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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C83D7 it is the complementary color #937C28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C83D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C83D7 shade: #7183D2, #8295E5, #93A7F8, #A4B9FF and #B5CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C83D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C83D7 shade: #6C83D7, #5B71C4, #4A5FB1, #394D9E and #283B8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C83D7 shade: #6B82D6, #716BD6, #8E6BD6, #AB6BD6 and #C86BD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C83D7 shade: #6B82D6 and #6B6BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C83D7 shade matches the following richer shades: #6B82D6, #5C79E6 and #4C71F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C83D7 shade: #6B82D6, #7A8BC7, #8993B8, #999CA9 and #A8A599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C83D7 shade: #6BBCD6, #6B9FD6, #6B82D6, #706BD6 and #8D6BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C83D7 shade: #3351BB, #4A67CE, #6B82D6, #8B9DDF and #ACB9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C83D7 shade: #6C83D7, #D56BD6 and #ADD66B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C83D7 shade: #6C83D7, #D66B82 and #82D66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C83D7 shade: #6C83D7, #D56BD6, #D6BF6B and #6DD66B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C83D7 shade: #6C83D7, #D66BB8, #D6BF6B and #6BD689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

Complementary color

CMYK 0 / 16 / 73 / 42

HEX #937C28

RGB 147 124 40

HSL 47.1, 0.57%, 0.37%

LAB 52.7, -0.6, 46.91

 

CMYK 46 / 38 / 0 / 18

HEX #7183D2

RGB 113 131 210

HSL 228.87, 0.52%, 0.63%

LAB 56.48, 14.46, -42.81

 

CMYK 43 / 35 / 0 / 10

HEX #8295E5

RGB 130 149 229

HSL 228.48, 0.66%, 0.7%

LAB 63.26, 13.64, -42.67

 

CMYK 41 / 33 / 0 / 3

HEX #93A7F8

RGB 147 167 248

HSL 228.12, 0.88%, 0.77%

LAB 69.91, 12.93, -42.59

 

CMYK 36 / 27 / 0 / 0

HEX #A4B9FF

RGB 164 185 255

HSL 226.15, 1%, 0.82%

LAB 75.95, 9.18, -36.87

 

CMYK 29 / 20 / 0 / 0

HEX #B5CBFF

RGB 181 203 255

HSL 222.16, 1%, 0.85%

LAB 81.71, 4.08, -27.91

 

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

CMYK 54 / 42 / 0 / 23

HEX #5B71C4

RGB 91 113 196

HSL 227.43, 0.47%, 0.56%

LAB 49.52, 15.89, -45.97

 

CMYK 58 / 46 / 0 / 31

HEX #4A5FB1

RGB 74 95 177

HSL 227.77, 0.41%, 0.49%

LAB 42.48, 17.23, -46.23

 

CMYK 64 / 51 / 0 / 38

HEX #394D9E

RGB 57 77 158

HSL 228.12, 0.47%, 0.42%

LAB 35.29, 18.92, -46.53

 

CMYK 71 / 58 / 0 / 45

HEX #283B8B

RGB 40 59 139

HSL 228.48, 0.55%, 0.35%

LAB 27.96, 21.08, -46.84

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 47 / 50 / 0 / 16

HEX #716BD6

RGB 113 107 214

HSL 243.36, 0.57%, 0.63%

LAB 50.55, 30.08, -54.51

 

CMYK 34 / 50 / 0 / 16

HEX #8E6BD6

RGB 142 107 214

HSL 259.63, 0.57%, 0.63%

LAB 53.08, 37.09, -50.32

 

CMYK 20 / 50 / 0 / 16

HEX #AB6BD6

RGB 171 107 214

HSL 275.89, 0.57%, 0.63%

LAB 56.12, 44.75, -45.31

 

CMYK 7 / 50 / 0 / 16

HEX #C86BD6

RGB 200 107 214

HSL 292.15, 0.57%, 0.63%

LAB 59.57, 52.71, -39.63

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD6

RGB 107 107 214

HSL 240, 0.57%, 0.63%

LAB 50.09, 28.75, -55.27

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 60 / 47 / 0 / 10

HEX #5C79E6

RGB 92 121 230

HSL 227.39, 0.73%, 0.63%

LAB 53.67, 22.33, -58.61

 

CMYK 69 / 54 / 0 / 4

HEX #4C71F5

RGB 76 113 245

HSL 226.86, 0.89%, 0.63%

LAB 51.77, 29.81, -70.09

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 39 / 30 / 0 / 22

HEX #7A8BC7

RGB 122 139 199

HSL 226.75, 0.41%, 0.63%

LAB 58.72, 8.9, -33.05

 

