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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C9D44 it is the complementary color #9362BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C9D44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C9D44 shade: #719D3F, #82AF52, #93C165, #A4D378 and #B5E58B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C9D44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C9D44 shade: #6C9D44, #5B8B31, #4A791E, #39670B and #285500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C9D44 shade: #6C9D43, #849D43, #9C9D43, #9D8643 and #9D6E43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C9D44 shade: #6C9D43, #539D43, #439D4B, #439D64 and #439D7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C9D44 shade matches the following richer shades: #6C9D43, #6AAF31, #68C11F and #66D40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C9D44 shade: #6C9D43, #6E8B55, #6F7968, #71677A and #73548C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C9D44 shade: #9C9D43, #849D43, #6C9D43, #549D43 and #439D4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C9D44 shade: #44632B, #588037, #6C9D43, #80B654 and #95C271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C9D44 shade: #6C9D44, #439D87 and #9D4390

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C9D44 shade: #6C9D44, #436C9D and #9D436C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C9D44 shade: #6C9D44, #439D87, #75439D and #9D435A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C9D44 shade: #6C9D44, #43999D, #75439D and #9D4843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

Complementary color

CMYK 21 / 48 / 0 / 27

HEX #9362BB

RGB 147 98 187

HSL 273.03, 0.4%, 0.56%

LAB 50.13, 36.9, -39.51

 

CMYK 28 / 0 / 60 / 38

HEX #719D3F

RGB 113 157 63

HSL 88.09, 0.43%, 0.43%

LAB 59.87, -30.82, 43.5

 

CMYK 26 / 0 / 53 / 31

HEX #82AF52

RGB 130 175 82

HSL 89.03, 0.37%, 0.5%

LAB 66.53, -30.92, 42.42

 

CMYK 24 / 0 / 48 / 24

HEX #93C165

RGB 147 193 101

HSL 90, 0.43%, 0.58%

LAB 73.08, -30.94, 41.26

 

CMYK 22 / 0 / 43 / 17

HEX #A4D378

RGB 164 211 120

HSL 90.99, 0.51%, 0.65%

LAB 79.52, -30.91, 40.08

 

CMYK 21 / 0 / 39 / 10

HEX #B5E58B

RGB 181 229 139

HSL 92, 0.63%, 0.72%

LAB 85.87, -30.85, 38.93

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

CMYK 35 / 0 / 65 / 45

HEX #5B8B31

RGB 91 139 49

HSL 92, 0.48%, 0.37%

LAB 52.85, -32.08, 41.77

 

CMYK 39 / 0 / 75 / 53

HEX #4A791E

RGB 74 121 30

HSL 90.99, 0.6%, 0.3%

LAB 45.94, -31.76, 42.33

 

CMYK 45 / 0 / 89 / 60

HEX #39670B

RGB 57 103 11

HSL 90, 0.81%, 0.22%

LAB 38.89, -31.1, 41.75

 

CMYK 53 / 0 / 100 / 67

HEX #285500

RGB 40 85 0

HSL 91.76, 1%, 0.17%

LAB 31.69, -29.86, 38.68

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 16 / 0 / 57 / 38

HEX #849D43

RGB 132 157 67

HSL 76.67, 0.4%, 0.44%

LAB 61.15, -22.87, 43.4

 

CMYK 1 / 0 / 57 / 38

HEX #9C9D43

RGB 156 157 67

HSL 60.67, 0.4%, 0.44%

LAB 63, -12.73, 45.98

 

CMYK 0 / 15 / 57 / 38

HEX #9D8643

RGB 157 134 67

HSL 44.67, 0.4%, 0.44%

LAB 56.71, 0.17, 38.8

 

CMYK 0 / 30 / 57 / 38

HEX #9D6E43

RGB 157 110 67

HSL 28.67, 0.4%, 0.44%

LAB 50.36, 13.77, 31.2

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 47 / 0 / 57 / 38

HEX #539D43

RGB 83 157 67

HSL 109.33, 0.4%, 0.44%

LAB 58.38, -40.89, 39.46

 

CMYK 57 / 0 / 52 / 38

HEX #439D4B

RGB 67 157 75

HSL 125.33, 0.4%, 0.44%

LAB 57.86, -44.37, 34.72

 

CMYK 57 / 0 / 36 / 38

HEX #439D64

RGB 67 157 100

HSL 142, 0.4%, 0.44%

LAB 58.25, -40.16, 21.96

 

CMYK 57 / 0 / 21 / 38

HEX #439D7C

RGB 67 157 124

HSL 158, 0.4%, 0.44%

LAB 58.75, -35.03, 9.28

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 39 / 0 / 72 / 31

HEX #6AAF31

RGB 106 175 49

HSL 92.86, 0.56%, 0.44%

LAB 64.92, -42.6, 54.69

 

CMYK 46 / 0 / 84 / 24

HEX #68C11F

RGB 104 193 31

HSL 92.96, 0.72%, 0.44%

LAB 70.3, -51.53, 65.29

 

