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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5FE4 it is the complementary color #93A01B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5FE4 shade: #715FDF, #8271F2, #9383FF, #A495FF and #B5A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5FE4 shade: #6C5FE4, #5B4DD1, #4A3BBE, #3929AB and #281798

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5FE4 shade: #6B5EE4, #8F5EE4, #B35EE4, #D75EE4 and #E45ECC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5FE4 shade: #6B5EE4 and #5E5EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5FE4 shade matches the following richer shades: #6B5EE4 and #5E4EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5FE4 shade: #6B5EE4, #776DD4, #837CC5, #908BB6 and #9C9BA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5FE4 shade: #5E9AE4, #5E76E4, #695EE4, #8D5EE4 and #B05EE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5FE4 shade: #3323CC, #4A3ADE, #6B5EE4, #8B81EA and #ACA4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5FE4 shade: #6C5FE4, #E45EBE and #88E45E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5FE4 shade: #6C5FE4, #E4695E and #5EE469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5FE4 shade: #6C5FE4, #E45EBE, #D8E45E and #5EE484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5FE4 shade: #6C5FE4, #E45E95, #D8E45E and #5EE4AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

Complementary color

CMYK 8 / 0 / 83 / 37

HEX #93A01B

RGB 147 160 27

HSL 65.86, 0.71%, 0.37%

LAB 62.86, -20.42, 60.74

 

CMYK 49 / 57 / 0 / 13

HEX #715FDF

RGB 113 95 223

HSL 248.44, 0.67%, 0.62%

LAB 48.29, 39.89, -63.26

 

CMYK 46 / 53 / 0 / 5

HEX #8271F2

RGB 130 113 242

HSL 247.91, 0.83%, 0.7%

LAB 55.04, 38.48, -62.96

 

CMYK 42 / 49 / 0 / 0

HEX #9383FF

RGB 147 131 255

HSL 247.74, 1%, 0.76%

LAB 61.36, 35.55, -59.94

 

CMYK 36 / 42 / 0 / 0

HEX #A495FF

RGB 164 149 255

HSL 248.49, 1%, 0.79%

LAB 66.98, 29.43, -50.91

 

CMYK 29 / 35 / 0 / 0

HEX #B5A7FF

RGB 181 167 255

HSL 249.55, 1%, 0.83%

LAB 72.68, 23.85, -41.86

 

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

CMYK 56 / 63 / 0 / 18

HEX #5B4DD1

RGB 91 77 209

HSL 246.36, 0.59%, 0.56%

LAB 41.43, 42.1, -66.48

 

CMYK 61 / 69 / 0 / 25

HEX #4A3BBE

RGB 74 59 190

HSL 246.87, 0.53%, 0.49%

LAB 34.6, 43.93, -66.64

 

CMYK 67 / 76 / 0 / 33

HEX #3929AB

RGB 57 41 171

HSL 247.38, 0.61%, 0.42%

LAB 27.83, 45.76, -66.52

 

CMYK 74 / 85 / 0 / 40

HEX #281798

RGB 40 23 152

HSL 247.91, 0.74%, 0.34%

LAB 21.32, 47.19, -65.77

 

CMYK 53 / 59 / 0 / 11

HEX #6B5EE4

RGB 107 94 228

HSL 245.82, 0.71%, 0.63%

LAB 47.92, 40.81, -66.7

 

CMYK 37 / 59 / 0 / 11

HEX #8F5EE4

RGB 143 94 228

HSL 261.94, 0.71%, 0.63%

LAB 51.21, 48.22, -61.23

 

CMYK 21 / 59 / 0 / 11

HEX #B35EE4

RGB 179 94 228

HSL 278.06, 0.71%, 0.63%

LAB 55.27, 56.56, -54.49

 

CMYK 6 / 59 / 0 / 11

HEX #D75EE4

RGB 215 94 228

HSL 294.18, 0.71%, 0.63%

LAB 59.94, 65.33, -46.79

 

CMYK 0 / 59 / 11 / 11

HEX #E45ECC

RGB 228 94 204

HSL 310.75, 0.71%, 0.63%

LAB 60.66, 64.68, -32.01

 

CMYK 53 / 59 / 0 / 11

HEX #6B5EE4

RGB 107 94 228

HSL 245.82, 0.71%, 0.63%

LAB 47.92, 40.81, -66.7

 

CMYK 59 / 59 / 0 / 11

HEX #5E5EE4

RGB 94 94 228

HSL 240, 0.71%, 0.63%

LAB 46.96, 38.5, -68.31

 

CMYK 53 / 59 / 0 / 11

HEX #6B5EE4

RGB 107 94 228

HSL 245.82, 0.71%, 0.63%

LAB 47.92, 40.81, -66.7

 

CMYK 61 / 68 / 0 / 5

HEX #5E4EF3

RGB 94 78 243

HSL 245.82, 0.87%, 0.63%

LAB 44.66, 52.44, -80.51

 

CMYK 53 / 59 / 0 / 11

HEX #6B5EE4

RGB 107 94 228

HSL 245.82, 0.71%, 0.63%

LAB 47.92, 40.81, -66.7

 

