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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CA21D it is the complementary color #935DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CA21D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CA21D shade: #71A218, #82B42B, #93C63E, #A4D851 and #B5EA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CA21D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CA21D shade: #6CA21D, #5B900A, #4A7E00, #396C00 and #285A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CA21D shade: #6BA01C, #8EA01C, #A08F1C, #A06B1C and #A0481C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CA21D shade: #6BA01C, #47A01C, #24A01C, #1CA039 and #1CA05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CA21D shade matches the following richer shades: #6BA01C and #6EB00D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CA21D shade: #6BA01C, #68912C, #65823B, #62734A and #5F6359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CA21D shade: #A08F1C, #8FA01C, #6CA01C, #48A01C and #25A01C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CA21D shade: #3C5A10, #537D16, #6BA01C, #82C322 and #97DB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CA21D shade: #6CA21D, #1CA06C and #A01CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CA21D shade: #6CA21D, #1C6CA0 and #A01C6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CA21D shade: #6CA21D, #1CA06C, #511CA0 and #A01C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CA21D shade: #6CA21D, #1CA093, #511CA0 and #A01C2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

Complementary color

CMYK 35 / 59 / 0 / 11

HEX #935DE2

RGB 147 93 226

HSL 264.36, 0.7%, 0.63%

LAB 51.29, 49.14, -59.94

 

CMYK 30 / 0 / 85 / 36

HEX #71A218

RGB 113 162 24

HSL 81.3, 0.74%, 0.36%

LAB 61.15, -35.66, 59.11

 

CMYK 28 / 0 / 76 / 29

HEX #82B42B

RGB 130 180 43

HSL 81.9, 0.61%, 0.44%

LAB 67.7, -36.34, 59.96

 

CMYK 26 / 0 / 69 / 22

HEX #93C63E

RGB 147 198 62

HSL 82.5, 0.54%, 0.51%

LAB 74.15, -36.82, 59.88

 

CMYK 24 / 0 / 63 / 15

HEX #A4D851

RGB 164 216 81

HSL 83.11, 0.63%, 0.58%

LAB 80.51, -37.15, 59.3

 

CMYK 23 / 0 / 57 / 8

HEX #B5EA64

RGB 181 234 100

HSL 83.73, 0.76%, 0.65%

LAB 86.8, -37.37, 58.45

 

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

CMYK 37 / 0 / 93 / 44

HEX #5B900A

RGB 91 144 10

HSL 83.73, 0.87%, 0.3%

LAB 54.23, -36.52, 55.64

 

CMYK 41 / 0 / 100 / 51

HEX #4A7E00

RGB 74 126 0

HSL 84.76, 1%, 0.25%

LAB 47.47, -35.3, 51.69

 

CMYK 47 / 0 / 100 / 58

HEX #396C00

RGB 57 108 0

HSL 88.33, 1%, 0.21%

LAB 40.57, -33.73, 45.96

 

CMYK 56 / 0 / 100 / 65

HEX #285A00

RGB 40 90 0

HSL 93.33, 1%, 0.18%

LAB 33.49, -32, 40.09

 

CMYK 33 / 0 / 83 / 37

HEX #6BA01C

RGB 107 160 28

HSL 84.09, 0.7%, 0.37%

LAB 60.2, -36.92, 57.11

 

CMYK 11 / 0 / 83 / 37

HEX #8EA01C

RGB 142 160 28

HSL 68.18, 0.7%, 0.37%

LAB 62.49, -22.56, 60

 

CMYK 0 / 11 / 83 / 37

HEX #A08F1C

RGB 160 143 28

HSL 52.27, 0.7%, 0.37%

LAB 59.16, -5.63, 57.7

 

CMYK 0 / 33 / 83 / 37

HEX #A06B1C

RGB 160 107 28

HSL 35.91, 0.7%, 0.37%

LAB 49.58, 14.53, 49.27

 

CMYK 0 / 55 / 83 / 37

HEX #A0481C

RGB 160 72 28

HSL 20, 0.7%, 0.37%

LAB 41.52, 33.92, 41.92

 

CMYK 33 / 0 / 83 / 37

HEX #6BA01C

RGB 107 160 28

HSL 84.09, 0.7%, 0.37%

LAB 60.2, -36.92, 57.11

 

CMYK 56 / 0 / 83 / 37

HEX #47A01C

RGB 71 160 28

HSL 100.45, 0.7%, 0.37%

LAB 58.57, -48.96, 55.02

 

CMYK 78 / 0 / 83 / 37

HEX #24A01C

RGB 36 160 28

HSL 116.36, 0.7%, 0.37%

LAB 57.66, -56.55, 53.84

 

CMYK 83 / 0 / 64 / 37

HEX #1CA039

RGB 28 160 57

HSL 133.18, 0.7%, 0.37%

LAB 57.74, -55.11, 43.01

 

CMYK 83 / 0 / 43 / 37

HEX #1CA05C

RGB 28 160 92

HSL 149.09, 0.7%, 0.37%

LAB 58.19, -49.69, 26.05

 

CMYK 33 / 0 / 83 / 37

HEX #6BA01C

RGB 107 160 28

HSL 84.09, 0.7%, 0.37%

LAB 60.2, -36.92, 57.11

 

