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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C761F it is the complementary color #9389E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C761F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C761F shade: #71761A, #82882D, #939A40, #A4AC53 and #B5BE66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C761F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C761F shade: #6C761F, #5B640C, #4A5200, #394000 and #282E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C761F shade: #6B751F, #75681F, #75501F, #75391F and #75221F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C761F shade: #6B751F, #54751F, #3D751F, #26751F and #1F7530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C761F shade matches the following richer shades: #6B751F, #748113 and #7D8D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C761F shade: #6B751F, #62692B, #595D37, #4F5143 and #46454F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C761F shade: #75501F, #75671F, #6C751F, #55751F and #3F751F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C761F shade: #2F340E, #4D5416, #6B751F, #899528 and #A7B630

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C761F shade: #6C761F, #1F7539 and #5B1F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C761F shade: #6C761F, #1F6C75 and #751F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C761F shade: #6C761F, #1F7539, #281F75 and #751F5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C761F shade: #6C761F, #1F7553, #281F75 and #751F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

Complementary color

CMYK 34 / 39 / 0 / 12

HEX #9389E0

RGB 147 137 224

HSL 246.9, 0.58%, 0.71%

LAB 61.2, 23.68, -43.05

 

CMYK 4 / 0 / 78 / 54

HEX #71761A

RGB 113 118 26

HSL 63.26, 0.64%, 0.28%

LAB 47.68, -13.76, 46.44

 

CMYK 4 / 0 / 67 / 47

HEX #82882D

RGB 130 136 45

HSL 63.96, 0.5%, 0.35%

LAB 54.6, -14.63, 46.21

 

CMYK 5 / 0 / 58 / 40

HEX #939A40

RGB 147 154 64

HSL 64.67, 0.41%, 0.43%

LAB 61.38, -15.27, 45.37

 

CMYK 5 / 0 / 52 / 33

HEX #A4AC53

RGB 164 172 83

HSL 65.39, 0.35%, 0.5%

LAB 68.04, -15.76, 44.29

 

CMYK 5 / 0 / 46 / 25

HEX #B5BE66

RGB 181 190 102

HSL 66.14, 0.4%, 0.57%

LAB 74.58, -16.14, 43.13

 

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

CMYK 9 / 0 / 88 / 61

HEX #5B640C

RGB 91 100 12

HSL 66.14, 0.79%, 0.22%

LAB 40.19, -14.82, 43.49

 

CMYK 10 / 0 / 100 / 68

HEX #4A5200

RGB 74 82 0

HSL 65.85, 1%, 0.16%

LAB 32.9, -13.45, 40.58

 

CMYK 11 / 0 / 100 / 75

HEX #394000

RGB 57 64 0

HSL 66.56, 1%, 0.13%

LAB 25.37, -11.65, 33.87

 

CMYK 13 / 0 / 100 / 82

HEX #282E00

RGB 40 46 0

HSL 67.83, 1%, 0.09%

LAB 17.48, -9.78, 24.9

 

CMYK 9 / 0 / 74 / 54

HEX #6B751F

RGB 107 117 31

HSL 66.98, 0.58%, 0.29%

LAB 46.91, -15.71, 43.64

 

CMYK 0 / 11 / 74 / 54

HEX #75681F

RGB 117 104 31

HSL 50.93, 0.58%, 0.29%

LAB 43.92, -3.77, 40.98

 

CMYK 0 / 32 / 74 / 54

HEX #75501F

RGB 117 80 31

HSL 34.19, 0.58%, 0.29%

LAB 37.15, 10.46, 34.03

 

CMYK 0 / 51 / 74 / 54

HEX #75391F

RGB 117 57 31

HSL 18.14, 0.58%, 0.29%

LAB 31.36, 24.14, 27.74

 

CMYK 0 / 71 / 74 / 54

HEX #75221F

RGB 117 34 31

HSL 2.09, 0.58%, 0.29%

LAB 26.81, 36.03, 22.51

 

CMYK 9 / 0 / 74 / 54

HEX #6B751F

RGB 107 117 31

HSL 66.98, 0.58%, 0.29%

LAB 46.91, -15.71, 43.64

 

CMYK 28 / 0 / 74 / 54

HEX #54751F

RGB 84 117 31

HSL 83.02, 0.58%, 0.29%

LAB 45.23, -25.81, 41.41

 

CMYK 48 / 0 / 74 / 54

HEX #3D751F

RGB 61 117 31

HSL 99.07, 0.58%, 0.29%

LAB 43.96, -34.58, 39.72

 

CMYK 68 / 0 / 74 / 54

HEX #26751F

RGB 38 117 31

HSL 115.12, 0.58%, 0.29%

LAB 43.11, -41.22, 38.57

 

CMYK 74 / 0 / 59 / 54

HEX #1F7530

RGB 31 117 48

HSL 131.86, 0.58%, 0.29%

LAB 43.1, -40.68, 30.49

 

CMYK 9 / 0 / 74 / 54

HEX #6B751F

RGB 107 117 31

HSL 66.98, 0.58%, 0.29%

LAB 46.91, -15.71, 43.64

 

CMYK 10 / 0 / 85 / 49

HEX #748113

RGB 116 129 19

HSL 67.09, 0.74%, 0.29%

LAB 51.22, -18.53, 51.87

 

