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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5E17 it is the complementary color #93A1E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5E17 shade: #715E12, #827025, #938238, #A4944B and #B5A65E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5E17 shade: #6C5E17, #5B4C04, #4A3A00, #392800 and #281600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5E17 shade: #6D5F17, #6D4717, #6D3017, #6D1917 and #6D1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5E17 shade: #6D5F17, #646D17, #4D6D17, #356D17 and #1E6D17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5E17 shade matches the following richer shades: #6D5F17, #78660C and #826D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5E17 shade: #6D5F17, #625821, #57502C, #4D4937 and #424242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5E17 shade: #6D3117, #6D4817, #6D5F17, #646D17 and #4D6D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5E17 shade: #292308, #4B410F, #6D5F17, #8F7C1E and #B19A25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5E17 shade: #6C5E17, #176D1A and #3C176D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5E17 shade: #6C5E17, #176D5F and #5F176D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5E17 shade: #6C5E17, #176D1A, #17256D and #6D176A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5E17 shade: #6C5E17, #176D33, #17256D and #6D1750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

Complementary color

CMYK 37 / 31 / 0 / 9

HEX #93A1E8

RGB 147 161 232

HSL 230.12, 0.65%, 0.74%

LAB 67.66, 12.01, -37.35

 

CMYK 0 / 17 / 84 / 56

HEX #715E12

RGB 113 94 18

HSL 48, 0.73%, 0.26%

LAB 40.51, -0.48, 42.72

 

CMYK 0 / 14 / 72 / 49

HEX #827025

RGB 130 112 37

HSL 48.39, 0.56%, 0.33%

LAB 47.58, -1.87, 42.48

 

CMYK 0 / 12 / 62 / 42

HEX #938238

RGB 147 130 56

HSL 48.79, 0.45%, 0.4%

LAB 54.51, -2.94, 41.51

 

CMYK 0 / 10 / 54 / 36

HEX #A4944B

RGB 164 148 75

HSL 49.21, 0.37%, 0.47%

LAB 61.29, -3.78, 40.3

 

CMYK 0 / 8 / 48 / 29

HEX #B5A65E

RGB 181 166 94

HSL 49.66, 0.37%, 0.54%

LAB 67.95, -4.45, 39.03

 

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

CMYK 0 / 16 / 96 / 64

HEX #5B4C04

RGB 91 76 4

HSL 49.66, 0.92%, 0.19%

LAB 32.7, -1.14, 39.73

 

CMYK 0 / 22 / 100 / 71

HEX #4A3A00

RGB 74 58 0

HSL 47.03, 1%, 0.15%

LAB 25.2, 1.07, 34.35

 

CMYK 0 / 30 / 100 / 78

HEX #392800

RGB 57 40 0

HSL 42.11, 1%, 0.11%

LAB 17.4, 3.65, 25.26

 

CMYK 0 / 45 / 100 / 84

HEX #281600

RGB 40 22 0

HSL 33, 1%, 0.08%

LAB 9.2, 6.57, 13.9

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 0 / 35 / 79 / 57

HEX #6D4717

RGB 109 71 23

HSL 33.49, 0.65%, 0.26%

LAB 33.6, 11.65, 34.01

 

CMYK 0 / 56 / 79 / 57

HEX #6D3017

RGB 109 48 23

HSL 17.44, 0.65%, 0.26%

LAB 27.92, 25.33, 28.19

 

CMYK 0 / 77 / 79 / 57

HEX #6D1917

RGB 109 25 23

HSL 1.4, 0.65%, 0.26%

LAB 23.7, 36.54, 23.63

 

CMYK 0 / 79 / 79 / 57

HEX #6D1717

RGB 109 23 23

HSL 0, 0.65%, 0.26%

LAB 23.42, 37.3, 23.32

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 8 / 0 / 79 / 57

HEX #646D17

RGB 100 109 23

HSL 66.28, 0.65%, 0.26%

LAB 43.81, -15.05, 43.51

 

CMYK 29 / 0 / 79 / 57

HEX #4D6D17

RGB 77 109 23

HSL 82.33, 0.65%, 0.26%

LAB 42.12, -25.32, 41.31

 

CMYK 51 / 0 / 79 / 57

HEX #356D17

RGB 53 109 23

HSL 99.07, 0.65%, 0.26%

LAB 40.83, -34.45, 39.61

 

CMYK 72 / 0 / 79 / 57

HEX #1E6D17

RGB 30 109 23

HSL 115.12, 0.65%, 0.26%

LAB 40.04, -40.73, 38.57

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 0 / 15 / 90 / 53

HEX #78660C

RGB 120 102 12

HSL 50, 0.82%, 0.26%

LAB 43.54, -1.94, 47.4

 

