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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C233E it is the complementary color #93DCC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C233E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C233E shade: #712339, #82354C, #93475F, #A45972 and #B56B85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C233E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C233E shade: #6C233E, #5B112B, #4A0018, #390005 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C233E shade: #6C233E, #6C232A and #6C2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C233E shade: #6C233E, #6C2352, #6C2365, #5F236C and #4B236C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C233E shade matches the following richer shades: #6C233E, #77173B, #830C38 and #8E0035

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C233E shade: #6C233E, #602F41, #553A44, #494647 and #3E514A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C233E shade: #6C2366, #6C2352, #6C233F, #6C232B and #6C2E23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C233E shade: #2E0F1A, #4D192C, #6C233E, #8B2D50 and #AA3762

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C233E shade: #6C233E, #6C5E23 and #235C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C233E shade: #6C233E, #3F6C23 and #233F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C233E shade: #6C233E, #6C5E23, #236C50 and #23306C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C233E shade: #6C233E, #636C23, #236C50 and #2B236C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

Complementary color

CMYK 33 / 0 / 12 / 14

HEX #93DCC1

RGB 147 220 193

HSL 157.81, 0.51%, 0.72%

LAB 82.51, -28.51, 6.07

 

CMYK 0 / 69 / 50 / 56

HEX #712339

RGB 113 35 57

HSL 343.08, 0.53%, 0.29%

LAB 26.76, 36.18, 5.05

 

CMYK 0 / 59 / 42 / 49

HEX #82354C

RGB 130 53 76

HSL 342.08, 0.42%, 0.36%

LAB 33.59, 35.56, 2.71

 

CMYK 0 / 52 / 35 / 42

HEX #93475F

RGB 147 71 95

HSL 341.05, 0.35%, 0.43%

LAB 40.47, 34.68, 0.96

 

CMYK 0 / 46 / 30 / 36

HEX #A45972

RGB 164 89 114

HSL 340, 0.3%, 0.5%

LAB 47.3, 33.76, -0.42

 

CMYK 0 / 41 / 27 / 29

HEX #B56B85

RGB 181 107 133

HSL 338.92, 0.33%, 0.56%

LAB 54.06, 32.86, -1.57

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 81 / 53 / 64

HEX #5B112B

RGB 91 17 43

HSL 338.92, 0.69%, 0.21%

LAB 19.22, 34.91, 3.4

 

CMYK 0 / 100 / 68 / 71

HEX #4A0018

RGB 74 0 24

HSL 340.54, 1%, 0.15%

LAB 12.75, 33.91, 7.67

 

CMYK 0 / 100 / 91 / 78

HEX #390005

RGB 57 0 5

HSL 354.74, 1%, 0.11%

LAB 7.96, 27.88, 10.53

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 68 / 61 / 58

HEX #6C232A

RGB 108 35 42

HSL 354.25, 0.51%, 0.28%

LAB 25.43, 33, 13.19

 

CMYK 0 / 68 / 68 / 58

HEX #6C2323

RGB 108 35 35

HSL 0, 0.51%, 0.28%

LAB 25.3, 32.47, 17.67

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 68 / 24 / 58

HEX #6C2352

RGB 108 35 82

HSL 321.37, 0.51%, 0.28%

LAB 26.73, 37.71, -11.83

 

CMYK 0 / 68 / 6 / 58

HEX #6C2365

RGB 108 35 101

HSL 305.75, 0.51%, 0.28%

LAB 27.65, 40.86, -22.86

 

CMYK 12 / 68 / 0 / 58

HEX #5F236C

RGB 95 35 108

HSL 289.32, 0.51%, 0.28%

LAB 25.91, 38.7, -30.28

 

CMYK 31 / 68 / 0 / 58

HEX #4B236C

RGB 75 35 108

HSL 272.88, 0.51%, 0.28%

LAB 22.93, 33.56, -35.22

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 81 / 50 / 53

HEX #77173B

RGB 119 23 59

HSL 337.5, 0.68%, 0.28%

LAB 26.3, 43.02, 3.21

 

CMYK 0 / 91 / 57 / 49

HEX #830C38

RGB 131 12 56

HSL 337.82, 0.83%, 0.28%

LAB 27.77, 48.97, 7.68

 

CMYK 0 / 100 / 63 / 44

HEX #8E0035

RGB 142 0 53

HSL 337.61, 1%, 0.28%

LAB 29.43, 53.59, 12.37

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 51 / 32 / 62

HEX #602F41

RGB 96 47 65

HSL 337.96, 0.34%, 0.28%

LAB 26.45, 24.53, -1.13

 

