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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C0A13 it is the complementary color #93F5EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C0A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6C0A13: #710A0E, #821C21, #932E34, #A44047 and #B5525A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C0A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6C0A13: #6C0A13, #5B0000, #4A0000, #390000 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

Complementary color

CMYK 40 / 0 / 4 / 4

HEX #93F5EC

RGB 147 245 236

HSL 174.49, 0.83%, 0.77%

LAB 90.58, -30.9, -4.75

 

CMYK 0 / 91 / 88 / 56

HEX #710A0E

RGB 113 10 14

HSL 357.67, 0.84%, 0.24%

LAB 22.86, 42.06, 28.37

 

CMYK 0 / 78 / 75 / 49

HEX #821C21

RGB 130 28 33

HSL 357.06, 0.65%, 0.31%

LAB 28.61, 42.95, 24.01

 

CMYK 0 / 69 / 65 / 42

HEX #932E34

RGB 147 46 52

HSL 356.44, 0.52%, 0.38%

LAB 34.81, 42.69, 20.29

 

CMYK 0 / 61 / 57 / 36

HEX #A44047

RGB 164 64 71

HSL 355.8, 0.44%, 0.45%

LAB 41.24, 41.9, 17.38

 

CMYK 0 / 55 / 50 / 29

HEX #B5525A

RGB 181 82 90

HSL 355.15, 0.4%, 0.52%

LAB 47.75, 40.9, 15.06

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 0 / 85 / 92 / 58

HEX #6B1009

RGB 107 16 9

HSL 4.29, 0.84%, 0.23%

LAB 22, 38.53, 29.28

 

CMYK 0 / 70 / 92 / 58

HEX #6B2009

RGB 107 32 9

HSL 14.08, 0.84%, 0.23%

LAB 24.25, 32.31, 31.58

 

CMYK 0 / 55 / 92 / 58

HEX #6B3009

RGB 107 48 9

HSL 23.88, 0.84%, 0.23%

LAB 27.46, 23.93, 34.54

 

CMYK 0 / 39 / 92 / 58

HEX #6B4109

RGB 107 65 9

HSL 34.29, 0.84%, 0.23%

LAB 31.64, 13.81, 37.96

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 0 / 91 / 82 / 38

HEX #9F0F1C

RGB 159 15 28

HSL 354.58, 0.83%, 0.34%

LAB 33.56, 54.66, 34.21

 

CMYK 0 / 91 / 82 / 18

HEX #D21325

RGB 210 19 37

HSL 354.35, 0.83%, 0.45%

LAB 44.66, 67.8, 43.65

 

CMYK 0 / 83 / 83 / 98

HEX #060101

RGB 6 1 1

HSL 0, 0.71%, 0.01%

LAB 0.57, 1.31, 0.46

 

CMYK 0 / 91 / 82 / 78

HEX #39050A

RGB 57 5 10

HSL 354.23, 0.84%, 0.12%

LAB 8.99, 25.45, 9.99

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 9 / 0 / 92 / 58

HEX #616B09

RGB 97 107 9

HSL 66.12, 0.84%, 0.23%

LAB 42.88, -15.89, 46.69

 

CMYK 92 / 46 / 0 / 58

HEX #093A6B

RGB 9 58 107

HSL 210, 0.84%, 0.23%

LAB 24.15, 4.83, -32.88

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 82 / 0 / 92 / 58

HEX #136B09

RGB 19 107 9

HSL 113.88, 0.84%, 0.23%

LAB 39.03, -42.9, 41.88

 

CMYK 92 / 82 / 0 / 58

HEX #09136B

RGB 9 19 107

HSL 233.88, 0.84%, 0.23%

LAB 13.14, 32.4, -50.84

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 9 / 0 / 92 / 58

HEX #616B09

RGB 97 107 9

HSL 66.12, 0.84%, 0.23%

LAB 42.88, -15.89, 46.69

 

CMYK 92 / 0 / 9 / 58

HEX #096B61

RGB 9 107 97

HSL 173.88, 0.84%, 0.23%

LAB 40.31, -27.97, -1.7

 

CMYK 82 / 92 / 0 / 58

HEX #13096B

RGB 19 9 107

HSL 246.12, 0.84%, 0.23%

LAB 11.93, 37.99, -52.84

 

CMYK 0 / 91 / 82 / 58

HEX #6C0A13

RGB 108 10 19

HSL 354.49, 0.83%, 0.23%

LAB 21.77, 40.72, 24.03

 

CMYK 36 / 0 / 92 / 58

HEX #446B09

RGB 68 107 9

HSL 83.88, 0.84%, 0.23%

LAB 40.84, -28.73, 44.16

 

CMYK 92 / 0 / 9 / 58

HEX #096B61

RGB 9 107 97

HSL 173.88, 0.84%, 0.23%

LAB 40.31, -27.97, -1.7

 

CMYK 55 / 92 / 0 / 58

HEX #30096B

RGB 48 9 107

HSL 263.88, 0.84%, 0.23%

LAB 14.87, 40.41, -47.87

 

Description

Color code: HEX #6C0A13 | qconv.com Color code: HEX #6C0A13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 10 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 10 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 82 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 82% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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