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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C8ACE it is the complementary color #937531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C8ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C8ACE shade: #718AC9, #829CDC, #93AEEF, #A4C0FF and #B5D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C8ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C8ACE shade: #6C8ACE, #5B78BB, #4A66A8, #395495 and #284282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C8ACE shade: #6E8BCF, #6E71CF, #846ECF, #9E6ECF and #B96ECF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C8ACE shade: #6E8BCF, #6E71CF and #6E6ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C8ACE shade matches the following richer shades: #6E8BCF, #5E85DE, #4E7FEE and #3F79FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C8ACE shade: #6E8BCF, #7D91BF, #8D97AF, #9D9EA0 and #ACA490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C8ACE shade: #6EC0CF, #6EA6CF, #6E8CCF, #6E72CF and #836ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C8ACE shade: #3A5EAF, #4F73C4, #6E8BCF, #8DA4D9 and #ACBDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C8ACE shade: #6C8ACE, #C36ECF and #B3CF6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C8ACE shade: #6C8ACE, #CF6E8C and #8CCF6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C8ACE shade: #6C8ACE, #C36ECF, #CFB06E and #79CF6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C8ACE shade: #6C8ACE, #CF6EBD, #CFB06E and #6ECF7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

Complementary color

CMYK 0 / 20 / 67 / 42

HEX #937531

RGB 147 117 49

HSL 41.63, 0.5%, 0.38%

LAB 50.86, 3.9, 40.88

 

CMYK 44 / 31 / 0 / 21

HEX #718AC9

RGB 113 138 201

HSL 222.95, 0.45%, 0.62%

LAB 57.95, 7.67, -35.43

 

CMYK 41 / 29 / 0 / 14

HEX #829CDC

RGB 130 156 220

HSL 222.67, 0.56%, 0.69%

LAB 64.72, 7.07, -35.42

 

CMYK 38 / 27 / 0 / 6

HEX #93AEEF

RGB 147 174 239

HSL 222.39, 0.74%, 0.76%

LAB 71.36, 6.55, -35.44

 

CMYK 36 / 25 / 0 / 0

HEX #A4C0FF

RGB 164 192 255

HSL 221.54, 1%, 0.82%

LAB 77.76, 5.33, -34.06

 

CMYK 29 / 18 / 0 / 0

HEX #B5D2FF

RGB 181 210 255

HSL 216.49, 1%, 0.85%

LAB 83.51, 0.34, -25.15

 

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

CMYK 51 / 36 / 0 / 27

HEX #5B78BB

RGB 91 120 187

HSL 221.88, 0.41%, 0.55%

LAB 50.97, 8.72, -38.49

 

CMYK 56 / 39 / 0 / 34

HEX #4A66A8

RGB 74 102 168

HSL 222.13, 0.39%, 0.47%

LAB 43.92, 9.75, -38.64

 

CMYK 62 / 44 / 0 / 42

HEX #395495

RGB 57 84 149

HSL 222.39, 0.45%, 0.4%

LAB 36.71, 11.06, -38.84

 

CMYK 69 / 49 / 0 / 49

HEX #284282

RGB 40 66 130

HSL 222.67, 0.53%, 0.33%

LAB 29.31, 12.8, -39.08

 

CMYK 47 / 33 / 0 / 19

HEX #6E8BCF

RGB 110 139 207

HSL 222.06, 0.5%, 0.62%

LAB 58.31, 8.09, -38.26

 

CMYK 47 / 45 / 0 / 19

HEX #6E71CF

RGB 110 113 207

HSL 238.14, 0.5%, 0.62%

LAB 51.42, 23.67, -49.16

 

CMYK 36 / 47 / 0 / 19

HEX #846ECF

RGB 132 110 207

HSL 253.61, 0.5%, 0.62%

LAB 52.47, 30.92, -47.38

 

CMYK 24 / 47 / 0 / 19

HEX #9E6ECF

RGB 158 110 207

HSL 269.69, 0.5%, 0.62%

LAB 55, 37.93, -43.21

 

CMYK 11 / 47 / 0 / 19

HEX #B96ECF

RGB 185 110 207

HSL 286.39, 0.5%, 0.62%

LAB 58.01, 45.57, -38.26

 

CMYK 47 / 33 / 0 / 19

HEX #6E8BCF

RGB 110 139 207

HSL 222.06, 0.5%, 0.62%

LAB 58.31, 8.09, -38.26

 

CMYK 47 / 45 / 0 / 19

HEX #6E71CF

RGB 110 113 207

HSL 238.14, 0.5%, 0.62%

LAB 51.42, 23.67, -49.16

 

CMYK 47 / 47 / 0 / 19

HEX #6E6ECF

RGB 110 110 207

HSL 240, 0.5%, 0.62%

LAB 50.65, 25.48, -50.37

 

CMYK 47 / 33 / 0 / 19

HEX #6E8BCF

RGB 110 139 207

HSL 222.06, 0.5%, 0.62%

LAB 58.31, 8.09, -38.26

 

CMYK 58 / 40 / 0 / 13

HEX #5E85DE

RGB 94 133 222

HSL 221.72, 0.66%, 0.62%

LAB 56.51, 12.79, -49.57

 

CMYK 67 / 47 / 0 / 7

HEX #4E7FEE

RGB 78 127 238

HSL 221.63, 0.82%, 0.62%

LAB 55.04, 19.04, -60.9

 

