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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C73C8 it is the complementary color #938C37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C73C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C73C8 shade: #7173C3, #8285D6, #9397E9, #A4A9FC and #B5BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C73C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C73C8 shade: #6C73C8, #5B61B5, #4A4FA2, #393D8F and #282B7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C73C8 shade: #6A71C8, #7C6AC8, #966AC8, #AF6AC8 and #C86AC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C73C8 shade: #6A71C8 and #6A6AC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C73C8 shade matches the following richer shades: #6A71C8, #5A63D8, #4955E9 and #3947F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C73C8 shade: #6A71C8, #7B7FB7, #8B8DA7, #9C9B96 and #ACA986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C73C8 shade: #6AA4C8, #6A8BC8, #6A72C8, #7B6AC8 and #946AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C73C8 shade: #3C44A3, #4C55BD, #6A71C8, #888ED3 and #A6ABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C73C8 shade: #6C73C8, #C86ABD and #97C86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C73C8 shade: #6C73C8, #C86A72 and #72C86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C73C8 shade: #6C73C8, #C86ABD, #C8C06A and #6AC875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C73C8 shade: #6C73C8, #C86AA1, #C8C06A and #6AC891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

Complementary color

CMYK 0 / 5 / 63 / 42

HEX #938C37

RGB 147 140 55

HSL 55.43, 0.46%, 0.4%

LAB 57.3, -8.5, 45.06

 

CMYK 42 / 41 / 0 / 24

HEX #7173C3

RGB 113 115 195

HSL 238.54, 0.41%, 0.6%

LAB 51.51, 19.64, -42.14

 

CMYK 39 / 38 / 0 / 16

HEX #8285D6

RGB 130 133 214

HSL 237.86, 0.51%, 0.67%

LAB 58.39, 18.76, -41.97

 

CMYK 37 / 35 / 0 / 9

HEX #9397E9

RGB 147 151 233

HSL 237.21, 0.66%, 0.75%

LAB 65.14, 17.99, -41.85

 

CMYK 35 / 33 / 0 / 1

HEX #A4A9FC

RGB 164 169 252

HSL 236.59, 0.94%, 0.82%

LAB 71.76, 17.32, -41.78

 

CMYK 29 / 27 / 0 / 0

HEX #B5BBFF

RGB 181 187 255

HSL 235.14, 1%, 0.85%

LAB 77.63, 12.77, -34.18

 

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

CMYK 50 / 46 / 0 / 29

HEX #5B61B5

RGB 91 97 181

HSL 236, 0.38%, 0.53%

LAB 44.39, 21.02, -45.46

 

CMYK 54 / 51 / 0 / 36

HEX #4A4FA2

RGB 74 79 162

HSL 236.59, 0.37%, 0.46%

LAB 37.22, 22.42, -45.78

 

CMYK 60 / 57 / 0 / 44

HEX #393D8F

RGB 57 61 143

HSL 237.21, 0.43%, 0.39%

LAB 29.89, 24.16, -46.13

 

CMYK 68 / 65 / 0 / 51

HEX #282B7C

RGB 40 43 124

HSL 237.86, 0.51%, 0.32%

LAB 22.42, 26.33, -46.46

 

CMYK 47 / 44 / 0 / 22

HEX #6A71C8

RGB 106 113 200

HSL 235.53, 0.46%, 0.6%

LAB 50.74, 20.6, -46.26

 

CMYK 38 / 47 / 0 / 22

HEX #7C6AC8

RGB 124 106 200

HSL 251.49, 0.46%, 0.6%

LAB 50.41, 29.31, -46.7

 

CMYK 25 / 47 / 0 / 22

HEX #966AC8

RGB 150 106 200

HSL 268.09, 0.46%, 0.6%

LAB 52.91, 36.3, -42.58

 

CMYK 13 / 47 / 0 / 22

HEX #AF6AC8

RGB 175 106 200

HSL 284.04, 0.46%, 0.6%

LAB 55.68, 43.38, -38.03

 

CMYK 0 / 47 / 0 / 22

HEX #C86AC8

RGB 200 106 200

HSL 300, 0.46%, 0.6%

LAB 58.75, 50.61, -33

 

CMYK 47 / 44 / 0 / 22

HEX #6A71C8

RGB 106 113 200

HSL 235.53, 0.46%, 0.6%

LAB 50.74, 20.6, -46.26

 

CMYK 47 / 47 / 0 / 22

HEX #6A6AC8

RGB 106 106 200

HSL 240, 0.46%, 0.6%

LAB 48.94, 24.86, -49.13

 

CMYK 47 / 44 / 0 / 22

HEX #6A71C8

RGB 106 113 200

HSL 235.53, 0.46%, 0.6%

LAB 50.74, 20.6, -46.26

 

CMYK 58 / 54 / 0 / 15

HEX #5A63D8

RGB 90 99 216

HSL 235.71, 0.62%, 0.6%

LAB 47.05, 30.87, -61.37

 

CMYK 69 / 64 / 0 / 9

HEX #4955E9

RGB 73 85 233

HSL 235.5, 0.78%, 0.6%

LAB 43.94, 42.48, -76.11

 

CMYK 77 / 71 / 0 / 2

HEX #3947F9

RGB 57 71 249

HSL 235.63, 0.94%, 0.6%

LAB 41.56, 54.37, -89.06

 

