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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C3883 it is the complementary color #93C77C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C3883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C3883 shade: #71387E, #824A91, #935CA4, #A46EB7 and #B580CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C3883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C3883 shade: #6C3883, #5B2670, #4A145D, #39024A and #280037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C3883 shade: #6D3984, #813984, #843973, #84395E and #84394A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C3883 shade: #6D3984, #593984, #443984 and #393984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C3883 shade matches the following richer shades: #6D3984, #732993, #791AA3 and #7F0BB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C3883 shade: #6D3984, #674875, #615766, #5B6656 and #557647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C3883 shade: #443984, #583984, #6C3984, #803984 and #843974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C3883 shade: #3D204A, #552C67, #6D3984, #8545A1 and #9A58B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C3883 shade: #6C3883, #843941 and #39844E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C3883 shade: #6C3883, #846C39 and #39846C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C3883 shade: #6C3883, #843941, #518439 and #39847B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C3883 shade: #6C3883, #844639, #518439 and #397684

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

Complementary color

CMYK 26 / 0 / 38 / 22

HEX #93C77C

RGB 147 199 124

HSL 101.6, 0.4%, 0.63%

LAB 75.14, -30.78, 32.23

 

CMYK 10 / 56 / 0 / 51

HEX #71387E

RGB 113 56 126

HSL 288.86, 0.38%, 0.36%

LAB 33.66, 36.72, -29.24

 

CMYK 10 / 49 / 0 / 43

HEX #824A91

RGB 130 74 145

HSL 287.32, 0.32%, 0.43%

LAB 40.72, 35.95, -29.64

 

CMYK 10 / 44 / 0 / 36

HEX #935CA4

RGB 147 92 164

HSL 285.83, 0.28%, 0.5%

LAB 47.67, 35.13, -29.94

 

CMYK 10 / 40 / 0 / 28

HEX #A46EB7

RGB 164 110 183

HSL 284.38, 0.34%, 0.57%

LAB 54.52, 34.33, -30.2

 

CMYK 10 / 37 / 0 / 21

HEX #B580CA

RGB 181 128 202

HSL 282.97, 0.41%, 0.65%

LAB 61.24, 33.57, -30.43

 

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

CMYK 19 / 66 / 0 / 56

HEX #5B2670

RGB 91 38 112

HSL 282.97, 0.49%, 0.29%

LAB 26.1, 37.04, -32.59

 

CMYK 20 / 78 / 0 / 64

HEX #4A145D

RGB 74 20 93

HSL 284.38, 0.65%, 0.22%

LAB 19, 37.11, -31.72

 

CMYK 23 / 97 / 0 / 71

HEX #39024A

RGB 57 2 74

HSL 285.83, 0.95%, 0.15%

LAB 12.01, 36.32, -30.25

 

CMYK 27 / 100 / 0 / 78

HEX #280037

RGB 40 0 55

HSL 283.64, 1%, 0.11%

LAB 6.57, 29.92, -25.71

 

CMYK 17 / 57 / 0 / 48

HEX #6D3984

RGB 109 57 132

HSL 281.6, 0.4%, 0.37%

LAB 33.65, 36.35, -33.01

 

CMYK 2 / 57 / 0 / 48

HEX #813984

RGB 129 57 132

HSL 297.6, 0.4%, 0.37%

LAB 36.48, 42.07, -28.36

 

CMYK 0 / 57 / 13 / 48

HEX #843973

RGB 132 57 115

HSL 313.6, 0.4%, 0.37%

LAB 36.12, 39.87, -18.32

 

CMYK 0 / 57 / 29 / 48

HEX #84395E

RGB 132 57 94

HSL 330.4, 0.4%, 0.37%

LAB 35.28, 36.57, -6.32

 

CMYK 0 / 57 / 44 / 48

HEX #84394A

RGB 132 57 74

HSL 346.4, 0.4%, 0.37%

LAB 34.65, 33.99, 5.56

 

CMYK 17 / 57 / 0 / 48

HEX #6D3984

RGB 109 57 132

HSL 281.6, 0.4%, 0.37%

LAB 33.65, 36.35, -33.01

 

CMYK 33 / 57 / 0 / 48

HEX #593984

RGB 89 57 132

HSL 265.6, 0.4%, 0.37%

LAB 31.15, 30.8, -37.14

 

CMYK 48 / 57 / 0 / 48

HEX #443984

RGB 68 57 132

HSL 248.8, 0.4%, 0.37%

LAB 28.96, 25.45, -40.78

 

CMYK 57 / 57 / 0 / 48

HEX #393984

RGB 57 57 132

HSL 240, 0.4%, 0.37%

LAB 28.01, 22.97, -42.36

 

CMYK 17 / 57 / 0 / 48

HEX #6D3984

RGB 109 57 132

HSL 281.6, 0.4%, 0.37%

LAB 33.65, 36.35, -33.01

 

CMYK 22 / 72 / 0 / 42

HEX #732993

RGB 115 41 147

HSL 281.89, 0.56%, 0.37%

LAB 32.56, 49.15, -43.95

 

