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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C98AF it is the complementary color #936750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C98AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C98AF shade: #7198AA, #82AABD, #93BCD0, #A4CEE3 and #B5E0F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C98AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C98AF shade: #6C98AF, #5B869C, #4A7489, #396276 and #285063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C98AF shade: #6A97AF, #6A84AF, #6A72AF, #746AAF and #876AAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C98AF shade: #6A97AF, #6A84AF, #6A72AF and #6A6AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C98AF shade matches the following richer shades: #6A97AF, #579DC1, #45A3D4, #32A8E6 and #20AEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C98AF shade: #6A97AF, #7C919C, #8F8B8A, #A28677 and #B48064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C98AF shade: #6AAFA1, #6AAAAF, #6A98AF, #6A85AF and #6A73AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C98AF shade: #456C81, #54839C, #6A97AF, #85AABD and #9FBCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C98AF shade: #6C98AF, #8F6AAF and #AFAA6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C98AF shade: #6C98AF, #AF6A98 and #98AF6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C98AF shade: #6C98AF, #8F6AAF, #AF816A and #8AAF6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C98AF shade: #6C98AF, #A36AAF, #AF816A and #75AF6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

Complementary color

CMYK 0 / 30 / 46 / 42

HEX #936750

RGB 147 103 80

HSL 20.6, 0.3%, 0.45%

LAB 47.6, 14.74, 20.01

 

CMYK 34 / 11 / 0 / 33

HEX #7198AA

RGB 113 152 170

HSL 198.95, 0.25%, 0.55%

LAB 60.67, -8.85, -13.72

 

CMYK 31 / 10 / 0 / 26

HEX #82AABD

RGB 130 170 189

HSL 199.32, 0.31%, 0.63%

LAB 67.4, -8.91, -14.11

 

CMYK 29 / 10 / 0 / 18

HEX #93BCD0

RGB 147 188 208

HSL 199.67, 0.39%, 0.7%

LAB 74.01, -8.97, -14.5

 

CMYK 28 / 9 / 0 / 11

HEX #A4CEE3

RGB 164 206 227

HSL 200, 0.53%, 0.77%

LAB 80.51, -9.02, -14.9

 

CMYK 26 / 9 / 0 / 4

HEX #B5E0F6

RGB 181 224 246

HSL 200.31, 0.78%, 0.84%

LAB 86.89, -9.07, -15.29

 

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

CMYK 42 / 14 / 0 / 39

HEX #5B869C

RGB 91 134 156

HSL 200.31, 0.26%, 0.48%

LAB 53.68, -8.81, -16.4

 

CMYK 46 / 15 / 0 / 46

HEX #4A7489

RGB 74 116 137

HSL 200, 0.3%, 0.41%

LAB 46.65, -8.61, -16.05

 

CMYK 52 / 17 / 0 / 54

HEX #396276

RGB 57 98 118

HSL 199.67, 0.35%, 0.34%

LAB 39.43, -8.33, -15.7

 

CMYK 60 / 19 / 0 / 61

HEX #285063

RGB 40 80 99

HSL 199.32, 0.42%, 0.27%

LAB 32.01, -7.9, -15.34

 

CMYK 39 / 14 / 0 / 31

HEX #6A97AF

RGB 106 151 175

HSL 200.87, 0.3%, 0.55%

LAB 60.15, -8.96, -17.36

 

CMYK 39 / 25 / 0 / 31

HEX #6A84AF

RGB 106 132 175

HSL 217.39, 0.3%, 0.55%

LAB 54.72, 1.85, -25.68

 

CMYK 39 / 35 / 0 / 31

HEX #6A72AF

RGB 106 114 175

HSL 233.04, 0.3%, 0.55%

LAB 49.73, 12.57, -33.44

 

CMYK 34 / 39 / 0 / 31

HEX #746AAF

RGB 116 106 175

HSL 248.7, 0.3%, 0.55%

LAB 48.41, 20.25, -35.46

 

CMYK 23 / 39 / 0 / 31

HEX #876AAF

RGB 135 106 175

HSL 265.22, 0.3%, 0.55%

LAB 50.16, 25.87, -32.59

 

CMYK 39 / 14 / 0 / 31

HEX #6A97AF

RGB 106 151 175

HSL 200.87, 0.3%, 0.55%

LAB 60.15, -8.96, -17.36

 

CMYK 39 / 25 / 0 / 31

HEX #6A84AF

RGB 106 132 175

HSL 217.39, 0.3%, 0.55%

LAB 54.72, 1.85, -25.68

 

CMYK 39 / 35 / 0 / 31

HEX #6A72AF

RGB 106 114 175

HSL 233.04, 0.3%, 0.55%

LAB 49.73, 12.57, -33.44

 

CMYK 39 / 39 / 0 / 31

HEX #6A6AAF

RGB 106 106 175

HSL 240, 0.3%, 0.55%

LAB 47.58, 17.45, -36.82

 

CMYK 39 / 14 / 0 / 31

HEX #6A97AF

RGB 106 151 175

HSL 200.87, 0.3%, 0.55%

LAB 60.15, -8.96, -17.36

 

CMYK 55 / 19 / 0 / 24

HEX #579DC1

RGB 87 157 193

HSL 200.38, 0.46%, 0.55%

LAB 61.65, -11.72, -25.3

 

CMYK 67 / 23 / 0 / 17

HEX #45A3D4

RGB 69 163 212

HSL 200.56, 0.62%, 0.55%

LAB 63.52, -12.31, -33.06

 

