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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4BC73F it is the complementary color #93B4383F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4BC73F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4BC73F shade: #714BC23F, #825DD53F, #936FE83F, #A481FB3F and #B593FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4BC73F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4BC73F shade: #6C4BC73F, #5B39B43F, #4A27A13F, #39158E3F and #28037B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4BC73F shade: #6D4CC8, #8E4CC8, #B04CC8, #C84CBF and #C84C9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4BC73F shade: #6D4CC8 and #4C4CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4BC73F shade matches the following richer shades: #6D4CC8, #6439DB and #5B26EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4BC73F shade: #6D4CC8, #765FB5, #7E71A2, #87848F and #90977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4BC73F shade: #4C6FC8, #4C4EC8, #6B4CC8, #8C4CC8 and #AD4CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4BC73F shade: #492D94, #5837B3, #6D4CC8, #866BD2 and #A08BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4BC73F shade: #6C4BC7, #C84C90 and #5EC84C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4BC73F shade: #6C4BC7, #C86B4C and #4CC86B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4BC73F shade: #6C4BC7, #C84C90, #A9C84C and #4CC883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4BC73F shade: #6C4BC7, #C84C6B, #A9C84C and #4CC8A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 16 / 0 / 5

HEX #6C4BC73F

RGBA 108 75 199 0.25

HSLA 255.97, 0.53%, 0.54%, 0.25

LABA 41.76, 43.45, -60.1, 0.25

 

Complementary color

CMYK 5 / 0 / 17 / 7

HEX #93B4383F

RGBA 147 180 56 0.25

HSLA 75.97, 0.53%, 0.46%, 0.25

LABA 68.85, -28.85, 56.77, 0.25

 

CMYK 10 / 15 / 0 / 6

HEX #714BC23F

RGBA 113 75 194 0.25

HSLA 259.16, 0.49%, 0.53%, 0.25

LABA 41.9, 43.09, -56.93, 0.25

 

CMYK 10 / 14 / 0 / 4

HEX #825DD53F

RGBA 130 93 213 0.25

HSLA 258.5, 0.59%, 0.6%, 0.25

LABA 48.73, 41.89, -56.78, 0.25

 

CMYK 9 / 13 / 0 / 2

HEX #936FE83F

RGBA 147 111 232 0.25

HSLA 257.85, 0.72%, 0.67%, 0.25

LABA 55.48, 40.75, -56.59, 0.25

 

CMYK 9 / 12 / 0 / 0

HEX #A481FB3F

RGBA 164 129 251 0.25

HSLA 257.21, 0.94%, 0.75%, 0.25

LABA 62.13, 39.69, -56.42, 0.25

 

CMYK 7 / 11 / 0 / 0

HEX #B593FF3F

RGBA 181 147 255 0.25

HSLA 258.89, 1%, 0.79%, 0.25

LABA 67.96, 35.02, -49.28, 0.25

 

CMYK 11 / 16 / 0 / 5

HEX #6C4BC73F

RGBA 108 75 199 0.25

HSLA 255.97, 0.53%, 0.54%, 0.25

LABA 41.76, 43.45, -60.1, 0.25

 

CMYK 12 / 17 / 0 / 7

HEX #5B39B43F

RGBA 91 57 180 0.25

HSLA 256.59, 0.52%, 0.46%, 0.25

LABA 34.89, 44.78, -60.19, 0.25

 

CMYK 14 / 19 / 0 / 9

HEX #4A27A13F

RGBA 74 39 161 0.25

HSLA 257.21, 0.61%, 0.39%, 0.25

LABA 28.06, 45.99, -60.05, 0.25

 

CMYK 15 / 21 / 0 / 11

HEX #39158E3F

RGBA 57 21 142 0.25

HSLA 257.85, 0.74%, 0.32%, 0.25

LABA 21.43, 46.62, -59.36, 0.25

 

CMYK 17 / 24 / 0 / 13

HEX #28037B3F

RGBA 40 3 123 0.25

HSLA 258.5, 0.95%, 0.25%, 0.25

LABA 15.2, 46.16, -57.72, 0.25

 

