0.4%, 0.59%

LAB 73.98, -23.21, 39.12

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 20 / 44 / 0 / 25

HEX #996CC0

RGB 153 108 192

HSL 272.14, 0.4%, 0.59%

LAB 53.28, 34.13, -37.39

 

CMYK 0 / 29 / 44 / 25

HEX #C0886C

RGB 192 136 108

HSL 20, 0.4%, 0.59%

LAB 61.57, 17.97, 23.55

 

CMYK 23 / 0 / 44 / 25

HEX #93C06C

RGB 147 192 108

HSL 92.14, 0.4%, 0.59%

LAB 72.88, -29.61, 37.51

 

CMYK 44 / 15 / 0 / 25

HEX #6CA4C0

RGB 108 164 192

HSL 200, 0.4%, 0.59%

LAB 64.6, -10.91, -20.14

 

CMYK 7 / 44 / 0 / 25

HEX #B26CC0

RGB 178 108 192

HSL 290, 0.4%, 0.59%

LAB 56.08, 41.56, -32.8

 

CMYK 0 / 29 / 44 / 25

HEX #C0886C

RGB 192 136 108

HSL 20, 0.4%, 0.59%

LAB 61.57, 17.97, 23.55

 

CMYK 36 / 0 / 44 / 25

HEX #7AC06C

RGB 122 192 108

HSL 110, 0.4%, 0.59%

LAB 71.5, -38.31, 35.47

 

Description

Color code: HEX #6CA4C0 | qconv.com Color code: HEX #6CA4C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 164 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 164 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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