CMYK 26 / 20 / 0 / 28

HEX #8993B8

RGB 137 147 184

HSL 227.23, 0.25%, 0.63%

LAB 61.35, 4.76, -20.45

 

CMYK 9 / 8 / 0 / 34

HEX #999CA9

RGB 153 156 169

HSL 228.75, 0.09%, 0.63%

LAB 64.49, 1.55, -7.14

 

CMYK 0 / 2 / 9 / 34

HEX #A8A599

RGB 168 165 153

HSL 48, 0.08%, 0.63%

LAB 67.68, -1.09, 6.59

 

CMYK 50 / 12 / 0 / 16

HEX #6BBCD6

RGB 107 188 214

HSL 194.58, 0.57%, 0.63%

LAB 72.19, -17.76, -20.72

 

CMYK 50 / 26 / 0 / 16

HEX #6B9FD6

RGB 107 159 214

HSL 210.84, 0.57%, 0.63%

LAB 63.98, -2.06, -33.34

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 48 / 50 / 0 / 16

HEX #706BD6

RGB 112 107 214

HSL 242.8, 0.57%, 0.63%

LAB 50.47, 29.86, -54.64

 

CMYK 34 / 50 / 0 / 16

HEX #8D6BD6

RGB 141 107 214

HSL 259.07, 0.57%, 0.63%

LAB 52.99, 36.84, -50.48

 

CMYK 73 / 57 / 0 / 27

HEX #3351BB

RGB 51 81 187

HSL 226.76, 0.57%, 0.47%

LAB 38.16, 26, -59.13

 

CMYK 64 / 50 / 0 / 19

HEX #4A67CE

RGB 74 103 206

HSL 226.82, 0.57%, 0.55%

LAB 46.46, 22.17, -56.65

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 38 / 30 / 0 / 13

HEX #8B9DDF

RGB 139 157 223

HSL 227.14, 0.57%, 0.71%

LAB 65.69, 9.71, -35.51

 

CMYK 26 / 20 / 0 / 9

HEX #ACB9E8

RGB 172 185 232

HSL 227, 0.57%, 0.79%

LAB 75.63, 5.75, -24.91

 

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

CMYK 0 / 50 / 0 / 16

HEX #D56BD6

RGB 213 107 214

HSL 299.44, 0.57%, 0.63%

LAB 61.23, 56.31, -36.91

 

CMYK 19 / 0 / 50 / 16

HEX #ADD66B

RGB 173 214 107

HSL 82.99, 0.57%, 0.63%

LAB 80.76, -30.47, 48.07

 

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

CMYK 0 / 50 / 39 / 16

HEX #D66B82

RGB 214 107 130

HSL 347.1, 0.57%, 0.63%

LAB 58.44, 44.3, 7.08

 

CMYK 39 / 0 / 50 / 16

HEX #82D66B

RGB 130 214 107

HSL 107.1, 0.57%, 0.63%

LAB 78.4, -45.46, 44.66

 

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

CMYK 0 / 50 / 0 / 16

HEX #D56BD6

RGB 213 107 214

HSL 299.44, 0.57%, 0.63%

LAB 61.23, 56.31, -36.91

 

CMYK 0 / 11 / 50 / 16

HEX #D6BF6B

RGB 214 191 107

HSL 47.1, 0.57%, 0.63%

LAB 77.65, -2.7, 45.03

 

CMYK 49 / 0 / 50 / 16

HEX #6DD66B

RGB 109 214 107

HSL 118.88, 0.57%, 0.63%

LAB 77.52, -51.67, 43.38

 

CMYK 50 / 39 / 0 / 16

HEX #6C83D7

RGB 108 131 215

HSL 227.1, 0.57%, 0.63%

LAB 56.41, 14.79, -45.75

 

CMYK 0 / 50 / 14 / 16

HEX #D66BB8

RGB 214 107 184

HSL 316.82, 0.57%, 0.63%

LAB 60.13, 51.59, -21.59

 

CMYK 0 / 11 / 50 / 16

HEX #D6BF6B

RGB 214 191 107

HSL 47.1, 0.57%, 0.63%

LAB 77.65, -2.7, 45.03

 

CMYK 50 / 0 / 36 / 16

HEX #6BD689

RGB 107 214 137

HSL 136.82, 0.57%, 0.63%

LAB 77.89, -47.6, 28.8

 

Description

Color code: HEX #6C83D7 | qconv.com Color code: HEX #6C83D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 131 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 131 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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