CMYK 38 / 0 / 93 / 31

HEX #6EB00D

RGB 110 176 13

HSL 84.29, 0.86%, 0.37%

LAB 65.27, -43.19, 64.62

 

CMYK 33 / 0 / 83 / 37

HEX #6BA01C

RGB 107 160 28

HSL 84.09, 0.7%, 0.37%

LAB 60.2, -36.92, 57.11

 

CMYK 28 / 0 / 70 / 43

HEX #68912C

RGB 104 145 44

HSL 84.36, 0.53%, 0.37%

LAB 55.46, -30.28, 46.94

 

CMYK 22 / 0 / 55 / 49

HEX #65823B

RGB 101 130 59

HSL 84.51, 0.38%, 0.37%

LAB 50.74, -22.76, 34.69

 

CMYK 15 / 0 / 36 / 55

HEX #62734A

RGB 98 115 74

HSL 84.88, 0.22%, 0.37%

LAB 46.11, -14.11, 20.66

 

CMYK 4 / 0 / 10 / 61

HEX #5F6359

RGB 95 99 89

HSL 84, 0.05%, 0.37%

LAB 41.34, -3.61, 5.14

 

CMYK 0 / 11 / 83 / 37

HEX #A08F1C

RGB 160 143 28

HSL 52.27, 0.7%, 0.37%

LAB 59.16, -5.63, 57.7

 

CMYK 11 / 0 / 83 / 37

HEX #8FA01C

RGB 143 160 28

HSL 67.73, 0.7%, 0.37%

LAB 62.56, -22.13, 60.1

 

CMYK 33 / 0 / 83 / 37

HEX #6CA01C

RGB 108 160 28

HSL 83.64, 0.7%, 0.37%

LAB 60.26, -36.54, 57.18

 

CMYK 55 / 0 / 83 / 37

HEX #48A01C

RGB 72 160 28

HSL 100, 0.7%, 0.37%

LAB 58.61, -48.68, 55.06

 

CMYK 77 / 0 / 83 / 37

HEX #25A01C

RGB 37 160 28

HSL 115.91, 0.7%, 0.37%

LAB 57.67, -56.4, 53.86

 

CMYK 33 / 0 / 82 / 65

HEX #3C5A10

RGB 60 90 16

HSL 84.32, 0.7%, 0.21%

LAB 34.62, -23.48, 36.34

 

CMYK 34 / 0 / 82 / 51

HEX #537D16

RGB 83 125 22

HSL 84.47, 0.7%, 0.29%

LAB 47.71, -30.6, 47.02

 

CMYK 33 / 0 / 83 / 37

HEX #6BA01C

RGB 107 160 28

HSL 84.09, 0.7%, 0.37%

LAB 60.2, -36.92, 57.11

 

CMYK 33 / 0 / 83 / 24

HEX #82C322

RGB 130 195 34

HSL 84.22, 0.7%, 0.45%

LAB 72.16, -43.34, 66.66

 

CMYK 31 / 0 / 76 / 14

HEX #97DB34

RGB 151 219 52

HSL 84.43, 0.7%, 0.53%

LAB 80.45, -45.12, 69.61

 

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

CMYK 83 / 0 / 33 / 37

HEX #1CA06C

RGB 28 160 108

HSL 156.36, 0.7%, 0.37%

LAB 58.48, -46.37, 17.71

 

CMYK 0 / 83 / 0 / 37

HEX #A01CA0

RGB 160 28 160

HSL 300, 0.7%, 0.37%

LAB 39.31, 65.08, -40.62

 

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

CMYK 83 / 33 / 0 / 37

HEX #1C6CA0

RGB 28 108 160

HSL 203.64, 0.7%, 0.37%

LAB 43.52, -4.43, -34.67

 

CMYK 0 / 83 / 33 / 37

HEX #A01C6C

RGB 160 28 108

HSL 323.64, 0.7%, 0.37%

LAB 36.72, 57.86, -12.56

 

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

CMYK 83 / 0 / 33 / 37

HEX #1CA06C

RGB 28 160 108

HSL 156.36, 0.7%, 0.37%

LAB 58.48, -46.37, 17.71

 

CMYK 49 / 83 / 0 / 37

HEX #511CA0

RGB 81 28 160

HSL 264.09, 0.7%, 0.37%

LAB 27.07, 51.61, -61.04

 

CMYK 0 / 83 / 49 / 37

HEX #A01C51

RGB 160 28 81

HSL 335.91, 0.7%, 0.37%

LAB 35.79, 55.12, 3.35

 

CMYK 33 / 0 / 82 / 36

HEX #6CA21D

RGB 108 162 29

HSL 84.36, 0.7%, 0.37%

LAB 60.89, -37.38, 57.46

 

CMYK 83 / 0 / 8 / 37

HEX #1CA093

RGB 28 160 147

HSL 174.09, 0.7%, 0.37%

LAB 59.43, -36.33, -2.84

 

CMYK 49 / 83 / 0 / 37

HEX #511CA0

RGB 81 28 160

HSL 264.09, 0.7%, 0.37%

LAB 27.07, 51.61, -61.04

 

CMYK 0 / 83 / 74 / 37

HEX #A01C2A

RGB 160 28 42

HSL 353.64, 0.7%, 0.37%

LAB 34.95, 52.58, 27.31

 

Description

Color code: HEX #6CA21D | qconv.com Color code: HEX #6CA21D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 162 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 162 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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