CMYK 47 / 44 / 0 / 22

HEX #6A71C8

RGB 106 113 200

HSL 235.53, 0.46%, 0.6%

LAB 50.74, 20.6, -46.26

 

CMYK 33 / 31 / 0 / 28

HEX #7B7FB7

RGB 123 127 183

HSL 236, 0.29%, 0.6%

LAB 54.87, 11.87, -29.93

 

CMYK 17 / 16 / 0 / 35

HEX #8B8DA7

RGB 139 141 167

HSL 235.71, 0.14%, 0.6%

LAB 59.28, 4.81, -13.93

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B96

RGB 156 155 150

HSL 50, 0.03%, 0.6%

LAB 63.93, -0.58, 2.74

 

CMYK 0 / 2 / 22 / 33

HEX #ACA986

RGB 172 169 134

HSL 55.26, 0.19%, 0.6%

LAB 68.66, -4.8, 18.49

 

CMYK 47 / 18 / 0 / 22

HEX #6AA4C8

RGB 106 164 200

HSL 202.98, 0.46%, 0.6%

LAB 64.79, -9.16, -24.31

 

CMYK 47 / 31 / 0 / 22

HEX #6A8BC8

RGB 106 139 200

HSL 218.94, 0.46%, 0.6%

LAB 57.75, 5.02, -35.21

 

CMYK 47 / 43 / 0 / 22

HEX #6A72C8

RGB 106 114 200

HSL 234.89, 0.46%, 0.6%

LAB 51, 19.99, -45.84

 

CMYK 39 / 47 / 0 / 22

HEX #7B6AC8

RGB 123 106 200

HSL 250.85, 0.46%, 0.6%

LAB 50.32, 29.05, -46.84

 

CMYK 26 / 47 / 0 / 22

HEX #946AC8

RGB 148 106 200

HSL 266.81, 0.46%, 0.6%

LAB 52.7, 35.74, -42.92

 

CMYK 63 / 58 / 0 / 36

HEX #3C44A3

RGB 60 68 163

HSL 235.34, 0.46%, 0.44%

LAB 33.43, 27.15, -52.54

 

CMYK 60 / 55 / 0 / 26

HEX #4C55BD

RGB 76 85 189

HSL 235.22, 0.46%, 0.52%

LAB 40.75, 28.06, -56.04

 

CMYK 47 / 44 / 0 / 22

HEX #6A71C8

RGB 106 113 200

HSL 235.53, 0.46%, 0.6%

LAB 50.74, 20.6, -46.26

 

CMYK 36 / 33 / 0 / 17

HEX #888ED3

RGB 136 142 211

HSL 235.2, 0.46%, 0.68%

LAB 61.03, 14.29, -36.12

 

CMYK 25 / 23 / 0 / 13

HEX #A6ABDE

RGB 166 171 222

HSL 234.64, 0.46%, 0.76%

LAB 71.22, 9.3, -26.27

 

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

CMYK 0 / 47 / 5 / 22

HEX #C86ABD

RGB 200 106 189

HSL 307.02, 0.46%, 0.6%

LAB 58.28, 48.66, -27.45

 

CMYK 25 / 0 / 47 / 22

HEX #97C86A

RGB 151 200 106

HSL 91.28, 0.46%, 0.6%

LAB 75.41, -32.17, 41.71

 

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

CMYK 0 / 47 / 43 / 22

HEX #C86A72

RGB 200 106 114

HSL 354.89, 0.46%, 0.6%

LAB 55.89, 38.01, 12.53

 

CMYK 43 / 0 / 47 / 22

HEX #72C86A

RGB 114 200 106

HSL 114.89, 0.46%, 0.6%

LAB 73.5, -44.6, 38.92

 

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

CMYK 0 / 47 / 5 / 22

HEX #C86ABD

RGB 200 106 189

HSL 307.02, 0.46%, 0.6%

LAB 58.28, 48.66, -27.45

 

CMYK 0 / 4 / 47 / 22

HEX #C8C06A

RGB 200 192 106

HSL 54.89, 0.46%, 0.6%

LAB 76.69, -9.05, 44.08

 

CMYK 47 / 0 / 42 / 22

HEX #6AC875

RGB 106 200 117

HSL 127.02, 0.46%, 0.6%

LAB 73.32, -45.3, 33.07

 

CMYK 46 / 43 / 0 / 22

HEX #6C73C8

RGB 108 115 200

HSL 235.43, 0.46%, 0.6%

LAB 51.4, 19.86, -45.19

 

CMYK 0 / 47 / 20 / 22

HEX #C86AA1

RGB 200 106 161

HSL 324.89, 0.46%, 0.6%

LAB 57.23, 44.11, -12.94

 

CMYK 0 / 4 / 47 / 22

HEX #C8C06A

RGB 200 192 106

HSL 54.89, 0.46%, 0.6%

LAB 76.69, -9.05, 44.08

 

CMYK 47 / 0 / 28 / 22

HEX #6AC891

RGB 106 200 145

HSL 144.89, 0.46%, 0.6%

LAB 73.82, -40.36, 19.07

 

Description

Color code: HEX #6C73C8 | qconv.com Color code: HEX #6C73C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 115 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 115 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 43 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 43% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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