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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C586C it is the complementary color #93A793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C586C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C586C shade: #715867, #826A7A, #937C8D, #A48EA0 and #B5A0B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C586C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C586C shade: #6C586C, #5B4659, #4A3446, #392233 and #281020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C586C shade: #6B576B, #6B5765, #6B5760, #6B575B and #6B5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C586C shade: #6B576B, #65576B, #60576B, #5B576B and #57576B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C586C shade matches the following richer shades: #6B576B, #7A487A, #8A388A, #9A289A and #A918A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C586C shade: #6B576B, #5B675B, #4B774B, #3C863C and #2C962C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C586C shade: #60576B, #65576B, #6B576B, #6B5765 and #6B5760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C586C shade: #3D323D, #544554, #6B576B, #816A81 and #967E96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C586C shade: #6C586C, #6B5B57 and #576B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C586C shade: #6C586C, #6B6B57 and #576B6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C586C shade: #6C586C, #6B5B57, #576B57 and #57676B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C586C shade: #6C586C, #6B6157, #576B57 and #57616B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

Complementary color

CMYK 12 / 0 / 12 / 35

HEX #93A793

RGB 147 167 147

HSL 120, 0.1%, 0.62%

LAB 66.48, -10.91, 8

 

CMYK 0 / 22 / 9 / 56

HEX #715867

RGB 113 88 103

HSL 324, 0.12%, 0.39%

LAB 40.36, 13.01, -4.66

 

CMYK 0 / 18 / 6 / 49

HEX #826A7A

RGB 130 106 122

HSL 320, 0.1%, 0.46%

LAB 47.57, 12.44, -5.3

 

CMYK 0 / 16 / 4 / 42

HEX #937C8D

RGB 147 124 141

HSL 315.65, 0.1%, 0.53%

LAB 54.6, 11.94, -5.89

 

CMYK 0 / 13 / 2 / 36

HEX #A48EA0

RGB 164 142 160

HSL 310.91, 0.11%, 0.6%

LAB 61.46, 11.5, -6.46

 

CMYK 0 / 12 / 1 / 29

HEX #B5A0B3

RGB 181 160 179

HSL 305.71, 0.12%, 0.67%

LAB 68.18, 11.1, -7

 

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

CMYK 0 / 23 / 2 / 64

HEX #5B4659

RGB 91 70 89

HSL 305.71, 0.13%, 0.32%

LAB 32.54, 12.68, -7.82

 

CMYK 0 / 30 / 5 / 71

HEX #4A3446

RGB 74 52 70

HSL 310.91, 0.17%, 0.25%

LAB 24.81, 13.39, -7.25

 

CMYK 0 / 40 / 11 / 78

HEX #392233

RGB 57 34 51

HSL 315.65, 0.25%, 0.18%

LAB 16.76, 14.24, -6.59

 

CMYK 0 / 60 / 20 / 84

HEX #281020

RGB 40 16 32

HSL 320, 0.43%, 0.11%

LAB 8.36, 15.22, -5.69

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 0 / 19 / 6 / 58

HEX #6B5765

RGB 107 87 101

HSL 318, 0.1%, 0.38%

LAB 39.38, 10.87, -4.95

 

CMYK 0 / 19 / 10 / 58

HEX #6B5760

RGB 107 87 96

HSL 333, 0.1%, 0.38%

LAB 39.22, 9.88, -2.1

 

CMYK 0 / 19 / 15 / 58

HEX #6B575B

RGB 107 87 91

HSL 348, 0.1%, 0.38%

LAB 39.07, 8.94, 0.78

 

CMYK 0 / 19 / 19 / 58

HEX #6B5757

RGB 107 87 87

HSL 0, 0.1%, 0.38%

LAB 38.95, 8.21, 3.09

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 6 / 19 / 0 / 58

HEX #65576B

RGB 101 87 107

HSL 282, 0.1%, 0.38%

LAB 38.98, 9.83, -9.33

 

CMYK 10 / 19 / 0 / 58

HEX #60576B

RGB 96 87 107

HSL 267, 0.1%, 0.38%

LAB 38.49, 7.95, -10.11

 

CMYK 15 / 19 / 0 / 58

HEX #5B576B

RGB 91 87 107

HSL 252, 0.1%, 0.38%

LAB 38.03, 6.1, -10.86

 

CMYK 19 / 19 / 0 / 58

HEX #57576B

RGB 87 87 107

HSL 240, 0.1%, 0.38%

LAB 37.67, 4.65, -11.43

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 0 / 41 / 0 / 52

HEX #7A487A

RGB 122 72 122

HSL 300, 0.26%, 0.38%

LAB 38.16, 29.71, -19.64

 

CMYK 0 / 59 / 0 / 46

HEX #8A388A

RGB 138 56 138

HSL 300, 0.42%, 0.38%

LAB 37.96, 46.23, -29.62

 

