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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C2159 it is the complementary color #93DEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C2159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C2159 shade: #712154, #823367, #93457A, #A4578D and #B569A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C2159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C2159 shade: #6C2159, #5B0F46, #4A0033, #390020 and #28000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C2159 shade: #6D225A, #6D2246, #6D2231 and #6D2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C2159 shade: #6D225A, #6C226D, #58226D, #43226D and #2F226D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C2159 shade matches the following richer shades: #6D225A, #791660 and #840A65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C2159 shade: #6D225A, #622D54, #56394F, #4B4449 and #3F5043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C2159 shade: #58226D, #6C226D, #6D225A, #6D2246 and #6D2232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C2159 shade: #2E0E26, #4E1840, #6D225A, #8D2B74 and #AC358E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C2159 shade: #6C2159, #6D4422 and #226D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C2159 shade: #6C2159, #5A6D22 and #225A6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C2159 shade: #6C2159, #6D4422, #226D34 and #224B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C2159 shade: #6C2159, #6D5A22, #226D34 and #22346D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

Complementary color

CMYK 34 / 0 / 25 / 13

HEX #93DEA6

RGB 147 222 166

HSL 135.2, 0.53%, 0.72%

LAB 82.49, -34.7, 20.26

 

CMYK 0 / 71 / 26 / 56

HEX #712154

RGB 113 33 84

HSL 321.75, 0.55%, 0.29%

LAB 27.4, 40.42, -12.05

 

CMYK 0 / 61 / 21 / 49

HEX #823367

RGB 130 51 103

HSL 320.51, 0.44%, 0.35%

LAB 34.18, 40.27, -13.75

 

CMYK 0 / 53 / 17 / 42

HEX #93457A

RGB 147 69 122

HSL 319.23, 0.36%, 0.42%

LAB 41, 39.7, -14.98

 

CMYK 0 / 47 / 14 / 36

HEX #A4578D

RGB 164 87 141

HSL 317.92, 0.31%, 0.49%

LAB 47.79, 38.96, -15.93

 

CMYK 0 / 42 / 12 / 29

HEX #B569A0

RGB 181 105 160

HSL 316.58, 0.34%, 0.56%

LAB 54.52, 38.18, -16.7

 

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

CMYK 0 / 84 / 23 / 64

HEX #5B0F46

RGB 91 15 70

HSL 316.58, 0.72%, 0.21%

LAB 20.08, 38.95, -14.25

 

CMYK 0 / 100 / 31 / 71

HEX #4A0033

RGB 74 0 51

HSL 318.65, 1%, 0.15%

LAB 13.8, 36.66, -10.85

 

CMYK 0 / 100 / 44 / 78

HEX #390020

RGB 57 0 32

HSL 326.32, 1%, 0.11%

LAB 8.77, 30.05, -4.71

 

CMYK 0 / 100 / 68 / 84

HEX #28000D

RGB 40 0 13

HSL 340.5, 1%, 0.08%

LAB 4.34, 19.96, 1.42

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 0 / 69 / 36 / 57

HEX #6D2246

RGB 109 34 70

HSL 331.2, 0.52%, 0.28%

LAB 26.27, 36.79, -4.51

 

CMYK 0 / 69 / 55 / 57

HEX #6D2231

RGB 109 34 49

HSL 348, 0.52%, 0.28%

LAB 25.61, 34.45, 8.74

 

CMYK 0 / 69 / 69 / 57

HEX #6D2222

RGB 109 34 34

HSL 0, 0.52%, 0.28%

LAB 25.29, 33.25, 18.37

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 1 / 69 / 0 / 57

HEX #6C226D

RGB 108 34 109

HSL 299.2, 0.52%, 0.28%

LAB 27.94, 42.77, -27.57

 

CMYK 19 / 69 / 0 / 57

HEX #58226D

RGB 88 34 109

HSL 283.2, 0.52%, 0.28%

LAB 24.71, 37.61, -32.91

 

CMYK 39 / 69 / 0 / 57

HEX #43226D

RGB 67 34 109

HSL 266.4, 0.52%, 0.28%

LAB 21.73, 32.47, -37.86

 

CMYK 57 / 69 / 0 / 57

HEX #2F226D

RGB 47 34 109

HSL 250.4, 0.52%, 0.28%

LAB 19.44, 28.17, -41.68

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 0 / 82 / 21 / 53

HEX #791660

RGB 121 22 96

HSL 315.15, 0.69%, 0.28%

LAB 28.07, 48.3, -18.78

 

CMYK 0 / 92 / 23 / 48

HEX #840A65

RGB 132 10 101

HSL 315.25, 0.86%, 0.28%

LAB 29.57, 54.23, -19.54

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 0 / 54 / 14 / 62

HEX #622D54

RGB 98 45 84

HSL 315.85, 0.37%, 0.28%

LAB 27.06, 29.59, -12.81

 