CMYK 52 / 0 / 94 / 17

HEX #66D40D

RGB 102 212 13

HSL 93.17, 0.88%, 0.44%

LAB 76.03, -59.72, 73.24

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 21 / 0 / 39 / 45

HEX #6E8B55

RGB 110 139 85

HSL 92.22, 0.24%, 0.44%

LAB 54.49, -20.45, 25.6

 

CMYK 8 / 0 / 14 / 53

HEX #6F7968

RGB 111 121 104

HSL 95.29, 0.08%, 0.44%

LAB 49.56, -7.14, 8.06

 

CMYK 7 / 16 / 0 / 52

HEX #71677A

RGB 113 103 122

HSL 271.58, 0.08%, 0.44%

LAB 45.1, 7.86, -9.15

 

CMYK 18 / 40 / 0 / 45

HEX #73548C

RGB 115 84 140

HSL 273.21, 0.25%, 0.44%

LAB 41.02, 24.26, -26.26

 

CMYK 1 / 0 / 57 / 38

HEX #9C9D43

RGB 156 157 67

HSL 60.67, 0.4%, 0.44%

LAB 63, -12.73, 45.98

 

CMYK 16 / 0 / 57 / 38

HEX #849D43

RGB 132 157 67

HSL 76.67, 0.4%, 0.44%

LAB 61.15, -22.87, 43.4

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 46 / 0 / 57 / 38

HEX #549D43

RGB 84 157 67

HSL 108.67, 0.4%, 0.44%

LAB 58.42, -40.58, 39.52

 

CMYK 57 / 0 / 52 / 38

HEX #439D4B

RGB 67 157 75

HSL 125.33, 0.4%, 0.44%

LAB 57.86, -44.37, 34.72

 

CMYK 31 / 0 / 57 / 61

HEX #44632B

RGB 68 99 43

HSL 93.21, 0.39%, 0.28%

LAB 38.42, -22.22, 27.93

 

CMYK 31 / 0 / 57 / 50

HEX #588037

RGB 88 128 55

HSL 92.88, 0.4%, 0.36%

LAB 49.24, -27.39, 34.75

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D43

RGB 108 157 67

HSL 92.67, 0.4%, 0.44%

LAB 59.62, -32.31, 41.24

 

CMYK 30 / 0 / 54 / 29

HEX #80B654

RGB 128 182 84

HSL 93.06, 0.4%, 0.52%

LAB 68.52, -34.71, 43.79

 

CMYK 23 / 0 / 42 / 24

HEX #95C271

RGB 149 194 113

HSL 93.33, 0.4%, 0.6%

LAB 73.65, -29.19, 35.97

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

CMYK 57 / 0 / 14 / 38

HEX #439D87

RGB 67 157 135

HSL 165.33, 0.4%, 0.44%

LAB 59.03, -32.35, 3.46

 

CMYK 0 / 57 / 8 / 38

HEX #9D4390

RGB 157 67 144

HSL 308.67, 0.4%, 0.44%

LAB 43.06, 47.45, -25.1

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

CMYK 57 / 31 / 0 / 38

HEX #436C9D

RGB 67 108 157

HSL 212.67, 0.4%, 0.44%

LAB 44.73, 0.77, -30.9

 

CMYK 0 / 57 / 31 / 38

HEX #9D436C

RGB 157 67 108

HSL 332.67, 0.4%, 0.44%

LAB 41.63, 41.96, -5.22

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

CMYK 57 / 0 / 14 / 38

HEX #439D87

RGB 67 157 135

HSL 165.33, 0.4%, 0.44%

LAB 59.03, -32.35, 3.46

 

CMYK 25 / 57 / 0 / 38

HEX #75439D

RGB 117 67 157

HSL 273.33, 0.4%, 0.44%

LAB 38.25, 38.9, -40.88

 

CMYK 0 / 57 / 43 / 38

HEX #9D435A

RGB 157 67 90

HSL 344.67, 0.4%, 0.44%

LAB 41.09, 39.76, 5.18

 

CMYK 31 / 0 / 57 / 38

HEX #6C9D44

RGB 108 157 68

HSL 93.03, 0.4%, 0.44%

LAB 59.63, -32.2, 40.77

 

CMYK 57 / 3 / 0 / 38

HEX #43999D

RGB 67 153 157

HSL 182.67, 0.4%, 0.44%

LAB 58.42, -24.43, -9.92

 

CMYK 25 / 57 / 0 / 38

HEX #75439D

RGB 117 67 157

HSL 273.33, 0.4%, 0.44%

LAB 38.25, 38.9, -40.88

 

CMYK 0 / 54 / 57 / 38

HEX #9D4843

RGB 157 72 67

HSL 3.33, 0.4%, 0.44%

LAB 41.54, 34.97, 20.03

 

Description

Color code: HEX #6C9D44 | qconv.com Color code: HEX #6C9D44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 157 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 157 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 57 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 57% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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