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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C64B2 it is the complementary color #939B4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C64B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C64B2 shade: #7164AD, #8276C0, #9388D3, #A49AE6 and #B5ACF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C64B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C64B2 shade: #6C64B2, #5B529F, #4A408C, #392E79 and #281C66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C64B2 shade: #6D65B3, #8265B3, #9765B3, #AC65B3 and #B365A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C64B2 shade: #6D65B3 and #6565B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C64B2 shade matches the following richer shades: #6D65B3, #5E53C6, #5040D8, #412EEB and #321BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C64B2 shade: #6D65B3, #7C78A1, #8B8A8E, #9A9D7C and #A8B069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C64B2 shade: #6587B3, #6572B3, #6D65B3, #8265B3 and #9765B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C64B2 shade: #484185, #574FA0, #6D65B3, #8781C1 and #A29DCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C64B2 shade: #6C64B2, #B3659C and #7DB365

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C64B2 shade: #6C64B2, #B36D65 and #65B36D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C64B2 shade: #6C64B2, #B3659C, #ABB365 and #65B37D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C64B2 shade: #6C64B2, #B36584, #ABB365 and #65B394

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

Complementary color

CMYK 5 / 0 / 50 / 39

HEX #939B4D

RGB 147 155 77

HSL 66.15, 0.34%, 0.45%

LAB 61.81, -14.63, 39.55

 

CMYK 35 / 42 / 0 / 32

HEX #7164AD

RGB 113 100 173

HSL 250.68, 0.31%, 0.54%

LAB 46.5, 22.49, -37.31

 

CMYK 32 / 39 / 0 / 25

HEX #8276C0

RGB 130 118 192

HSL 249.73, 0.37%, 0.61%

LAB 53.5, 21.63, -37.19

 

CMYK 30 / 36 / 0 / 17

HEX #9388D3

RGB 147 136 211

HSL 248.8, 0.46%, 0.68%

LAB 60.35, 20.88, -37.12

 

CMYK 29 / 33 / 0 / 10

HEX #A49AE6

RGB 164 154 230

HSL 247.89, 0.6%, 0.75%

LAB 67.06, 20.21, -37.09

 

CMYK 27 / 31 / 0 / 2

HEX #B5ACF9

RGB 181 172 249

HSL 247.01, 0.87%, 0.83%

LAB 73.65, 19.61, -37.1

 

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

CMYK 43 / 48 / 0 / 38

HEX #5B529F

RGB 91 82 159

HSL 247.01, 0.32%, 0.47%

LAB 39.18, 23.62, -40.77

 

CMYK 47 / 54 / 0 / 45

HEX #4A408C

RGB 74 64 140

HSL 247.89, 0.37%, 0.4%

LAB 31.84, 24.93, -41.06

 

CMYK 53 / 62 / 0 / 53

HEX #392E79

RGB 57 46 121

HSL 248.8, 0.45%, 0.33%

LAB 24.34, 26.49, -41.38

 

CMYK 61 / 73 / 0 / 60

HEX #281C66

RGB 40 28 102

HSL 249.73, 0.57%, 0.25%

LAB 16.7, 28.32, -41.61

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 27 / 44 / 0 / 30

HEX #8265B3

RGB 130 101 179

HSL 262.31, 0.34%, 0.55%

LAB 48.65, 28.33, -37.33

 

CMYK 16 / 44 / 0 / 30

HEX #9765B3

RGB 151 101 179

HSL 278.46, 0.34%, 0.55%

LAB 50.85, 34.55, -33.71

 

CMYK 4 / 44 / 0 / 30

HEX #AC65B3

RGB 172 101 179

HSL 294.62, 0.34%, 0.55%

LAB 53.31, 40.93, -29.69

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 44 / 44 / 0 / 30

HEX #6565B3

RGB 101 101 179

HSL 240, 0.34%, 0.55%

LAB 46.08, 20.37, -41.55

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 53 / 58 / 0 / 22

HEX #5E53C6

RGB 94 83 198

HSL 245.74, 0.5%, 0.55%

LAB 42.22, 35.66, -58.83

 

CMYK 63 / 70 / 0 / 15

HEX #5040D8

RGB 80 64 216

HSL 246.32, 0.66%, 0.55%

LAB 38.43, 50.04, -75.45

 

CMYK 72 / 80 / 0 / 8

HEX #412EEB

RGB 65 46 235

HSL 246.03, 0.83%, 0.55%

LAB 36.13, 63.24, -90.13

 