CMYK 0 / 74 / 0 / 40

HEX #9A289A

RGB 154 40 154

HSL 300, 0.59%, 0.38%

LAB 39.11, 59.46, -37.39

 

CMYK 0 / 86 / 0 / 34

HEX #A918A9

RGB 169 24 169

HSL 300, 0.75%, 0.38%

LAB 41.14, 69.07, -43.01

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 12 / 0 / 12 / 60

HEX #5B675B

RGB 91 103 91

HSL 120, 0.06%, 0.38%

LAB 42.28, -7.14, 5.23

 

CMYK 37 / 0 / 37 / 53

HEX #4B774B

RGB 75 119 75

HSL 120, 0.23%, 0.38%

LAB 45.9, -24.89, 19.54

 

CMYK 55 / 0 / 55 / 47

HEX #3C863C

RGB 60 134 60

HSL 120, 0.38%, 0.38%

LAB 49.9, -38.9, 32.66

 

CMYK 71 / 0 / 71 / 41

HEX #2C962C

RGB 44 150 44

HSL 120, 0.55%, 0.38%

LAB 54.58, -50.66, 45.26

 

CMYK 10 / 19 / 0 / 58

HEX #60576B

RGB 96 87 107

HSL 267, 0.1%, 0.38%

LAB 38.49, 7.95, -10.11

 

CMYK 6 / 19 / 0 / 58

HEX #65576B

RGB 101 87 107

HSL 282, 0.1%, 0.38%

LAB 38.98, 9.83, -9.33

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 0 / 19 / 6 / 58

HEX #6B5765

RGB 107 87 101

HSL 318, 0.1%, 0.38%

LAB 39.38, 10.87, -4.95

 

CMYK 0 / 19 / 10 / 58

HEX #6B5760

RGB 107 87 96

HSL 333, 0.1%, 0.38%

LAB 39.22, 9.88, -2.1

 

CMYK 0 / 18 / 0 / 76

HEX #3D323D

RGB 61 50 61

HSL 300, 0.1%, 0.22%

LAB 22.34, 7.31, -5.07

 

CMYK 0 / 18 / 0 / 67

HEX #544554

RGB 84 69 84

HSL 300, 0.1%, 0.3%

LAB 31.3, 9.46, -6.54

 

CMYK 0 / 19 / 0 / 58

HEX #6B576B

RGB 107 87 107

HSL 300, 0.1%, 0.38%

LAB 39.59, 12.11, -8.35

 

CMYK 0 / 18 / 0 / 49

HEX #816A81

RGB 129 106 129

HSL 300, 0.1%, 0.46%

LAB 47.7, 13.46, -9.3

 

CMYK 0 / 16 / 0 / 41

HEX #967E96

RGB 150 126 150

HSL 300, 0.1%, 0.54%

LAB 55.69, 13.64, -9.45

 

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

CMYK 0 / 15 / 19 / 58

HEX #6B5B57

RGB 107 91 87

HSL 12, 0.1%, 0.38%

LAB 40.07, 5.78, 4.71

 

CMYK 19 / 0 / 7 / 58

HEX #576B63

RGB 87 107 99

HSL 156, 0.1%, 0.38%

LAB 43.42, -9.26, 2

 

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

CMYK 0 / 0 / 19 / 58

HEX #6B6B57

RGB 107 107 87

HSL 60, 0.1%, 0.38%

LAB 44.7, -3.76, 11.24

 

CMYK 19 / 0 / 0 / 58

HEX #576B6B

RGB 87 107 107

HSL 180, 0.1%, 0.38%

LAB 43.66, -7.42, -2.49

 

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

CMYK 0 / 15 / 19 / 58

HEX #6B5B57

RGB 107 91 87

HSL 12, 0.1%, 0.38%

LAB 40.07, 5.78, 4.71

 

CMYK 19 / 0 / 19 / 58

HEX #576B57

RGB 87 107 87

HSL 120, 0.1%, 0.38%

LAB 43.11, -11.79, 8.77

 

CMYK 19 / 4 / 0 / 58

HEX #57676B

RGB 87 103 107

HSL 192, 0.1%, 0.38%

LAB 42.44, -5.08, -4.28

 

CMYK 0 / 19 / 0 / 58

HEX #6C586C

RGB 108 88 108

HSL 300, 0.1%, 0.38%

LAB 40, 12.08, -8.34

 

CMYK 0 / 9 / 19 / 58

HEX #6B6157

RGB 107 97 87

HSL 30, 0.1%, 0.38%

LAB 41.79, 2.15, 7.15

 

CMYK 19 / 0 / 19 / 58

HEX #576B57

RGB 87 107 87

HSL 120, 0.1%, 0.38%

LAB 43.11, -11.79, 8.77

 

CMYK 19 / 9 / 0 / 58

HEX #57616B

RGB 87 97 107

HSL 210, 0.1%, 0.38%

LAB 40.63, -1.49, -6.97

 

Description

Color code: HEX #6C586C | qconv.com Color code: HEX #6C586C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 88 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 88 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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