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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C0BAE it is the complementary color #93F451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C0BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C0BAE shade: #710BA9, #821DBC, #932FCF, #A441E2 and #B553F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C0BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C0BAE shade: #6C0BAE, #5B009B, #4A0088, #390075 and #280062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C0BAE shade: #6B0BAD, #970BAD, #AD0B97, #AD0B6B and #AD0B40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C0BAE shade: #6B0BAD, #400BAD, #140BAD and #0B0BAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C0BAE shade matches the following richer shades: #6B0BAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C0BAE shade: #6B0BAD, #681A9E, #66298F, #633880 and #604671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C0BAE shade: #130BAD, #3E0BAD, #690BAD, #940BAD and #AD0B9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C0BAE shade: #3B065F, #530986, #6B0BAD, #830DD3 and #991AF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C0BAE shade: #6C0BAE, #AD0B2E and #0BAD29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C0BAE shade: #6C0BAE, #AD690B and #0BAD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C0BAE shade: #6C0BAE, #AD0B2E, #4EAD0B and #0BAD8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C0BAE shade: #6C0BAE, #AD180B, #4EAD0B and #0B9FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

Complementary color

CMYK 40 / 0 / 67 / 4

HEX #93F451

RGB 147 244 81

HSL 95.71, 0.88%, 0.64%

LAB 87.73, -54.91, 66.75

 

CMYK 33 / 93 / 0 / 34

HEX #710BA9

RGB 113 11 169

HSL 278.73, 0.88%, 0.35%

LAB 30.91, 62.42, -60.01

 

CMYK 31 / 85 / 0 / 26

HEX #821DBC

RGB 130 29 188

HSL 278.11, 0.73%, 0.43%

LAB 36.47, 64.75, -62.14

 

CMYK 29 / 77 / 0 / 19

HEX #932FCF

RGB 147 47 207

HSL 277.5, 0.63%, 0.5%

LAB 42.37, 65.79, -63.52

 

CMYK 27 / 71 / 0 / 11

HEX #A441E2

RGB 164 65 226

HSL 276.89, 0.74%, 0.57%

LAB 48.47, 66.03, -64.4

 

CMYK 26 / 66 / 0 / 4

HEX #B553F5

RGB 181 83 245

HSL 276.3, 0.89%, 0.64%

LAB 54.66, 65.8, -64.97

 

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

CMYK 41 / 100 / 0 / 39

HEX #5B009B

RGB 91 0 155

HSL 275.23, 1%, 0.3%

LAB 25.54, 58.81, -60.46

 

CMYK 46 / 100 / 0 / 47

HEX #4A0088

RGB 74 0 136

HSL 272.65, 1%, 0.27%

LAB 20.96, 52.93, -56.31

 

CMYK 51 / 100 / 0 / 54

HEX #390075

RGB 57 0 117

HSL 269.23, 1%, 0.23%

LAB 16.28, 46.94, -52.02

 

CMYK 59 / 100 / 0 / 62

HEX #280062

RGB 40 0 98

HSL 264.49, 1%, 0.19%

LAB 11.5, 40.85, -47.53

 

CMYK 38 / 94 / 0 / 32

HEX #6B0BAD

RGB 107 11 173

HSL 275.56, 0.88%, 0.36%

LAB 30.36, 62.51, -63.37

 

CMYK 13 / 94 / 0 / 32

HEX #970BAD

RGB 151 11 173

HSL 291.85, 0.88%, 0.36%

LAB 37.55, 68.68, -51.34

 

CMYK 0 / 94 / 13 / 32

HEX #AD0B97

RGB 173 11 151

HSL 308.15, 0.88%, 0.36%

LAB 40.18, 69.16, -33.66

 

CMYK 0 / 94 / 38 / 32

HEX #AD0B6B

RGB 173 11 107

HSL 324.44, 0.88%, 0.36%

LAB 38.17, 63.93, -9.48

 

CMYK 0 / 94 / 63 / 32

HEX #AD0B40

RGB 173 11 64

HSL 340.37, 0.88%, 0.36%

LAB 36.92, 60.51, 16.34

 

CMYK 38 / 94 / 0 / 32

HEX #6B0BAD

RGB 107 11 173

HSL 275.56, 0.88%, 0.36%

LAB 30.36, 62.51, -63.37

 

CMYK 63 / 94 / 0 / 32

HEX #400BAD

RGB 64 11 173

HSL 259.63, 0.88%, 0.36%

LAB 24.79, 58.48, -72.75

 

CMYK 88 / 94 / 0 / 32

HEX #140BAD

RGB 20 11 173

HSL 243.33, 0.88%, 0.36%

LAB 21.6, 56.61, -78.14

 

CMYK 94 / 94 / 0 / 32

HEX #0B0BAD

RGB 11 11 173

HSL 240, 0.88%, 0.36%

LAB 21.31, 56.46, -78.63

 

CMYK 38 / 94 / 0 / 32

HEX #6B0BAD

RGB 107 11 173

HSL 275.56, 0.88%, 0.36%

LAB 30.36, 62.51, -63.37

 

CMYK 38 / 94 / 0 / 32

HEX #6B0BAD

RGB 107 11 173

HSL 275.56, 0.88%, 0.36%

LAB 30.36, 62.51, -63.37

 

