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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4681 it is the complementary color #93B97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4681 shade: #71467C, #82588F, #936AA2, #A47CB5 and #B58EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4681 shade: #6C4681, #5B346E, #4A225B, #391048 and #280035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4681 shade: #6C4681, #7C4681, #814676, #814666 and #814656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4681 shade: #6C4681, #5C4681, #4C4681 and #464681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4681 shade matches the following richer shades: #6C4681, #713691, #7525A1, #7A15B2 and #7F05C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4681 shade: #6C4681, #675671, #636661, #5E7651 and #5A8641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4681 shade: #4C4681, #5B4681, #6B4681, #7B4681 and #814677

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4681 shade: #3F294C, #563766, #6C4681, #82549C and #976AAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4681 shade: #6C4681, #814650 and #468154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4681 shade: #6C4681, #816B46 and #46816B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4681 shade: #6C4681, #814650, #5B8146 and #468177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4681 shade: #6C4681, #814E46, #5B8146 and #467981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

Complementary color

CMYK 21 / 0 / 32 / 27

HEX #93B97E

RGB 147 185 126

HSL 98.64, 0.3%, 0.61%

LAB 71.15, -23.71, 25.9

 

CMYK 9 / 44 / 0 / 51

HEX #71467C

RGB 113 70 124

HSL 287.78, 0.28%, 0.38%

LAB 36.64, 28.3, -23.32

 

CMYK 9 / 38 / 0 / 44

HEX #82588F

RGB 130 88 143

HSL 285.82, 0.24%, 0.45%

LAB 43.81, 27.47, -23.61

 

CMYK 9 / 35 / 0 / 36

HEX #936AA2

RGB 147 106 162

HSL 283.93, 0.23%, 0.53%

LAB 50.83, 26.7, -23.87

 

CMYK 9 / 31 / 0 / 29

HEX #A47CB5

RGB 164 124 181

HSL 282.11, 0.28%, 0.6%

LAB 57.7, 25.99, -24.13

 

CMYK 10 / 29 / 0 / 22

HEX #B58EC8

RGB 181 142 200

HSL 280.34, 0.35%, 0.67%

LAB 64.44, 25.33, -24.39

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 17 / 53 / 0 / 57

HEX #5B346E

RGB 91 52 110

HSL 280.34, 0.36%, 0.32%

LAB 28.92, 28.72, -26.83

 

CMYK 19 / 63 / 0 / 64

HEX #4A225B

RGB 74 34 91

HSL 282.11, 0.46%, 0.25%

LAB 21.41, 29.57, -26.52

 

CMYK 21 / 78 / 0 / 72

HEX #391048

RGB 57 16 72

HSL 283.93, 0.64%, 0.17%

LAB 13.88, 29.98, -25.85

 

CMYK 25 / 100 / 0 / 79

HEX #280035

RGB 40 0 53

HSL 285.28, 1%, 0.1%

LAB 6.4, 29.37, -24.52

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 4 / 46 / 0 / 49

HEX #7C4681

RGB 124 70 129

HSL 294.92, 0.3%, 0.39%

LAB 38.29, 32.95, -23.73

 

CMYK 0 / 46 / 9 / 49

HEX #814676

RGB 129 70 118

HSL 311.19, 0.3%, 0.39%

LAB 38.47, 32.45, -16.6

 

CMYK 0 / 46 / 21 / 49

HEX #814666

RGB 129 70 102

HSL 327.46, 0.3%, 0.39%

LAB 37.85, 29.65, -7.57

 

CMYK 0 / 46 / 33 / 49

HEX #814656

RGB 129 70 86

HSL 343.73, 0.3%, 0.39%

LAB 37.33, 27.22, 1.72

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 29 / 46 / 0 / 49

HEX #5C4681

RGB 92 70 129

HSL 262.37, 0.3%, 0.39%

LAB 34.48, 22.83, -29.97

 

CMYK 41 / 46 / 0 / 49

HEX #4C4681

RGB 76 70 129

HSL 246.1, 0.3%, 0.39%

LAB 32.92, 18.14, -32.54

 

CMYK 46 / 46 / 0 / 49

HEX #464681

RGB 70 70 129

HSL 240, 0.3%, 0.39%

LAB 32.41, 16.49, -33.39

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 22 / 63 / 0 / 43

HEX #713691

RGB 113 54 145

HSL 278.9, 0.46%, 0.39%

LAB 34.38, 42.03, -39.82

 

CMYK 27 / 77 / 0 / 37

HEX #7525A1

RGB 117 37 161

HSL 278.71, 0.63%, 0.39%

LAB 33.3, 54.22, -51.26

 

CMYK 31 / 88 / 0 / 30

HEX #7A15B2

RGB 122 21 178

HSL 278.6, 0.79%, 0.39%

LAB 33.75, 63.53, -60.71

 

