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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5E8F it is the complementary color #93A170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5E8F shade: #715E8A, #82709D, #9382B0, #A494C3 and #B5A6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5E8F shade: #6C5E8F, #5B4C7C, #4A3A69, #392856 and #281643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5E8F shade: #6B5D8E, #785D8E, #855D8E, #8E5D89 and #8E5D7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5E8F shade: #6B5D8E and #5D5D8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5E8F shade matches the following richer shades: #6B5D8E, #634AA1, #5A37B4, #5224C7 and #4A11DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5E8F shade: #6B5D8E, #73707B, #7B8368, #839655 and #8BA942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5E8F shade: #5D698E, #5D5D8E, #6B5D8E, #785D8E and #855D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5E8F shade: #453C5C, #584C75, #6B5D8E, #7F71A3 and #968AB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5E8F shade: #6C5E8F, #8E5D76 and #628E5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5E8F shade: #6C5E8F, #8E6B5D and #5D8E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5E8F shade: #6C5E8F, #8E5D76, #808E5D and #5D8E74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5E8F shade: #6C5E8F, #8E5D67, #808E5D and #5D8E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

Complementary color

CMYK 9 / 0 / 30 / 37

HEX #93A170

RGB 147 161 112

HSL 77.14, 0.21%, 0.54%

LAB 64.05, -13.53, 23.93

 

CMYK 18 / 32 / 0 / 46

HEX #715E8A

RGB 113 94 138

HSL 265.91, 0.19%, 0.45%

LAB 43.29, 17.03, -21.56

 

CMYK 17 / 29 / 0 / 38

HEX #82709D

RGB 130 112 157

HSL 264, 0.19%, 0.53%

LAB 50.42, 16.41, -21.72

 

CMYK 16 / 26 / 0 / 31

HEX #9382B0

RGB 147 130 176

HSL 262.17, 0.23%, 0.6%

LAB 57.37, 15.86, -21.91

 

CMYK 16 / 24 / 0 / 24

HEX #A494C3

RGB 164 148 195

HSL 260.43, 0.28%, 0.67%

LAB 64.17, 15.36, -22.13

 

CMYK 15 / 22 / 0 / 16

HEX #B5A6D6

RGB 181 166 214

HSL 258.75, 0.37%, 0.75%

LAB 70.84, 14.91, -22.36

 

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

CMYK 27 / 39 / 0 / 51

HEX #5B4C7C

RGB 91 76 124

HSL 258.75, 0.24%, 0.39%

LAB 35.69, 17.39, -24.99

 

CMYK 30 / 45 / 0 / 59

HEX #4A3A69

RGB 74 58 105

HSL 260.43, 0.29%, 0.32%

LAB 28.12, 18.28, -25.03

 

CMYK 34 / 53 / 0 / 66

HEX #392856

RGB 57 40 86

HSL 262.17, 0.37%, 0.25%

LAB 20.28, 19.34, -25.14

 

CMYK 40 / 67 / 0 / 74

HEX #281643

RGB 40 22 67

HSL 264, 0.51%, 0.17%

LAB 12.16, 20.59, -25.26

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 15 / 35 / 0 / 44

HEX #785D8E

RGB 120 93 142

HSL 273.06, 0.21%, 0.46%

LAB 43.91, 20.94, -22.94

 

CMYK 6 / 35 / 0 / 44

HEX #855D8E

RGB 133 93 142

HSL 288.98, 0.21%, 0.46%

LAB 45.32, 25.32, -20.66

 

CMYK 0 / 35 / 4 / 44

HEX #8E5D89

RGB 142 93 137

HSL 306.12, 0.21%, 0.46%

LAB 46.16, 27.4, -16.28

 

CMYK 0 / 35 / 13 / 44

HEX #8E5D7C

RGB 142 93 124

HSL 322.04, 0.21%, 0.46%

LAB 45.68, 24.98, -9.18

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 35 / 35 / 0 / 44

HEX #5D5D8E

RGB 93 93 142

HSL 240, 0.21%, 0.46%

LAB 41.39, 12.29, -27.06

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 39 / 54 / 0 / 37

HEX #634AA1

RGB 99 74 161

HSL 257.24, 0.37%, 0.46%

LAB 38.06, 31.2, -43.7

 

CMYK 50 / 69 / 0 / 29

HEX #5A37B4

RGB 90 55 180

HSL 256.8, 0.53%, 0.46%

LAB 34.4, 45.69, -61.01

 

CMYK 59 / 82 / 0 / 22

HEX #5224C7

RGB 82 36 199

HSL 256.93, 0.69%, 0.46%

LAB 32.21, 58.86, -75.83

 

CMYK 66 / 92 / 0 / 15

HEX #4A11DA

RGB 74 17 218

HSL 257.01, 0.86%, 0.46%

LAB 31.62, 68.96, -87.87

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 7 / 9 / 0 / 52

HEX #73707B

RGB 115 112 123

HSL 256.36, 0.05%, 0.46%

LAB 47.83, 3.44, -5.66

 