CMYK 46 / 62 / 0 / 22

HEX #6D4CC8

RGB 109 76 200

HSL 255.97, 0.53%, 0.54%

LAB 42.14, 43.37, -60.05

 

CMYK 29 / 62 / 0 / 22

HEX #8E4CC8

RGB 142 76 200

HSL 271.94, 0.53%, 0.54%

LAB 45.76, 50.56, -54.03

 

CMYK 12 / 62 / 0 / 22

HEX #B04CC8

RGB 176 76 200

HSL 288.39, 0.53%, 0.54%

LAB 50.18, 58.6, -46.71

 

CMYK 0 / 62 / 5 / 22

HEX #C84CBF

RGB 200 76 191

HSL 304.35, 0.53%, 0.54%

LAB 53.18, 62.94, -36.55

 

CMYK 0 / 62 / 22 / 22

HEX #C84C9D

RGB 200 76 157

HSL 320.81, 0.53%, 0.54%

LAB 51.7, 57.77, -18.99

 

CMYK 46 / 62 / 0 / 22

HEX #6D4CC8

RGB 109 76 200

HSL 255.97, 0.53%, 0.54%

LAB 42.14, 43.37, -60.05

 

CMYK 62 / 62 / 0 / 22

HEX #4C4CC8

RGB 76 76 200

HSL 240, 0.53%, 0.54%

LAB 39.37, 37.36, -64.68

 

CMYK 46 / 62 / 0 / 22

HEX #6D4CC8

RGB 109 76 200

HSL 255.97, 0.53%, 0.54%

LAB 42.14, 43.37, -60.05

 

CMYK 54 / 74 / 0 / 14

HEX #6439DB

RGB 100 57 219

HSL 255.93, 0.69%, 0.54%

LAB 39.16, 57.18, -75.91

 

CMYK 62 / 84 / 0 / 7

HEX #5B26EE

RGB 91 38 238

HSL 255.9, 0.85%, 0.54%

LAB 37.45, 69.17, -89.58

 

CMYK 46 / 62 / 0 / 22

HEX #6D4CC8

RGB 109 76 200

HSL 255.97, 0.53%, 0.54%

LAB 42.14, 43.37, -60.05

 

CMYK 35 / 48 / 0 / 29

HEX #765FB5

RGB 118 95 181

HSL 256.05, 0.37%, 0.54%

LAB 46.14, 29.07, -42.53

 

CMYK 22 / 30 / 0 / 36

HEX #7E71A2

RGB 126 113 162

HSL 255.92, 0.21%, 0.54%

LAB 50.52, 15.71, -24.52

 

CMYK 6 / 8 / 0 / 44

HEX #87848F

RGB 135 132 143

HSL 256.36, 0.05%, 0.54%

LAB 55.72, 3.34, -5.5

 

CMYK 5 / 0 / 18 / 41

HEX #90977C

RGB 144 151 124

HSL 75.56, 0.11%, 0.54%

LAB 61.24, -7.48, 13.39

 

CMYK 62 / 45 / 0 / 22

HEX #4C6FC8

RGB 76 111 200

HSL 223.06, 0.53%, 0.54%

LAB 48.36, 15.42, -50.17

 

CMYK 62 / 61 / 0 / 22

HEX #4C4EC8

RGB 76 78 200

HSL 239.03, 0.53%, 0.54%

LAB 39.84, 36.13, -63.91

 

CMYK 47 / 62 / 0 / 22

HEX #6B4CC8

RGB 107 76 200

HSL 255, 0.53%, 0.54%

LAB 41.95, 42.96, -60.38

 

CMYK 30 / 62 / 0 / 22

HEX #8C4CC8

RGB 140 76 200

HSL 270.97, 0.53%, 0.54%

LAB 45.52, 50.1, -54.43

 

CMYK 14 / 62 / 0 / 22

HEX #AD4CC8

RGB 173 76 200

HSL 286.94, 0.53%, 0.54%

LAB 49.77, 57.88, -47.39

 