CMYK 35 / 97 / 0 / 24

HEX #7F05C2

RGB 127 5 194

HSL 278.73, 0.95%, 0.39%

LAB 35.03, 70.02, -68.04

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 9 / 24 / 0 / 56

HEX #675671

RGB 103 86 113

HSL 277.78, 0.14%, 0.39%

LAB 39.12, 12.54, -12.79

 

CMYK 3 / 0 / 5 / 60

HEX #636661

RGB 99 102 97

HSL 96, 0.03%, 0.39%

LAB 42.79, -2.2, 2.41

 

CMYK 20 / 0 / 31 / 54

HEX #5E7651

RGB 94 118 81

HSL 98.92, 0.19%, 0.39%

LAB 46.88, -16.24, 17.6

 

CMYK 33 / 0 / 51 / 47

HEX #5A8641

RGB 90 134 65

HSL 98.26, 0.35%, 0.39%

LAB 51.39, -28.34, 32.2

 

CMYK 41 / 46 / 0 / 49

HEX #4C4681

RGB 76 70 129

HSL 246.1, 0.3%, 0.39%

LAB 32.92, 18.14, -32.54

 

CMYK 29 / 46 / 0 / 49

HEX #5B4681

RGB 91 70 129

HSL 261.36, 0.3%, 0.39%

LAB 34.37, 22.53, -30.15

 

CMYK 17 / 46 / 0 / 49

HEX #6B4681

RGB 107 70 129

HSL 277.63, 0.3%, 0.39%

LAB 36.16, 27.51, -27.22

 

CMYK 5 / 46 / 0 / 49

HEX #7B4681

RGB 123 70 129

HSL 293.9, 0.3%, 0.39%

LAB 38.16, 32.63, -23.95

 

CMYK 0 / 46 / 8 / 49

HEX #814677

RGB 129 70 119

HSL 310.17, 0.3%, 0.39%

LAB 38.51, 32.64, -17.16

 

CMYK 17 / 46 / 0 / 70

HEX #3F294C

RGB 63 41 76

HSL 277.71, 0.3%, 0.23%

LAB 20.69, 17.88, -17.73

 

CMYK 16 / 46 / 0 / 60

HEX #563766

RGB 86 55 102

HSL 279.57, 0.3%, 0.31%

LAB 28.56, 23.34, -22.31

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 17 / 46 / 0 / 39

HEX #82549C

RGB 130 84 156

HSL 278.33, 0.3%, 0.47%

LAB 43.49, 32.71, -31.9

 

CMYK 14 / 39 / 0 / 31

HEX #976AAF

RGB 151 106 175

HSL 279.13, 0.3%, 0.55%

LAB 51.82, 30.81, -29.88

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 0 / 46 / 38 / 49

HEX #814650

RGB 129 70 80

HSL 349.83, 0.3%, 0.39%

LAB 37.16, 26.41, 5.26

 

CMYK 46 / 0 / 35 / 49

HEX #468154

RGB 70 129 84

HSL 134.24, 0.3%, 0.39%

LAB 49.06, -29.76, 18.57

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 0 / 17 / 46 / 49

HEX #816B46

RGB 129 107 70

HSL 37.63, 0.3%, 0.39%

LAB 46.48, 3.38, 23.96

 

CMYK 46 / 0 / 17 / 49

HEX #46816B

RGB 70 129 107

HSL 157.63, 0.3%, 0.39%

LAB 49.57, -24.83, 5.98

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 0 / 46 / 38 / 49

HEX #814650

RGB 129 70 80

HSL 349.83, 0.3%, 0.39%

LAB 37.16, 26.41, 5.26

 

CMYK 29 / 0 / 46 / 49

HEX #5B8146

RGB 91 129 70

HSL 98.64, 0.3%, 0.39%

LAB 49.94, -24.83, 27.74

 

CMYK 46 / 0 / 8 / 49

HEX #468177

RGB 70 129 119

HSL 169.83, 0.3%, 0.39%

LAB 49.9, -21.85, -0.58

 

CMYK 16 / 46 / 0 / 49

HEX #6C4681

RGB 108 70 129

HSL 278.64, 0.3%, 0.39%

LAB 36.28, 27.82, -27.02

 

CMYK 0 / 40 / 46 / 49

HEX #814E46

RGB 129 78 70

HSL 8.14, 0.3%, 0.39%

LAB 38.83, 20.52, 13.83

 

CMYK 29 / 0 / 46 / 49

HEX #5B8146

RGB 91 129 70

HSL 98.64, 0.3%, 0.39%

LAB 49.94, -24.83, 27.74

 

CMYK 46 / 6 / 0 / 49

HEX #467981

RGB 70 121 129

HSL 188.14, 0.3%, 0.39%

LAB 47.7, -14.83, -9.73

 

Description

Color code: HEX #6C4681 | qconv.com Color code: HEX #6C4681 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 70 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 70 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 46 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 46% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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