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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C92F6 it is the complementary color #936D09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C92F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C92F6 shade: #7192F1, #82A4FF, #93B6FF, #A4C8FF and #B5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C92F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C92F6 shade: #6C92F6, #5B80E3, #4A6ED0, #395CBD and #284AAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C92F6 shade: #6A91F6, #6A6BF6, #8F6AF6, #B56AF6 and #DA6AF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C92F6 shade: #6A91F6, #6A6BF6 and #6A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C92F6 shade matches the following richer shades: #6A91F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C92F6 shade: #6A91F6, #7796E9, #849CDC, #91A2CF and #9EA8C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C92F6 shade: #6ADCF6, #6AB7F6, #6A92F6, #6A6DF6 and #8D6AF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C92F6 shade: #1D57F1, #4474F3, #6A91F6, #91ADF8 and #B8CAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C92F6 shade: #6C92F6, #EA6AF6 and #C9F66A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C92F6 shade: #6C92F6, #F66A92 and #92F66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C92F6 shade: #6C92F6, #EA6AF6, #F6CE6A and #76F66A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C92F6 shade: #6C92F6, #F66AD7, #F6CE6A and #6AF689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

Complementary color

CMYK 0 / 26 / 94 / 42

HEX #936D09

RGB 147 109 9

HSL 43.48, 0.88%, 0.31%

LAB 48.46, 6.87, 53.21

 

CMYK 53 / 39 / 0 / 5

HEX #7192F1

RGB 113 146 241

HSL 224.53, 0.82%, 0.69%

LAB 62.01, 15.03, -51.33

 

CMYK 49 / 36 / 0 / 0

HEX #82A4FF

RGB 130 164 255

HSL 223.68, 1%, 0.75%

LAB 68.4, 12.55, -48.83

 

CMYK 42 / 29 / 0 / 0

HEX #93B6FF

RGB 147 182 255

HSL 220.56, 1%, 0.79%

LAB 74.11, 6.44, -39.81

 

CMYK 36 / 22 / 0 / 0

HEX #A4C8FF

RGB 164 200 255

HSL 216.26, 1%, 0.82%

LAB 79.85, 0.99, -30.85

 

CMYK 29 / 15 / 0 / 0

HEX #B5DAFF

RGB 181 218 255

HSL 210, 1%, 0.85%

LAB 85.6, -3.88, -21.98

 

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

CMYK 60 / 44 / 0 / 11

HEX #5B80E3

RGB 91 128 227

HSL 223.68, 0.71%, 0.62%

LAB 55.29, 16.88, -54.34

 

CMYK 64 / 47 / 0 / 18

HEX #4A6ED0

RGB 74 110 208

HSL 223.88, 0.59%, 0.55%

LAB 48.46, 18.47, -54.58

 

CMYK 70 / 51 / 0 / 26

HEX #395CBD

RGB 57 92 189

HSL 224.09, 0.54%, 0.48%

LAB 41.53, 20.41, -54.83

 

CMYK 76 / 56 / 0 / 33

HEX #284AAA

RGB 40 74 170

HSL 224.31, 0.62%, 0.41%

LAB 34.5, 22.84, -55.05

 

CMYK 57 / 41 / 0 / 4

HEX #6A91F6

RGB 106 145 246

HSL 223.29, 0.89%, 0.69%

LAB 61.63, 15.77, -54.72

 

CMYK 57 / 57 / 0 / 4

HEX #6A6BF6

RGB 106 107 246

HSL 239.57, 0.89%, 0.69%

LAB 52.1, 38.51, -70.02

 

CMYK 42 / 57 / 0 / 4

HEX #8F6AF6

RGB 143 106 246

HSL 255.86, 0.89%, 0.69%

LAB 54.87, 46.37, -65.4

 

CMYK 26 / 57 / 0 / 4

HEX #B56AF6

RGB 181 106 246

HSL 272.14, 0.89%, 0.69%

LAB 58.78, 55.01, -58.92

 

CMYK 11 / 57 / 0 / 4

HEX #DA6AF6

RGB 218 106 246

HSL 288, 0.89%, 0.69%

LAB 63.23, 63.99, -51.55

 

CMYK 57 / 41 / 0 / 4

HEX #6A91F6

RGB 106 145 246

HSL 223.29, 0.89%, 0.69%

LAB 61.63, 15.77, -54.72

 

CMYK 57 / 57 / 0 / 4

HEX #6A6BF6

RGB 106 107 246

HSL 239.57, 0.89%, 0.69%

LAB 52.1, 38.51, -70.02

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 57 / 41 / 0 / 4

HEX #6A91F6

RGB 106 145 246

HSL 223.29, 0.89%, 0.69%

LAB 61.63, 15.77, -54.72

 

CMYK 57 / 41 / 0 / 4

HEX #6A91F6

RGB 106 145 246

HSL 223.29, 0.89%, 0.69%

LAB 61.63, 15.77, -54.72

 

