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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C60CF it is the complementary color #939F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C60CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C60CF shade: #7160CA, #8272DD, #9384F0, #A496FF and #B5A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C60CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C60CF shade: #6C60CF, #5B4EBC, #4A3CA9, #392A96 and #281883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C60CF shade: #6A5ECF, #895ECF, #A75ECF, #C65ECF and #CF5EBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C60CF shade: #6A5ECF and #5E5ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C60CF shade matches the following richer shades: #6A5ECF, #5D4DE0 and #503CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C60CF shade: #6A5ECF, #776FBE, #8580AD, #92919C and #9FA28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C60CF shade: #5E8FCF, #5E71CF, #695ECF, #875ECF and #A65ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C60CF shade: #3F32A8, #4D3EC5, #6A5ECF, #887ED8 and #A59EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C60CF shade: #6C60CF, #CF5EAD and #80CF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C60CF shade: #6C60CF, #CF695E and #5ECF69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C60CF shade: #6C60CF, #CF5EAD, #C4CF5E and #5ECF80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C60CF shade: #6C60CF, #CF5E8B, #C4CF5E and #5ECFA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

Complementary color

CMYK 8 / 0 / 70 / 38

HEX #939F30

RGB 147 159 48

HSL 66.49, 0.54%, 0.41%

LAB 62.69, -18.96, 53.66

 

CMYK 44 / 52 / 0 / 21

HEX #7160CA

RGB 113 96 202

HSL 249.62, 0.5%, 0.58%

LAB 47.16, 33.14, -53.09

 

CMYK 41 / 48 / 0 / 13

HEX #8272DD

RGB 130 114 221

HSL 248.97, 0.61%, 0.66%

LAB 54.03, 31.93, -52.83

 

CMYK 39 / 45 / 0 / 6

HEX #9384F0

RGB 147 132 240

HSL 248.33, 0.78%, 0.73%

LAB 60.78, 30.86, -52.59

 

CMYK 36 / 41 / 0 / 0

HEX #A496FF

RGB 164 150 255

HSL 248, 1%, 0.79%

LAB 67.22, 28.86, -50.53

 

CMYK 29 / 34 / 0 / 0

HEX #B5A8FF

RGB 181 168 255

HSL 248.97, 1%, 0.83%

LAB 72.92, 23.3, -41.48

 

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

CMYK 52 / 59 / 0 / 26

HEX #5B4EBC

RGB 91 78 188

HSL 247.09, 0.45%, 0.52%

LAB 40.09, 34.99, -56.47

 

CMYK 56 / 64 / 0 / 34

HEX #4A3CA9

RGB 74 60 169

HSL 247.71, 0.48%, 0.45%

LAB 33.03, 36.68, -56.74

 

CMYK 62 / 72 / 0 / 41

HEX #392A96

RGB 57 42 150

HSL 248.33, 0.56%, 0.38%

LAB 25.94, 38.51, -56.87

 

CMYK 69 / 82 / 0 / 49

HEX #281883

RGB 40 24 131

HSL 248.97, 0.69%, 0.3%

LAB 18.98, 40.21, -56.55

 

CMYK 49 / 55 / 0 / 19

HEX #6A5ECF

RGB 106 94 207

HSL 246.37, 0.54%, 0.59%

LAB 46.41, 34.26, -57.2

 

CMYK 34 / 55 / 0 / 19

HEX #895ECF

RGB 137 94 207

HSL 262.83, 0.54%, 0.59%

LAB 49.29, 41.41, -52.42

 

CMYK 19 / 55 / 0 / 19

HEX #A75ECF

RGB 167 94 207

HSL 278.76, 0.54%, 0.59%

LAB 52.65, 49.02, -46.86

 

CMYK 4 / 55 / 0 / 19

HEX #C65ECF

RGB 198 94 207

HSL 295.22, 0.54%, 0.59%

LAB 56.6, 57.19, -40.36

 

CMYK 0 / 55 / 10 / 19

HEX #CF5EBA

RGB 207 94 186

HSL 311.15, 0.54%, 0.59%

LAB 56.9, 56.06, -27.8

 

CMYK 49 / 55 / 0 / 19

HEX #6A5ECF

RGB 106 94 207

HSL 246.37, 0.54%, 0.59%

LAB 46.41, 34.26, -57.2

 

CMYK 55 / 55 / 0 / 19

HEX #5E5ECF

RGB 94 94 207

HSL 240, 0.54%, 0.59%

LAB 45.48, 31.79, -58.74

 

CMYK 49 / 55 / 0 / 19

HEX #6A5ECF

RGB 106 94 207

HSL 246.37, 0.54%, 0.59%

LAB 46.41, 34.26, -57.2

 

CMYK 58 / 66 / 0 / 12

HEX #5D4DE0

RGB 93 77 224

HSL 246.53, 0.7%, 0.59%

LAB 42.79, 47.05, -72.84

 

CMYK 67 / 75 / 0 / 5

HEX #503CF1

RGB 80 60 241

HSL 246.63, 0.87%, 0.59%

LAB 40.06, 59.67, -86.99

 

CMYK 49 / 55 / 0 / 19

HEX #6A5ECF

RGB 106 94 207

HSL 246.37, 0.54%, 0.59%

LAB 46.41, 34.26, -57.2

 

