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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4FEF it is the complementary color #93B010. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4FEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4FEF shade: #714FEA, #8261FD, #9373FF, #A485FF and #B597FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4FEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4FEF shade: #6C4FEF, #5B3DDC, #4A2BC9, #3919B6 and #2807A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4FEF shade: #6B4EEF, #964EEF, #C24EEF, #ED4EEF and #EF4EC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4FEF shade: #6B4EEF and #4E4EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4FEF shade matches the following richer shades: #6B4EEF and #613EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4FEF shade: #6B4EEF, #755DDF, #7F6DCF, #897DBF and #938CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4FEF shade: #4E89EF, #4E5EEF, #684EEF, #934EEF and #BE4EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4FEF shade: #3714D6, #4B28EB, #6B4EEF, #8A73F2 and #AA99F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4FEF shade: #6C4FEF, #EF4EB4 and #73EF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4FEF shade: #6C4FEF, #EF684E and #4EEF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4FEF shade: #6C4FEF, #EF4EB4, #D4EF4E and #4EEF89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4FEF shade: #6C4FEF, #EF4E83, #D4EF4E and #4EEFB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

Complementary color

CMYK 16 / 0 / 91 / 31

HEX #93B010

RGB 147 176 16

HSL 70.88, 0.83%, 0.38%

LAB 67.49, -28.59, 66.89

 

CMYK 52 / 66 / 0 / 8

HEX #714FEA

RGB 113 79 234

HSL 253.16, 0.79%, 0.61%

LAB 45.69, 52.1, -73.69

 

CMYK 49 / 62 / 0 / 1

HEX #8261FD

RGB 130 97 253

HSL 252.69, 0.98%, 0.69%

LAB 52.27, 50.67, -73.55

 

CMYK 42 / 55 / 0 / 0

HEX #9373FF

RGB 147 115 255

HSL 253.71, 1%, 0.73%

LAB 57.74, 44.65, -65.74

 

CMYK 36 / 48 / 0 / 0

HEX #A485FF

RGB 164 133 255

HSL 255.25, 1%, 0.76%

LAB 63.25, 38.48, -56.83

 

CMYK 29 / 41 / 0 / 0

HEX #B597FF

RGB 181 151 255

HSL 257.31, 1%, 0.8%

LAB 68.88, 32.79, -47.82

 

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

CMYK 59 / 72 / 0 / 14

HEX #5B3DDC

RGB 91 61 220

HSL 251.32, 0.69%, 0.55%

LAB 39.12, 54.26, -76.57

 

CMYK 63 / 79 / 0 / 21

HEX #4A2BC9

RGB 74 43 201

HSL 251.77, 0.65%, 0.48%

LAB 32.7, 55.58, -76.21

 

CMYK 69 / 86 / 0 / 29

HEX #3919B6

RGB 57 25 182

HSL 252.23, 0.76%, 0.41%

LAB 26.57, 56.26, -75.2

 

CMYK 75 / 96 / 0 / 36

HEX #2807A3

RGB 40 7 163

HSL 252.69, 0.92%, 0.33%

LAB 21.01, 55.53, -73.04

 

CMYK 55 / 67 / 0 / 6

HEX #6B4EEF

RGB 107 78 239

HSL 250.81, 0.83%, 0.62%

LAB 45.37, 53.12, -77.06

 

CMYK 37 / 67 / 0 / 6

HEX #964EEF

RGB 150 78 239

HSL 266.83, 0.83%, 0.62%

LAB 49.7, 60.57, -69.83

 

CMYK 19 / 67 / 0 / 6

HEX #C24EEF

RGB 194 78 239

HSL 283.23, 0.83%, 0.62%

LAB 55.23, 69.4, -60.62

 

CMYK 1 / 67 / 0 / 6

HEX #ED4EEF

RGB 237 78 239

HSL 299.25, 0.83%, 0.62%

LAB 61.38, 78.59, -50.44

 

CMYK 0 / 67 / 18 / 6

HEX #EF4EC5

RGB 239 78 197

HSL 315.65, 0.83%, 0.62%

LAB 59.74, 72.83, -29.32

 

CMYK 55 / 67 / 0 / 6

HEX #6B4EEF

RGB 107 78 239

HSL 250.81, 0.83%, 0.62%

LAB 45.37, 53.12, -77.06

 

CMYK 67 / 67 / 0 / 6

HEX #4E4EEF

RGB 78 78 239

HSL 240, 0.83%, 0.62%

LAB 43.21, 49.17, -80.68

 

CMYK 55 / 67 / 0 / 6

HEX #6B4EEF

RGB 107 78 239

HSL 250.81, 0.83%, 0.62%

LAB 45.37, 53.12, -77.06

 

CMYK 62 / 76 / 0 / 0

HEX #613EFE

RGB 97 62 254

HSL 250.94, 0.99%, 0.62%

LAB 42.98, 64.18, -89.43

 

CMYK 55 / 67 / 0 / 6

HEX #6B4EEF

RGB 107 78 239

HSL 250.81, 0.83%, 0.62%

LAB 45.37, 53.12, -77.06

 