CMYK 51 / 70 / 0 / 42

HEX #492D94

RGB 73 45 148

HSL 256.31, 0.53%, 0.38%

LAB 27.93, 38.81, -52.33

 

CMYK 51 / 69 / 0 / 30

HEX #5837B3

RGB 88 55 179

HSL 255.97, 0.53%, 0.46%

LAB 34.11, 45.06, -60.89

 

CMYK 46 / 62 / 0 / 22

HEX #6D4CC8

RGB 109 76 200

HSL 255.97, 0.53%, 0.54%

LAB 42.14, 43.37, -60.05

 

CMYK 36 / 49 / 0 / 18

HEX #866BD2

RGB 134 107 210

HSL 255.73, 0.53%, 0.62%

LAB 52.1, 34, -49.65

 

CMYK 27 / 37 / 0 / 14

HEX #A08BDB

RGB 160 139 219

HSL 255.75, 0.53%, 0.7%

LAB 62.55, 24.89, -38.07

 

CMYK 46 / 62 / 0 / 22

HEX #6C4BC7

RGB 108 75 199

HSL 255.97, 0.53%, 0.54%

LAB 41.76, 43.45, -60.1

 

CMYK 0 / 62 / 28 / 22

HEX #C84C90

RGB 200 76 144

HSL 327.1, 0.53%, 0.54%

LAB 51.22, 56.03, -12.01

 

CMYK 53 / 0 / 62 / 22

HEX #5EC84C

RGB 94 200 76

HSL 111.29, 0.53%, 0.54%

LAB 72.37, -53.95, 51.49

 

CMYK 46 / 62 / 0 / 22

HEX #6C4BC7

RGB 108 75 199

HSL 255.97, 0.53%, 0.54%

LAB 41.76, 43.45, -60.1

 

CMYK 0 / 47 / 62 / 22

HEX #C86B4C

RGB 200 107 76

HSL 15, 0.53%, 0.54%

LAB 55.4, 34.12, 33.66

 

CMYK 62 / 0 / 47 / 22

HEX #4CC86B

RGB 76 200 107

HSL 135, 0.53%, 0.54%

LAB 72.17, -54.25, 36.46

 

CMYK 46 / 62 / 0 / 22

HEX #6C4BC7

RGB 108 75 199

HSL 255.97, 0.53%, 0.54%

LAB 41.76, 43.45, -60.1

 

CMYK 0 / 62 / 28 / 22

HEX #C84C90

RGB 200 76 144

HSL 327.1, 0.53%, 0.54%

LAB 51.22, 56.03, -12.01

 

CMYK 16 / 0 / 62 / 22

HEX #A9C84C

RGB 169 200 76

HSL 75, 0.53%, 0.54%

LAB 76.23, -28.17, 56.84

 

CMYK 62 / 0 / 35 / 22

HEX #4CC883

RGB 76 200 131

HSL 146.61, 0.53%, 0.54%

LAB 72.55, -50.06, 24.59

 

CMYK 46 / 62 / 0 / 22

HEX #6C4BC7

RGB 108 75 199

HSL 255.97, 0.53%, 0.54%

LAB 41.76, 43.45, -60.1

 

CMYK 0 / 62 / 47 / 22

HEX #C84C6B

RGB 200 76 107

HSL 345, 0.53%, 0.54%

LAB 50.11, 51.88, 8.55

 

CMYK 16 / 0 / 62 / 22

HEX #A9C84C

RGB 169 200 76

HSL 75, 0.53%, 0.54%

LAB 76.23, -28.17, 56.84

 

CMYK 62 / 0 / 16 / 22

HEX #4CC8A9

RGB 76 200 169

HSL 165, 0.53%, 0.54%

LAB 73.36, -41.74, 5.38

 

Description

Color code: HEX #6C4BC73F | qconv.com Color code: HEX #6C4BC73F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 75 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 75 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 16 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 16% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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