CMYK 37 / 42 / 0 / 25

HEX #776FBE

RGB 119 111 190

HSL 246.08, 0.38%, 0.59%

LAB 50.7, 22.21, -40.52

 

CMYK 23 / 26 / 0 / 32

HEX #8580AD

RGB 133 128 173

HSL 246.67, 0.22%, 0.59%

LAB 55.52, 11.78, -23.13

 

CMYK 6 / 7 / 0 / 39

HEX #92919C

RGB 146 145 156

HSL 245.45, 0.05%, 0.59%

LAB 60.57, 2.57, -5.67

 

CMYK 2 / 0 / 14 / 36

HEX #9FA28B

RGB 159 162 139

HSL 67.83, 0.11%, 0.59%

LAB 65.81, -5.22, 11.61

 

CMYK 55 / 31 / 0 / 19

HEX #5E8FCF

RGB 94 143 207

HSL 213.98, 0.54%, 0.59%

LAB 58.54, 2.05, -37.97

 

CMYK 55 / 45 / 0 / 19

HEX #5E71CF

RGB 94 113 207

HSL 229.91, 0.54%, 0.59%

LAB 50.33, 20.09, -50.96

 

CMYK 49 / 55 / 0 / 19

HEX #695ECF

RGB 105 94 207

HSL 245.84, 0.54%, 0.59%

LAB 46.33, 34.04, -57.33

 

CMYK 35 / 55 / 0 / 19

HEX #875ECF

RGB 135 94 207

HSL 261.77, 0.54%, 0.59%

LAB 49.08, 40.92, -52.76

 

CMYK 20 / 55 / 0 / 19

HEX #A65ECF

RGB 166 94 207

HSL 278.23, 0.54%, 0.59%

LAB 52.53, 48.76, -47.06

 

CMYK 63 / 70 / 0 / 34

HEX #3F32A8

RGB 63 50 168

HSL 246.61, 0.54%, 0.43%

LAB 29.83, 40.54, -61.42

 

CMYK 61 / 69 / 0 / 23

HEX #4D3EC5

RGB 77 62 197

HSL 246.67, 0.54%, 0.51%

LAB 36.09, 44.85, -68.29

 

CMYK 49 / 55 / 0 / 19

HEX #6A5ECF

RGB 106 94 207

HSL 246.37, 0.54%, 0.59%

LAB 46.41, 34.26, -57.2

 

CMYK 37 / 42 / 0 / 15

HEX #887ED8

RGB 136 126 216

HSL 246.67, 0.54%, 0.67%

LAB 57.19, 25.01, -44.96

 

CMYK 27 / 30 / 0 / 11

HEX #A59EE2

RGB 165 158 226

HSL 246.18, 0.54%, 0.75%

LAB 67.98, 17.25, -33.46

 

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

CMYK 0 / 55 / 16 / 19

HEX #CF5EAD

RGB 207 94 173

HSL 318.05, 0.54%, 0.59%

LAB 56.37, 54.03, -21.1

 

CMYK 38 / 0 / 55 / 19

HEX #80CF5E

RGB 128 207 94

HSL 101.95, 0.54%, 0.59%

LAB 76.08, -44.66, 48

 

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

CMYK 0 / 49 / 55 / 19

HEX #CF695E

RGB 207 105 94

HSL 5.84, 0.54%, 0.59%

LAB 56.26, 39.24, 24.8

 

CMYK 55 / 0 / 49 / 19

HEX #5ECF69

RGB 94 207 105

HSL 125.84, 0.54%, 0.59%

LAB 74.84, -53.11, 40.92

 

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

CMYK 0 / 55 / 16 / 19

HEX #CF5EAD

RGB 207 94 173

HSL 318.05, 0.54%, 0.59%

LAB 56.37, 54.03, -21.1

 

CMYK 5 / 0 / 55 / 19

HEX #C4CF5E

RGB 196 207 94

HSL 65.84, 0.54%, 0.59%

LAB 80.27, -19.32, 53.95

 

CMYK 55 / 0 / 38 / 19

HEX #5ECF80

RGB 94 207 128

HSL 138.05, 0.54%, 0.59%

LAB 75.18, -49.49, 29.76

 

CMYK 48 / 54 / 0 / 19

HEX #6C60CF

RGB 108 96 207

HSL 246.49, 0.54%, 0.59%

LAB 47.05, 33.49, -56.16

 

CMYK 0 / 55 / 33 / 19

HEX #CF5E8B

RGB 207 94 139

HSL 336.11, 0.54%, 0.59%

LAB 55.21, 49.36, -3

 

CMYK 5 / 0 / 55 / 19

HEX #C4CF5E

RGB 196 207 94

HSL 65.84, 0.54%, 0.59%

LAB 80.27, -19.32, 53.95

 

CMYK 55 / 0 / 22 / 19

HEX #5ECFA2

RGB 94 207 162

HSL 156.11, 0.54%, 0.59%

LAB 75.83, -42.81, 12.75

 

Description

Color code: HEX #6C60CF | qconv.com Color code: HEX #6C60CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 96 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 96 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 54 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 54% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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