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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BF67D it is the complementary color #940982. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BF67D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BF67D shade: #70F678, #81FF8B, #92FF9E, #A3FFB1 and #B4FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BF67D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BF67D shade: #6BF67D, #5AE46A, #49D257, #38C044 and #27AE31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BF67D shade: #6AF67C, #7DF66A, #A3F66A, #C9F66A and #EFF66A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BF67D shade: #6AF67C, #6AF6A2, #6AF6C8, #6AF6EE and #6AD9F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BF67D shade matches the following richer shades: #6AF67C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BF67D shade: #6AF67C, #76EA85, #83DD8F, #90D098 and #9DC3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BF67D shade: #A4F66A, #7FF66A, #6AF67A, #6AF6A0 and #6AF6C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BF67D shade: #1CF237, #43F45A, #6AF67C, #91F99E and #B8FBC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BF67D shade: #6BF67D, #6ACAF6 and #F66A91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BF67D shade: #6BF67D, #7A6AF6 and #F67A6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BF67D shade: #6BF67D, #6ACAF6, #F66AE6 and #F6966A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BF67D shade: #6BF67D, #6AA0F6, #F66AE6 and #F6C06A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

Complementary color

CMYK 0 / 94 / 12 / 42

HEX #940982

RGB 148 9 130

HSL 307.77, 0.89%, 0.31%

LAB 34.2, 61.65, -30.5

 

CMYK 54 / 0 / 51 / 4

HEX #70F678

RGB 112 246 120

HSL 123.58, 0.88%, 0.7%

LAB 87.35, -61.53, 49.28

 

CMYK 49 / 0 / 45 / 0

HEX #81FF8B

RGB 129 255 139

HSL 124.76, 1%, 0.75%

LAB 90.8, -58.15, 44.72

 

CMYK 43 / 0 / 38 / 0

HEX #92FF9E

RGB 146 255 158

HSL 126.61, 1%, 0.79%

LAB 91.73, -50.78, 36.79

 

CMYK 36 / 0 / 31 / 0

HEX #A3FFB1

RGB 163 255 177

HSL 129.13, 1%, 0.82%

LAB 92.79, -42.87, 28.85

 

CMYK 29 / 0 / 23 / 0

HEX #B4FFC4

RGB 180 255 196

HSL 132.8, 1%, 0.85%

LAB 93.97, -34.53, 20.97

 

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

CMYK 61 / 0 / 54 / 11

HEX #5AE46A

RGB 90 228 106

HSL 126.96, 0.72%, 0.62%

LAB 81.13, -61.77, 48.1

 

CMYK 65 / 0 / 59 / 18

HEX #49D257

RGB 73 210 87

HSL 126.13, 0.6%, 0.55%

LAB 74.95, -61.26, 49.39

 

CMYK 71 / 0 / 65 / 25

HEX #38C044

RGB 56 192 68

HSL 125.29, 0.55%, 0.49%

LAB 68.72, -60.41, 50.57

 

CMYK 78 / 0 / 72 / 32

HEX #27AE31

RGB 39 174 49

HSL 124.44, 0.63%, 0.42%

LAB 62.44, -59.05, 51.47

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67C

RGB 106 246 124

HSL 127.71, 0.89%, 0.69%

LAB 87.21, -62.4, 47.2

 

CMYK 49 / 0 / 57 / 4

HEX #7DF66A

RGB 125 246 106

HSL 111.86, 0.89%, 0.69%

LAB 87.64, -59.88, 56.08

 

CMYK 34 / 0 / 57 / 4

HEX #A3F66A

RGB 163 246 106

HSL 95.57, 0.89%, 0.69%

LAB 89.27, -48.35, 58.4

 

CMYK 18 / 0 / 57 / 4

HEX #C9F66A

RGB 201 246 106

HSL 79.29, 0.89%, 0.69%

LAB 91.4, -34.87, 61.39

 

CMYK 3 / 0 / 57 / 4

HEX #EFF66A

RGB 239 246 106

HSL 63, 0.89%, 0.69%

LAB 94.01, -20.2, 65.04

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67C

RGB 106 246 124

HSL 127.71, 0.89%, 0.69%

LAB 87.21, -62.4, 47.2

 

CMYK 57 / 0 / 34 / 4

HEX #6AF6A2

RGB 106 246 162

HSL 144, 0.89%, 0.69%

LAB 87.77, -56.37, 29.27

 

CMYK 57 / 0 / 19 / 4

HEX #6AF6C8

RGB 106 246 200

HSL 160.29, 0.89%, 0.69%

LAB 88.52, -48.7, 10.8

 

CMYK 57 / 0 / 3 / 4

HEX #6AF6EE

RGB 106 246 238

HSL 176.57, 0.89%, 0.69%

LAB 89.46, -39.62, -7.61

 

CMYK 57 / 12 / 0 / 4

HEX #6AD9F6

RGB 106 217 246

HSL 192.43, 0.89%, 0.69%

LAB 81.48, -23.69, -23.81

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67C

RGB 106 246 124

HSL 127.71, 0.89%, 0.69%

LAB 87.21, -62.4, 47.2

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67C

RGB 106 246 124

HSL 127.71, 0.89%, 0.69%

LAB 87.21, -62.4, 47.2

 