CMYK 34 / 84 / 0 / 38

HEX #681A9E

RGB 104 26 158

HSL 275.45, 0.72%, 0.36%

LAB 29.79, 55.2, -55.25

 

CMYK 29 / 71 / 0 / 44

HEX #66298F

RGB 102 41 143

HSL 275.88, 0.55%, 0.36%

LAB 30.39, 45.42, -45.1

 

CMYK 23 / 56 / 0 / 50

HEX #633880

RGB 99 56 128

HSL 275.83, 0.39%, 0.36%

LAB 31.9, 33.13, -33.39

 

CMYK 15 / 38 / 0 / 56

HEX #604671

RGB 96 70 113

HSL 276.28, 0.23%, 0.36%

LAB 34.11, 20.03, -20.56

 

CMYK 89 / 94 / 0 / 32

HEX #130BAD

RGB 19 11 173

HSL 242.96, 0.88%, 0.36%

LAB 21.56, 56.59, -78.21

 

CMYK 64 / 94 / 0 / 32

HEX #3E0BAD

RGB 62 11 173

HSL 258.89, 0.88%, 0.36%

LAB 24.58, 58.34, -73.1

 

CMYK 39 / 94 / 0 / 32

HEX #690BAD

RGB 105 11 173

HSL 274.81, 0.88%, 0.36%

LAB 30.06, 62.27, -63.87

 

CMYK 14 / 94 / 0 / 32

HEX #940BAD

RGB 148 11 173

HSL 290.74, 0.88%, 0.36%

LAB 37.03, 68.21, -52.21

 

CMYK 0 / 94 / 11 / 32

HEX #AD0B9A

RGB 173 11 154

HSL 307.04, 0.88%, 0.36%

LAB 40.34, 69.57, -35.22

 

CMYK 38 / 94 / 0 / 63

HEX #3B065F

RGB 59 6 95

HSL 275.73, 0.88%, 0.2%

LAB 14.88, 39.86, -39.86

 

CMYK 38 / 93 / 0 / 47

HEX #530986

RGB 83 9 134

HSL 275.52, 0.87%, 0.28%

LAB 22.85, 51.39, -51.89

 

CMYK 38 / 94 / 0 / 32

HEX #6B0BAD

RGB 107 11 173

HSL 275.56, 0.88%, 0.36%

LAB 30.36, 62.51, -63.37

 

CMYK 38 / 94 / 0 / 17

HEX #830DD3

RGB 131 13 211

HSL 275.76, 0.88%, 0.44%

LAB 37.51, 72.87, -73.87

 

CMYK 36 / 89 / 0 / 6

HEX #991AF0

RGB 153 26 240

HSL 275.61, 0.88%, 0.52%

LAB 43.95, 79.11, -79.75

 

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

CMYK 0 / 94 / 73 / 32

HEX #AD0B2E

RGB 173 11 46

HSL 347.04, 0.88%, 0.36%

LAB 36.59, 59.61, 27.43

 

CMYK 94 / 0 / 76 / 32

HEX #0BAD29

RGB 11 173 41

HSL 131.11, 0.88%, 0.36%

LAB 61.76, -62.09, 53.58

 

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

CMYK 0 / 39 / 94 / 32

HEX #AD690B

RGB 173 105 11

HSL 34.81, 0.88%, 0.36%

LAB 50.7, 21.09, 55.91

 

CMYK 94 / 0 / 39 / 32

HEX #0BAD69

RGB 11 173 105

HSL 154.81, 0.88%, 0.36%

LAB 62.49, -53.16, 24.72

 

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

CMYK 0 / 94 / 73 / 32

HEX #AD0B2E

RGB 173 11 46

HSL 347.04, 0.88%, 0.36%

LAB 36.59, 59.61, 27.43

 

CMYK 55 / 0 / 94 / 32

HEX #4EAD0B

RGB 78 173 11

HSL 95.19, 0.88%, 0.36%

LAB 62.95, -52.41, 62.44

 

CMYK 94 / 0 / 20 / 32

HEX #0BAD8A

RGB 11 173 138

HSL 167.04, 0.88%, 0.36%

LAB 63.17, -45.51, 7.61

 

CMYK 38 / 94 / 0 / 32

HEX #6C0BAE

RGB 108 11 174

HSL 275.71, 0.88%, 0.36%

LAB 30.6, 62.84, -63.56

 

CMYK 0 / 86 / 94 / 32

HEX #AD180B

RGB 173 24 11

HSL 4.81, 0.88%, 0.36%

LAB 37.04, 56.46, 46.54

 

CMYK 55 / 0 / 94 / 32

HEX #4EAD0B

RGB 78 173 11

HSL 95.19, 0.88%, 0.36%

LAB 62.95, -52.41, 62.44

 

CMYK 94 / 8 / 0 / 32

HEX #0B9FAD

RGB 11 159 173

HSL 185.19, 0.88%, 0.36%

LAB 59.78, -28.87, -17.04

 

Description

Color code: HEX #6C0BAE | qconv.com Color code: HEX #6C0BAE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 11 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 11 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 94 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 94% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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