CMYK 48 / 58 / 0 / 13

HEX #755DDF

RGB 117 93 223

HSL 251.08, 0.67%, 0.62%

LAB 48.18, 41.86, -63.41

 

CMYK 39 / 47 / 0 / 19

HEX #7F6DCF

RGB 127 109 207

HSL 251.02, 0.51%, 0.62%

LAB 51.79, 30.23, -48.49

 

CMYK 28 / 35 / 0 / 25

HEX #897DBF

RGB 137 125 191

HSL 250.91, 0.34%, 0.62%

LAB 55.83, 19.28, -32.93

 

CMYK 16 / 20 / 0 / 31

HEX #938CB0

RGB 147 140 176

HSL 251.67, 0.19%, 0.62%

LAB 59.97, 10.09, -17.94

 

CMYK 67 / 43 / 0 / 6

HEX #4E89EF

RGB 78 137 239

HSL 218.01, 0.83%, 0.62%

LAB 57.79, 13.3, -57.05

 

CMYK 67 / 61 / 0 / 6

HEX #4E5EEF

RGB 78 94 239

HSL 234.04, 0.83%, 0.62%

LAB 46.79, 39.7, -74.83

 

CMYK 56 / 67 / 0 / 6

HEX #684EEF

RGB 104 78 239

HSL 249.69, 0.83%, 0.62%

LAB 45.11, 52.66, -77.49

 

CMYK 38 / 67 / 0 / 6

HEX #934EEF

RGB 147 78 239

HSL 265.71, 0.83%, 0.62%

LAB 49.35, 60, -70.39

 

CMYK 21 / 67 / 0 / 6

HEX #BE4EEF

RGB 190 78 239

HSL 281.74, 0.83%, 0.62%

LAB 54.69, 68.57, -61.52

 

CMYK 74 / 91 / 0 / 16

HEX #3714D6

RGB 55 20 214

HSL 250.82, 0.83%, 0.46%

LAB 29.83, 66.28, -88.58

 

CMYK 68 / 83 / 0 / 8

HEX #4B28EB

RGB 75 40 235

HSL 250.77, 0.83%, 0.54%

LAB 36.01, 66.41, -90.32

 

CMYK 55 / 67 / 0 / 6

HEX #6B4EEF

RGB 107 78 239

HSL 250.81, 0.83%, 0.62%

LAB 45.37, 53.12, -77.06

 

CMYK 43 / 52 / 0 / 5

HEX #8A73F2

RGB 138 115 242

HSL 250.87, 0.83%, 0.7%

LAB 56.16, 39.09, -61.12

 

CMYK 31 / 38 / 0 / 4

HEX #AA99F6

RGB 170 153 246

HSL 250.97, 0.84%, 0.78%

LAB 68.01, 26.45, -44.35

 

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

CMYK 0 / 67 / 25 / 6

HEX #EF4EB4

RGB 239 78 180

HSL 321.99, 0.83%, 0.62%

LAB 59.06, 70.6, -20.61

 

CMYK 52 / 0 / 67 / 6

HEX #73EF4E

RGB 115 239 78

HSL 106.21, 0.83%, 0.62%

LAB 84.96, -62.64, 64.59

 

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

CMYK 0 / 56 / 67 / 6

HEX #EF684E

RGB 239 104 78

HSL 9.69, 0.83%, 0.62%

LAB 60.61, 50.4, 40.2

 

CMYK 67 / 0 / 56 / 6

HEX #4EEF68

RGB 78 239 104

HSL 129.69, 0.83%, 0.62%

LAB 84.15, -68.22, 52.54

 

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

CMYK 0 / 67 / 25 / 6

HEX #EF4EB4

RGB 239 78 180

HSL 321.99, 0.83%, 0.62%

LAB 59.06, 70.6, -20.61

 

CMYK 11 / 0 / 67 / 6

HEX #D4EF4E

RGB 212 239 78

HSL 70.06, 0.83%, 0.62%

LAB 89.99, -29.38, 71.37

 

CMYK 67 / 0 / 43 / 6

HEX #4EEF89

RGB 78 239 137

HSL 141.99, 0.83%, 0.62%

LAB 84.57, -63.45, 37.42

 

CMYK 55 / 67 / 0 / 6

HEX #6C4FEF

RGB 108 79 239

HSL 250.88, 0.83%, 0.62%

LAB 45.65, 52.73, -76.6

 

CMYK 0 / 67 / 45 / 6

HEX #EF4E83

RGB 239 78 131

HSL 340.25, 0.83%, 0.62%

LAB 57.5, 65.29, 5.66

 

CMYK 11 / 0 / 67 / 6

HEX #D4EF4E

RGB 212 239 78

HSL 70.06, 0.83%, 0.62%

LAB 89.99, -29.38, 71.37

 

CMYK 67 / 0 / 23 / 6

HEX #4EEFB9

RGB 78 239 185

HSL 159.88, 0.83%, 0.62%

LAB 85.43, -54.06, 14.12

 

Description

Color code: HEX #6C4FEF | qconv.com Color code: HEX #6C4FEF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 79 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 79 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 67 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 67% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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