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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C8BC9 it is the complementary color #937436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C8BC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C8BC9 shade: #718BC4, #829DD7, #93AFEA, #A4C1FD and #B5D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C8BC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C8BC9 shade: #6C8BC9, #5B79B6, #4A67A3, #395590 and #28437D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C8BC9 shade: #6E8CC9, #6E74C9, #816EC9, #996EC9 and #B26EC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C8BC9 shade: #6E8CC9, #6E74C9 and #6E6EC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C8BC9 shade matches the following richer shades: #6E8CC9, #5E87D9, #4E82E9 and #3E7CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C8BC9 shade: #6E8CC9, #7E92B9, #8E97A9, #9E9C99 and #AEA289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C8BC9 shade: #6EBDC9, #6EA5C9, #6E8CC9, #6E74C9 and #806EC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C8BC9 shade: #3E61A7, #5075BE, #6E8CC9, #8CA4D4 and #AABCE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C8BC9 shade: #6C8BC9, #BD6EC9 and #B1C96E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C8BC9 shade: #6C8BC9, #C96E8C and #8CC96E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C8BC9 shade: #6C8BC9, #BD6EC9, #C9AB6E and #7AC96E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C8BC9 shade: #6C8BC9, #C96EBA, #C9AB6E and #6EC97D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

Complementary color

CMYK 0 / 21 / 63 / 42

HEX #937436

RGB 147 116 54

HSL 40, 0.46%, 0.39%

LAB 50.64, 4.82, 38.16

 

CMYK 42 / 29 / 0 / 23

HEX #718BC4

RGB 113 139 196

HSL 221.2, 0.41%, 0.61%

LAB 58, 5.63, -32.52

 

CMYK 40 / 27 / 0 / 16

HEX #829DD7

RGB 130 157 215

HSL 220.94, 0.52%, 0.68%

LAB 64.78, 5.11, -32.55

 

CMYK 37 / 25 / 0 / 8

HEX #93AFEA

RGB 147 175 234

HSL 220.69, 0.67%, 0.75%

LAB 71.42, 4.67, -32.61

 

CMYK 35 / 24 / 0 / 1

HEX #A4C1FD

RGB 164 193 253

HSL 220.45, 0.96%, 0.82%

LAB 77.95, 4.28, -32.71

 

CMYK 29 / 17 / 0 / 0

HEX #B5D3FF

RGB 181 211 255

HSL 215.68, 1%, 0.85%

LAB 83.77, -0.19, -24.75

 

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

CMYK 50 / 34 / 0 / 29

HEX #5B79B6

RGB 91 121 182

HSL 220.22, 0.38%, 0.54%

LAB 51.01, 6.54, -35.56

 

CMYK 55 / 37 / 0 / 36

HEX #4A67A3

RGB 74 103 163

HSL 220.45, 0.38%, 0.46%

LAB 43.95, 7.45, -35.66

 

CMYK 60 / 41 / 0 / 44

HEX #395590

RGB 57 85 144

HSL 220.69, 0.43%, 0.39%

LAB 36.71, 8.62, -35.81

 

CMYK 68 / 46 / 0 / 51

HEX #28437D

RGB 40 67 125

HSL 220.94, 0.52%, 0.32%

LAB 29.28, 10.19, -36.01

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 45 / 42 / 0 / 21

HEX #6E74C9

RGB 110 116 201

HSL 236.04, 0.46%, 0.61%

LAB 51.86, 20.05, -45.03

 

CMYK 36 / 45 / 0 / 21

HEX #816EC9

RGB 129 110 201

HSL 252.53, 0.46%, 0.61%

LAB 51.88, 28.51, -44.91

 

CMYK 24 / 45 / 0 / 21

HEX #996EC9

RGB 153 110 201

HSL 268.35, 0.46%, 0.61%

LAB 54.18, 35.11, -41.12

 

CMYK 11 / 45 / 0 / 21

HEX #B26EC9

RGB 178 110 201

HSL 284.84, 0.46%, 0.61%

LAB 56.91, 42.31, -36.63

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 45 / 42 / 0 / 21

HEX #6E74C9

RGB 110 116 201

HSL 236.04, 0.46%, 0.61%

LAB 51.86, 20.05, -45.03

 

CMYK 45 / 45 / 0 / 21

HEX #6E6EC9

RGB 110 110 201

HSL 240, 0.46%, 0.61%

LAB 50.32, 23.69, -47.49

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 57 / 38 / 0 / 15

HEX #5E87D9

RGB 94 135 217

HSL 220, 0.62%, 0.61%

LAB 56.8, 9.97, -46.32

 

CMYK 67 / 44 / 0 / 9

HEX #4E82E9

RGB 78 130 233

HSL 219.87, 0.78%, 0.61%

LAB 55.55, 15.47, -57.3

 