CMYK 0 / 32 / 20 / 67

HEX #553A44

RGB 85 58 68

HSL 337.78, 0.19%, 0.28%

LAB 27.78, 13.69, -1.36

 

CMYK 0 / 4 / 3 / 71

HEX #494647

RGB 73 70 71

HSL 340, 0.02%, 0.28%

LAB 30.04, 1.47, -0.16

 

CMYK 23 / 0 / 9 / 68

HEX #3E514A

RGB 62 81 74

HSL 157.89, 0.13%, 0.28%

LAB 32.71, -9.05, 1.7

 

CMYK 0 / 68 / 6 / 58

HEX #6C2366

RGB 108 35 102

HSL 304.93, 0.51%, 0.28%

LAB 27.71, 41.04, -23.42

 

CMYK 0 / 68 / 24 / 58

HEX #6C2352

RGB 108 35 82

HSL 321.37, 0.51%, 0.28%

LAB 26.73, 37.71, -11.83

 

CMYK 0 / 68 / 42 / 58

HEX #6C233F

RGB 108 35 63

HSL 336.99, 0.51%, 0.28%

LAB 26.01, 35.12, -0.2

 

CMYK 0 / 68 / 60 / 58

HEX #6C232B

RGB 108 35 43

HSL 353.42, 0.51%, 0.28%

LAB 25.46, 33.08, 12.54

 

CMYK 0 / 57 / 68 / 58

HEX #6C2E23

RGB 108 46 35

HSL 9.04, 0.51%, 0.28%

LAB 27.47, 26.74, 20.38

 

CMYK 0 / 67 / 43 / 82

HEX #2E0F1A

RGB 46 15 26

HSL 338.71, 0.51%, 0.12%

LAB 8.97, 17.35, -0.08

 

CMYK 0 / 68 / 43 / 70

HEX #4D192C

RGB 77 25 44

HSL 338.08, 0.51%, 0.2%

LAB 17.71, 26.59, 0.14

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 68 / 42 / 45

HEX #8B2D50

RGB 139 45 80

HSL 337.66, 0.51%, 0.36%

LAB 33.87, 42.89, 0.72

 

CMYK 0 / 68 / 42 / 33

HEX #AA3762

RGB 170 55 98

HSL 337.57, 0.51%, 0.44%

LAB 41.47, 50.41, 1.01

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 13 / 68 / 58

HEX #6C5E23

RGB 108 94 35

HSL 48.49, 0.51%, 0.28%

LAB 40.11, -2, 34.88

 

CMYK 68 / 15 / 0 / 58

HEX #235C6C

RGB 35 92 108

HSL 193.15, 0.51%, 0.28%

LAB 36.17, -13.03, -14.63

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 42 / 0 / 68 / 58

HEX #3F6C23

RGB 63 108 35

HSL 96.99, 0.51%, 0.28%

LAB 41.06, -29.46, 34.91

 

CMYK 68 / 42 / 0 / 58

HEX #233F6C

RGB 35 63 108

HSL 216.99, 0.51%, 0.28%

LAB 26.72, 5.4, -29.36

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 0 / 13 / 68 / 58

HEX #6C5E23

RGB 108 94 35

HSL 48.49, 0.51%, 0.28%

LAB 40.11, -2, 34.88

 

CMYK 68 / 0 / 26 / 58

HEX #236C50

RGB 35 108 80

HSL 156.99, 0.51%, 0.28%

LAB 40.67, -29.79, 9.18

 

CMYK 68 / 56 / 0 / 58

HEX #23306C

RGB 35 48 108

HSL 229.32, 0.51%, 0.28%

LAB 22.14, 15.91, -36.7

 

CMYK 0 / 68 / 43 / 58

HEX #6C233E

RGB 108 35 62

HSL 337.81, 0.51%, 0.28%

LAB 25.97, 35, 0.43

 

CMYK 8 / 0 / 68 / 58

HEX #636C23

RGB 99 108 35

HSL 67.4, 0.51%, 0.28%

LAB 43.51, -14.23, 38.25

 

CMYK 68 / 0 / 26 / 58

HEX #236C50

RGB 35 108 80

HSL 156.99, 0.51%, 0.28%

LAB 40.67, -29.79, 9.18

 

CMYK 60 / 68 / 0 / 58

HEX #2B236C

RGB 43 35 108

HSL 246.58, 0.51%, 0.28%

LAB 19.22, 26.42, -41.41

 

Description

Color code: HEX #6C233E | qconv.com Color code: HEX #6C233E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 35 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 35 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 43 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 43% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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