CMYK 6 / 0 / 21 / 49

HEX #7B8368

RGB 123 131 104

HSL 77.78, 0.11%, 0.46%

LAB 53.43, -8.03, 13.63

 

CMYK 13 / 0 / 43 / 41

HEX #839655

RGB 131 150 85

HSL 77.54, 0.28%, 0.46%

LAB 59.25, -17.78, 31.99

 

CMYK 18 / 0 / 61 / 34

HEX #8BA942

RGB 139 169 66

HSL 77.48, 0.44%, 0.46%

LAB 65.17, -26.04, 48.5

 

CMYK 35 / 26 / 0 / 44

HEX #5D698E

RGB 93 105 142

HSL 225.31, 0.21%, 0.46%

LAB 44.78, 4.87, -21.79

 

CMYK 35 / 35 / 0 / 44

HEX #5D5D8E

RGB 93 93 142

HSL 240, 0.21%, 0.46%

LAB 41.39, 12.29, -27.06

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 15 / 35 / 0 / 44

HEX #785D8E

RGB 120 93 142

HSL 273.06, 0.21%, 0.46%

LAB 43.91, 20.94, -22.94

 

CMYK 6 / 35 / 0 / 44

HEX #855D8E

RGB 133 93 142

HSL 288.98, 0.21%, 0.46%

LAB 45.32, 25.32, -20.66

 

CMYK 25 / 35 / 0 / 64

HEX #453C5C

RGB 69 60 92

HSL 256.88, 0.21%, 0.3%

LAB 27.49, 11.65, -17.67

 

CMYK 25 / 35 / 0 / 54

HEX #584C75

RGB 88 76 117

HSL 257.56, 0.21%, 0.38%

LAB 35.06, 14.53, -21.65

 

CMYK 25 / 35 / 0 / 44

HEX #6B5D8E

RGB 107 93 142

HSL 257.14, 0.21%, 0.46%

LAB 42.62, 16.67, -25.04

 

CMYK 22 / 31 / 0 / 36

HEX #7F71A3

RGB 127 113 163

HSL 256.8, 0.21%, 0.54%

LAB 50.65, 16.28, -24.89

 

CMYK 16 / 23 / 0 / 30

HEX #968AB3

RGB 150 138 179

HSL 257.56, 0.21%, 0.62%

LAB 59.81, 12.91, -19.86

 

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

CMYK 0 / 35 / 17 / 44

HEX #8E5D76

RGB 142 93 118

HSL 329.39, 0.21%, 0.46%

LAB 45.48, 23.93, -5.85

 

CMYK 31 / 0 / 35 / 44

HEX #628E5D

RGB 98 142 93

HSL 113.88, 0.21%, 0.46%

LAB 54.8, -25.19, 21.44

 

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

CMYK 0 / 25 / 35 / 44

HEX #8E6B5D

RGB 142 107 93

HSL 17.14, 0.21%, 0.46%

LAB 48.33, 11.9, 13.25

 

CMYK 35 / 0 / 25 / 44

HEX #5D8E6B

RGB 93 142 107

HSL 137.14, 0.21%, 0.46%

LAB 54.8, -24.33, 13.51

 

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

CMYK 0 / 35 / 17 / 44

HEX #8E5D76

RGB 142 93 118

HSL 329.39, 0.21%, 0.46%

LAB 45.48, 23.93, -5.85

 

CMYK 10 / 0 / 35 / 44

HEX #808E5D

RGB 128 142 93

HSL 77.14, 0.21%, 0.46%

LAB 56.81, -13.72, 24.48

 

CMYK 35 / 0 / 18 / 44

HEX #5D8E74

RGB 93 142 116

HSL 148.16, 0.21%, 0.46%

LAB 55, -22.48, 8.66

 

CMYK 24 / 34 / 0 / 44

HEX #6C5E8F

RGB 108 94 143

HSL 257.14, 0.21%, 0.46%

LAB 43.03, 16.64, -25

 

CMYK 0 / 35 / 27 / 44

HEX #8E5D67

RGB 142 93 103

HSL 347.76, 0.21%, 0.46%

LAB 45.02, 21.51, 2.57

 

CMYK 10 / 0 / 35 / 44

HEX #808E5D

RGB 128 142 93

HSL 77.14, 0.21%, 0.46%

LAB 56.81, -13.72, 24.48

 

CMYK 35 / 0 / 8 / 44

HEX #5D8E83

RGB 93 142 131

HSL 166.53, 0.21%, 0.46%

LAB 55.39, -19.09, 0.61

 

Description

Color code: HEX #6C5E8F | qconv.com Color code: HEX #6C5E8F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 94 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 94 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 34 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 34% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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