CMYK 49 / 36 / 0 / 9

HEX #7796E9

RGB 119 150 233

HSL 223.68, 0.72%, 0.69%

LAB 63.03, 11.58, -45.3

 

CMYK 40 / 29 / 0 / 14

HEX #849CDC

RGB 132 156 220

HSL 223.64, 0.56%, 0.69%

LAB 64.84, 7.59, -35.21

 

CMYK 30 / 22 / 0 / 19

HEX #91A2CF

RGB 145 162 207

HSL 223.55, 0.39%, 0.69%

LAB 66.8, 4.4, -24.92

 

CMYK 19 / 13 / 0 / 24

HEX #9EA8C2

RGB 158 168 194

HSL 223.33, 0.23%, 0.69%

LAB 68.87, 1.99, -14.48

 

CMYK 57 / 11 / 0 / 4

HEX #6ADCF6

RGB 106 220 246

HSL 191.14, 0.89%, 0.69%

LAB 82.33, -25.18, -22.52

 

CMYK 57 / 26 / 0 / 4

HEX #6AB7F6

RGB 106 183 246

HSL 207, 0.89%, 0.69%

LAB 71.95, -5.93, -38.47

 

CMYK 57 / 41 / 0 / 4

HEX #6A92F6

RGB 106 146 246

HSL 222.86, 0.89%, 0.69%

LAB 61.89, 15.18, -54.3

 

CMYK 57 / 56 / 0 / 4

HEX #6A6DF6

RGB 106 109 246

HSL 238.71, 0.89%, 0.69%

LAB 52.57, 37.32, -69.26

 

CMYK 43 / 57 / 0 / 4

HEX #8D6AF6

RGB 141 106 246

HSL 255, 0.89%, 0.69%

LAB 54.68, 45.94, -65.71

 

CMYK 88 / 64 / 0 / 5

HEX #1D57F1

RGB 29 87 241

HSL 223.58, 0.88%, 0.53%

LAB 43.4, 40.32, -81.57

 

CMYK 72 / 52 / 0 / 5

HEX #4474F3

RGB 68 116 243

HSL 223.54, 0.88%, 0.61%

LAB 52.05, 26.2, -68.53

 

CMYK 57 / 41 / 0 / 4

HEX #6A91F6

RGB 106 145 246

HSL 223.29, 0.89%, 0.69%

LAB 61.63, 15.77, -54.72

 

CMYK 42 / 30 / 0 / 3

HEX #91ADF8

RGB 145 173 248

HSL 223.69, 0.88%, 0.77%

LAB 71.34, 9.04, -40.36

 

CMYK 26 / 19 / 0 / 2

HEX #B8CAFA

RGB 184 202 250

HSL 223.64, 0.87%, 0.85%

LAB 81.47, 4.3, -25.59

 

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

CMYK 5 / 57 / 0 / 4

HEX #EA6AF6

RGB 234 106 246

HSL 294.86, 0.89%, 0.69%

LAB 65.32, 67.94, -48.11

 

CMYK 18 / 0 / 57 / 4

HEX #C9F66A

RGB 201 246 106

HSL 79.29, 0.89%, 0.69%

LAB 91.4, -34.87, 61.39

 

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

CMYK 0 / 57 / 41 / 4

HEX #F66A92

RGB 246 106 146

HSL 342.86, 0.89%, 0.69%

LAB 63.32, 57.22, 5.45

 

CMYK 41 / 0 / 57 / 4

HEX #92F66A

RGB 146 246 106

HSL 102.86, 0.89%, 0.69%

LAB 88.48, -53.8, 57.28

 

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

CMYK 5 / 57 / 0 / 4

HEX #EA6AF6

RGB 234 106 246

HSL 294.86, 0.89%, 0.69%

LAB 65.32, 67.94, -48.11

 

CMYK 0 / 16 / 57 / 4

HEX #F6CE6A

RGB 246 206 106

HSL 42.86, 0.89%, 0.69%

LAB 84.37, 2.59, 54.22

 

CMYK 52 / 0 / 57 / 4

HEX #76F66A

RGB 118 246 106

HSL 114.86, 0.89%, 0.69%

LAB 87.39, -61.72, 55.73

 

CMYK 56 / 41 / 0 / 4

HEX #6C92F6

RGB 108 146 246

HSL 223.48, 0.88%, 0.69%

LAB 62, 15.57, -54.13

 

CMYK 0 / 57 / 13 / 4

HEX #F66AD7

RGB 246 106 215

HSL 313.29, 0.89%, 0.69%

LAB 65.6, 66.01, -30.34

 

CMYK 0 / 16 / 57 / 4

HEX #F6CE6A

RGB 246 206 106

HSL 42.86, 0.89%, 0.69%

LAB 84.37, 2.59, 54.22

 

CMYK 57 / 0 / 44 / 4

HEX #6AF689

RGB 106 246 137

HSL 133.29, 0.89%, 0.69%

LAB 87.38, -60.53, 41.18

 

Description

Color code: HEX #6C92F6 | qconv.com Color code: HEX #6C92F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 146 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 146 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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