CMYK 75 / 50 / 0 / 2

HEX #3E7CFA

RGB 62 124 250

HSL 220.21, 0.95%, 0.61%

LAB 54.39, 23.04, -68.65

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 32 / 21 / 0 / 27

HEX #7E92B9

RGB 126 146 185

HSL 219.66, 0.3%, 0.61%

LAB 60.33, 2.23, -22.63

 

CMYK 16 / 11 / 0 / 34

HEX #8E97A9

RGB 142 151 169

HSL 220, 0.14%, 0.61%

LAB 62.29, 0.61, -10.51

 

CMYK 0 / 1 / 3 / 38

HEX #9E9C99

RGB 158 156 153

HSL 36, 0.03%, 0.61%

LAB 64.44, 0.16, 1.82

 

CMYK 0 / 7 / 21 / 32

HEX #AEA289

RGB 174 162 137

HSL 40.54, 0.19%, 0.61%

LAB 67.01, 0.21, 14.59

 

CMYK 45 / 6 / 0 / 21

HEX #6EBDC9

RGB 110 189 201

HSL 187.91, 0.46%, 0.61%

LAB 72.18, -21.12, -13.63

 

CMYK 45 / 18 / 0 / 21

HEX #6EA5C9

RGB 110 165 201

HSL 203.74, 0.46%, 0.61%

LAB 65.31, -8.44, -24.05

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 45 / 42 / 0 / 21

HEX #6E74C9

RGB 110 116 201

HSL 236.04, 0.46%, 0.61%

LAB 51.86, 20.05, -45.03

 

CMYK 36 / 45 / 0 / 21

HEX #806EC9

RGB 128 110 201

HSL 251.87, 0.46%, 0.61%

LAB 51.79, 28.25, -45.05

 

CMYK 63 / 42 / 0 / 35

HEX #3E61A7

RGB 62 97 167

HSL 220, 0.46%, 0.45%

LAB 41.79, 10.08, -41.48

 

CMYK 58 / 38 / 0 / 25

HEX #5075BE

RGB 80 117 190

HSL 219.82, 0.46%, 0.53%

LAB 49.67, 9.1, -42.31

 

CMYK 45 / 30 / 0 / 21

HEX #6E8CC9

RGB 110 140 201

HSL 220.22, 0.46%, 0.61%

LAB 58.31, 5.73, -34.88

 

CMYK 34 / 23 / 0 / 17

HEX #8CA4D4

RGB 140 164 212

HSL 220, 0.46%, 0.69%

LAB 67.19, 3.11, -27.12

 

CMYK 24 / 16 / 0 / 12

HEX #AABCE0

RGB 170 188 224

HSL 220, 0.47%, 0.77%

LAB 76, 1.64, -20.04

 

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

CMYK 6 / 45 / 0 / 21

HEX #BD6EC9

RGB 189 110 201

HSL 292.09, 0.46%, 0.61%

LAB 58.21, 45.54, -34.5

 

CMYK 12 / 0 / 45 / 21

HEX #B1C96E

RGB 177 201 110

HSL 75.82, 0.46%, 0.61%

LAB 77.43, -22.37, 42.61

 

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

CMYK 0 / 45 / 30 / 21

HEX #C96E8C

RGB 201 110 140

HSL 340.22, 0.46%, 0.61%

LAB 57.52, 39.4, -0.29

 

CMYK 30 / 0 / 45 / 21

HEX #8CC96E

RGB 140 201 110

HSL 100.22, 0.46%, 0.61%

LAB 75.12, -36.05, 39.24

 

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

CMYK 6 / 45 / 0 / 21

HEX #BD6EC9

RGB 189 110 201

HSL 292.09, 0.46%, 0.61%

LAB 58.21, 45.54, -34.5

 

CMYK 0 / 15 / 45 / 21

HEX #C9AB6E

RGB 201 171 110

HSL 40.22, 0.46%, 0.61%

LAB 71.33, 2.79, 35.38

 

CMYK 39 / 0 / 45 / 21

HEX #7AC96E

RGB 122 201 110

HSL 112.09, 0.46%, 0.61%

LAB 74.21, -42.01, 37.9

 

CMYK 46 / 31 / 0 / 21

HEX #6C8BC9

RGB 108 139 201

HSL 220, 0.46%, 0.61%

LAB 57.91, 5.81, -35.51

 

CMYK 0 / 45 / 7 / 21

HEX #C96EBA

RGB 201 110 186

HSL 309.89, 0.46%, 0.61%

LAB 59.08, 46.41, -24.5

 

CMYK 0 / 15 / 45 / 21

HEX #C9AB6E

RGB 201 171 110

HSL 40.22, 0.46%, 0.61%

LAB 71.33, 2.79, 35.38

 

CMYK 45 / 0 / 38 / 21

HEX #6EC97D

RGB 110 201 125

HSL 129.89, 0.46%, 0.61%

LAB 73.91, -43.31, 29.75

 

Description

Color code: HEX #6C8BC9 | qconv.com Color code: HEX #6C8BC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 139 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 139 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 31% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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