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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C92D5 it is the complementary color #936D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C92D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C92D5 shade: #7192D0, #82A4E3, #93B6F6, #A4C8FF and #B5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C92D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C92D5 shade: #6C92D5, #5B80C2, #4A6EAF, #395C9C and #284A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C92D5 shade: #6B92D5, #6B75D5, #7E6BD5, #9B6BD5 and #B76BD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C92D5 shade: #6B92D5, #6B75D5 and #6B6BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C92D5 shade matches the following richer shades: #6B92D5, #5C8DE4 and #4D89F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C92D5 shade: #6B92D5, #7B96C6, #8A9AB6, #999EA7 and #A8A298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C92D5 shade: #6BCAD5, #6BAED5, #6B92D5, #6B76D5 and #7D6BD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C92D5 shade: #3464BA, #4B7ACC, #6B92D5, #8BA9DE and #ACC1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C92D5 shade: #6C92D5, #C36BD5 and #BCD56B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C92D5 shade: #6C92D5, #D56B92 and #92D56B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C92D5 shade: #6C92D5, #C36BD5, #D5AE6B and #7DD56B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C92D5 shade: #6C92D5, #D56BC7, #D5AE6B and #6BD579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

Complementary color

CMYK 0 / 26 / 71 / 42

HEX #936D2A

RGB 147 109 42

HSL 38.29, 0.56%, 0.37%

LAB 48.65, 8.06, 41.87

 

CMYK 46 / 30 / 0 / 18

HEX #7192D0

RGB 113 146 208

HSL 219.16, 0.5%, 0.63%

LAB 60.45, 5.05, -35.47

 

CMYK 43 / 28 / 0 / 11

HEX #82A4E3

RGB 130 164 227

HSL 218.97, 0.63%, 0.7%

LAB 67.16, 4.48, -35.48

 

CMYK 40 / 26 / 0 / 4

HEX #93B6F6

RGB 147 182 246

HSL 218.79, 0.85%, 0.77%

LAB 73.75, 3.99, -35.52

 

CMYK 36 / 22 / 0 / 0

HEX #A4C8FF

RGB 164 200 255

HSL 216.26, 1%, 0.82%

LAB 79.85, 0.99, -30.85

 

CMYK 29 / 15 / 0 / 0

HEX #B5DAFF

RGB 181 218 255

HSL 210, 1%, 0.85%

LAB 85.6, -3.88, -21.98

 

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

CMYK 53 / 34 / 0 / 24

HEX #5B80C2

RGB 91 128 194

HSL 218.45, 0.46%, 0.56%

LAB 53.55, 6.12, -38.44

 

CMYK 58 / 37 / 0 / 31

HEX #4A6EAF

RGB 74 110 175

HSL 218.61, 0.41%, 0.49%

LAB 46.58, 7.12, -38.54

 

CMYK 63 / 41 / 0 / 39

HEX #395C9C

RGB 57 92 156

HSL 218.79, 0.46%, 0.42%

LAB 39.45, 8.39, -38.67

 

CMYK 71 / 46 / 0 / 46

HEX #284A89

RGB 40 74 137

HSL 218.97, 0.55%, 0.35%

LAB 32.16, 10.07, -38.84

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 50 / 45 / 0 / 16

HEX #6B75D5

RGB 107 117 213

HSL 234.34, 0.56%, 0.63%

LAB 52.57, 22.38, -50.74

 

CMYK 41 / 50 / 0 / 16

HEX #7E6BD5

RGB 126 107 213

HSL 250.75, 0.56%, 0.63%

LAB 51.56, 32.84, -52.27

 

CMYK 27 / 50 / 0 / 16

HEX #9B6BD5

RGB 155 107 213

HSL 267.17, 0.56%, 0.63%

LAB 54.33, 40.23, -47.68

 

CMYK 14 / 50 / 0 / 16

HEX #B76BD5

RGB 183 107 213

HSL 283.02, 0.56%, 0.63%

LAB 57.45, 47.82, -42.55

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 50 / 45 / 0 / 16

HEX #6B75D5

RGB 107 117 213

HSL 234.34, 0.56%, 0.63%

LAB 52.57, 22.38, -50.74

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD5

RGB 107 107 213

HSL 240, 0.56%, 0.63%

LAB 50.03, 28.45, -54.8

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 60 / 38 / 0 / 11

HEX #5C8DE4

RGB 92 141 228

HSL 218.38, 0.72%, 0.63%

LAB 58.91, 9.59, -49.13

 

CMYK 68 / 44 / 0 / 4

HEX #4D89F4

RGB 77 137 244

HSL 218.44, 0.88%, 0.63%

LAB 58.04, 14.89, -59.43

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 38 / 24 / 0 / 22

HEX #7B96C6

RGB 123 150 198

HSL 218.4, 0.4%, 0.63%

LAB 61.74, 2.55, -27.8

 