CMYK 78 / 27 / 0 / 10

HEX #32A8E6

RGB 50 168 230

HSL 200.67, 0.78%, 0.55%

LAB 65.28, -11.41, -40.3

 

CMYK 87 / 30 / 0 / 2

HEX #20AEF9

RGB 32 174 249

HSL 200.74, 0.95%, 0.55%

LAB 67.59, -9.48, -47.07

 

CMYK 39 / 14 / 0 / 31

HEX #6A97AF

RGB 106 151 175

HSL 200.87, 0.3%, 0.55%

LAB 60.15, -8.96, -17.36

 

CMYK 21 / 7 / 0 / 39

HEX #7C919C

RGB 124 145 156

HSL 200.63, 0.14%, 0.55%

LAB 58.92, -4.97, -8.31

 

CMYK 0 / 3 / 3 / 44

HEX #8F8B8A

RGB 143 139 138

HSL 12, 0.02%, 0.55%

LAB 58.17, 1.29, 1.05

 

CMYK 0 / 17 / 27 / 36

HEX #A28677

RGB 162 134 119

HSL 20.93, 0.19%, 0.55%

LAB 58.1, 8.3, 12.07

 

CMYK 0 / 29 / 44 / 29

HEX #B48064

RGB 180 128 100

HSL 21, 0.35%, 0.55%

LAB 58.1, 16.62, 23.17

 

CMYK 39 / 0 / 8 / 31

HEX #6AAFA1

RGB 106 175 161

HSL 167.83, 0.3%, 0.55%

LAB 66.75, -25.14, 0.31

 

CMYK 39 / 3 / 0 / 31

HEX #6AAAAF

RGB 106 170 175

HSL 184.35, 0.3%, 0.55%

LAB 65.68, -19.14, -9.05

 

CMYK 39 / 13 / 0 / 31

HEX #6A98AF

RGB 106 152 175

HSL 200, 0.3%, 0.55%

LAB 60.44, -9.51, -16.92

 

CMYK 39 / 24 / 0 / 31

HEX #6A85AF

RGB 106 133 175

HSL 216.52, 0.3%, 0.55%

LAB 55, 1.26, -25.24

 

CMYK 39 / 34 / 0 / 31

HEX #6A73AF

RGB 106 115 175

HSL 232.17, 0.3%, 0.55%

LAB 50, 11.97, -33.02

 

CMYK 47 / 16 / 0 / 49

HEX #456C81

RGB 69 108 129

HSL 201, 0.3%, 0.39%

LAB 43.62, -7.69, -15.92

 

CMYK 46 / 16 / 0 / 39

HEX #54839C

RGB 84 131 156

HSL 200.83, 0.3%, 0.47%

LAB 52.42, -8.98, -18.36

 

CMYK 39 / 14 / 0 / 31

HEX #6A97AF

RGB 106 151 175

HSL 200.87, 0.3%, 0.55%

LAB 60.15, -8.96, -17.36

 

CMYK 30 / 10 / 0 / 26

HEX #85AABD

RGB 133 170 189

HSL 200.36, 0.3%, 0.63%

LAB 67.58, -8.03, -13.82

 

CMYK 22 / 8 / 0 / 20

HEX #9FBCCC

RGB 159 188 204

HSL 201.33, 0.31%, 0.71%

LAB 74.63, -6.29, -11.32

 

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

CMYK 18 / 39 / 0 / 31

HEX #8F6AAF

RGB 143 106 175

HSL 272.17, 0.3%, 0.55%

LAB 50.97, 28.33, -31.26

 

CMYK 0 / 3 / 39 / 31

HEX #AFAA6A

RGB 175 170 106

HSL 55.65, 0.3%, 0.55%

LAB 68.68, -7.8, 33.62

 

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

CMYK 0 / 39 / 13 / 31

HEX #AF6A98

RGB 175 106 152

HSL 320, 0.3%, 0.55%

LAB 53.7, 34.25, -13.35

 

CMYK 13 / 0 / 39 / 31

HEX #98AF6A

RGB 152 175 106

HSL 80, 0.3%, 0.55%

LAB 68.3, -19.62, 32.77

 

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

CMYK 18 / 39 / 0 / 31

HEX #8F6AAF

RGB 143 106 175

HSL 272.17, 0.3%, 0.55%

LAB 50.97, 28.33, -31.26

 

CMYK 0 / 26 / 39 / 31

HEX #AF816A

RGB 175 129 106

HSL 20, 0.3%, 0.55%

LAB 57.9, 14.68, 19.42

 

CMYK 21 / 0 / 39 / 31

HEX #8AAF6A

RGB 138 175 106

HSL 92.17, 0.3%, 0.55%

LAB 67.35, -24.97, 31.37

 

CMYK 38 / 13 / 0 / 31

HEX #6C98AF

RGB 108 152 175

HSL 200.6, 0.3%, 0.55%

LAB 60.55, -8.96, -16.75

 

CMYK 7 / 39 / 0 / 31

HEX #A36AAF

RGB 163 106 175

HSL 289.57, 0.3%, 0.55%

LAB 53.16, 34.59, -27.69

 

CMYK 0 / 26 / 39 / 31

HEX #AF816A

RGB 175 129 106

HSL 20, 0.3%, 0.55%

LAB 57.9, 14.68, 19.42

 

CMYK 33 / 0 / 39 / 31

HEX #75AF6A

RGB 117 175 106

HSL 110.43, 0.3%, 0.55%

LAB 66.12, -32.48, 29.53

 

Description

Color code: HEX #6C98AF | qconv.com Color code: HEX #6C98AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 152 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 152 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 13 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 13% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

77% - NJE Design - Michiga...
Link: http://njedesign.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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