CMYK 11 / 0 / 95 / 45

HEX #7D8D07

RGB 125 141 7

HSL 67.16, 0.91%, 0.29%

LAB 55.51, -20.98, 58.09

 

CMYK 9 / 0 / 74 / 54

HEX #6B751F

RGB 107 117 31

HSL 66.98, 0.58%, 0.29%

LAB 46.91, -15.71, 43.64

 

CMYK 7 / 0 / 59 / 59

HEX #62692B

RGB 98 105 43

HSL 66.77, 0.42%, 0.29%

LAB 42.57, -12.37, 33.33

 

CMYK 4 / 0 / 41 / 64

HEX #595D37

RGB 89 93 55

HSL 66.32, 0.26%, 0.29%

LAB 38.25, -8.29, 21.3

 

CMYK 2 / 0 / 17 / 68

HEX #4F5143

RGB 79 81 67

HSL 68.57, 0.09%, 0.29%

LAB 33.88, -3.65, 7.97

 

CMYK 11 / 13 / 0 / 69

HEX #46454F

RGB 70 69 79

HSL 246, 0.07%, 0.29%

LAB 29.72, 2.73, -5.83

 

CMYK 0 / 32 / 74 / 54

HEX #75501F

RGB 117 80 31

HSL 34.19, 0.58%, 0.29%

LAB 37.15, 10.46, 34.03

 

CMYK 0 / 12 / 74 / 54

HEX #75671F

RGB 117 103 31

HSL 50.23, 0.58%, 0.29%

LAB 43.63, -3.19, 40.69

 

CMYK 8 / 0 / 74 / 54

HEX #6C751F

RGB 108 117 31

HSL 66.28, 0.58%, 0.29%

LAB 46.99, -15.26, 43.75

 

CMYK 27 / 0 / 74 / 54

HEX #55751F

RGB 85 117 31

HSL 82.33, 0.58%, 0.29%

LAB 45.29, -25.39, 41.5

 

CMYK 46 / 0 / 74 / 54

HEX #3F751F

RGB 63 117 31

HSL 97.67, 0.58%, 0.29%

LAB 44.06, -33.89, 39.84

 

CMYK 10 / 0 / 73 / 80

HEX #2F340E

RGB 47 52 14

HSL 67.89, 0.58%, 0.13%

LAB 20.41, -8.64, 22.58

 

CMYK 8 / 0 / 74 / 67

HEX #4D5416

RGB 77 84 22

HSL 66.77, 0.58%, 0.21%

LAB 33.93, -12.07, 33.65

 

CMYK 9 / 0 / 74 / 54

HEX #6B751F

RGB 107 117 31

HSL 66.98, 0.58%, 0.29%

LAB 46.91, -15.71, 43.64

 

CMYK 8 / 0 / 73 / 42

HEX #899528

RGB 137 149 40

HSL 66.61, 0.58%, 0.37%

LAB 58.94, -18.63, 52.76

 

CMYK 8 / 0 / 74 / 29

HEX #A7B630

RGB 167 182 48

HSL 66.72, 0.58%, 0.45%

LAB 70.79, -21.98, 62.1

 

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

CMYK 74 / 0 / 51 / 54

HEX #1F7539

RGB 31 117 57

HSL 138.14, 0.58%, 0.29%

LAB 43.23, -39.26, 25.85

 

CMYK 22 / 74 / 0 / 54

HEX #5B1F75

RGB 91 31 117

HSL 281.86, 0.58%, 0.29%

LAB 25.22, 41.57, -37.19

 

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

CMYK 74 / 8 / 0 / 54

HEX #1F6C75

RGB 31 108 117

HSL 186.28, 0.58%, 0.29%

LAB 41.69, -19.6, -11.75

 

CMYK 0 / 74 / 8 / 54

HEX #751F6C

RGB 117 31 108

HSL 306.28, 0.58%, 0.29%

LAB 29.02, 46.12, -25.13

 

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

CMYK 74 / 0 / 51 / 54

HEX #1F7539

RGB 31 117 57

HSL 138.14, 0.58%, 0.29%

LAB 43.23, -39.26, 25.85

 

CMYK 66 / 74 / 0 / 54

HEX #281F75

RGB 40 31 117

HSL 246.28, 0.58%, 0.29%

LAB 18.87, 31.61, -47.82

 

CMYK 0 / 74 / 22 / 54

HEX #751F5B

RGB 117 31 91

HSL 318.14, 0.58%, 0.29%

LAB 28.16, 43.43, -15.43

 

CMYK 8 / 0 / 74 / 54

HEX #6C761F

RGB 108 118 31

HSL 66.9, 0.58%, 0.29%

LAB 47.29, -15.79, 44.05

 

CMYK 74 / 0 / 29 / 54

HEX #1F7553

RGB 31 117 83

HSL 156.28, 0.58%, 0.29%

LAB 43.71, -33.88, 11.62

 

CMYK 66 / 74 / 0 / 54

HEX #281F75

RGB 40 31 117

HSL 246.28, 0.58%, 0.29%

LAB 18.87, 31.61, -47.82

 

CMYK 0 / 74 / 44 / 54

HEX #751F41

RGB 117 31 65

HSL 336.28, 0.58%, 0.29%

LAB 27.14, 40.08, 0.31

 

Description

Color code: HEX #6C761F | qconv.com Color code: HEX #6C761F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 118 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 118 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 74 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 74% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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