CMYK 0 / 16 / 99 / 49

HEX #826D01

RGB 130 109 1

HSL 50.23, 0.98%, 0.26%

LAB 46.56, -1.38, 52.71

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 0 / 10 / 66 / 62

HEX #625821

RGB 98 88 33

HSL 50.77, 0.5%, 0.26%

LAB 37.27, -3.42, 32.51

 

CMYK 0 / 8 / 49 / 66

HEX #57502C

RGB 87 80 44

HSL 50.23, 0.33%, 0.26%

LAB 33.87, -2.87, 22.18

 

CMYK 0 / 5 / 29 / 70

HEX #4D4937

RGB 77 73 55

HSL 49.09, 0.17%, 0.26%

LAB 30.92, -1.71, 11.4

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 0 / 55 / 79 / 57

HEX #6D3117

RGB 109 49 23

HSL 18.14, 0.65%, 0.26%

LAB 28.14, 24.77, 28.42

 

CMYK 0 / 34 / 79 / 57

HEX #6D4817

RGB 109 72 23

HSL 34.19, 0.65%, 0.26%

LAB 33.87, 11.04, 34.28

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 8 / 0 / 79 / 57

HEX #646D17

RGB 100 109 23

HSL 66.28, 0.65%, 0.26%

LAB 43.81, -15.05, 43.51

 

CMYK 29 / 0 / 79 / 57

HEX #4D6D17

RGB 77 109 23

HSL 82.33, 0.65%, 0.26%

LAB 42.12, -25.32, 41.31

 

CMYK 0 / 15 / 80 / 84

HEX #292308

RGB 41 35 8

HSL 49.09, 0.67%, 0.1%

LAB 13.77, -1.29, 16.97

 

CMYK 0 / 13 / 80 / 71

HEX #4B410F

RGB 75 65 15

HSL 50, 0.67%, 0.18%

LAB 27.6, -2.13, 30.42

 

CMYK 0 / 13 / 79 / 57

HEX #6D5F17

RGB 109 95 23

HSL 50.23, 0.65%, 0.26%

LAB 40.41, -2.81, 40.61

 

CMYK 0 / 13 / 79 / 44

HEX #8F7C1E

RGB 143 124 30

HSL 49.91, 0.65%, 0.34%

LAB 52.23, -2.92, 50.24

 

CMYK 0 / 13 / 79 / 31

HEX #B19A25

RGB 177 154 37

HSL 50.14, 0.65%, 0.42%

LAB 63.83, -3.58, 59.64

 

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

CMYK 79 / 0 / 76 / 57

HEX #176D1A

RGB 23 109 26

HSL 122.09, 0.65%, 0.26%

LAB 39.91, -41.79, 37.21

 

CMYK 45 / 79 / 0 / 57

HEX #3C176D

RGB 60 23 109

HSL 265.81, 0.65%, 0.26%

LAB 18.7, 36.89, -42.83

 

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

CMYK 79 / 0 / 13 / 57

HEX #176D5F

RGB 23 109 95

HSL 170.23, 0.65%, 0.26%

LAB 41.13, -28.16, 0.74

 

CMYK 13 / 79 / 0 / 57

HEX #5F176D

RGB 95 23 109

HSL 290.23, 0.65%, 0.26%

LAB 24.16, 44.05, -33.73

 

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

CMYK 79 / 0 / 76 / 57

HEX #176D1A

RGB 23 109 26

HSL 122.09, 0.65%, 0.26%

LAB 39.91, -41.79, 37.21

 

CMYK 79 / 66 / 0 / 57

HEX #17256D

RGB 23 37 109

HSL 230.23, 0.65%, 0.26%

LAB 18.41, 22.29, -43.45

 

CMYK 0 / 79 / 3 / 57

HEX #6D176A

RGB 109 23 106

HSL 302.09, 0.65%, 0.26%

LAB 26.46, 46.67, -27.97

 

CMYK 0 / 13 / 79 / 58

HEX #6C5E17

RGB 108 94 23

HSL 50.12, 0.65%, 0.26%

LAB 40.01, -2.71, 40.19

 

CMYK 79 / 0 / 53 / 57

HEX #176D33

RGB 23 109 51

HSL 139.53, 0.65%, 0.26%

LAB 40.18, -38.52, 25.31

 

CMYK 79 / 66 / 0 / 57

HEX #17256D

RGB 23 37 109

HSL 230.23, 0.65%, 0.26%

LAB 18.41, 22.29, -43.45

 

CMYK 0 / 79 / 27 / 57

HEX #6D1750

RGB 109 23 80

HSL 320.23, 0.65%, 0.26%

LAB 25.09, 42.59, -13.01

 

Description

Color code: HEX #6C5E17 | qconv.com Color code: HEX #6C5E17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 94 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 94 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 79 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 79% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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