CMYK 44 / 49 / 0 / 17

HEX #776DD4

RGB 119 109 212

HSL 245.83, 0.54%, 0.63%

LAB 51.4, 29.69, -51.99

 

CMYK 34 / 37 / 0 / 23

HEX #837CC5

RGB 131 124 197

HSL 245.75, 0.39%, 0.63%

LAB 55.35, 19.69, -37.14

 

CMYK 21 / 24 / 0 / 29

HEX #908BB6

RGB 144 139 182

HSL 246.98, 0.23%, 0.63%

LAB 59.68, 11.08, -21.81

 

CMYK 7 / 7 / 0 / 35

HEX #9C9BA7

RGB 156 155 167

HSL 245, 0.06%, 0.63%

LAB 64.4, 2.74, -6.12

 

CMYK 59 / 32 / 0 / 11

HEX #5E9AE4

RGB 94 154 228

HSL 213.13, 0.71%, 0.63%

LAB 62.59, 2.36, -43.32

 

CMYK 59 / 48 / 0 / 11

HEX #5E76E4

RGB 94 118 228

HSL 229.25, 0.71%, 0.63%

LAB 52.88, 23.87, -58.74

 

CMYK 54 / 59 / 0 / 11

HEX #695EE4

RGB 105 94 228

HSL 244.93, 0.71%, 0.63%

LAB 47.76, 40.44, -66.96

 

CMYK 38 / 59 / 0 / 11

HEX #8D5EE4

RGB 141 94 228

HSL 261.04, 0.71%, 0.63%

LAB 51, 47.77, -61.57

 

CMYK 23 / 59 / 0 / 11

HEX #B05EE4

RGB 176 94 228

HSL 276.72, 0.71%, 0.63%

LAB 54.9, 55.84, -55.1

 

CMYK 75 / 83 / 0 / 20

HEX #3323CC

RGB 51 35 204

HSL 245.68, 0.71%, 0.47%

LAB 30.07, 58.13, -82.37

 

CMYK 67 / 74 / 0 / 13

HEX #4A3ADE

RGB 74 58 222

HSL 245.85, 0.71%, 0.55%

LAB 37.4, 54.39, -80.6

 

CMYK 53 / 59 / 0 / 11

HEX #6B5EE4

RGB 107 94 228

HSL 245.82, 0.71%, 0.63%

LAB 47.92, 40.81, -66.7

 

CMYK 41 / 45 / 0 / 8

HEX #8B81EA

RGB 139 129 234

HSL 245.71, 0.71%, 0.71%

LAB 59.09, 28.97, -51.99

 

CMYK 28 / 32 / 0 / 6

HEX #ACA4F0

RGB 172 164 240

HSL 246.32, 0.72%, 0.79%

LAB 70.6, 19.32, -37.01

 

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

CMYK 0 / 59 / 17 / 11

HEX #E45EBE

RGB 228 94 190

HSL 317.01, 0.71%, 0.63%

LAB 60.08, 62.59, -24.92

 

CMYK 40 / 0 / 59 / 11

HEX #88E45E

RGB 136 228 94

HSL 101.19, 0.71%, 0.63%

LAB 82.66, -50.83, 55.74

 

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

CMYK 0 / 54 / 59 / 11

HEX #E4695E

RGB 228 105 94

HSL 4.93, 0.71%, 0.63%

LAB 59.35, 46.98, 29.4

 

CMYK 59 / 0 / 54 / 11

HEX #5EE469

RGB 94 228 105

HSL 124.93, 0.71%, 0.63%

LAB 81.23, -61.02, 48.71

 

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

CMYK 0 / 59 / 17 / 11

HEX #E45EBE

RGB 228 94 190

HSL 317.01, 0.71%, 0.63%

LAB 60.08, 62.59, -24.92

 

CMYK 5 / 0 / 59 / 11

HEX #D8E45E

RGB 216 228 94

HSL 65.37, 0.71%, 0.63%

LAB 87.43, -21.53, 62.39

 

CMYK 59 / 0 / 42 / 11

HEX #5EE484

RGB 94 228 132

HSL 137.01, 0.71%, 0.63%

LAB 81.58, -57.11, 36.12

 

CMYK 53 / 58 / 0 / 11

HEX #6C5FE4

RGB 108 95 228

HSL 245.86, 0.71%, 0.63%

LAB 48.23, 40.41, -66.2

 

CMYK 0 / 59 / 35 / 11

HEX #E45E95

RGB 228 94 149

HSL 335.37, 0.71%, 0.63%

LAB 58.67, 57.24, -3.4

 

CMYK 5 / 0 / 59 / 11

HEX #D8E45E

RGB 216 228 94

HSL 65.37, 0.71%, 0.63%

LAB 87.43, -21.53, 62.39

 

CMYK 59 / 0 / 25 / 11

HEX #5EE4AC

RGB 94 228 172

HSL 154.93, 0.71%, 0.63%

LAB 82.3, -49.6, 16.55

 

Description

Color code: HEX #6C5FE4 | qconv.com Color code: HEX #6C5FE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 95 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 95 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 58 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 58% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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