CMYK 75 / 52 / 0 / 0

HEX #3F79FE

RGB 63 121 254

HSL 221.78, 0.99%, 0.62%

LAB 53.91, 26.45, -71.63

 

CMYK 47 / 33 / 0 / 19

HEX #6E8BCF

RGB 110 139 207

HSL 222.06, 0.5%, 0.62%

LAB 58.31, 8.09, -38.26

 

CMYK 35 / 24 / 0 / 25

HEX #7D91BF

RGB 125 145 191

HSL 221.82, 0.34%, 0.62%

LAB 60.22, 4.09, -26.19

 

CMYK 19 / 14 / 0 / 31

HEX #8D97AF

RGB 141 151 175

HSL 222.35, 0.18%, 0.62%

LAB 62.42, 1.63, -13.72

 

CMYK 2 / 1 / 0 / 37

HEX #9D9EA0

RGB 157 158 160

HSL 220, 0.02%, 0.62%

LAB 65.09, 0.03, -1.17

 

CMYK 0 / 5 / 16 / 33

HEX #ACA490

RGB 172 164 144

HSL 42.86, 0.14%, 0.62%

LAB 67.53, -0.55, 11.42

 

CMYK 47 / 7 / 0 / 19

HEX #6EC0CF

RGB 110 192 207

HSL 189.28, 0.5%, 0.62%

LAB 73.23, -21.05, -15.32

 

CMYK 47 / 20 / 0 / 19

HEX #6EA6CF

RGB 110 166 207

HSL 205.36, 0.5%, 0.62%

LAB 65.82, -7.29, -26.6

 

CMYK 47 / 32 / 0 / 19

HEX #6E8CCF

RGB 110 140 207

HSL 221.44, 0.5%, 0.62%

LAB 58.58, 7.51, -37.84

 

CMYK 47 / 45 / 0 / 19

HEX #6E72CF

RGB 110 114 207

HSL 237.53, 0.5%, 0.62%

LAB 51.67, 23.06, -48.75

 

CMYK 37 / 47 / 0 / 19

HEX #836ECF

RGB 131 110 207

HSL 252.99, 0.5%, 0.62%

LAB 52.38, 30.67, -47.52

 

CMYK 67 / 46 / 0 / 31

HEX #3A5EAF

RGB 58 94 175

HSL 221.54, 0.5%, 0.46%

LAB 41.22, 14.16, -47.13

 

CMYK 60 / 41 / 0 / 23

HEX #4F73C4

RGB 79 115 196

HSL 221.54, 0.5%, 0.54%

LAB 49.39, 12.15, -46.22

 

CMYK 47 / 33 / 0 / 19

HEX #6E8BCF

RGB 110 139 207

HSL 222.06, 0.5%, 0.62%

LAB 58.31, 8.09, -38.26

 

CMYK 35 / 24 / 0 / 15

HEX #8DA4D9

RGB 141 164 217

HSL 221.84, 0.5%, 0.7%

LAB 67.44, 4.7, -29.47

 

CMYK 24 / 17 / 0 / 11

HEX #ACBDE3

RGB 172 189 227

HSL 221.45, 0.5%, 0.78%

LAB 76.5, 2.4, -20.89

 

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

CMYK 6 / 47 / 0 / 19

HEX #C36ECF

RGB 195 110 207

HSL 292.58, 0.5%, 0.62%

LAB 59.21, 48.44, -36.29

 

CMYK 14 / 0 / 47 / 19

HEX #B3CF6E

RGB 179 207 110

HSL 77.32, 0.5%, 0.62%

LAB 79.23, -24.53, 44.86

 

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

CMYK 0 / 47 / 32 / 19

HEX #CF6E8C

RGB 207 110 140

HSL 341.44, 0.5%, 0.62%

LAB 58.33, 41.51, 0.99

 

CMYK 32 / 0 / 47 / 19

HEX #8CCF6E

RGB 140 207 110

HSL 101.44, 0.5%, 0.62%

LAB 76.88, -38.76, 41.43

 

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

CMYK 6 / 47 / 0 / 19

HEX #C36ECF

RGB 195 110 207

HSL 292.58, 0.5%, 0.62%

LAB 59.21, 48.44, -36.29

 

CMYK 0 / 15 / 47 / 19

HEX #CFB06E

RGB 207 176 110

HSL 40.82, 0.5%, 0.62%

LAB 73.18, 2.6, 37.84

 

CMYK 42 / 0 / 47 / 19

HEX #79CF6E

RGB 121 207 110

HSL 113.2, 0.5%, 0.62%

LAB 75.96, -44.9, 40.08

 

CMYK 48 / 33 / 0 / 19

HEX #6C8ACE

RGB 108 138 206

HSL 221.63, 0.5%, 0.62%

LAB 57.87, 7.89, -38.4

 

CMYK 0 / 47 / 9 / 19

HEX #CF6EBD

RGB 207 110 189

HSL 311.13, 0.5%, 0.62%

LAB 59.97, 48.77, -24.77

 

CMYK 0 / 15 / 47 / 19

HEX #CFB06E

RGB 207 176 110

HSL 40.82, 0.5%, 0.62%

LAB 73.18, 2.6, 37.84

 

CMYK 47 / 0 / 39 / 19

HEX #6ECF7F

RGB 110 207 127

HSL 130.52, 0.5%, 0.62%

LAB 75.74, -45.55, 31.13

 

Description

Color code: HEX #6C8ACE | qconv.com Color code: HEX #6C8ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 138 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 138 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 33 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 33% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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