CMYK 0 / 34 / 8 / 66

HEX #56394F

RGB 86 57 79

HSL 314.48, 0.2%, 0.28%

LAB 28.03, 16.88, -8.19

 

CMYK 0 / 9 / 3 / 71

HEX #4B4449

RGB 75 68 73

HSL 317.14, 0.05%, 0.28%

LAB 29.69, 4.02, -1.94

 

CMYK 21 / 0 / 16 / 69

HEX #3F5043

RGB 63 80 67

HSL 134.12, 0.12%, 0.28%

LAB 32.26, -9.67, 5.49

 

CMYK 19 / 69 / 0 / 57

HEX #58226D

RGB 88 34 109

HSL 283.2, 0.52%, 0.28%

LAB 24.71, 37.61, -32.91

 

CMYK 1 / 69 / 0 / 57

HEX #6C226D

RGB 108 34 109

HSL 299.2, 0.52%, 0.28%

LAB 27.94, 42.77, -27.57

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 0 / 69 / 36 / 57

HEX #6D2246

RGB 109 34 70

HSL 331.2, 0.52%, 0.28%

LAB 26.27, 36.79, -4.51

 

CMYK 0 / 69 / 54 / 57

HEX #6D2232

RGB 109 34 50

HSL 347.2, 0.52%, 0.28%

LAB 25.64, 34.54, 8.1

 

CMYK 0 / 70 / 17 / 82

HEX #2E0E26

RGB 46 14 38

HSL 315, 0.53%, 0.12%

LAB 9.28, 20.08, -8.72

 

CMYK 0 / 69 / 18 / 69

HEX #4E1840

RGB 78 24 64

HSL 315.56, 0.53%, 0.2%

LAB 18.55, 30.51, -12.66

 

CMYK 0 / 69 / 17 / 57

HEX #6D225A

RGB 109 34 90

HSL 315.2, 0.52%, 0.28%

LAB 27.11, 39.72, -16.51

 

CMYK 0 / 70 / 18 / 45

HEX #8D2B74

RGB 141 43 116

HSL 315.31, 0.53%, 0.36%

LAB 35.3, 49.07, -20.08

 

CMYK 0 / 69 / 17 / 33

HEX #AC358E

RGB 172 53 142

HSL 315.13, 0.53%, 0.44%

LAB 43.17, 57.31, -23.53

 

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

CMYK 0 / 38 / 69 / 57

HEX #6D4422

RGB 109 68 34

HSL 27.2, 0.52%, 0.28%

LAB 32.92, 14.14, 27.47

 

CMYK 69 / 0 / 10 / 57

HEX #226D62

RGB 34 109 98

HSL 171.2, 0.52%, 0.28%

LAB 41.47, -25.59, -0.56

 

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

CMYK 17 / 0 / 69 / 57

HEX #5A6D22

RGB 90 109 34

HSL 75.2, 0.52%, 0.28%

LAB 43.1, -18.92, 38.06

 

CMYK 69 / 17 / 0 / 57

HEX #225A6D

RGB 34 90 109

HSL 195.2, 0.52%, 0.28%

LAB 35.51, -11.69, -16.25

 

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

CMYK 0 / 38 / 69 / 57

HEX #6D4422

RGB 109 68 34

HSL 27.2, 0.52%, 0.28%

LAB 32.92, 14.14, 27.47

 

CMYK 69 / 0 / 52 / 57

HEX #226D34

RGB 34 109 52

HSL 134.4, 0.52%, 0.28%

LAB 40.45, -36.29, 25.15

 

CMYK 69 / 31 / 0 / 57

HEX #224B6D

RGB 34 75 109

HSL 207.2, 0.52%, 0.28%

LAB 30.58, -2.42, -23.9

 

CMYK 0 / 69 / 18 / 58

HEX #6C2159

RGB 108 33 89

HSL 315.2, 0.53%, 0.28%

LAB 26.73, 39.7, -16.47

 

CMYK 0 / 17 / 69 / 57

HEX #6D5A22

RGB 109 90 34

HSL 44.8, 0.52%, 0.28%

LAB 39.03, 0.79, 34.25

 

CMYK 69 / 0 / 52 / 57

HEX #226D34

RGB 34 109 52

HSL 134.4, 0.52%, 0.28%

LAB 40.45, -36.29, 25.15

 

CMYK 69 / 52 / 0 / 57

HEX #22346D

RGB 34 52 109

HSL 225.6, 0.52%, 0.28%

LAB 23.34, 13.28, -35.41

 

Description

Color code: HEX #6C2159 | qconv.com Color code: HEX #6C2159 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 33 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 33 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 18 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 18% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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