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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C480ACE it is the complementary color #93B7F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C480ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C480ACE shade: #714805CE, #825A18CE, #936C2BCE, #A47E3ECE and #B59051CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C480ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C480ACE shade: #6C480ACE, #5B3600CE, #4A2400CE, #391200CE and #280000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C480ACE shade: #6B480A, #6B2D0A, #6B130A and #6B0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C480ACE shade: #6B480A, #6B620A, #5B6B0A, #406B0A and #266B0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C480ACE shade matches the following richer shades: #6B480A and #754A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C480ACE shade: #6B480A, #624513, #58431D, #4F4026 and #453D30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C480ACE shade: #6B120A, #6B2C0A, #6B460A, #6B600A and #5D6B0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C480ACE shade: #201503, #462E06, #6B480A, #91610D and #B77A11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C480ACE shade: #6C480A, #1C6B0A and #1F0A6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C480ACE shade: #6C480A, #0A6B46 and #460A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C480ACE shade: #6C480A, #1C6B0A, #0A2F6B and #590A6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C480ACE shade: #6C480A, #0A6B15, #0A2F6B and #6B0A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 74 / 47

HEX #6C480ACE

RGBA 108 72 10 0.81

HSLA 37.96, 0.83%, 0.23%, 0.81

LABA 33.66, 10.05, 39.32, 0.81

 

Complementary color

CMYK 32 / 20 / 0 / 3

HEX #93B7F5CE

RGBA 147 183 245 0.81

HSLA 217.96, 0.83%, 0.77%, 0.81

LABA 73.97, 3.17, -34.63, 0.81

 

CMYK 0 / 29 / 77 / 45

HEX #714805CE

RGBA 113 72 5 0.81

HSLA 37.22, 0.92%, 0.23%, 0.81

LABA 34.31, 12.36, 41.79, 0.81

 

CMYK 0 / 25 / 66 / 40

HEX #825A18CE

RGBA 130 90 24 0.81

HSLA 37.36, 0.69%, 0.3%, 0.81

LABA 41.41, 10.32, 42.01, 0.81

 

CMYK 0 / 21 / 57 / 34

HEX #936C2BCE

RGBA 147 108 43 0.81

HSLA 37.5, 0.55%, 0.37%, 0.81

LABA 48.39, 8.69, 41.12, 0.81

 

CMYK 0 / 19 / 50 / 29

HEX #A47E3ECE

RGBA 164 126 62 0.81

HSLA 37.65, 0.45%, 0.44%, 0.81

LABA 55.24, 7.38, 39.83, 0.81

 

CMYK 0 / 17 / 45 / 24

HEX #B59051CE

RGBA 181 144 81 0.81

HSLA 37.8, 0.4%, 0.51%, 0.81

LABA 61.97, 6.3, 38.44, 0.81

 

CMYK 0 / 27 / 74 / 47

HEX #6C480ACE

RGBA 108 72 10 0.81

HSLA 37.96, 0.83%, 0.23%, 0.81

LABA 33.66, 10.05, 39.32, 0.81

 

CMYK 0 / 33 / 81 / 52

HEX #5B3600CE

RGBA 91 54 0 0.81

HSLA 35.6, 1%, 0.18%, 0.81

LABA 26.34, 12.45, 36.24, 0.81

 

CMYK 0 / 42 / 81 / 57

HEX #4A2400CE

RGBA 74 36 0 0.81

HSLA 29.19, 1%, 0.15%, 0.81

LABA 18.88, 15.3, 27.65, 0.81

 

CMYK 0 / 55 / 81 / 63

HEX #391200CE

RGBA 57 18 0 0.81

HSLA 18.95, 1%, 0.11%, 0.81

LABA 11.29, 18.14, 17.31, 0.81

 

CMYK 0 / 81 / 81 / 68

HEX #280000CE

RGBA 40 0 0 0.81

HSLA 0, 1%, 0.08%, 0.81

LABA 4.07, 18.26, 6.44, 0.81

 