CMYK 80 / 89 / 0 / 0

HEX #321BFE

RGB 50 27 254

HSL 246.08, 0.99%, 0.55%

LAB 35.24, 74.53, -102.36

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 23 / 25 / 0 / 37

HEX #7C78A1

RGB 124 120 161

HSL 245.85, 0.18%, 0.55%

LAB 52.16, 10.66, -21.41

 

CMYK 2 / 3 / 0 / 44

HEX #8B8A8E

RGB 139 138 142

HSL 255, 0.02%, 0.55%

LAB 57.67, 1.16, -2.01

 

CMYK 2 / 0 / 21 / 38

HEX #9A9D7C

RGB 154 157 124

HSL 65.45, 0.14%, 0.55%

LAB 63.7, -6.86, 16.94

 

CMYK 5 / 0 / 40 / 31

HEX #A8B069

RGB 168 176 105

HSL 66.76, 0.31%, 0.55%

LAB 69.75, -13.9, 35.39

 

CMYK 44 / 25 / 0 / 30

HEX #6587B3

RGB 101 135 179

HSL 213.85, 0.34%, 0.55%

LAB 55.43, -0.12, -26.9

 

CMYK 44 / 36 / 0 / 30

HEX #6572B3

RGB 101 114 179

HSL 230, 0.34%, 0.55%

LAB 49.56, 12.4, -36.05

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 27 / 44 / 0 / 30

HEX #8265B3

RGB 130 101 179

HSL 262.31, 0.34%, 0.55%

LAB 48.65, 28.33, -37.33

 

CMYK 16 / 44 / 0 / 30

HEX #9765B3

RGB 151 101 179

HSL 278.46, 0.34%, 0.55%

LAB 50.85, 34.55, -33.71

 

CMYK 46 / 51 / 0 / 48

HEX #484185

RGB 72 65 133

HSL 246.18, 0.34%, 0.39%

LAB 31.47, 21.57, -37.36

 

CMYK 46 / 51 / 0 / 37

HEX #574FA0

RGB 87 79 160

HSL 245.93, 0.34%, 0.47%

LAB 38.12, 24.81, -43.07

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 30 / 33 / 0 / 24

HEX #8781C1

RGB 135 129 193

HSL 245.63, 0.34%, 0.63%

LAB 56.78, 16.85, -32.6

 

CMYK 21 / 24 / 0 / 19

HEX #A29DCE

RGB 162 157 206

HSL 246.12, 0.33%, 0.71%

LAB 66.71, 12.14, -24.39

 

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

CMYK 0 / 44 / 13 / 30

HEX #B3659C

RGB 179 101 156

HSL 317.69, 0.34%, 0.55%

LAB 53.27, 38.99, -16.29

 

CMYK 30 / 0 / 44 / 30

HEX #7DB365

RGB 125 179 101

HSL 101.54, 0.34%, 0.55%

LAB 67.68, -32.3, 34.23

 

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

CMYK 0 / 39 / 44 / 30

HEX #B36D65

RGB 179 109 101

HSL 6.15, 0.34%, 0.55%

LAB 53.45, 26.91, 16.3

 

CMYK 44 / 0 / 39 / 30

HEX #65B36D

RGB 101 179 109

HSL 126.15, 0.34%, 0.55%

LAB 66.6, -38.94, 28.43

 

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

CMYK 0 / 44 / 13 / 30

HEX #B3659C

RGB 179 101 156

HSL 317.69, 0.34%, 0.55%

LAB 53.27, 38.99, -16.29

 

CMYK 4 / 0 / 44 / 30

HEX #ABB365

RGB 171 179 101

HSL 66.15, 0.34%, 0.55%

LAB 70.76, -14.68, 38.75

 

CMYK 44 / 0 / 30 / 30

HEX #65B37D

RGB 101 179 125

HSL 138.46, 0.34%, 0.55%

LAB 66.89, -36.13, 20.26

 

CMYK 39 / 44 / 0 / 30

HEX #6C64B2

RGB 108 100 178

HSL 246.15, 0.34%, 0.55%

LAB 46.33, 22.53, -40.53

 

CMYK 0 / 44 / 26 / 30

HEX #B36584

RGB 179 101 132

HSL 336.15, 0.34%, 0.55%

LAB 52.46, 35.24, -3.37

 

CMYK 4 / 0 / 44 / 30

HEX #ABB365

RGB 171 179 101

HSL 66.15, 0.34%, 0.55%

LAB 70.76, -14.68, 38.75

 

CMYK 44 / 0 / 17 / 30

HEX #65B394

RGB 101 179 148

HSL 156.15, 0.34%, 0.55%

LAB 67.39, -31.42, 8.39

 

Description

Color code: HEX #6C64B2 | qconv.com Color code: HEX #6C64B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 100 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 100 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 44 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 44% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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