CMYK 24 / 15 / 0 / 29

HEX #8A9AB6

RGB 138 154 182

HSL 218.18, 0.23%, 0.63%

LAB 63.25, 0.63, -16.42

 

CMYK 8 / 5 / 0 / 35

HEX #999EA7

RGB 153 158 167

HSL 218.57, 0.07%, 0.63%

LAB 64.98, 0.03, -5.3

 

CMYK 0 / 4 / 10 / 34

HEX #A8A298

RGB 168 162 152

HSL 37.5, 0.08%, 0.63%

LAB 66.85, 0.37, 5.96

HEX #A8A298

CMYK 50 / 5 / 0 / 16

HEX #6BCAD5

RGB 107 202 213

HSL 186.23, 0.56%, 0.63%

LAB 76.17, -25.14, -14.16

 

CMYK 50 / 18 / 0 / 16

HEX #6BAED5

RGB 107 174 213

HSL 202.08, 0.56%, 0.63%

LAB 68.17, -10.63, -26.31

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 50 / 45 / 0 / 16

HEX #6B76D5

RGB 107 118 213

HSL 233.77, 0.56%, 0.63%

LAB 52.83, 21.77, -50.33

 

CMYK 41 / 50 / 0 / 16

HEX #7D6BD5

RGB 125 107 213

HSL 250.19, 0.56%, 0.63%

LAB 51.47, 32.6, -52.41

 

CMYK 72 / 46 / 0 / 27

HEX #3464BA

RGB 52 100 186

HSL 218.51, 0.56%, 0.47%

LAB 43.34, 13.42, -50.17

 

CMYK 63 / 40 / 0 / 20

HEX #4B7ACC

RGB 75 122 204

HSL 218.14, 0.56%, 0.55%

LAB 51.58, 9.82, -47.31

 

CMYK 50 / 31 / 0 / 16

HEX #6B92D5

RGB 107 146 213

HSL 217.92, 0.56%, 0.63%

LAB 60.33, 5.09, -38.48

 

CMYK 37 / 24 / 0 / 13

HEX #8BA9DE

RGB 139 169 222

HSL 218.31, 0.56%, 0.71%

LAB 68.85, 2.67, -30.06

 

CMYK 26 / 16 / 0 / 9

HEX #ACC1E7

RGB 172 193 231

HSL 218.64, 0.55%, 0.79%

LAB 77.69, 1.17, -21.25

 

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

CMYK 8 / 50 / 0 / 16

HEX #C36BD5

RGB 195 107 213

HSL 289.81, 0.56%, 0.63%

LAB 58.9, 51.13, -40.16

 

CMYK 12 / 0 / 50 / 16

HEX #BCD56B

RGB 188 213 107

HSL 74.15, 0.56%, 0.63%

LAB 81.48, -24.26, 49.17

 

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

CMYK 0 / 50 / 31 / 16

HEX #D56B92

RGB 213 107 146

HSL 337.92, 0.56%, 0.63%

LAB 58.73, 45.86, -1.81

 

CMYK 31 / 0 / 50 / 16

HEX #92D56B

RGB 146 213 107

HSL 97.92, 0.56%, 0.63%

LAB 78.9, -39.75, 45.45

 

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

CMYK 8 / 50 / 0 / 16

HEX #C36BD5

RGB 195 107 213

HSL 289.81, 0.56%, 0.63%

LAB 58.9, 51.13, -40.16

 

CMYK 0 / 18 / 50 / 16

HEX #D5AE6B

RGB 213 174 107

HSL 37.92, 0.56%, 0.63%

LAB 73.21, 5.85, 39.54

 

CMYK 41 / 0 / 50 / 16

HEX #7DD56B

RGB 125 213 107

HSL 109.81, 0.56%, 0.63%

LAB 77.88, -46.6, 43.97

 

CMYK 49 / 31 / 0 / 16

HEX #6C92D5

RGB 108 146 213

HSL 218.29, 0.56%, 0.63%

LAB 60.38, 5.32, -38.38

 

CMYK 0 / 50 / 7 / 16

HEX #D56BC7

RGB 213 107 199

HSL 307.92, 0.56%, 0.63%

LAB 60.59, 53.72, -29.44

 

CMYK 0 / 18 / 50 / 16

HEX #D5AE6B

RGB 213 174 107

HSL 37.92, 0.56%, 0.63%

LAB 73.21, 5.85, 39.54

 

CMYK 50 / 0 / 43 / 16

HEX #6BD579

RGB 107 213 121

HSL 127.92, 0.56%, 0.63%

LAB 77.34, -49.8, 36.23

 

Description

Color code: HEX #6C92D5 | qconv.com Color code: HEX #6C92D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 146 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 146 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 31 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 31% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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