CMYK 0 / 33 / 91 / 58

HEX #6B480A

RGB 107 72 10

HSL 38.35, 0.83%, 0.23%

LAB 33.53, 9.56, 39.16

 

CMYK 0 / 58 / 91 / 58

HEX #6B2D0A

RGB 107 45 10

HSL 21.65, 0.83%, 0.23%

LAB 26.8, 25.64, 33.56

 

CMYK 0 / 82 / 91 / 58

HEX #6B130A

RGB 107 19 10

HSL 5.57, 0.83%, 0.23%

LAB 22.35, 37.59, 29.24

 

CMYK 0 / 91 / 91 / 58

HEX #6B0A0A

RGB 107 10 10

HSL 0, 0.83%, 0.23%

LAB 21.45, 40.14, 28.28

 

CMYK 0 / 33 / 91 / 58

HEX #6B480A

RGB 107 72 10

HSL 38.35, 0.83%, 0.23%

LAB 33.53, 9.56, 39.16

 

CMYK 0 / 8 / 91 / 58

HEX #6B620A

RGB 107 98 10

HSL 54.43, 0.83%, 0.23%

LAB 41.03, -6.01, 45.31

 

CMYK 15 / 0 / 91 / 58

HEX #5B6B0A

RGB 91 107 10

HSL 69.9, 0.83%, 0.23%

LAB 42.4, -18.66, 45.87

 

CMYK 40 / 0 / 91 / 58

HEX #406B0A

RGB 64 107 10

HSL 86.6, 0.83%, 0.23%

LAB 40.62, -30.28, 43.64

 

CMYK 64 / 0 / 91 / 58

HEX #266B0A

RGB 38 107 10

HSL 102.68, 0.83%, 0.23%

LAB 39.5, -38.89, 42.23

 

CMYK 0 / 33 / 91 / 58

HEX #6B480A

RGB 107 72 10

HSL 38.35, 0.83%, 0.23%

LAB 33.53, 9.56, 39.16

 

CMYK 0 / 37 / 100 / 54

HEX #754A00

RGB 117 74 0

HSL 37.95, 1%, 0.23%

LAB 35.36, 12.96, 44.55

 

CMYK 0 / 33 / 91 / 58

HEX #6B480A

RGB 107 72 10

HSL 38.35, 0.83%, 0.23%

LAB 33.53, 9.56, 39.16

 

CMYK 0 / 30 / 81 / 62

HEX #624513

RGB 98 69 19

HSL 37.97, 0.68%, 0.23%

LAB 31.58, 7.29, 33.41

 

CMYK 0 / 24 / 67 / 65

HEX #58431D

RGB 88 67 29

HSL 38.64, 0.5%, 0.23%

LAB 29.86, 4.19, 26.07

 

CMYK 0 / 19 / 52 / 69

HEX #4F4026

RGB 79 64 38

HSL 38.05, 0.35%, 0.23%

LAB 28.03, 2.52, 18.29

 

CMYK 0 / 12 / 30 / 73

HEX #453D30

RGB 69 61 48

HSL 37.14, 0.18%, 0.23%

LAB 26.2, 1.04, 9.29

 

CMYK 0 / 83 / 91 / 58

HEX #6B120A

RGB 107 18 10

HSL 4.95, 0.83%, 0.23%

LAB 22.23, 37.92, 29.12

 

CMYK 0 / 59 / 91 / 58

HEX #6B2C0A

RGB 107 44 10

HSL 21.03, 0.83%, 0.23%

LAB 26.59, 26.2, 33.36

 

CMYK 0 / 35 / 91 / 58

HEX #6B460A

RGB 107 70 10

HSL 37.11, 0.83%, 0.23%

LAB 32.98, 10.78, 38.71

 

CMYK 0 / 10 / 91 / 58

HEX #6B600A

RGB 107 96 10

HSL 53.2, 0.83%, 0.23%

LAB 40.43, -4.85, 44.82

 