CMYK 50 / 0 / 43 / 8

HEX #76EA85

RGB 118 234 133

HSL 127.76, 0.73%, 0.69%

LAB 84.17, -53.58, 39.11

 

CMYK 41 / 0 / 35 / 13

HEX #83DD8F

RGB 131 221 143

HSL 128, 0.57%, 0.69%

LAB 81.03, -42.98, 30.07

 

CMYK 31 / 0 / 27 / 18

HEX #90D098

RGB 144 208 152

HSL 127.5, 0.41%, 0.69%

LAB 78.06, -31.58, 21.48

 

CMYK 19 / 0 / 17 / 24

HEX #9DC3A2

RGB 157 195 162

HSL 127.89, 0.24%, 0.69%

LAB 75.33, -19.16, 12.46

 

CMYK 33 / 0 / 57 / 4

HEX #A4F66A

RGB 164 246 106

HSL 95.14, 0.89%, 0.69%

LAB 89.32, -48.02, 58.47

 

CMYK 48 / 0 / 57 / 4

HEX #7FF66A

RGB 127 246 106

HSL 111, 0.89%, 0.69%

LAB 87.71, -59.33, 56.19

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67A

RGB 106 246 122

HSL 126.86, 0.89%, 0.69%

LAB 87.18, -62.67, 48.11

 

CMYK 57 / 0 / 35 / 4

HEX #6AF6A0

RGB 106 246 160

HSL 143.14, 0.89%, 0.69%

LAB 87.73, -56.73, 30.23

 

CMYK 57 / 0 / 20 / 4

HEX #6AF6C5

RGB 106 246 197

HSL 159, 0.89%, 0.69%

LAB 88.45, -49.36, 12.26

 

CMYK 88 / 0 / 77 / 5

HEX #1CF237

RGB 28 242 55

HSL 127.57, 0.89%, 0.53%

LAB 83.98, -79.81, 70.87

 

CMYK 73 / 0 / 63 / 4

HEX #43F45A

RGB 67 244 90

HSL 127.8, 0.89%, 0.61%

LAB 85.32, -73.25, 59.85

 

CMYK 57 / 0 / 50 / 4

HEX #6AF67C

RGB 106 246 124

HSL 127.71, 0.89%, 0.69%

LAB 87.21, -62.4, 47.2

 

CMYK 42 / 0 / 37 / 2

HEX #91F99E

RGB 145 249 158

HSL 127.5, 0.9%, 0.77%

LAB 89.97, -48.55, 34.47

 

CMYK 27 / 0 / 24 / 2

HEX #B8FBC0

RGB 184 251 192

HSL 127.16, 0.89%, 0.85%

LAB 93.01, -32.13, 21.71

 

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

CMYK 57 / 18 / 0 / 4

HEX #6ACAF6

RGB 106 202 246

HSL 198.86, 0.89%, 0.69%

LAB 77.26, -16.06, -30.27

 

CMYK 0 / 57 / 41 / 4

HEX #F66A91

RGB 246 106 145

HSL 343.29, 0.89%, 0.69%

LAB 63.3, 57.12, 5.99

 

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

CMYK 50 / 57 / 0 / 4

HEX #7A6AF6

RGB 122 106 246

HSL 246.86, 0.89%, 0.69%

LAB 53.06, 42.07, -68.42

 

CMYK 0 / 50 / 57 / 4

HEX #F67A6A

RGB 246 122 106

HSL 6.86, 0.89%, 0.69%

LAB 65.4, 46.11, 30.99

 

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

CMYK 57 / 18 / 0 / 4

HEX #6ACAF6

RGB 106 202 246

HSL 198.86, 0.89%, 0.69%

LAB 77.26, -16.06, -30.27

 

CMYK 0 / 57 / 7 / 4

HEX #F66AE6

RGB 246 106 230

HSL 306.86, 0.89%, 0.69%

LAB 66.22, 68.32, -37.73

 

CMYK 0 / 39 / 57 / 4

HEX #F6966A

RGB 246 150 106

HSL 18.86, 0.89%, 0.69%

LAB 71.18, 31.9, 38.32

 

CMYK 57 / 0 / 49 / 4

HEX #6BF67D

RGB 107 246 125

HSL 127.77, 0.89%, 0.69%

LAB 87.25, -62.04, 46.78

 

CMYK 57 / 35 / 0 / 4

HEX #6AA0F6

RGB 106 160 246

HSL 216.86, 0.89%, 0.69%

LAB 65.64, 7, -48.36

 

CMYK 0 / 57 / 7 / 4

HEX #F66AE6

RGB 246 106 230

HSL 306.86, 0.89%, 0.69%

LAB 66.22, 68.32, -37.73

 

CMYK 0 / 22 / 57 / 4

HEX #F6C06A

RGB 246 192 106

HSL 36.86, 0.89%, 0.69%

LAB 80.92, 9.85, 50.18

 

Description

Color code: HEX #6BF67D | qconv.com Color code: HEX #6BF67D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 246 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 246 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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