CMYK 26 / 84 / 0 / 36

HEX #791AA3

RGB 121 26 163

HSL 281.61, 0.72%, 0.37%

LAB 32.81, 59.02, -53.25

 

CMYK 29 / 94 / 0 / 30

HEX #7F0BB2

RGB 127 11 178

HSL 281.68, 0.88%, 0.37%

LAB 33.91, 66.07, -60.41

 

CMYK 17 / 57 / 0 / 48

HEX #6D3984

RGB 109 57 132

HSL 281.6, 0.4%, 0.37%

LAB 33.65, 36.35, -33.01

 

CMYK 12 / 38 / 0 / 54

HEX #674875

RGB 103 72 117

HSL 281.33, 0.24%, 0.37%

LAB 35.6, 22.14, -20.68

 

CMYK 5 / 15 / 0 / 60

HEX #615766

RGB 97 87 102

HSL 280, 0.08%, 0.37%

LAB 38.41, 7.19, -7.13

 

CMYK 11 / 0 / 16 / 60

HEX #5B6656

RGB 91 102 86

HSL 101.25, 0.09%, 0.37%

LAB 41.84, -7.56, 7.63

 

CMYK 28 / 0 / 40 / 54

HEX #557647

RGB 85 118 71

HSL 102.13, 0.25%, 0.37%

LAB 46.1, -21.37, 22.19

 

CMYK 48 / 57 / 0 / 48

HEX #443984

RGB 68 57 132

HSL 248.8, 0.4%, 0.37%

LAB 28.96, 25.45, -40.78

 

CMYK 33 / 57 / 0 / 48

HEX #583984

RGB 88 57 132

HSL 264.8, 0.4%, 0.37%

LAB 31.04, 30.53, -37.33

 

CMYK 18 / 57 / 0 / 48

HEX #6C3984

RGB 108 57 132

HSL 280.8, 0.4%, 0.37%

LAB 33.52, 36.06, -33.23

 

CMYK 3 / 57 / 0 / 48

HEX #803984

RGB 128 57 132

HSL 296.8, 0.4%, 0.37%

LAB 36.33, 41.78, -28.6

 

CMYK 0 / 57 / 12 / 48

HEX #843974

RGB 132 57 116

HSL 312.8, 0.4%, 0.37%

LAB 36.16, 40.04, -18.87

 

CMYK 18 / 57 / 0 / 71

HEX #3D204A

RGB 61 32 74

HSL 281.43, 0.4%, 0.21%

LAB 18.01, 22.52, -20.6

 

CMYK 17 / 57 / 0 / 60

HEX #552C67

RGB 85 44 103

HSL 281.69, 0.4%, 0.29%

LAB 25.9, 29.93, -27.16

 

CMYK 17 / 57 / 0 / 48

HEX #6D3984

RGB 109 57 132

HSL 281.6, 0.4%, 0.37%

LAB 33.65, 36.35, -33.01

 

CMYK 17 / 57 / 0 / 37

HEX #8545A1

RGB 133 69 161

HSL 281.74, 0.4%, 0.45%

LAB 40.92, 43.02, -38.91

 

CMYK 16 / 52 / 0 / 28

HEX #9A58B7

RGB 154 88 183

HSL 281.68, 0.4%, 0.53%

LAB 48.6, 43.47, -39.56

 

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

CMYK 0 / 57 / 51 / 48

HEX #843941

RGB 132 57 65

HSL 353.6, 0.4%, 0.37%

LAB 34.42, 33.02, 11.01

 

CMYK 57 / 0 / 41 / 48

HEX #39844E

RGB 57 132 78

HSL 136.8, 0.4%, 0.37%

LAB 49.4, -35.95, 22.31

 

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

CMYK 0 / 18 / 57 / 48

HEX #846C39

RGB 132 108 57

HSL 40.8, 0.4%, 0.37%

LAB 46.88, 2.83, 31.79

 

CMYK 57 / 0 / 18 / 48

HEX #39846C

RGB 57 132 108

HSL 160.8, 0.4%, 0.37%

LAB 50.04, -29.42, 6

 

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

CMYK 0 / 57 / 51 / 48

HEX #843941

RGB 132 57 65

HSL 353.6, 0.4%, 0.37%

LAB 34.42, 33.02, 11.01

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 57 / 0 / 7 / 48

HEX #39847B

RGB 57 132 123

HSL 172.8, 0.4%, 0.37%

LAB 50.46, -25.48, -2.17

 

CMYK 18 / 57 / 0 / 49

HEX #6C3883

RGB 108 56 131

HSL 281.6, 0.4%, 0.37%

LAB 33.25, 36.39, -33.03

 

CMYK 0 / 47 / 57 / 48

HEX #844639

RGB 132 70 57

HSL 10.4, 0.4%, 0.37%

LAB 37.08, 25.1, 19.59

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 57 / 11 / 0 / 48

HEX #397684

RGB 57 118 132

HSL 191.2, 0.4%, 0.37%

LAB 46.3, -15.43, -13.68

 

Description

Color code: HEX #6C3883 | qconv.com Color code: HEX #6C3883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 56 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 56 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 57 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 57% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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