CMYK 13 / 0 / 91 / 58

HEX #5D6B0A

RGB 93 107 10

HSL 68.66, 0.83%, 0.23%

LAB 42.56, -17.74, 46.06

 

CMYK 0 / 34 / 91 / 87

HEX #201503

RGB 32 21 3

HSL 37.24, 0.83%, 0.07%

LAB 7.68, 2.94, 10.32

 

CMYK 0 / 34 / 91 / 73

HEX #462E06

RGB 70 46 6

HSL 37.5, 0.84%, 0.15%

LAB 21.09, 7.03, 27.54

 

CMYK 0 / 33 / 91 / 58

HEX #6B480A

RGB 107 72 10

HSL 38.35, 0.83%, 0.23%

LAB 33.53, 9.56, 39.16

 

CMYK 0 / 33 / 91 / 43

HEX #91610D

RGB 145 97 13

HSL 38.18, 0.84%, 0.31%

LAB 45.08, 12.95, 49.59

 

CMYK 0 / 33 / 91 / 28

HEX #B77A11

RGB 183 122 17

HSL 37.95, 0.83%, 0.39%

LAB 56.11, 16.17, 59.17

 

CMYK 0 / 33 / 91 / 58

HEX #6C480A

RGB 108 72 10

HSL 37.96, 0.83%, 0.23%

LAB 33.66, 10.05, 39.32

 

CMYK 74 / 0 / 91 / 58

HEX #1C6B0A

RGB 28 107 10

HSL 108.87, 0.83%, 0.23%

LAB 39.21, -41.24, 41.88

 

CMYK 71 / 91 / 0 / 58

HEX #1F0A6B

RGB 31 10 107

HSL 252.99, 0.83%, 0.23%

LAB 13.05, 38.37, -50.96

 

CMYK 0 / 33 / 91 / 58

HEX #6C480A

RGB 108 72 10

HSL 37.96, 0.83%, 0.23%

LAB 33.66, 10.05, 39.32

 

CMYK 91 / 0 / 35 / 58

HEX #0A6B46

RGB 10 107 70

HSL 157.11, 0.83%, 0.23%

LAB 39.62, -35.38, 13.62

 

CMYK 35 / 91 / 0 / 58

HEX #460A6B

RGB 70 10 107

HSL 277.11, 0.83%, 0.23%

LAB 18.28, 43.12, -42.15

 

CMYK 0 / 33 / 91 / 58

HEX #6C480A

RGB 108 72 10

HSL 37.96, 0.83%, 0.23%

LAB 33.66, 10.05, 39.32

 

CMYK 74 / 0 / 91 / 58

HEX #1C6B0A

RGB 28 107 10

HSL 108.87, 0.83%, 0.23%

LAB 39.21, -41.24, 41.88

 

CMYK 91 / 56 / 0 / 58

HEX #0A2F6B

RGB 10 47 107

HSL 217.11, 0.83%, 0.23%

LAB 20.67, 12.84, -38.48

 

CMYK 17 / 91 / 0 / 58

HEX #590A6B

RGB 89 10 107

HSL 288.87, 0.83%, 0.23%

LAB 21.59, 46.38, -36.63

 

CMYK 0 / 33 / 91 / 58

HEX #6C480A

RGB 108 72 10

HSL 37.96, 0.83%, 0.23%

LAB 33.66, 10.05, 39.32

 

CMYK 91 / 0 / 80 / 58

HEX #0A6B15

RGB 10 107 21

HSL 126.8, 0.83%, 0.23%

LAB 38.96, -43.28, 38.13

 

CMYK 91 / 56 / 0 / 58

HEX #0A2F6B

RGB 10 47 107

HSL 217.11, 0.83%, 0.23%

LAB 20.67, 12.84, -38.48

 

CMYK 0 / 91 / 10 / 58

HEX #6B0A60

RGB 107 10 96

HSL 306.8, 0.83%, 0.23%

LAB 24.28, 48.05, -24.92

 

Description

Color code: HEX #6C480ACE | qconv.com Color code: HEX #6C480ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 72 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 72 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 74 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 74% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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